A Wing and a Prayer : M. W. Arnold

For King and Country

M. W. Arnold is celebrating the release of his saga novel – A Wing and a Prayer. When I discovered the novel is about women pilots, I had to find out more. I invited Mick Arnold to tell me why he decided to write A Wing and a Prayer.

‘How many people do you know who say, often as a throwaway, I could write a book! Then go on to say, if only I had the time.

A Wing and a Prayer’ isn’t one of those books. However, it also wasn’t planned. A couple of years ago, I wrote and had my first book published, ‘The Season for Love’, a contemporary Women’s Fiction story. I followed this up with a bout of ill health which lasted the best part of two years. Good author friends suggested it would help to write something new, instead of taking up an unfinished project. The theory was, by going for a new, unrelated project, I could take myself somewhere I hadn’t been before. It worked.

‘Strong female characters and the true British stiff upper lip to keep calm and carry on in order to find out what happened! This book was more than a wonderful story, it was also a history lesson and I just loved it!’ Amazon Reviewer

Write what you know; is also said. I love history and the same day this was suggested to me, I caught a program on television about the women (men did the same job) pilots of the Air Transport Auxiliary who ferried aircraft to the operational squadrons. Now, that sounds interesting, I thought. So, I spent the whole of the rest of the day scrolling through the internet for anything along the same lines.

I’m usually a pantser but on this occasion, I found myself planning out a saga novel. I’d only ever read a couple but with help and suggestions, again from the same friends, I knew what it needed to read like. Quicker than I’ve ever done, this novel came together and the The Air Transport Auxiliary Mystery Club was born! I didn’t set out to write a mystery into the story of how four girls from different parts of the world find a way of living and working together, yet the first scene in the story sets the scene with one of the girls sisters being found dead in the cockpit of a Tiger Moth biplane!

I served for over sixteen years in the Royal Air Force, travelling all over the world and, of course, the United Kingdom. Some of the bases I served on were once visited by these brave people I’ve written about and I feel honoured to play a small part in keeping their story alive and in, perhaps, bringing it to a new audience. Their bravery needs to be heard about and with this story, the first in the ‘Broken Wings’ series, I hope to be able to perform this task I’ve set myself.’

M W Arnold lives near Northampton, UK and is known to his family and friends as, Mick.

M W Arnold lives near Northampton, UK and is known to his family and friends as, Mick. He was in the Royal Air Force for 16 years, visiting many different countries and very much enjoying himself. If he ever meets the Queen, he will have to thank her. He began writing as these characters needed their own voices. For a few years now, he’s been a member of the Romantic Novelists Association, a wonderful group of writers who’ve welcomed this bloke into their fold with open arms. 

 

Please see all my Guests’ Posts and also my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Travelling back to my childhood with word magician, Patricia Furstenberg

Patricia Furstenberg is a bestselling children’s author and her work is an absolute joy.  My interactions with her over the last couple of months have been an inspiration.  I was honoured when she asked if I would reveal the covers of her new trio of books.   As an avid reader, I believe that the children’s authors are word magicians and dream weavers.  Once upon a time, children’s stories commenced my lifelong reading journey thus they have a special place in my heart.  Children’s writers inspire the future readers and writers.

I know that Patricia will inspire children aged three to seven years with her trio of stories: ‘The Lion and the Dog’, ‘The Elephant and the Sheep’, ‘The Cheetah and the Dog’.  These stories are simple tales of friendship inspired by true stories from the animal kingdom. Without minding their differences diverse animals become friends, helping and supporting each other. They share food and shelter, they give each other moral support and, of course, they have lots of fun together! It is my pleasure to reveal the covers of these stories here today.  Instantly, the covers present you the promise of a magical world of animals.  Patricia’s stories are popular because they entertain and educate: they can be used as a starting point for discussion with children.  I am sure that adults will enjoy the stories as much as the children.

One is never too old to read a children’s story! I had great fun reading ‘Joyful Trouble’, and realized the depth of what Patricia achieved with her books. I am astounded at how much Patricia writes and wondered what motivates her.  Having interviewed and interacted with this prolific writer of children’s fiction, I invited Patricia to tell me more about her writing.  I wanted to know how she works her magic to get children reading and how she educates through her stories.

Patricia Furstenberg on the magic of animals in children’s stories #Guestpost

Children’s love of stories comes from an innate desire to discover the truth, supported by their confidence that they will succeed in this endeavour because they feel protected in the safety of their lives. I like to think of children’s books as a magic trick. You have the instant surprise and joy, yet in the long run, besides the lingering amazement and awe, there are countless benefits. Reading improves a child’s vocabulary, thus his self-esteem. Reading is linked to EQ (Emotional Intelligence); a high EQ can positively assist a child in a bullying situation. Reading improves child-parent bonding as well as a scholar’s concentration and his academic excellence.

