Historical Fiction Archives - Books in my Handbag Blog

A Pesky Sleuth and Dutch Masterpieces in my Handbag

Jennifer S Alderson The Lover’s Portrait

Travel with Jennifer S Alderson to Amsterdam and find out what has happened to some missing Dutch masterpieces. Jennifer asked me to hide the paintings in the Handbag Gallery, but if you read the novel then the secrets will be revealed. A pesky amateur sleuth will guide you through the mystery. Sit back in your armchair, turn back the clock to World War Two. Time to immerse yourself in a narrative, inspired by detailed historical research, and meet the author’s favourite characters.

Dear readers,

I am delighted to share an extract from my art mystery set in present-day and wartime Amsterdam – The Lover’s Portrait.

Home of Jacques Goudstikker, a prominent Dutch Jewish art dealer. His story, along with others, inspired the novel.

It is the second novel following the adventures of my travel and culture loving protagonist, Zelda Richardson. This time she’s discovered a cache of priceless artwork is hidden somewhere in Amsterdam. Trouble is, someone else is prepared to do anything to find the missing masterpieces first – even murder.

This extract is set in Amsterdam in the spring of 1942 when the Nazis occupied the city. Since the German Army stormed into the Netherlands two years earlier, bombing raids, neighbors disappearing, and food shortages have become normal occurrences. Philip Verbeet and Arjan van Heemsvliet are hiding the artwork Zelda will later search for. Their actions and conversation provide clues as to why these paintings must be hidden away.

I have chosen this extract because it introduces you to heart of the mystery, as well as two of my favorite characters in the novel.

Based on the many lovely reviews posted about my novel, if you love art, history and a good mystery, you will enjoy The Lover’s Portrait. And reading it now is a great way to prepare for the release of my next art-related mystery, Rituals of the Dead, on April 6^th!

Happy reading!

Take care,

Jennifer

EXTRACT (From Chapter One):

June 26, 1942

Just two more crates, then our work is finally done, Arjan reminded himself as he bent down to grasp the thick twine handles, his back muscles already yelping in protest. Drops of sweat were burning his eyes, blurring his vision. “You can do this,” he said softly, heaving the heavy oak box upwards with an audible grunt.

Philip nodded once then did the same. Together they lugged their loads across the moonlit room, down the metal stairs and into the cool subterranean space below. After hoisting the last two crates onto a stack close to the ladder, Arjan smiled in satisfaction, slapping Philip on the back as he regarded their work. One hundred and fifty-two crates holding his most treasured objects, and those of so many of his friends, were finally safe. Relief briefly overcame the panic and dread he’d been feeling for longer than he could remember. Preparing the space and artwork had taken more time than he’d hoped it would, but they’d done it. Now he could leave Amsterdam knowing he’d stayed true to his word. Arjan glanced over at Philip, glad he’d trusted him. He stretched out a hand towards the older man, “They fit perfectly.”

Philip answered with a hasty handshake and a tight smile before nodding towards the ladder, “Shall we?”

He was right, Arjan thought, there was still so much to do. They climbed back up into the small shed and closed the heavy metal lid, careful to cushion its fall. They didn’t want to give the neighbors an excuse to call the Gestapo. Not when they were so close to being finished.

Philip picked up a shovel and scooped sand onto the floor, letting Arjan rake it out evenly before adding more. When the sand was an inch thick, they shifted the first layer of heavy cement tiles into place, careful to fit them snug up against each other.

As they heaved and pushed, Arjan allowed himself to think about the future for the first time in weeks. Hiding the artwork was only the first step; he still had a long road to go before he could stop looking over his shoulder. First, back to his place to collect their suitcases. Then a short walk to Central Station where second-class train tickets to Venlo were waiting. Finally, a taxi ride to the Belgian border where his contact would provide him with falsified travel documents and a chauffeur-driven Mercedes-Benz. The five Rembrandt etchings in his suitcase would guarantee safe passage to Switzerland. From Genève he should be able to make his way through the Demilitarized Zone to Lyon, then down to Marseille. All he had to do was keep a few steps ahead of Oswald Drechsler.

Just thinking about the hawk-nosed Nazi made him work faster. So far he’d been able to clear out his house and storage spaces without Drechsler noticing. Their last load, the canvases stowed in his gallery, was the riskiest, but he’d had no choice. His friends trusted him – no, counted on him – to keep their treasures safe. He couldn’t let them down now. Not after all he’d done wrong.

A collection of Jennifer S Alderson’s novels

More About the Story

The Lover’s Portrait: An Art Mystery

When a Dutch art dealer hides the stock from his gallery – rather than turn it over to his Nazi blackmailer – he pays with his life, leaving a treasure trove of modern masterpieces buried somewhere in Amsterdam, presumably lost forever. That is, until American art history student Zelda Richardson sticks her nose in.

After studying for a year in the Netherlands, Zelda scores an internship at the prestigious Amsterdam Historical Museum, where she works on an exhibition of paintings and sculptures once stolen by the Nazis, lying unclaimed in Dutch museum depots almost seventy years later. When two women claim the same painting, the portrait of a young girl entitled Irises, Zelda is tasked with investigating the painting’s history and soon finds evidence that one of the two women must be lying about her past. Before she can figure out which one and why, Zelda learns about the Dutch art dealer’s concealed collection – and that Irises is the key to finding it.

Her discoveries make her a target of someone willing to steal – and even kill – to find the missing paintings. As the list of suspects grows, Zelda realizes she has to track down the lost collection and unmask a killer if she wants to survive.

The Reviews

“Gripping mystery that explores the provenance of artwork that was hidden from the Nazis during World War II and reappears in 2015… As the narrative unfolds and the truth is revealed, the suspense is intensely magnetic and the characters equally captivating.” – BookLife Prize for Fiction 2016, No. 14 in Mystery category (8 out of 10 stars)

“Well worth reading for what the main character discovers – not just about the portrait mentioned in the title, but also the sobering dangers of Amsterdam during World War II.” – IndieReader

“The Lover’s Portrait is a well-written mystery with engaging characters and a lot of heart. The perfect novel for those who love art and mysteries!” – Readers’ Favorite, 5 star medal

Jennifer: I am an avid traveler, journalist, art historian, and long-time expat, who draws inspiration from my own adventures and interests when writing.

Writing this novel was a three-year labor of love that combined several of my passions. Finishing it was exhilarating and frightening at the same time. Of all the characters I’d invented, I missed Arjan van Heemsvliet the most. He was such a kind soul; I’ll miss chatting with him.

In a nutshell my novel is about: missing masterpieces, Nazi blackmailers and a pesky amateur sleuth.

About Jennifer

Jennifer S. Alderson worked as a journalist and website developer in Seattle, Washington, USA, before trading her financial security for a backpack. After traveling extensively around Asia and Central America, she moved to Darwin, Australia, before finally settling in the Netherlands. There she earned degrees in art history and museum studies. Home is now Amsterdam, where she lives with her Dutch husband and young son. Jennifer’s travels and experiences color and inform her internationally-oriented fiction.

I am delighted to showcase Jennifer’s The Lover’s Portrait: An Art Mystery. She has been inspired by art, travel and history – a perfect trio for me. I adore books that give me an insight into an unknown history. The strapline is intriguing:

When a Dutch art dealer hides the stock from his gallery – rather than turn it over to his Nazi blackmailer

Jennifer’s next mystery – Rituals of the Dead – is available as pre-order – release April 6th.

http://jennifersalderson.com/books/rituals-of-the-dead-an-artifact-mystery/

Rituals of the Dead

Zelda is pulled into a world of shady anthropologists, missionaries, art collectors, and smugglers, where the only certainty is that sins of the past are never fully erased. Set in Amsterdam and Dutch New Guinea, art, religion, and anthropology collide in the exciting thriller, book three of the Adventures of Zelda Richardson series

Contacts Details:

My Twitter: @JSAauthor
Facebook: Jennifer S. Alderson sent you a friend request. My author page is: http://www.facebook.com/jenniferSaldersonAuthor
Website: http://www.jennifersalderson.com/

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

A Wing and a Prayer : M. W. Arnold

M. W. Arnold is celebrating the release of his saga novel – A Wing and a Prayer. When I discovered the novel is about women pilots, I had to find out more. I invited Mick Arnold to tell me why he decided to write A Wing and a Prayer.

‘How many people do you know who say, often as a throwaway, I could write a book! Then go on to say, if only I had the time.

‘A Wing and a Prayer’ isn’t one of those books. However, it also wasn’t planned. A couple of years ago, I wrote and had my first book published, ‘The Season for Love’, a contemporary Women’s Fiction story. I followed this up with a bout of ill health which lasted the best part of two years. Good author friends suggested it would help to write something new, instead of taking up an unfinished project. The theory was, by going for a new, unrelated project, I could take myself somewhere I hadn’t been before. It worked.

‘Strong female characters and the true British stiff upper lip to keep calm and carry on in order to find out what happened! This book was more than a wonderful story, it was also a history lesson and I just loved it!’ Amazon Reviewer

Write what you know; is also said. I love history and the same day this was suggested to me, I caught a program on television about the women (men did the same job) pilots of the Air Transport Auxiliary who ferried aircraft to the operational squadrons. Now, that sounds interesting, I thought. So, I spent the whole of the rest of the day scrolling through the internet for anything along the same lines.

I’m usually a pantser but on this occasion, I found myself planning out a saga novel. I’d only ever read a couple but with help and suggestions, again from the same friends, I knew what it needed to read like. Quicker than I’ve ever done, this novel came together and the The Air Transport Auxiliary Mystery Club was born! I didn’t set out to write a mystery into the story of how four girls from different parts of the world find a way of living and working together, yet the first scene in the story sets the scene with one of the girls sisters being found dead in the cockpit of a Tiger Moth biplane!

I served for over sixteen years in the Royal Air Force, travelling all over the world and, of course, the United Kingdom. Some of the bases I served on were once visited by these brave people I’ve written about and I feel honoured to play a small part in keeping their story alive and in, perhaps, bringing it to a new audience. Their bravery needs to be heard about and with this story, the first in the ‘Broken Wings’ series, I hope to be able to perform this task I’ve set myself.’

M W Arnold lives near Northampton, UK and is known to his family and friends as, Mick. He was in the Royal Air Force for 16 years, visiting many different countries and very much enjoying himself. If he ever meets the Queen, he will have to thank her. He began writing as these characters needed their own voices. For a few years now, he’s been a member of the Romantic Novelists Association, a wonderful group of writers who’ve welcomed this bloke into their fold with open arms.

Please see all my Guests’ Posts and also my website and blog at JessieCahalin.com.

A copy of my novel is available here.

A Tale of Two Sisters

It’s time for Jena and her sister to present the next Golden Chapter Review.

Jena, the woman with a golden handbag, has just returned from Florida to present her latest Golden Chapter. Inspired by the title of the book choice, it’s time for Jena to present a novel with her sister.

I selected a Golden Chapter, inspired by the land of the Golden Horn and the Golden Age of Byzantium, I’m eager to share this new book with you, our golden readers. Let’s take a peek at A Tale of Two Sisters by Merryn Allingham.

YOU WILL FIND A TURKISH DELIGHT!

Chapter One

ALICE

London, February 1907

The book begins with a vivid word picture…

“Fingers of pink-tinged could drift through a sky of blue and mauve and deep violet…the spires of Hagia Sophia thrust upwards amid the crumbling beauty of narrow streets and winding alleys. A city at peace.” Istanbul or Constantinople?