Writing for children is an attractive challenge which I enjoy tremendously. Take a real life situation, add lots of imagination, dress it with metaphors, throw in at least one animal character and sprinkle with humour. Let it rise. Bake it with love and serve it with bright illustrations. It will keep kids entertained for years. And ideas for new kids’ stories are everywhere; tucked away in my memories, like Puppy, my latest book release, or hidden gems in the nature surrounding us like my first book, Happy Friends. The more I write, the more ideas I discover.

Animals are very important in children’s lives. From an emotional level, as they teach youngsters empathy and responsibility, to a more cognitive one. So many life lessons can be taught if we sugar-coat them in a puppy or bunny shape. The same goes for Young Adult books. Think of Yann Martel’s Life of Pi, a sheer lesson about the will to live and how our perception of reality changes when beasts are involved, whether they are imaginary or not. Animals always do unexpected and extraordinary things in order to survive and often they become a symbol of our most profound fears and battles; yet animals never judge. My second book, Joyful Trouble, tells the story of a Great Dane enlisted in the Royal Navy during WWII. This dog wins the hearts of all soldiers and residents of Simon’s Town, South Africa, through his sheer loyalty and love. I like to think that Joyful Trouble reached Bestseller status on Amazon UK and US in its category through his likeable personality and uplifting presence.

Sometimes beasts have their own path to follow, as well as dance with Belle. Other times animals succeed in bringing humanity into a story where people act mercilessly. Dumb Witness, Agatha Christie’s thriller, presents a most softened Hercule Poirot solely through his interactions with Bob, the fox terrier that holds the definitive clue. Perhaps reading this crime novel by Dame Christie was one of the turning points in my life. But it wasn’t until much later that I decided to put pen on paper and write children’s books focused on animals. Animals make for such versatile characters. George Orwell’s Animal Farm, where “some animals are more equal than others,” although it is a satire on the Soviet Union under the Communist Party rule is still relevant to the present political scene of many countries around the world.

At times, an animal pops up in a story because of cultural perceptions, such as in Jerome K Jerome’s witty Three Men in a Boat (To Say Nothing of the Dog). Other times the animal itself brings the fiction to life, if you think of Dion Leonard’s wonderful Finding Gobi or of my next trio of children’s stories The Lion and the Dog, The Elephant and the Sheep, The Cheetah and the Dog. Some stories ask to be written, others just wait to be discovered, you must just pay attention. And where there is an animal with a history to tell, there are usually more waiting in line. For most beasts live in packs, helping each other. A little bit like the Twitter community J where we follow and support one another, taking strength from numbers.

 

Take a look at one of Patricia’s articles about encouraging boys to read.

http://www.huffingtonpost.co.za/patricia-furstenberg/how-to-get-boys-to-read-in-5-easy-steps_a_22491122/

http://Author.to/PatFurstenberg

Author Website: http://alluringcreations.co.za/wp/

Huffington Post SA http://www.huffingtonpost.co.za/author/patricia-furstenberg/

Twitter: https://twitter.com/PatFurstenberg

Facebook: https://www.facebook.com/PatriciaFurstenbergAuthor

LinkedIn: https://www.linkedin.com/in/patriciafurstenberg

 

 

Please see my review of Joyful Trouble, the interview with Patricia Furstenberg and my blog at jessiecahalin.com.

 

Jo Lambert on Creating a Sense of Place

Inspiration for Lyndbrook Hall

I love to celebrate authors who have connected with me over the years. Jo Lambert lives east of Bath, and she has written an impressive seven books. Books are a destination for readers, and Jo creates a powerful sense of place in her romantic suspense novels.  I invited Jo to tell me about the inspiration for the sense of place in her writing.

A SENSE OF PLACE – Pure imagination, reality or a little of both – what’s best for you?

Inspiration for the Black Bull

As an author it’s not only about developing the plot and creating the characters, it’s also getting the setting right.  Whether you are writing a psychological thriller or contemporary romance set in the city or the suburbs – or maybe like me, using a rural/small town community – creating the perfect backdrop can occasionally throw up some problems. That is why personally I’ve always found it easier to base my fictional locations on actual places.