Topkapi Palace in Istanbul inspired the story. ‘It was so opulent – so beautiful, and it stayed in my mind.’ Merryn

In the United Kingdom, the Edwardian period is sometimes portrayed as a romantic golden age of long summer afternoons with leisure garden parties, and elites basking in a sun that never set on the British Empire. But it was also an age that heralded great changes in political and social life. And the first chapter of A Tale of Two Sisters resonates with many of the contrasts of the Edwardian Age. Societal and class expectations, fading gentility, and a woman’s place in the world all lead to interesting contrasts and stories.

In my correspondence with the author, she described her book as one of mystery, romance and sadness. The first chapter delivers on this promise and deftly draws us in to a different time, compels us to bond with the characters and care deeply about their plights.

We meet the older sister, Alice. Alice tells us, “I’m twenty-six. My star has waned.” She lives with her invalid parents in a staid house in Pimlico. Their once prosperous life has faded. Alice has succumbed to being the spinster daughter, destined to live a life of service to others.

She had a brother Charlie, who recently died in a puzzling accident. He was adored and well-loved. She also has her sister, Lydia, the youngest in the family. And a take-charge Aunt Cecily enters the fray!

“Lydia is a free spirit.” And a free spirit who apparently left for an exotic place, wrote a few letters home, and then was not heard from.

Lydia might be impulsive, thoughtless even, but Alice was certain she would never simply disappear without telling her family.

Where is Lydia? Alice has been trying to cover for Lydia because she doesn’t want to trouble her fragile parents. But when her Aunt visits, an idea is sparked. An idea that will take us on the Orient Express. (And we know what kind of things happen on that train!)

When I realized that the sisters reveal their stories in their own chapters, I asked Author Allingham to send me a “Lydia” chapter. I found it was easy to switch characters and pick up the story and that this would be an interesting way to present the mystery of what happened to Lydia as we also follow the journey of Alice.

A Tale of Two Sisters starts with a first chapter that sorts out the many characters in good fashion and immediately presents an intriguing mystery, tinged with family tragedy and problems. The allure of Constantinople, where East meets West, adds to the intrigue.

Who is like me and wants to read more? Take a look at the lovely cover! Have you read this book- please comment and tell us your thoughts. Here are a few questions I have, to start our book discussion.

Do you think Lydia is missing and in danger, or missing because she is on another adventure? A romantic one, perhaps?
Will there be a happy ever after ending for Alice?
Will we learn more about why Charlie died?

BONUS QUESTION: Why did Constantinople get the works? Do you know this song- hum along!

https://www.youtube.com/watch?v=Wcze7EGorOk

Jena C. Henry, 2019

Merryn has written an impressive number of novels and is a member of the Romance Novelists’ Association. She writes historical novels, all mysteries with a helping of suspense and a dash of romance. Merryn was inspired to write The Tale of Two Sisters following a visit to Topkapi Place in Istanbul. She said, ‘It was so opulent – so beautiful, and it stayed in my mind.’

The Tale of Two Sisters is out on 21^st March 2019.

It is my pleasure to celebrate this book with Jena. I look forward to ‘an emotional historical drama perfect for fans of Linda Finlay and Rosie Goodwin.’

Biography

Merryn Allingham was born into an army family and spent her childhood moving around the UK and abroad. Unsurprisingly it gave her itchy feet and in her twenties she escaped from an unloved secretarial career to work as cabin crew and see the world.

Merryn still loves to travel and visit new places, especially those with an interesting history, but the arrival of marriage, children and cats meant a more settled life in the south of England, where she has lived ever since. It also gave her the opportunity to go back to ‘school’ and eventually teach at university.

She has written seven historical novels, all mysteries with a helping of suspense and a dash of romance – sometimes set in exotic locations and often against a background of stirring world events. Her latest novel, A Tale of Two Sisters, is set in Constantinople at the turn of the 20th century when rebellion within the Ottoman Empire is growing Against this background the novel traces the fate of two sisters, Alice and Lydia Verinder, dramatically exploring themes of family, love and loss.

For the latest news of Merryn’s writing, visit her website at www.merrynallingham.com or join her on Facebook at www.facebook.com/MerrynWrites/ or twitter @MerrynWrites

Jena is planning her next adventure with her lovely niece

Jena is travelling around the world with her Golden Handbag looking for more opening chapters. Here she is planning her next adventure with her lovely niece. Do you want Jena to visit your opening chapter? Contact her at: jena.c.henry@gmail.com

Please see all of Jena’s Golden Chapters and my website and blog at JessieCahalin.com.

My novel is available here.

The Man with Azure Eyes

As I sat on the train, destined for Paris, I was drawn to a man with ‘azure eyes’.

A man, with ‘azure eyes’, interrupted me during my journey to Paris. He assisted me with my tartan suitcases then handed me a letter from Elizabeth Gates. I broke the wax seal on the envelope. The gentleman disappeared while I admired the script on the letter. I pondered whether I should return to Scotland.

Dear Readers,

After taking a part-time bar job at the sports club she is gradually drawn in to the social scene of the area.

I am delighted to present The Wolf of Dalriada, introducing with this extract, the series’ hero, Malcolm Craig Lowrie and his ‘azure eyes’. This historical adventure novel – run through with sparkling and unashamed romance – draws its characters from the Scottish Isles and the Palace of Versailles and Robespierre’s Paris – with all the bloodshed and glamour that implies. A blend of mysticism and intrigue with humorous social commentary, it’s the ideal read for popping in your handbag for that long train ride.

I hope you enjoy reading The Wolf of Dalriada as much as I enjoyed writing it.

Lizzie Gates

I searched for Elizabeth Gates on Facebook and beseeched her to tell me more about the novel. Mysteriously, she hopped on the train at the next stop, in Ashford. She opened her novel and read to me.

Extract

Chapter 1

Watching from castle battlements, eyes – azure, intelligent – pick out the moon-cast shadows as the rider moves away in dusky night.

Dalriada, Argyll, Scotland 1st January 1793

GAELIC CALLS spin a web through the mist in arcs of soft sound. Fear unsteadies the unseen flocks on the scrub heather hillside as men and dogs weave a trap around them in the darkling night. Once the flocks are penned, then the lanterns are turned towards the south. The watchers wait in silence.

Meanwhile, down below, at Crinan Loch-side, a horse’s muffled hooves slither on the cobbled apron before the Castle Craig Lowrie gate. The slope is steep and wet with winter but the horse keeps moving forward. Then, at the forest’s secret edge, the muffles are removed, swiftly, deftly. The rider – dressed in groom’s clothes and wrapped in a stolen plaid – climbs into the saddle. Which way? They take the track north from Dalriada towards Oban.

***

Watching from castle battlements, eyes – azure, intelligent – pick out the moon-cast shadows as the rider moves away in dusky night. ‘Safer out there than here, at present,’ Malcolm Craig Lowrie thinks. ‘I will know where to find her – when I need.’

He pauses for the tiniest shard of a split moment. He wonders how it would feel to love and be so loved – as that young girl is. Then he turns back to his task in hand. A laird with five hundred armed men at his call, he is waiting – as always – for yet another attack.

Jessie: The man with ‘azure eyes’ was not from our world. Tell me more about the historical context and the plot.

Elizabeth: It is 1793. Revolutionaries plan to execute the French Queen Marie Antoinette and, watching events unfold alongside the whole of Europe, King George III of Great Britain fears French-style rebellion in his Scottish lands.There, fractured truths, torn loyalties and bloody atrocities are rife and, in Argyll, the Craig Lowrie clan desperately need someone to keep them safe. Malcolm Craig Lowrie, the handsome, murderous ‘Wolf of Dalriada’, rises to the challenge. Then, with Adelaide de Fontenoy – a beautiful young Frenchwoman fleeing from debauched lawyer, Sir William Robinson – Craig Lowrie finds love and his dilemmas become as unforgiving as the land of Argyll itself…

Jessie: What do the reviewers think about the novel? I expect they were thoroughly seduced by the plot and characters.

Elizabeth: I have been very pleased with the positive response.

‘Just stunning writing, historical turmoil and romance at its very best’ – Rhona Whiteford, novelist and independent publisher.

‘As Scottish as whisky’ – Deborah Jones, Novelist.

‘You won’t want to put this down’ – Carol Fenlon, Novelist.

Jessie: How did you feel when you had finished writing the novel?

Elizabeth: I was quite bereft when I finished writing ‘The Wolf of Dalriada’. As I couldn’t imagine life without the riveting character of Malcolm Craig Lowrie and the urbane and evil Robinson, I immediately started my second novel, due out this year. I’m now creating a series.

More about Elizabeth

In the 1970s-80s, with a BA Hons English Language & Literature and an MA in Linguistics, Elizabeth Gates explored Europe as a teacher. After 25 years, in freelance health journalism, she began work on the ‘Wolf of Dalriada’ series. And now, while writing fiction, she runs workshops in Writing for Wellbeing.

Elizabeth Gates loves writing, history, travel, and spending time with family, friends, Labradors and other animals.

The Wolf of Dalriada sounds captivating. The laird certainly sounds charming. I hope you are tempted to visit Craig Lowrie and his dilemmas.

Elizabeth’s Contact Details:
W: www.elizabeth-gates.com
E: egates3@gmail.com

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

An Opera Singer’s Debut Novel

Enjoy the Scandinavian landscape presented in this vintage postcard

Meet a Danish opera singer and artist, Hanne Holten, who couldn’t stop writing until she completed her debut novel. Snares and Delusions explores myths, class and women’s situation in a time when their place was defined by their husbands. Hanne agreed to write to her readers and present an extract of her unique novel. As I discovered more about Snares and Delusions, I could not resist asking additional questions.

Dear Readers,

I am delighted to present an extract from my debut novel: Snares and Delusions.

The protagonist, Hedda, faces her life — and death — in dreams and nightmares. The feisty teenager develops into an independent woman through traumatic events and brief moments of romance.

The extract is a central scene in the book where Hedda faces her abusive and — by then — insane husband. This is a pivot point that determines her future in both positive and negative ways.

Dreams and nightmares, Norse Mythology, romance, terror and the story of a life — all in one book that fits snugly in a handbag — what’s not to love?

Best wishes,

Hanne x

Jessie: What genre does your book fit into and is the writing like any other author’s style?

Hanne: Basically, Snares and delusions is a historical novel of a literary cast. It may fit into other genres too, it certainly has elements of myth, suspense, humour, and drama. Is my style like another author’s? I’m not sure. I can think of a few authors who have written similar subjects, for instance, John Irving in Avenue of Mysteries, and Kazuo Ishiguro in The Buried Giant.

Jessie: The content of your novel seems challenging. Would you agree with this statement?

This portrait in Sepia’ presents Hedda, as I imagine her at the time of the extract.

Hanne: I’d have to agree with that. It is set in a period when men had absolute power over women, and my heroine, being dead set on winning her independence, takes up the challenge. Also, it deals with death, with pain, and nightmares on different levels.

Jessie: What have your readers said about this unusual novel?

Hanne: The reviews have been positive. Here are some quotes I have enjoyed:

‘Such a wonderful book.’

‘The writing style is detailed and is teleporting you directly into the story and its surroundings.’

‘Go for it! You will love it!’

Jessie: This novel sounds unique, challenging and intriguing. Can you tell me more about the novel that takes Hedda to hell and back?

Hanne: The combined forces of opium and pain brings her face to face with her life. From rural Sweden in the late nineteenth century, over Silkeborg to the Danish Capital, and during the Great War, she experiences love and loss, poverty and betrayal.