My first novel When Tomorrow Comes was set in rural West Somerset.  For this I used my own experiences of village life.  Of course it’s not just using familiar places, it can also include buildings such as houses, pubs and hotels. They can all be used to help the writing process.   In Summer Moved On and Watercolours in the Rain, set in South Devon village of Lynbrook, The Bull Inn is actually based on a local village pub I still visit.  Similarly Lynbrook Hall is a real place about five miles away from the pub. It was for sale while I was writing and the on line estate agent’s photographs were a bonus in helping create my fictitious manor house.

Set in Cornwall Shadows on the Water is a story of family ties, lost love and tangled loyalties

My current novels are set in Cornwall. For A Cornish Affair, I used a hotel I’d seen while staying in Richmond. It was totally right for the one central to the book which sat on a cliff overlooking a small coastal fishing village.  And for my latest novel, Shadows on the Water, I’ve taken parts of Fowey and Dartmouth and blended them into the estuary town of Kingswater.

Inspiration for Tarwin House Hotel

Another useful aid is Google Map. In one of my novels my character was in Verona, a place I had visited several years before.  During her stay she had gone on walkabout in the city. Apart from The Arena and Juliet’s Balcony I had a very hazy memory of our day trip there.  Luckily Google Map came to the rescue.   It enabled me to ‘walk’ in her footsteps and describe the things she was seeing, giving the whole scene a far more authentic feel.

In the end, of course, it depends very much on individual preference. Some writers are happy to use their imagination while others set their stories in real places.  And then there are those like me who ‘borrow’, taking reality and remoulding it to suit the story they are writing.  It’s all about what works best for you really.

I also enjoy the freedom to create a new village based on places I have encountered in my travels. The place wraps itself around my characters and listens to their hopes, dreams and sadness. Jo Lambert has recently released Shadows on the Water. Set in Cornwall Shadows on the Water is a story of family ties, lost love and tangled loyalties. I look forward to visiting Jo’s destination.

Jo Lambert is a member of the Romantic Novelists Association and the Society of Authors. She has been writing since 2008

More about Shadows on the Water

After the tragic death of her fiancé, Ava Warren is slowly rebuilding her life.  She has a supportive family, great friends and a job she loves, managing holiday letting company Estuary Escapes in her home town of Kingswater. Another relationship is the last thing she wants or needs. Until one evening she meets Alex Penhaligon.

Alex’s father Sam owns Heron’s Gate Vineyard and Alex has recently returned from California, where he has been working for the past five years.  A case of mistaken identity gets them off to a bad start. But discovering his error, Alex is anxious to make amends and soon persuades Ava that he’s not quite as arrogant as she thinks he is. As their friendship begins to turn into something much deeper, Ava wonders whether she can at last put the past behind her and make a new future with Alex.

But someone is watching.  A man who not only thinks Ava should be his but also holds a long term grudge against Alex.  And he’s determined to get his own way irrespective of the lengths he has to go to or who gets hurt in the process.

Social Media Links –
Website: http://jolambertbooks.com
Blog: http://jolambertwriter.blog
Twitter: @jolambertwriter
Facebook: https://www.facebook.com/jolambert185
Linkedin: https://uk.linkedin.com/in/jo-lambert-6 4644530
Instagram: jolambertwriter185

 

Please see all my guests’ posts at Mail from the Creative Community and also my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Judith Barrow’s Memories

‘The Memory is a poignant tale of love and hate in which you will feel every emotion experienced by Irene.’– Terry Tyler

Wonderful author of the Bestselling Haworth family saga, Judith Barrow, is launching her latest novel.  The Memory explores a ‘Mother and daughter tied together by shame and secrecy, love and hate.’ I can’t resist books with secrets and know Judith is an expert at weaving these into her narratives.  I invited Judith to tell me more about the background to The Memory because I know it is close to her heart and experience.

Much of the background of The Memory is taken from my own memories of when I was carer at different times in my life. With the support of my husband I’ve looked after two aunts. One who lived with us for thirty years before dementia took hold of her – and then, at the same time, her aunt, who came to us when the disease first made its presence known and she had no one else. The idea was that we found a care home for her in Pembrokeshire where we live, but she cried when we left her there. So we brought her home. Physically robust, she lived with us for twelve years. We were four generations under one roof and, looking back I don’t think it did our children any harm. Indeed I think it taught them empathy. And finding the humour in the chaos of living with someone with dementia far outweighed the sadness.

A portrait of Judith’s Auntie Olive who lived with Judith’s family for over thirty years.

I truly believe that the role of carer for a loved and respected relative with dementia is something that takes over both lives with unseen stealth. The disease steals away the person who affected until they gradually disappear. The carer increasingly and sometimes automatically takes on the role until their whole life revolves around the caring. And, mostly, it’s a mantle that’s taken on willingly.

But it’s hard.

During the years I was a carer I met others whose lives, despite help from any professional bodies, had become a constant round of tiredness and stress. And it was only when the trust was built up between us that the word ‘resentment’ would sometimes be voiced. But spoken of with shame, as though it was a reaction that had no place. After all, most of them were caring for a person who had been a constant presence in their lives as a cherished parent, relative, companion, partner. It was the carer’s time to give back the love – wasn’t it? They had no right to sometimes feel resentful. Or so they believed. I remember the relief to be able to admit it, to relax, to know I wasn’t alone. And to share stories of the ridiculous and bizarre situations we found ourselves in.

I’ve tried to show those two contrasting emotions in The Memory; love and yet resentment. But with Irene Hargreaves, the protagonist, hatred often rears its ugly head. All because on one dreadful memory.

Pots and Pans is the memorial where the Remembrance Services are held. It’s a memorial where memories are kept and/ or shared to the wind.

As a child, I escaped to a place known as Pots and Pans in Saddleworth.  Pots and Pans, quite high, windy and isolated, is the memorial where the Remembrance Services are held.  I used to climb with my first dog when I was eleven to get away from home. It’s where I used to chunter on about the unfairness of anything that was happening.  It’s a memorial where memories are kept and/ or shared to the wind. Well, that’s what I always thought. The dog was also a great listener!  This is the place where the bones of my books were constructed.

The Memory is a stand alone book about a woman, Irene Hargreaves, who is the career for her mother. One a dark evening in 2001 Irene stands by the side of her mother’s bed and knows it is time. For more than fifty years she has carried a secret around with her; a haunting memory she hasn’t even confided to her husband, Sam, a man she has loved and trusted all her life. But now she must act before he arrives home…

About Judith:

Wonderful author of The Memory and the bestselling Howarth family saga.

Judith Barrow,originally from Saddleworth, a group of villages on the edge of the Pennines,has lived in Pembrokeshire, Wales, for forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen. BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University and She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions..

She is a Creative Writing tutor for Pembrokeshire County Council and holds private one to one workshops on all genres.

https://www.judithbarrow-author.co.uk/
https://judithbarrow.blogspot.com
https://twitter.com/judithbarrow77
https://www.facebook.com/judith.barrow.3
https://www.honno.co.uk/authors/b/judith-barrow/

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Men Can Write Romance

The 2016 Joan Hessayon Award finalists. Guess which one is me.

Love makes the world go round.  However, it is a truth universally acknowledged that romance fiction authors tend to be women.  I am delighted to introduce you to a male romance writer, R. J. Gould, and let him tell you why men can write romance.

I suppose I am a rarity, a man writing in the Romance genre. There aren’t many of us; less than one percent of the membership of the Romantic Novelists’ Association are male. How did I fall into that genre and sign up to that organisation? Well, a fellow member of the local Cambridge Writers suggested that what I wrote was “sort of” romance and that I should put my novel forward for the New Writers’ Scheme. I got in, received a positive review, was a finalist for the Joan Hessayon Award (yes, the only male), and was taken on by an indie publisher after our RNA annual conference meeting.

Covers for one of my first novels. They’re OK but they’re not me.

At the next annual conference I played the ‘I am a rare male’ card and presented on ‘The Man in RoMANce’, this followed by a commission to write a feature for Writing Magazine. Meanwhile Part One, my publisher was going flat out to produce ChickLit/Romcomesque covers that I have never been comfortable with. Meanwhile Part Two, having fought off an agent’s suggestion that I use a pseudonym to attract my predominantly female target readership, I did adopt the cowardly compromise of using ‘R J’ in place of Richard.

“This tale of self-doubt, adultery and forgiveness is shot through with humour and compassion.”
David Lister, The Independent

I appreciate why I was placed in the Romance genre: I write about relationships. Based on many conversations, I can see why there aren’t more males writing, and for that matter reading, Romance – it’s the word itself and often the book covers that put men off. What a pity because this diverse genre can offer deep insights, thought-provoking takes on life and top-rate humour in addition to escapism.

My writing covers second-chance relationships, the tragi-comic journeys of the protagonists impeded by having to carry cartloads of baggage. For Mid-life follies starting point is a man taking early retirement and excited by the opportunities this presents. By contrast, his wife, several years younger, panics and flees the family home. One question stayed with me as the essence of the novel as I plotted their contrasting responses to ageing: ‘When you look in the mirror, do you see someone young and vibrant like you used to be,’ Liz asks her husband, ‘or old and decrepit like you’re going to be?’