Hedda gives up everything to win independence. She soon discovers that this is one thing to wish for and another to achieve. Life handles her roughly, but can she develop strength of character? Will she pay for her freedom in ways she doesn’t anticipate?

Jessie: Reviewers have praised your style of writing. Please give us an extract to introduce us into Hedda’s world.

Inside the study, the French windows swing back and forth in the breeze. The curtains hang half off their pole, and there are mounds of twigs and moss on the tables. Most of Conrad’s books lie on the floor. Every surface is covered in bird droppings, and the stench makes Hedda gag. She enters the room step by step and whimpers when she crunches a mouse-carcass under her foot.

Out of the blue something grabs her hair. Hedda yells and waves her arms to dislodge the creature but it claws at her hands. She can’t see anything but feels its wings, flapping around her head. The bird screeches, pecking at her skull. She screams, but falls silent, as Conrad enters through the open French windows. He carries an axe, and a raven perches on his shoulder. He turns his back on Hedda and takes place at his desk.

Then he whistles sharply. The other bird leaves Hedda and lands on his free shoulder. Conrad gets to his feet and grasps the claws of one of the ravens. He decapitates the sooty bird, using the desk as a chopping block. Wood splinters and wing feathers fly in the air, as the other raven tries to escape through the open window. Conrad throws the axe with uncanny precision, and the raven drops to the floor with a thumping noise, surrounded by broken glass from the window.

Hedda still screams. She tries to quell the sound with her hands, when Conrad turns towards her.

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

It was hard to let go of Hedda, so hard that she features in my second book, soon to be published. Hedda isn’t the main character, and this isn’t a series. Still, there is a connection in time and setting between the two books.

How has your life as an opera singer and artist impacted on your writing?

No doubt, my life influences my writing. It is difficult to say whether my singing or painting has made a direct impact, but I tend to have a visual idea of the scenes as I write them. I also plan to write a book where the protagonist wants to be an opera diva.

About the Author

Hanne Holten was an opera singer and a painter who couldn’t stop writing. So far, that resulted in her debut novel, several poems, and a work in progress that explores of the history around and after the Great War.

She grew up in Denmark but lived and worked in London for fifteen years. A few years ago, she left the UK for Germany. After graduating as an opera singer, she turned to teaching. This way she acquired an eye for details that helped her developing Snares and Delusions.

Contact details
Email: hanne@holten.co.uk
FB Hanne Holten Writes: https://www.facebook.com/HmH24
Blog: http://blog.holten.co.uk
Twitter: https://twitter.com/HoltenHm @HoltenHm

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

Discover the Dark Ages with John Broughton

John Broughton spends a great deal of his time stuck in the Dark Ages. As a historian, John is happy to become immersed in the gruesome eighth century. He is not afraid to walk beside kings, noblemen and monks who inhabit a world where it is ‘kill or be killed’. John’s novels are praised for the historical accuracy and take you into the heart of the bloody battles. Though a little afraid, I asked John to explain what inspired him to write his third novel Saints and Sinners. John sent me a letter via a gallant messenger.

My third published novel, Saints and Sinners, was inspired by a love of my county, Lincolnshire, and of the Anglo-Saxon period in general. Putting the two together leads one to the Kingdom of Lindsey, the least-known of the Dark-Age kingdoms. Starting from the apparently simple desire to write a novel about this kingdom, I soon realised that our knowledge of Lindsey is very limited, being almost exclusively dependent on archaeological revelations.

The names we have for Lindsey are from a debatable list of kings, who were anyway, sub-kings to the powerful neighbouring Kings of Northumberland or Mercia. One name, however, kept recurring in my research – that of Guthlac: the hermit saint who founded the monastery of Crowland. His life was recorded in a hagiographic work by a monk, Felix, crucially within a generation of his living.

Saint Guthlac takes a boat in the Fens to Crowland

What a character was Guthlac! Setting aside the monastic praise, isn’t it interesting how a red-blooded Saxon nobleman left a life of military adventuring, ale-guzzling and wenching to become an ascetic in the wilderness of the Fens? This apart, his best friend was a certain Aethelbald, another Mercian noble, devoted to the former lifestyle of Guthlac. This sinful nobleman was considered a dangerous pretender to the throne of Mercia: so much so that he was exiled and fled into the Fens where his old friend sheltered him for a while.

A fragment of a cross shaft from Repton includes on one face a carved image of a mounted man which, it has been suggested, may be a memorial to Aethelbald.

What makes Aethelbald even more intriguing is that from being a hunted exile he became one of the greatest of Mercian kings. My idea of a novel about Lindsey transformed into one about Mercia too. By the way, Aethelbald was condemned in a letter from Boniface for seducing nuns. The novel is truly about saints and sinners!

Guthlac’s life is still commemorated. Apart from the ruins of the Crowland monastery – still with the tallest bell tower in the land – his name lingers on in the Saint Guthlac School in Crowland, and even in street names in places as far away as Hereford. Of course, we must not forget St Guthlac’s Church in Market Deeping and another in the fenlands at Fishtoft is dedicated to him.

St Guthlac, tormented by demons, is handed a scourge by St Bartholomew, Guthlac Roll, 1210, British Library

As for Aethelbald, well, he’s remembered in the sequel to Saints and Sinners, entitled Mixed Blessings, scheduled for publication on January 25 2019, dealing wholly with the vicissitudes of his long and successful reign. A fragment of a cross shaft from Repton includes on one face a carved image of a mounted man which may be a memorial to Æthelbald. The figure is of a man wearing mail armour and brandishing a sword and shield, with a diadem bound around his head. If this is Æthelbald, it’s the earliest large-scale pictorial representation of an English monarch.

John posted his letter in Italy, but I received the letter via a messenger on horseback. The messenger arrived on Offa’s Dyke at Tintern. He told me he was from a dark and treacherous land and couldn’t be sure who had followed him. He was required on the battlefield, so I bid him farewell, and watched as he rode his horse through the landscape. We will have to read John Broughton’s books to solve the mystery of where the messenger returned to.

You can read Saint and Sinners and the sequel Mixed Blessings. You are warned ‘Saxon times are not called the Dark Ages for nothing. It is a violent, unrecognisable world of kill or be killed …’

In all of John Broughton’s stories you will find:

‘All the classic elements of an adventure story, danger, heroism, cunning and treachery. The author knows his period well but wears his history lightly’ – Rosemary Noble

John Broughton was born in Cleethorpes, Lincolnshire, and studied Medieval and Modern History at the University of Nottingham. He also studied Archaeology, distinguishing himself with a Roman find on a dig at Ancaster. He taught History and English for a decade, becoming Head of Department of History in a Manchester grammar school. A restless period saw him experiment with writing children’s stories while working in a variety of jobs before moving in Italy to teach EFL at a southern university. Teaching and work as a translator of books kept him busy until he retired in January 2014. Since then he has taken up fiction writing once more – returning to his great love, the Anglo-Saxon period. His debut historical novel was The Purple Thread followed by Wyrd of the Wolf.

You can also meet John at:

https://jessiecahalin.com/history-tour-chat-anglo-saxonist/

Please see all my guest’s posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

My novel can be found here.

Sadie’s Wars: Powerful and Deeply Moving

This historical saga of an extraordinary Australian pioneer family continues into a new generation

I have been idle for two days and it is Rosemary Noble’s fault. I travelled from innocence to experience with her character, Sadie. She had my ear as soon as I walked into this thrilling family saga. This hard-hitting, realistic document of challenging times deals with: propaganda, inequality, domestic violence and loss. Insight into Australia and England placed me in the centre of the historical periods.

Strategic juxtaposition of Sadie’s life during World War One Australia and World War Two Grimsby is brilliant. Noble explores how our experiences make us react in the future thus providing depth to Sadie’s character. Wounded by past troubles, Sadie makes decisions that made me want to sit her down and give her advice. Tempting questions hang artfully in each chapter of this novel. The trajectory of the plot is driven by the intense drama: the action never stops.

A photo of Sadie (she is the standing bridesmaid). This is the only one I have. She is a bridesmaid for her brother, Joe and his wife, Olive. Grandma Jane is sitting next to her. (I found this photo on the author’s website).

I moved from the air raids and community spirit in Grimsby to Sadie’s privileged life in Australia. Neither the ‘uninterrupted sky changing from purple to cobalt’, nor the ‘endless grey skies’ of Grimsby can shelter Sadie from the harsh reality of life. In her innocent years, she is brainwashed by war propaganda then learns about the impact on people as she moves through her life. Sadie is raised to ‘obey your father until you marry then obey your husband.’ Like her contemporaries, the social straightjacket causes Sadie pain. Noble shows the inequalities between men and woman at the turn of the century and contrasts it with changing attitudes in post Second World War Britain. Historical events, attitudes and politics are artfully woven into the narrative fabric of the novel.

Details of a wealthy life in Australia at the turn of last century intrigued me. I lingered on the verandas and looked at the ‘rich grassland and vineyards as far as the eye could see, framed on by majestic mountains.’ I admired Sadie’s wardrobe of beautiful clothes but realised her wealth and over-protection of her father made her more vulnerable. At every turn, I felt empathy for the young Sadie who is isolated by her ignorance. ‘Her marriage seemed like a distant dream and her husband merely an actor in it’, and I wanted to chat with Sadie. Noble explored love so beautifully in the novel. There is an enchanting, exciting love story, as Sadie learns what real love means.

The wiser, experienced Sadie charmed me. I sat with her as she waited to discover if her sons would return safely from the RAF. Noble takes the reader into the heart of air raids in Grimsby. The air raid provides a backdrop to the inner turmoil Sadie suffers, and all these emotions are vividly connected to experiences of the past. Events in post-World War One Australia were shocking. An intelligent, powerful and deeply moving novel from Rosemary Noble.

About the Book

An astonishing tale, spanning continents, where truth is stranger than fiction. This historical saga of an extraordinary Australian pioneer family continues into a new generation.
Sadie is brought amongst the vineyards of the Yarra Valley whilst her work-obsessed father reaps riches from the boom years before the Great War.
With post-war depression looming, Sadie’s only option is to flee from her disastrous marriage, seeking refuge in Cleethorpes, a small seaside town in northern England.
Years later, when her sons are in RAF Bomber Command, she receives a letter from her long-lost brother which forces her to confront the past and her part in her family’s downfall.
Can old wounds be healed?
Will she find new love?
Will this second war destroy everyone she saved?

Rosemary Noble is the author of Sadie’s Wars and the Currency Girls Trilogy. This is her favourite writing spot.

About Rosemary

Rosemary worked as a college and university librarian and has a life-long love of social history and reading. Researching family history led to an interest in Australia where Search for the Light ends and provides the setting for the sequel, The Digger’s Daughter. A third book in the Australian series, Sadie’s Wars, is now available.

Rosemary is a member of Arun Scribes Creative Writing Group and a member of CHINDI (Network of Independent Authors). Her third book, Ranter’s Wharf is set in England during the first half of the nineteenth century. In odd moments, she writes flash fiction for Paragraph Planet and Drabble.

For more information read my interview with Rosemary here or visit Rosemary’s blog at https://rosemarynoble.wordpress.com/

Please see all my book reviews and book excerpts at Books In Handbag and my website and blog at JessieCahalin.com.

Escape to a Medieval Castle with Ella Matthews

Ella Matthews lives and works in beautiful South Wales.

Do you fancy a trip to medieval Britain and an encounter with a warrior knight? If you do, then let me introduce to Ella Matthews who has just released Under The Warrior’s Protection. Ella is a member of my local Romantic Novelists’ Association writing group. I was keen to discover more about how her role as a commissioning editor prepared her to become an author for Mills and Boon.

Did you dream of becoming an author when you were a child?

When I was a child I wanted to be an actress. There are two problems with this: I’m very shy and I’m a terrible actor. I thought that writing books is what other people did, so although I loved reading it never occurred to me that I could be an author too.

You were a commissioning editor for many years. Was it difficult to make the transition from editor to writer? What were the key pointers you had in mind when you started to write?

There is quite a lot of cross-over with my editor role and writing and because I was so immersed in the publishing world it was quite easy to transition from one to the other. As a commissioning editor you are always thinking of the commercial appeal of the books you work on and that was one of my focuses when I was putting my first manuscript together. I’d love to say that my experience as an editor made getting rejection letters easier because I know it’s not personal but sadly, that’s not the case.

‘A story filled with drama, danger and fabulous characters that had me hooked.’
Anna’s Book Blog

Under the Warrior’s Protection is set in the medieval period. Why did you select this period in history and how do you research the era?

I find it quite hard to research the medieval period. There is so much that’s unknown so I try and make an educated guess based on the research I do (mainly visiting castles and reading lots of books). My biggest concern is that I miss something and a reader picks it up.

I picked this time period because I’ve always wanted to live in a castle and this is the closest I’m going to get.

How many times do you draft a book before you send it to your editor? How many rewrites do you go through before the book is ready to release into the wild?

I go through a lot! I would say that, on average, I draft individual scenes about eight times before I’m happy with them. When I’ve finished the manuscript I will probably go through it another four times before I send it to my editor. Victoria will then get back to me with any changes she wants before it’s sent to a content editor who makes sure I haven’t written something crazy, like eating pizza at a medieval feast. After that, it’s the proofs and then finally it’s released into the wild.

The hero of Under the Warrior’s Protection is an influential Earl and his fortress is based on Caerphilly Castle.

Where do you get your ideas from? Do you find perfect medieval heroes and heroines walking our streets when you are out and about? If yes, then please give us a delicious example.

Gosh this is a hard question! I had the idea for the first book in the House of Leofric series so long ago that I’ve forgotten where the idea came from. All the other ideas for my medieval books have come from writing the other books. So, I had the idea for Under the Warrior’s Protection when I met the heroine, Katherine in my first book. She was a minor character, who caught my attention. Her story unfolded in my head as I was standing by the photocopier at work.

I’m terribly unobservant and I sort of walk around in my own bubble, so I never get my heroes and heroines from real life. Quite a few of my heroes seem to have Chris Hemsworth’s physique though!

Your novels always have distinctive settings. The latest book is set in a medieval castle. Is it based on a real castle and did you visit medieval castles to inspire you?

The castle, which features in all the House of Leofric books, is based on Oystermouth Castle in Mumbles (well worth a visit when Swansea opens back up again!). The hero of Under the Warrior’s Protection is an influential Earl and his fortress is based on Caerphilly Castle. I’m lucky to live in Wales where there are a range of medieval castles to visit.

What is the biggest challenge when writing a historical novel?

It has to be finding out the correct information. The medieval period lasted for several hundred years and so what was true at the beginning was not necessarily the case by the end. My novels tend to take place in the middle and I’m very nervous about the fiction not matching up with reality. That’s why my locations are fictitious and there are no real people from history in my novels. I might be braver in my next series!

What clothes do your characters own and are there any interesting, unfamiliar garments?

Clothing is another big challenge when writing medieval novels. When I started researching this time period I was surprised at just how colourful their clothing was. I think the women’s outfits aren’t wildly different to modern day women’s maxi dresses. My heroes tend to wear knight’s clothing because their everyday outfits were similar to the women’s and I don’t want to cause confusion.

Is your heroine, Katherine, a modern woman? Introduce us to Katherine and tell us what she would think of the way women dress and behave today.

Until the start of my novel, Katherine has led a very restricted life under the confines of an increasingly violent mother. She craves adventure and stability. I think she would be thrilled by how women behave today. She’d particularly love the freedom to travel anywhere in the world. If she lived now I think she would be a marine biologist! I do think she would be shocked by the mini skirt, though!

Your novels are presented as wonderful romantic escapes. What should readers expect to find in your novels?

Strong, confident alpha males and feisty, forward-thinking women who experience adventure and romance.

What do the readers say about your novels?

‘A story filled with drama, danger and fabulous characters that had me hooked.’

Anna’s Book Blog

‘This story…is full of angst, humour, and passion. Prepare to be romanced by another great author who is going on my favourites list.’

The Eclectic Review

‘This couple’s story kept me entertained, engrossed and I loved them more, the further I read.’

Goodreads review

Ella Matthews lives and works in beautiful South Wales. When not thinking about handsome heroes she can be found walking along the coast with her husband and their two children (probably still thinking about heroes but at least pretending to be interested in everyone else). Ella Matthews lives and works in beautiful South Wales. When not thinking about handsome heroes she can be found walking along the coast with her husband and their two children (probably still thinking about heroes but at least pretending to be interested in everyone else).

Please see all my author interviews at My Guests and also my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Slipping back to 499 AD with Julia Ibbotson

Julia posting her guest post to Books in Handbag Blog

Julia Ibbotson contacted me and offered me the opportunity to slip into 499AD and meet the characters of her latest novel. Lady Vivianne is from 499AD and Dr Viv DuLac living in the present day. In A Shape on the Air, the worlds of these two women collide to create a fascinating narrative. Fascinated by the concept, I asked Julia to explain more about her novel.

Dear Jessie,

My latest novel, A Shape on the Air, is about two women, divided by centuries, united by a quest for truth. Dr Viv DuLac, a medievalist, is devastated when her partner Pete walks out (and with her best friend too) and it seems that she is about to lose everything. Drunk and desperate, her world quite literally turns upside down when she finds herself in the body of the fifth century Lady Vivianne. Lady V has her own traumas; she is struggling with the shifting values of the Dark Ages and her forced betrothal to the brutish Sir Pelleas, who is implicated in the death of her parents. Little does Viv realise that both their lives across the centuries will become so completely intertwined. Haunted by both Lady Vivianne in 499 AD and by Viv’s own parents’ death and legacy, can Viv unlock the mystery that surrounds and connects their two lives, 1500 years apart, and bring peace to them both?

As with all authors, my characters’ voices ring around my head as I write. So I’ll imagine the women speaking for themselves and this is how they might have introduced themselves to you …

Meet Lady Vivianne …

It is the year of Our Lord 499, I am fifteen and I have a problem. I am betrothed, against my will, to the odious Sir Pelleas, yet I am not unaware of the glances of my childhood friend, Sir Roland. It was my late father, kind as he was, who took in the tattered cast-out Saxon child Pelleas, thinking him to be a potential successor as chieftain of our settlement in the midlands of England. Back then, it was not so usual for a woman to succeed to the chieftaincy, and anyway I was not expected, my dear mother being cursed to be childless. But she had used her pagan rituals to try to conceive, and I was the result. They named me Lady Vivianne.

I will never forget the day that my parents died, burned in the fire that destroyed our sacred hall. Sir Pelleas said that it was the tallows on the altar. But yet I knew that was not so. And as I grew towards my sixteenth year and Pelleas had already persuaded the council in the mead hall with his military prowess to confirm him as chieftain, he was appointed my ‘protector’ and my suitor.

I hate him. I hate his brutish ways and his raucous drunken friends as they feast and carouse and stink in my father’s hall that used to display rich tapestries and religious icons, a backdrop to the travelling scōps with their beautiful poetry.

I will do anything, anything at all that is in my power, to rid myself of Pelleas and this terrible betrothal. And I have powers, like my mother, Lady Nymue, the lady of the lake, believe me …

Meet medievalist Dr Viv DuLac …

… I get home to my apartment a couple of nights ago, totally unaware of what that night would bring. I’d had a hard day at the university where I teach medieval studies. Maybe it’s tiredness but I think I hear my dead mother’s voice in my pounding head and the name ‘Lady Vivianne’. But my mind is full of my partner Pete’s treachery. I still cannot believe that he would stoop so low. Going off with one of my best friends and then having the gall to try to sell the apartment from under me. I’d like to hate him, but it’s not so easy to dismiss those years, is it? Are there no decent men left? I’d do anything, anything at all, to keep my beloved home and to be safe. But instead I drink far too much red wine and make for the lake where something is drawing me …

As their lives become intertwined, the quest for truth intensifies. How is Lady Vivianne connected to Dr Viv’s parents’ death and the centuries-old mystery they tried to uncover? By the way, Jessie, my WIP (The Dragon Tree) is the sequel to A Shape on the Air, and will be published later in 2020.

With love,

Julia

Website/blog   https://www.juliaibbotsonauthor.com
Facebook          https://www.facebook.com/JuliaIbbotsonauthor
Twitter              @JuliaIbbotson
Pinterest           http://www.pinterest.co.uk/juliai1

About Dr Julia Ibbotson

Acclaimed, award-winning author Julia Ibbotson is fascinated by the medieval world and concepts of time travel. She read English at Keele University, England (after a turbulent but exciting gap year in Ghana, West Africa) specialising in medieval language, literature and history, and has a PhD in socio-linguistics. She wrote her first novel at 10 years of age, but became a school teacher, then an academic as a senior university lecturer and researcher. As well as medieval time-slip, she has published a number of books, including memoir/history of food (The Old Rectory), children’s medieval fantasy (S.C.A.R.S), a trilogy opening in 1960s Ghana (Drumbeats), and many academic works. Apart from insatiable reading, she loves travelling the world, singing in choirs, swimming, yoga and walking in the countryside in England and Madeira where she and her husband divide their time.

Please see all my guest’s posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Inspiration for a Tuscan Girl

I am honoured that Angela wrote a letter to explain the inspiration behind Tuscan Girl. Sit back and enjoy a writer’s tour of Italy.

Bestselling author, Angela Petch, released ‘Tuscan Girl’ last week. I started to read the novel on a stormy Saturday night and awoke at dawn to finish the book. Lost stories of war, hidden treasure and buried memories gripped me. As a writer, I wanted to learn how this talented author manages to weave such captivating stories. I am honoured Angela wrote a letter to explain the inspiration behind Tuscan Girl. Sit back and enjoy a writer’s tour of Italy.

In the Tuscan Apennines, where I spend six months of every year, I can step out of our front door straight into wild countryside. Our area is less populated after post war exodus, when people left for work abroad and in big cities and so I come across many ruined houses along the mule tracks that crisscross our hills and valleys.

Each abandoned dwelling holds a potential story and my imagination goes into overdrive, trying to guess what might have gone on within these walls, now strangled with weeds.

Many of the old houses are being eaten up by old man’s beard

When I was seven years old, my father accepted a job in Rome as deputy head of the Commonwealth War Graves Commission. They were formative years and I picked up Italian like a little sponge. I’ve wheedled out stories behind these houses by chatting to elderly friends and through my research. We are lucky to have the national archive of diaries in nearby Pieve Santo Stefano and I’ve spent hours poring over handwritten resources.

Bruno sitting outside the house owned by his son, who had just returned from collecting wild mushrooms.

One of my friends is Bruno Vergni, one hundred years old last January 13^th. I met him seven years ago on one of my hikes. I stopped to chat as he pruned an apple tree and, to my huge surprise, he responded in English. He explained that he had been a POW in Nottingham, having been captured in Libya early in the war.

I researched more about Bruno’s war and he is now one of the main characters in “The Tuscan Girl” (albeit tweaked with my own ideas). He now lives with his son, but in my story I have placed him in one of the semi-deserted hamlets called Tramarecchia.

Pieve Santo Stefano holds Italy’s collection of diaries – a wonderful resource

A favourite walk is up to the beautiful Alp of the Moon, (1,400 metres). We stopped to picnic by a pile of stones and read a sign posted by the local partisan association. Up here, in the summer of 1944, a group of young men planned their resistance missions. After researching and meeting a local historian, Alvaro Tacchini, more ideas for my book were gleaned.

An abandoned chapel, two houses on the outskirts of the village, empty because of a brothers’ squabble, the outline of a Medici fortress… all ruins waiting to be written about in future books.

Angela’s explanation connected me to Alba who treks around the remote Tuscan villages and rebuilds the ruins in her paintings. She discovers ‘The paths…like arteries leading to the heart of new stories.’ I enjoyed treading these paths with Alba and look forward to more stories.

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Real folk in One Hundred Tiny Threads

I urge you to read One Hundred Tiny Threads

Judith Barrow’s ‘One Hundred Tiny Threads’ reawakened my reading addiction. I stretched on a Devon beach, during a heatwave, but sat in Lancashire during 1911. Vivid figurative language moved me from the colours of a Monet painting to a Lowry painting.

One Hundred Tiny Threads is the prequel to Judith’s Howarth family saga but was the perfect book to begin with. Bill was trapped down the mine and the explosion deafened me. I stood in the dark, grimy streets as the ‘knocker-upper’ tapped on the Winifred’s window. I forgot the heat of the sun as ‘frost patterns covered the panes of the windows’. ‘The clatter of clogs’ on the cobbles turned my head to the dark streets and ‘the feeling there was a shadow lurking around the corners’.

A life beyond the grocer’s shop counter ruled over by Winifred’s domineering mother.

Despite shivering with Winifred, I found warmth in her friendship. Winifred presented me with an honest account of a woman’s plight during the beginning of the last century. Her rebellion against her dominant mother placed me firmly on Winifred’s side. I was driven mad to discover Winifred’s mother’s secret; I could not fathom her bitterness. Barrow demonstrates why Winifred needs to befriend Honora, a suffragette, and why she finds comfort in Conal’s arms. Every strand of the characters’ backgrounds is woven into their actions and responses.

I stretched on a Devon beach, during a heatwave, but sat in Lancashire during 1911. ‘The clatter of clogs’ on the cobbles…

I felt for Winifred. Her naivety and love for Conal present tender moments. How I ached for Winifred’s happy ending. The narrative wrenches the heartstrings and punches your senses, but the strands of the plot are taught and well structured. But there is no time to mollycoddle the characters: there’s ‘nowt’ you can do as the characters face life, love and loss. I advise you set time aside and listen to the characters’ voices and let the gritty drama unfold. The dulcet tones of the Lancashire people rattle your emotions with the powerful dialogue. Be aware of Ethel who makes the ‘air seem rancid with hostility.’

The artfully woven narrative is populated with real folk: ‘good Northern stock’. I couldn’t abide the hardship yet couldn’t stop reading. I found myself thinking about the characters when not reading. The folk got under my skin. Barrow is not afraid to introduce some horrible people and conflict. I loathed Bill because he is a hard-faced, rotten man. Yet, I was forced to explore the motivation for his character. It was most annoying to feel empathy for Bill. I wanted to banish him from the book and leave him to rot in a dark alley. Barrow made me understand the motivation for this bloke’s actions.

‘…all they wanted was equality in voting’

Winifred was isolated from her mother Ethel and inhibited by the era but wanted to shake off the corset of stifling expectations. Ironically, Winifred’s mother inhibits her more than her father. Barrow demonstrates how women like Ethel were trapped by their own boundaries and expectations: fear of society’s rejection isolates those who have dared to follow their hearts. Women such as Winifred who dared to articulate the inequalities of women in normal settings:

Women such as Winifred paved the way for the birth of the modern woman.

‘…all they wanted was equality in voting; to be able to have as much as their husbands, their brothers, their fathers.’

Barrow squeezes every drop of empathy from her reader, because she explores the complex psychological motivations of the characters. It is testimony to Judith Barrow that she creates such powerful characters. The rhythms of the characters’ words are combined with the ebb and flow of the narrative to produce a phenomenal drama of epic proportions. I am delighted there are more books to read in this family saga. However, I am fearful for Winifred’s plight in the remaining novels. shh – don’t tell me what happens. I am not sure Winifred has made a good choice of husband, but he does believe Winifred ‘was the one woman to keep him on the straight and narrow.’ Narrative perspectives of Winifred and Bill provide clever contrast in life experiences. The basis for their relationship is dynamic, yet I sense some threads will fray in the other books. Florence said, ‘men will have their way’; I hope this is not an omen.

The Suffragette Movement, World War One and the Irish War of Independence are threaded into the fabric of the novel. Hard times exasperate the loneliness suffered by the characters. I urge you to read One Hundred Tiny Threads to find out more about the texture of these characters’ lives – you won’t be disappointed.

Connect with Judith at:

Website: https://judithbarrowblog.com

Find out more about Judith at:

Twitter: @judithbarrow

https://www.facebook.com/judith.barrow.3

Please see all my book reviews at Books In Handbag and my website and blog at JessieCahalin.com.

Are you ready for a real Game of Thrones? – 1066

Are you ready for a real Game of Thrones? Glynn Holloway’s debut historical novel: ‘1066: What Fates Impose’ is now available. I asked the author to explain why a reader should delve into his novel.

Dear Readers,

I am delighted to present, 1066: What Fates Impose, a novel about the fall of Anglo-Saxon England.

The extract I have chosen is from the opening chapter, which shows William the Conqueror on his deathbed. The dying king is filled with guilt and haunted by the horrors he inflicted on the English.

The reason I picked this extract is because it has a lot of impact. I felt I needed this, and also, I think the guilt he feels on his death bed and the consequences he feels he will have to face in the afterlife, poses the questions at the beginning of my novel:

Did William really think he had a claim to the English crown?

How much responsibility did he accept for the deaths of tens of thousands?

If you want those questions answered, and a lot more besides, put my novel in your handbag. If you do, you’ll be in possession of a book filled with: family feuds, court intrigues, papal plots, assassinations, loyalties, betrayals, a love triangle and a battle or two. Everything, in fact, that made living in the eleventh century such fun.

With Best Wishes

Glynn Holloway

Extract

With the very last of his strength he raises his head to look around the room. There are his sons, the bishop, his brother and . . . ‘Oh God, oh God Almighty. No not him! Not now!’

His eyes bulge as he is gripped by terror. Before him, unseen by the others, stands a blood drenched warrior, tall and proud as an oak, fresh from the battle field, his lank and sweat soaked hair hangs down his shoulders, his once handsome face made ugly by an eyeless socket. As though to steady himself, he leans on his battleaxe, resting his hands on its iron head. He stares impassively at William with his single eye, blue and deep as the ocean, a stare mead all the more intense by its singularity.

William has seen him, or thought he had seen him, a number of times over the years glimpsed in crowds or spotted in enemy lines, but never has he seen him so clearly, so close and for so long as he does now.

‘Have you come for me?’ he asks.

A trace of a smile appears on the face of the apparition, who turns, swinging his axe over his shoulder as he does so, before stepping, with a swift backward glance, silently out of the room.

Hopelessness descends on the king; his temperature rises, and he feels hot again. He wants to break free from the heat, but escape is impossible. Was he like a pagan king of old to be consumed by fire?

The is hot, black and silent.

End of extract

About 1066 What Fates Impose

England is in crisis. King Edward has no heir and promises never to produce one. There are no obvious successors available to replace him, but quite a few claimants are eager to take the crown. While power struggles break out between the various factions at court, enemies abroad plot to make England their own. There are raids across the borders with Wales and Scotland.

Harold Godwinson, Earl of Wessex, is seen by many as the one man who can bring stability to the kingdom. He has powerful friends and two women who love him, but he has enemies who will stop at nothing to gain power. As 1066 begins, England heads for an uncertain future. It seems even the heavens are against Harold.
Intelligent and courageous, can Harold forge his own destiny – or does he have to bow to what fates impose?

Jessie: What do the reviewers say?

‘An extremely promising debut – highly recommended’. Steve Donoghue – Historical Novel Society

‘A Brilliant and Entertaining Novel of the Events that led to 1066.’ Glenn Cook – Vine Voice – Amazon Hall of Fame – Top 100 Reviewer

‘Excellent and Gripping Story.’ Avid Reader – Amazon Hall of Fame – Top 50 Reviewer

Jessie: How did you feel when you had finished writing the book, and did you miss any of the character?

I was pleased that I’d actually managed to finish it; there were times when I thought the day would never dawn. I did miss some of the characters, particularly King Harold and Earl Godwin. completing my novel felt a bit like saying goodbye to friends I knew I’d never see again. Harold and Godwin won’t appear in any sequel but there are other characters who will put in an appearance, one of them I’d quite like to never hear of again, but that’s the price of a good villain I suppose.

About Glynn Holloway

G K Holloway lives in Bristol with his wife and two children. After reading a biography about Harold Godwinson, he studied the late Anglo-Saxon era in detail. When he had enough material to weave together facts and fiction he produced 1066 What Fates Impose.

http://www.gkholloway.co.uk/
https://www.facebook.com/G-K-Holloway-219766941394283/
@GlynnHolloway

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

Meet the Coffee Shop Writer

I spent four hours in a department store and didn’t buy anything, not even a handbag, instead I shopped for characters. Jenny Kane led a writing workshop for the RNA South Wales and West Chapter and inspired me to reconnect with the characters in my work in progress. Former archaeologist and medieval historian, Jenny is a self-proclaimed accidental author. I was lucky enough to grab a coffee and time for a chat with Jenny, so I could tell you more about this lovely lady from Devon.

Jessie: Tell us more about Jenny Kane/Jenny Ash.

Jenny: I am workaholic, coffee drinking, author who writes her books from the corner of my favourite coffee shop, in Devon.

Jessie: How have you managed to build your brand as an author and sustain your success?

Jenny: The first genre I wrote was erotica. I didn’t mean to, and I certainly didn’t see that career coming, but for some reason I found myself composing scenes of smut.

After five years of kinky thinking, I decided to have a go at writing a story where everyone kept their clothes on. It was most liberating! To my surprise, that novel, Another Cup of Coffee, was well received.

With the writing market changing all the time, I’ve always been wary of putting all my eggs in one basket, and so, after writing eight granny friendly novels, I had a go at writing about my personal passion – medieval crime. Oh- and I write children’s picture books too. I have three pen names.

Jessie: Do your pen names have different identities?

Jenny: As Jenny Kane I write contemporary fiction and romance, as well as children’s picture books.

As Jennifer Ash I write medieval murder mysteries (The Folville Chronicles) as well as audio scripts for ITV and Spiteful Puppet.

My first pen name was Kay Jaybee- only investigate her if you are over 18 and enjoy erotica.

Jessie: How did you manage to become the resident writer in Costa Coffee shop How wonderful!

Northmoor House: the writers’ residential retreat rub by Jenny and Alison

Jenny: I’ve always been a coffee shop writer. I get too distracted by things that need doing around the house if I attempt to write at home. When a Costa opened in Tiverton, I started to write in there. I didn’t tell anyone what I was doing, but after I’d turned up every day for several months, the staff started to enquire, and soon I was part of the furniture. So much so, that they offered to hold a book launch for me when Another Cup of Coffee was published.

When I turned up for the launch, I found that I had a new table in the far corner of the cafe with a plaque on the wall, stating it was Jenny Kane’s Corner! I was speechless. I had corner- just like Winnie the Pooh!

I’ve sat and worked in that corner every day since. It’s lovely. Mostly I’m left alone to write, but it’s not unknown for folk to pop by for a chat or to have their books signed.

So far I’ve written 12 full length novels, 4 scripts and countless workshops and short stories at that table.

Jessie: Tell me about the writing workshops you offer. How do you balance the workshops and writing?

Jenny: I’ve been teaching creative writing on and off for the past twelve years. However, 2 years ago, my friend and fellow writer, Alison Knight and I, pooled our resources and set up the creative writing business, Imagine.

We provide workshops for beginners and cover every element of fiction writing from character development to location building, plotting, short story writing and the skills you need to get your butt on a chair and make yourself write.

Our most popular courses are our life writing masterclass and the Novel in a Year workshop series. These run over a year, and take people from their first word, to preparation for submission to an agent or publisher.

I split my working day between writing (7am- 12pm) and prepping for workshops (12.30pm and 3pm). After that I go to work, before editing/proofing my students work in the evenings.

Jessie: Summarise your latest release in two sentences.

Jenny: Edward’s Outlaw by Jennifer Ash is a murder mystery set in Rockingham Castle during the fourteenth century. Placed in the castle for her own protected, Mathilda Folville, finds herself playing detective in order to save her husband’s life and her family’s reputation.

Jessie: List a maximum of three quotes from the reviews that you have had.

Jenny: For The Folville Chronicles by Jennifer Ash – “Ellis Peters meets Jean Plaidy… via Robin Hood.” (Review from Goodreads)

For Abi’s House by Jenny Kane – “Reading a Jenny Kane book is like opening a journal by a much loved friend. I’m spirited away into a world of warm, friendly and interesting people. To places that I not only want to visit but actually live in. Shops, cafés and pubs that I want to be my locals and life that I want to experience and be a part of. Abi’s House gives you all of these feelings and left me with a huge smile on my face and a glowing in my heart. More of this wonderfulness please!!” (Review from Amazon)

For Another Cup of Coffee by Jenny Kane – “‘This book is definitely my cup of coffee

Gosh, where to start with this review?! The characters: you laughed with them, cringed, hated, wanted to shout at the book because you cared so deeply. Every character had their own story, and I loved that this was intertwined with Amy’s story, waiting to see how it panned out. Big round of applause for Kane for the characters on its own….Another Cup of Coffee itself: very realistic and a delight from start to finish. I felt like I was sitting on the outside looking in all the time, and I’d known this group of people for my entire life…. A timeless piece and one worth picking up big time. This book is definitely my cup of coffee (sorry, I had to). (Review from Bookmark That)

Jessie: Present an extract from your latest novel that will tempt a reader.

(From Edward’s Outlaw – The Folville Chronicles Book 3)

“…A young woman of my build, with similar hair, has suffered a violent death in the room allocated to me. A room in which I was intended to be trapped under lock and key….”

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

Jenny: I also feel a little bereft when I finish a novel. It’s such an intense process. The character’s live in your head 24/7 for months. When I finished Edward’s Outlaw it felt particularly strange as it bought me to the end of an intense three book writing experience- (The Outlaw’s Ransom, The Winter Outlaw and Edward’s Outlaw – the first 3 books in The Folville Chronicles) The lead character, Mathilda, is someone I’m very fond of- I miss her now that I’m writing a different series (as Jenny Kane- name a secret as yet!)

Mathilda will be back however, as there is another story coming as part of The Folville Chronicles in 2020.

Jessie: Why should I keep your books in my handbag?

They’ll provide some much needed escapism- and make you smile.

Jessie: What is the last sentence written in your writer’s notebook?

Jenny: Check about the vinegar.

Jessie: What is the biggest challenge for an author?

Jenny: Not losing heart. It can take a long time to succeed, and even then the financial rewards are feeble. It can be very hard to stay positive when you’re surrounded by celebrities getting paid a fortune to write (often poorly) simply because they can cycle fast or once ate bugs in the jungle.

Jessie: What is the best advice that you have received as a writer?

Jenny: Cut down on your adverbs. My work was awash with them at first. I hadn’t realised how much they were slowing my plots down.

Jessie: How do you support other writers and what common mistakes do fledgling authors make?

Jenny: Always be positive. Writers are usually full of self doubt (I know I am), so we need to encourage and support with time and kind words.

New authors often make the mistake of rushing the editing process- usually because they are so keen to get their work out into the wild. If in doubt- edit once more- and if you can afford it- pay a professional to do that last check for you.

Jessie: Tell me about the writers’ retreats you have organised.

Jenny: As well as workshops, Imagine runs a residential retreat at Northmoor House on Exmoor every October. This year the event runs from 7-11^th October.

The week involves as much private writing time as you like, one-to-one mentoring from Alison Knight and myself (on request- no addition charge) and an evening with guest speaker, Kate Lord Brown.

The retreat price includes all meals and accommodation in an original Victorian house- complete with the original free standing baths! (Bring your own bubbles!)

You can find all the details at www.imaginecreativewriting.co.uk

Book soon – we’d love to see you there- but there are only 3 rooms left for 2019.

Imagine also provides day long Location Inspiration Days. These take place in a variety of stunning locations, where you are encouraged to use the setting to create your works of fiction.

Our next events are on 19^th June and 11^th Sept at the Old Farmhouse and Chapel, in Ashcott, Somerset. You can find details at www.imaginecreativewriting.co.uk

About Jenny:

Jenny Kane is the author of several contemporary fiction novels including, Romancing Robin Hood (Littwitz Press, 2018), Abi’s House, (Accent Press, 2015), and the Another Cup of Coffee series (Accent Press, 2013). As Jennifer Ash she writes the medieval mysteries, The Folville Chronicles, as well as audio scripts for ITV.

Jenny’s contact details:

Twitter
@JenAshHistory
@JennyKaneAuthor
@Imagine_Writing

Jennifer Ash https://www.facebook.com/jenniferashhistorical/
Jenny Kane https://www.facebook.com/profile.php?id=100011235488766
Imagine www.imaginecreativewriting.co.uk
Jenny Kane and Jennifer Ash www.jennykane.co.uk

Please see all my author interviews at My Guests and my website and blog at JessieCahalin.com.

Please see here for a copy of my novel.

Take a Trip to 76 Silver Street

Writers, Authors and Readers is a supportive and friendly Facebook group organised by Anna Marie Shenton. Anna supports everyone in the group, but it is time for Anna to have the spotlight. She has recently published a novella entitled 76 Silver Street. The novella is a historical romance and is the first book in a two-part series. I have invited Anna to tell you more about her novella and characters.

Rosa Brown is the key character is on front cover

Dear Readers,

I am delighted to present 76 Silver Street. My novella is gritty, scandalous tale of courage, passion, love, loss and lies with sexual desire and is set in the suburbs of Manchester 1905.

Rosa had worked her fingers to the bone to prepare rooms for the boarding house. Jack Howard takes on Queenie as a new lodger without asking Rosa. Having heard gossip about Queenie, Rosa is ready to confront her.

Meet Queenie, the infamous boarding house guest.

Queenie, a former lodger arrives at Piccadilly railway station. Eager to move into her newly refurbished double room and deliver an almighty shock to Jack, she uses her charm to get there fast.

This extract sets the flavour of the novella and entices the reader to continue after this active scene, portraying just one of the obstacles Rosa is up against.

76 Silver Street is a handbag size novella. Its stunning, eye-catching cover will enhance any handbag and get tongues wagging. Are you ready for scandal? Are you ready to meet Queenie?

Thanking you kindly for taking the time to sneak peek at 76 Silver Street.

Anna Shenton

Presenting the extract…

The is the location of Silver Street in the novel

“Pembertown…Silver Street. Remember? You dropped me there yesterday?” She instructed the cabbie with a tip of her hat.

“Sure did Miss, never forget a pretty face. On our way soonever I’ve loaded.” He then mounted the cab, cracked his whip and the horse clattered across the cobbles at speed.

“Staying long?” He raised his voice and turned his head in hope of hearing a reply.

“That’s for me to know and you to find out.” Queenie’s bright red lips curled into a smile as they kept up a respectable trot.

For Queenie, the ride into Pembertown gave her time to recap on her plan. Silver Street had good and bad memories. She would only stay as long as it took to get what she wanted. And she didn’t care who got hurt in the process.

The cabbie’s voice interrupted her thoughts as they passed the warehouse and slowed to a halt. “Here we are Miss.” He jumped down and opened the cab door. “Seventy-six! Owd Mildred’s boarding house! Are you sure you want to stay in this place? It was good in its day but…” He gave her a quizzical look whilst settling his ‘tach.

She stepped onto the pavement. “My card Sir…?” If ever you feel unattended to?” She ignored his question and watched him unload her luggage onto the street before paying him.

“Not very of ‘en I turn down a beautiful lass, but I’ve a beautiful wife un three bairns back home. Take care in this place mind.”

More about the novella

An impression of Jack’s clothing in 1905

Rosa Brown couldn’t abide Dan’s drunken coercive behaviour as his house-keeper anymore. Aunt Mildred’s call from her hospital-bed sends Rosa sneaking out of town, to take over her aunt’s rundown boarding house.

Met by Jack Howard on arrival, in Pemberton 1905, Rosa’s heart plummets when her eyes meet with the dingy filthy place and Jack’s dark devilish impudent manner, who thinks she’s mad and has no intention of helping to get the place up and running before it goes bust.

Rosa is shocked when faced with all the ruffians and commoners knocking on the door and struggles to keep Jack’s hands off her. Sprucing the place up and filling it with respectful paying guests, proves harder than expected.

Now, filled with fear for her aunt and her own wellbeing, will Rosa ever be free from trouble and her dreams come true?

Sleep with one eye open!

Reviews:

‘Lively, believable, characters.’

‘The author has captured the true essence of life and times at the turn of the century.’

‘The story is fast paced and keeps you reading, I read it in one go.’

‘Changing genre was a wonderful challenge for me, and I thoroughly enjoyed every minute.’

‘All characters in this novella have left a place in my heart. They took me on a journey that I could have never imagined. I feel a part of this story and proud of 76 Silver Street. And can’t wait to continue the sequel.’

What does Queenie want from Jack? Why must the inhabitants of the boarding house sleep with one eye open? Read the novella to discover the secrets…

About Anna

Meet Anna Marie Shenton author and creator of the popular Writers, Readers and Authors Facebook group

Anna from Staffordshire, World Poetry Day Prize Winner 2015 for a publishing company, wrote many star letters, fillers, and articles for various magazines. Now an indie author, Anna independently published her debut Romance Novel, Short Stories Collection and Writing for Beginners. She is also founder of the Writers, Authors and Readers group.

Connect with Anna
https://www.facebook.com/annaswritingpage/?ref=bookmarks
https://authorcentral.amazon.com/go/profile
https://twitter.com/ShentonAnna
miarichards54@aol.com

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

A copy of my novel can be found here.

Imogen Matthew’s Talking Book

Owing to the rise in popularity of audio books, talking books are now featuring in the Handbag Gallery. Improved digital technology has made the audio book more accessible to readers. I invited bestselling author, Imogen Matthews, to explain how she transformed her words into a talking book with the help of a BAFTA nominated actor. Imogen has charted her book’s journey into the audio world.

At the beginning of this year, I decided to turn my novel, The Hidden Village, into an audiobook, but had no idea where to start. The audiobook market, I’m told, is booming, especially among young people who like to listen to books on their commute, in the gym, when out cycling and running or at home preparing a meal.

Amazon’s ACX (http://www.acx.com/) can take you through the process step-by-step and made it sound fairly straightforward. They would help with everything, from finding a narrator to providing guidance on how to produce my audiobook and getting it distributed onto Amazon and other distribution channels. So far so good. ACX has a big database of narrators all waiting to audition for your book and all you have to do is decide the type of voice, tone and accent you want for your book. I listened to a few narrators and although there was nothing wrong with any of them, I didn’t feel the right connection I so wanted for my book.

In the meantime, some other options arose, which sounded a great deal more exciting. Early on, I had the chance to work with a well known British stage and TV actor and was blown away by his audition…but work got in the way and he simply couldn’t commit as he was on tour in a musical until June. Maybe he’ll be free for my next book?

Liam Gerrard narrated the audio version of The Hidden Village

My disappointment was short-lived after I was introduced to Liam, a BAFTA nominated actor, who has narrated dozens of books. Together with his audiobook producer, the delightful Catherine, an Englishwoman based in the US, they have created and produced my audiobook, and I couldn’t be more pleased.

Working with Liam was a dream. We had several phone conversations in which he asked me searching questions about the narrative, characters and foreign words. He took the job seriously and must have read my book multiple times to get under the skin of each of the characters (of which there are many!). I trusted him to go away and narrate the whole story, which I then listened to, all 9 hours and 37 minutes, over the course of a weekend in April.

It was a very strange and wonderful feeling hearing the words I’d written being brought to life by an actor. Liam added layers of meaning and tension to the story I honestly hadn’t realised were there. It made me realise that my role, as an author, is merely to tell the story – and from then on in, the reader/narrator takes over.

The Hidden Village is available on Amazon (on audible) and iTunes

I did think of asking Imogen to present the audio version of her article. What do you think of audio books?

About Imogen:

Imogen Matthews lives in Oxford, England and is the author of two romantic fiction e-novels. The Hidden Village is her first historical fiction novel. Born in Rijswijk, Holland, to a Dutch mother and English father, the family moved to England when Imogen was very young. She has always enjoyed holidays in Holland and since 1990, has gone regularly with her husband and two children to Nunspeet on the edge of the Veluwe woods. It was here that she discovered the story of the hidden village, and together with her mother’s vivid stories of life in WW2 Holland, she was inspired to write her next novel.

The Hidden Village

Wartime Holland. Whom can you trust?

Deep in the Veluwe woods lies Berkenhout, a purpose-built village of huts sheltering dozens of persecuted people. But the Germans can find no proof of its existence. The whole community pulls together to help the Berkenhout inhabitants adjust to a difficult new life and, above all, stay safe.

Sofie, a Jewish Dutch girl, struggles to adapt to living in Berkenhout, away from her family and friends. As weeks turn to months, she’s worried they’ll abandon her altogether. Young tearaway Jan likes to help, but he also enjoys roaming the woods looking for adventure and fallen pilots. His dream comes true, until he is found out. Henk is in charge of building the underground huts and organizing provisions to Berkenhout, but his contact with the Germans arouses suspicions.

Whom can you trust? All it takes is one small fatal slip to change the course of all their lives forever.

Please see all my guest’s posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

Talland House and the Mystery of Mrs Ramsay’s Death

Maggie reading on St Ives beach being filmed by a French TV crew.

I have waited over a year for the release Talland House by Maggie Humm. According to the blurb, “Talland House takes Lily Briscoe from the pages of Virginia Woolf’s To the Lighthouse and tells her story outside the confines of Woolf’s novel…” It is an honour to introduce you to Maggie Humm.

Maggie Humm is an international Woolf scholar, she is the author/editor of fourteen books, the last three of which focused on Woolf and the arts. Talland House was shortlisted for the Impress and Fresher Fiction prizes in 2017 (as Who Killed Mrs. Ramsay?) and the Retreat West and Eyelands prizes in 2018.

Jessie: Tell me more about Talland House.

“Maggie Humm has brilliantly filled in the edges beyond Woolf’s canvas…” Lauren Elkin

Maggie: Talland House re-imagines Virginia Woolf’s To the Lighthouse from the point of view of Lily Briscoe the artist character. Set between 1900 and 1919 in picturesque Cornwall and war-blasted London, the novel tells Lily’s emotional journey in becoming a professional artist: her love-life, mourning her dead mother, as a suffragette, nurse and solving the mystery of Mrs. Ramsay’s death. The novel contains a prequel to To the Lighthouse and many fictions of Woolf’s life, including her family, the artists and friends she knew.

Jessie: What was the initial inspiration for the novel?

Virginia Woolf’s wonderful, quasi-autobiographical To the Lighthouse. I first read it as an adolescent after the death of my mother and fell in love with the mother-figure Mrs. Ramsay. Only years later did I discover that Woolf’s mother Julia Stephen was 49 when she died and Virginia 13 – the exact ages of my mother and me when my mother died. There’s something so extraordinarily moving about mothering in To the Lighthouse. In the novel Mrs. Ramsay dies suddenly and in parentheses (apologies to those who haven’t read the book!). The death is unexplained – the most surprising death in 20th century literature. I knew I had to write a novel discovering how Mrs. Ramsay died!

Jessie: How long have you been working on the book? Did it involve any special research?

Years! I took a UEA/Guardian diploma in creative writing followed by nine months of mentoring with The Literary Consultancy and much revision.

The research was huge but so enjoyable. As a Woolf scholar (my last three books focus on Woolf and the arts) I’d read all Woolf’s writings and writings by her family and friends. For Talland House I read Cornish newspapers for the times Lily is in St. Ives for weather, incidents, and atmosphere. I loved being in the airy, light map room at the top of the British Library looking at old photos of St. Ives for housing types, street scenes. I read artists’ memoirs, art journals of the turn of the twentieth century for a sense of artists’ lives and studios. I read everything on-line about World War I in London and how it felt to be there, for example, when the Germans suddenly switched from Zeppelins to Gotha bombers in 1917. London and St. Ives almost became characters in Talland House. I googled about music halls, other leisure pursuits, clothes, transport, and the accurate names of buildings and visited all Lily’s places. Lily gradually took over my life, my feelings, even my physical characteristics. She’s always early for appointments, she’s an only child with a dead mother, and her fingers are the shape of mine. Sometimes I wondered if I existed outside the novel!

Jessie: I am intrigued and want to delve into your writing. Please present some extracts from the novel so that will transport us to the settings in Cornwall.

Talland House

“Lily glanced up at the house. Over the years, Talland House had come to mean more and more to her, a kind of home, a place where she’d always wanted to return, and she’d missed it with the sadness of missing an old friend, a real person. There was a special spot—the steps from the drawing room into the garden where Mrs. Ramsay liked to sit—at a specific moment of the day—early evening when the low sunlight caught the bright escallonia hedge—and it looked magnificent.”

St Ives

“Here no one knew her, here there were no family responsibilities, here she could be herself or whatever herself would become.”

“Lily had a glorious view of St Ives’s harbour, the seagulls twisting iridescent in the sun, a lighthouse seemingly close enough to touch. The weeks ahead spread out before her like a freshly washed sheet. Here no one knew her, here there were no family responsibilities, here she could be herself or whatever herself would become.”

Beach and Godrevy

“The beach began to empty as families took their children home for tea, and Lily rested on the top bar of the promenade railings looking out over the glare of the sea at Godrevy Lighthouse, hearing distant cries, the pat-pat of sails flapping against the rigging, the waves lapping. Now she felt the whole of the past could be present, as if her childhood days inched forward as slowly as the tortoise in the garden at home.

Godrevy Lighthouse

“It was pure joy to be with Mrs. Ramsay, lit by gleams from Godrevy, the conversation from the dining room too faint to understand. Mrs. Ramsay’s face seemed atop a statue, marble and firm. She looked so commanding suddenly, and Lily felt the rich essence of female connection, a fervent intensity because they were both women and Mrs. Ramsay was a mother. She gave Talland House a point of view, a sense of life, of its odd but necessary capacity.”

“Maggie Humm has brilliantly filled in the edges beyond Woolf’s canvas; she has a deep, awe-inspiring understanding of the role of the visual in Woolf’s work, and here she reveals that she also has a novelist’s gift to create something new, that has its own imaginative life, from that understanding.”

-Lauren Elkin, author of the award-winning Flaneuse

Find out more about Maggie Humm and her writing at:
http://www.maggiehumm.net/

Please see all my author interviews at My Guests and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Another Chapter in the Writing Life of Angela Petch

Angela is following the steps of the shepherds when they left the mountains each winter.

When I was taking my very first steps to create my Books in my Handbag Blog over three years ago, I had the good fortune to meet Angela Petch online. I have always followed Angela’s wonderful writing journey as she moved from indie author to a Bookouture author. It is my pleasure to present the next chapter in her writing life. I am handing over this blog to Angela who is sending words to you from her beautiful home in Tuscany.

Three years ago, I appeared on a blog for the first time in my life. New to Twitter, my eye was caught by a handbag icon next to an unusual name: Books in my Handbag. I have a weakness for handbags. Living in Italy, that’s only natural.

As I had very recently published my second indie novel, Now and Then in Tuscany, I contacted the blogger and sent a copy, thinking that I would never hear back. I was fairly new to social media but my indie author friends were slowly introducing me to the writing community and I had to make a start.

The kind and sparkly angel who is Jessie Cahalin sent me a review some days later and it made me cry. Good tears. She liked it. She got what I was trying to put over. I was overwhelmed. I printed her words out and pinned them to my noticeboard by my desk. I can’t describe what confidence it gave me to continue

I am now published by Bookouture, a digital publishing company that I also discovered on Twitter. And the book that Jessie helped me promote has the new title of ‘Tuscan Memory’.

Now and Then in Tuscany is the original cover

Tuscan Memory is the new cover produced by Bookouture

A Tuscan Memory is set in Italy between the two world wars, it traces the journey of a young country boy, Giuseppe, who flees from a traumatic episode and joins the annual trek from the Tuscan Apennines down to the coast, with shepherds and cattle drovers. During this five-month period, he finds himself. The story runs concurrently with modern day, when Giuseppe’s great grandson (also experiencing difficulties at school) is looking into his family history for a school project. I have threaded in love stories, a family mystery and the history of the transhumance in our area of Tuscany where we live. It stopped in the 1950s but my elderly friends still talk about it. I walked part of the route as one part of my research (photo). The shepherds’ journey lasted ten days.

Bookouture has taken over the aspects of writing that I find so hard: the technical side of formatting the book, designing the cover, preparing the novel so that it is shipshape and ready for publication and – what I find hardest: the essential marketing. Bookouture have several editing processes and this part is vital for pulling the book together. When you are indie, it is hard to be objective and Beta reader friends are sometimes too kind, so it is wise to pay for a good editor. My second commissioned book, The Tuscan Girl, reached number 6 in the USA Kindle charts last week and has sold over 100,000 copies to date. There is no way I could have managed those sales when I was an indie author, but there are highly successful indie authors out there who manage their own marketing very well. Readers and bloggers unite all authors with their love of great stories.

This is the kitchen featured in Tuscan Memory

So, I would like to offer huge thank you to Books in my Handbag for helping me along the way and extend my gratitude to all sparkly bloggers and readers. We couldn’t do it without you.

Here is what I thought of the original version of ‘Tuscan Memory’:

‘The novel unlocked secrets of the enchanting holiday destination of Tuscany. I have often wondered who had once walked along the ancient tracks, and who once lived in the ancient dwellings that nestle in the mountains. As the title suggests, the reader delves into rural Tuscany as it is now and as it was back then at the beginning of last century. The reader has the privilege of meeting characters from the different generations and it is satisfying to fit the jigsaw together. It is a cleverly crafted narrative, in which there are emotional parallels in the lives of the characters from the past and the present. This is a story of love wrapped up in an insight into rural history and customs of Tuscany.’

Angela is a wonderful writer. She has inspired me pursue my own writing journey via the Romantic Novelists’ New Writers’ Scheme. In the last two years, I have written two books and I am waiting to publish them. Alas, I no longer accept review requests, but I do enjoy interacting with authors. I can’t wait to find out how the Bookouture editor has shaped the novel that connected me to Angela Petch.

More about Angela

Angela Petch shares her year between the Tuscan Apennines and West Sussex.

Her love affair with Italy was born at the age of seven when she moved with her family to Rome. Her father worked for the Commonwealth War Graves Commission and he made sure his children learned Italian and soaked up the culture. She studied Italian at the University of Kent at Canterbury and afterwards worked in Sicily where she met her husband. His Italian mother and British father met in Urbino in 1944 and married after a wartime romance.

Her first book, Tuscan Roots was written in 2012, for her Italian mother-in-law, Giuseppina, and also to make readers aware of the courage shown by families of her Italian neighbours during WW2. Signed by Bookouture in 2018, this book was republished as The Tuscan Secret in June 2019. The Tuscan Girl followed in February 2020.

Now and Then in Tuscany, was self-published in April 2017 and features the same family. The background is the transhumance, a practice that started in Etruscan times and continued until the 1950s. Bookouture has since acquired the rights, and under a new title, A Tuscan Memory was be released on September 7th 2020. Research for her Tuscan novels is greatly helped by her knowledge of Italian and conversations with locals.

Although Italy is a passion, her stories are not always set in this country. Mavis and Dot, published at the end of 2018 and sold in aid of research into a cure for cancer, tells the story of two fun-loving ladies who retire to the Sussex seaside. They forge an unlikely friendship and fall into a variety of adventures. Ingenu/e Magazine describes it as: “Absolutely Fabulous meets Last of the Summer Wine… a gently hilarious feel-good book that will enchant and delight…”.

A prize-winning, Amazon bestselling author and member of the RNA, she also loves to travel and recently returned to Tanzania, where she lived at the start of her marriage. A keen tennis player and walker, she enjoys spending time with her five grandchildren and inventing stories for their entertainment.

Her short stories are published by PRIMA and the People’s Friend.

Links
Blog: https://angelapetchsblogsite.wordpress.com
Facebook: https://www.facebook.com/AngelaJaneClarePetch
Twitter: https://twitter.com/Angela_Petch

Please see all my guests’ posts at Mail from the Creative Community and also my website and blog at JessieCahalin.com.

A copy of my novel is available here.

The Tenacity of Lesley Field and her Writing Journey

Discovering an author’s writing journey always intrigues me. I met inspirational Lesley Field at the Romance Novelists Association Tea. Lesley gave me the courage to pursue another adventure for my own characters. It is an honour to present Lesley’s story.

Every journey starts somewhere and mine started with a cup of tea, a magazine and a short story I’d just read. I thought, I could do that.

I had the pleasure of meeting Lesley Field at the RNA Tea.

A short while later I came up with a story-line, sat down at the laptop and started to write. It was supposed to be a short story but it soon became more. In May I was in our local Smith’s and there was a lady doing a book signing. I hovered, as one does, and eventually plucked up the courage to approach. She asked if I wrote so I told her about the book I had finished and submitted to Mills and Boon. I asked if this was her first book, she kindly told me no, it was her 18^th. That was my foot in mouth moment. It turned out the lady was Val Wood, Hull’s answer to Catherine Cookson. She gave me a lot of lovely tips and said to let her know how matters progressed. A rejection came from Mills and Boon, I had no idea of what publishers required back then. I e-mailed Val Wood to let her know. She told me not to give up and to keep submitting.

Val Wood gave me a lot of lovely tips and said to let her know how matters progressed.

About 6 weeks later I received an e-mail from Val inviting me to attend the next meeting of her Romantic Novelists Association Chapter, The Flying Ducks. I learned about the New Writers Scheme (NWS) and managed to get on this in January 2013. By this time I had written a further contemporary novel, so submitted this for critique. When the critique arrived I thought, well this is it. If they say its rubbish I know I can’t write. But they didn’t. I had a very good critique, and the reader commented I had the tenacity to succeed.

So, I could write contemporary, but could I write historical? I sat down and had a go. I submitted that book to MuseItUp publishing and in 2014 received a contract from them. That novel, “Dangerous Entrapment,” was shortlisted for Historical Novel of the year 2016 by the RNA.

Saunders-Lies and Deception is set in Banff in the heart of the Canadian Rocky Mountains.

You may wonder what happened to the first novel I wrote in 2012. Well, in 2013, while on a coach tour in America, the plotline for a sequel to that book came to me. In fact it wouldn’t leave me alone. So I wrote that. Then a third plot line came along. I now had three books in a series, which is my Saunders series. The first book, “Saunders Lies and Deception,” was published in May 2018.

With 4 books published and 4 more contracted, my journey continues…

Biography

Lesley Field is an award nominated author of Romantic Novels and should not be confused with any other writer of the same name.
Lesley lives in North Yorkshire, often described as “God’s own county.” Before retiring she spent her working life pursuing personal injury claims. Now at a time when she should be thinking of early nights and cocoa, she finds herself writing somewhat “hot” novels. Her first published novel “Dangerous Entrapment” was her first historical novel. She also writes contemporary novels which are usually based in Canada, which she calls her “heart home.” Having achieved publication so soon after starting to write she hopes that, “Dangerous Entrapment,”(1st book in the Duchess in Danger series) is just the beginning.

About Lies and Deception

This is the background for “Saunders-Lies and Deception” and the adventure that inspired the writing journey

Set in Banff in the heart of the Canadian Rocky Mountains. A magical place in the winter and a hub for tourists in the summer. Come and meet the Saunders family. With prestige and money you would think they had everything, but a dark secret lies hidden, a secret that is about to be uncovered, and the lies and deception will change the family forever. Follow Sarah and Jeff’s journey in Book 1. Sarah had everything, a handsome loving husband, a young son, then suddenly it was all snatched away. Defeated by outside forces, she made a new life for herself. But never forgot the life she once had. Risking everything if she was discovered, she returned to Canada, and crept back into Banff like a thief in the night. The last person Jeff thought to see was Sarah, but walking down the aisle at his son’s wedding, he saw the one person he had never expected to see again. When his eyes met hers shock quickly turned to anger. Tracking her down was easy, then he had one question. Why? The answer was not what he expected, nor one that he could believe. Or could he? He was everything she once wanted, and he gave her everything she needed. Except one thing, trust. Could she believe what he said now? Could she risk being hurt again? Can the lies and deception be overcome? Book 1 in the Saunders Series, “Saunders-Lies and Deception.”

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

Endless Skies with Jane Cable

Jena C. Henry, boomer blogger, podcaster and author, convinced me to end my blogging drought, grab a golden handbag and share an exciting new release with you. With an exclusive peek at opening chapter of Jane Cable’s ‘Endless Skies’, Jena could not wait to share her views. Without further ado, I will hand my blog over to the lady with the golden handbag crammed with reviews of opening chapters.

Like many of you, I have spent most of my days sheltering at home, reading books for hours. Thanks to the Handbag Gallery, I was able to safely browse and find good reads to keep me company. Thank you Author Friends for writing so many “take me away” books.

And now, a Golden Chapter opportunity has appeared, like the sun from behind the clouds. Endless Skies by Jane Cable, published by Sapere Books, will be released on July 27, 2020.

“Endless Skies” evokes a word picture for me. I gaze up, then turn my face even higher to the arc above, endless and infinite.

The sky has its own blue color, not an ordinary blue jean blue. The height and expanse for this blueness makes me feel small, but at the same time, full and boundless. The curve of sky is a structure solid and strong, yet it must also be soft and sheer, able to be pierced by a weightless beam of sun. Is heaven on the other side? All things are possible and eternal on a radiant day.

But too often in this blue arc, dark clouds pile up, lightning flashes, the wind blows away the peace. An enemy aircraft roars over the horizon, a black mark on the perfect sky. Bombs drop. Where is heaven now?

This is not a story one skims, rather it is a leisurely walk through a beautiful garden with lovely word pictures and emotions.

Having pondered the title, “Endless Skies”, let’s look at the Prologue and First Chapter. Jane Cable’s romance begins with a Prologue that introduces a pilot in his aircraft nearing his base, returning from enemy lands. The fighting is over for him, at least for this night. The skies do seem endless and he has a woman and a promise the size of the sky waiting for him. But trouble seems to be close to him, too.

The First Chapter introduces us to Rachel, in the present day, who tells her story in the first person. Rachel has been forced to uproot her life and move to a new university teaching position. She is an intelligent young woman and a woman who appreciates antiques and fine objects and accessories. She carefully unpacks her beloved Gran’s Royal Albert Festival tea service in her new, stark apartment. Her setting is important to her and this place does not suit her or comfort her.

At this point in the book, there are no boundless, optimistic, endless skies for Rachel. She has had to end yet another awkward romance, and a memory of a sad event when she was only eighteen is never far away, always ready to hurt and shake her. A few things do interest her in her new surroundings, including an old RAF base and a houseboat.

Author Cable writes dense, lyrical prose. This is not a story one skims, rather it is a leisurely walk through a beautiful garden with lovely word pictures and emotions. The timelessness of the writing, the setting and the introduction to Rachel, all with the hint of an airman from years ago, and the promise of endless skies, makes for an inviting opening to the rest of the story. I plan to keep on reading when the book is released.

Ms. Cable says, “I write romance with a twist, that extra something to keep readers guessing right to the end. While my books are character driven my inspiration is always a British setting.”

And now, a Golden Chapter opportunity has appeared, like the sun from behind the clouds. Endless Skies by Jane Cable, published by Sapere Books, will be released on July 27, 2020.

This is Jane Cable’s fourth book. Are you looking forward to reading it? I’m sure you are! Care to have a chin-wag about this book? I adore discussing books I have read. Here are some questions to get us started.

Do you like World War II stories?
Will Rachel find happiness?
What twist is coming?

“I write romance with a twist, that extra something to keep readers guessing right to the end. While my books are character driven my inspiration is always a British setting.” Jane Cable

Jane Cable says, “The past is never dead.” Do you agree?

A big thank you to Jena for this sensitive review of the opening chapter. ‘Endless Skies’ sounds like a fascinating insight into World War Two.

Contact http://www.janecable.com/

Please see all the Golden Chapters and also my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Tag: Historical Fiction

A Pesky Sleuth and Dutch Masterpieces in my Handbag

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The Tale of Two Sisters is out on 21^st March 2019.

It is my pleasure to celebrate this book with Jena. I look forward to ‘an emotional historical drama perfect for fans of Linda Finlay and Rosie Goodwin.’

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Another Chapter in the Writing Life of Angela Petch

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The Tenacity of Lesley Field and her Writing Journey

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Endless Skies with Jane Cable

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The Tale of Two Sisters is out on 21st March 2019.

It is my pleasure to celebrate this book with Jena. I look forward to ‘an emotional historical drama perfect for fans of Linda Finlay and Rosie Goodwin.’

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The Tale of Two Sisters is out on 21^st March 2019.