The serene beauty of night time Cambridge

I decided to set the novel in Cambridge, the place where I now live. It was a good choice, not least because it got me walking around, notebook in hand, to check on the old haunts and new places that my lead characters visit. This picturesque and serene city seemed the ideal location for my solidly middle class protagonists to discard rationality and academia and compete for who can have the most embarrassing midlife crisis.

 

Please see all my author interviews at My Guests and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Slipping back to 499 AD with Julia Ibbotson

Julia posting her guest post to Books in Handbag Blog

Julia Ibbotson contacted me and offered me the opportunity to slip into 499AD and meet the characters of her latest novel. Lady Vivianne is from 499AD and Dr Viv DuLac living in the present day. In A Shape on the Air, the worlds of these two women collide to create a fascinating narrative.  Fascinated by the concept, I asked Julia to explain more about her novel.

Dear Jessie,

My latest novel, A Shape on the Air, is about two women, divided by centuries, united by a quest for truth. Dr Viv DuLac, a medievalist, is devastated when her partner Pete walks out (and with her best friend too) and it seems that she is about to lose everything. Drunk and desperate, her world quite literally turns upside down when she finds herself in the body of the fifth century Lady Vivianne. Lady V has her own traumas; she is struggling with the shifting values of the Dark Ages and her forced betrothal to the brutish Sir Pelleas, who is implicated in the death of her parents.  Little does Viv realise that both their lives across the centuries will become so completely intertwined. Haunted by both Lady Vivianne in 499 AD and by Viv’s own parents’ death and legacy, can Viv unlock the mystery that surrounds and connects their two lives, 1500 years apart, and bring peace to them both?

Meet Lady Vivianne

As with all authors, my characters’ voices ring around my head as I write. So I’ll imagine the women speaking for themselves and this is how they might have introduced themselves to you …

Meet Lady Vivianne …

It is the year of Our Lord 499, I am fifteen and I have a problem.  I am betrothed, against my will, to the odious Sir Pelleas, yet I am not unaware of the glances of my childhood friend, Sir Roland. It was my late father, kind as he was, who took in the tattered cast-out Saxon child Pelleas, thinking him to be a potential successor as chieftain of our settlement in the midlands of England.  Back then, it was not so usual for a woman to succeed to the chieftaincy, and anyway I was not expected, my dear mother being cursed to be childless. But she had used her pagan rituals to try to conceive, and I was the result. They named me Lady Vivianne.

I will never forget the day that my parents died, burned in the fire that destroyed our sacred hall. Sir Pelleas said that it was the tallows on the altar. But yet I knew that was not so.  And as I grew towards my sixteenth year and Pelleas had already persuaded the council in the mead hall with his military prowess to confirm him as chieftain, he was appointed my ‘protector’ and my suitor.

I hate him. I hate his brutish ways and his raucous drunken friends as they feast and carouse and stink in my father’s hall that used to display rich tapestries and religious icons, a backdrop to the travelling scōps with their beautiful poetry.

I will do anything, anything at all that is in my power, to rid myself of Pelleas and this terrible betrothal. And I have powers, like my mother, Lady Nymue, the lady of the lake, believe me …

The inspiration for Dr Viv

Meet medievalist Dr Viv DuLac …

… I get home to my apartment a couple of nights ago, totally unaware of what that night would bring. I’d had a hard day at the university where I teach medieval studies. Maybe it’s tiredness but I think I hear my dead mother’s voice in my pounding head and the name ‘Lady Vivianne’.  But my mind is full of my partner Pete’s treachery. I still cannot believe that he would stoop so low. Going off with one of my best friends and then having the gall to try to sell the apartment from under me. I’d like to hate him, but it’s not so easy to dismiss those years, is it? Are there no decent men left? I’d do anything, anything at all, to keep my beloved home and to be safe. But instead I drink far too much red wine and make for the lake where something is drawing me …

A Shape on the Air

As their lives become intertwined, the quest for truth intensifies. How is Lady Vivianne connected to Dr Viv’s parents’ death and the centuries-old mystery they tried to uncover?  By the way, Jessie, my WIP (The Dragon Tree) is the sequel to A Shape on the Air, and will be published later in 2020.

With love,

Julia

Website/blog   https://www.juliaibbotsonauthor.com
Facebook          https://www.facebook.com/JuliaIbbotsonauthor
Twitter              @JuliaIbbotson
Pinterest           http://www.pinterest.co.uk/juliai1

About Dr Julia Ibbotson

Acclaimed, award-winning author Julia Ibbotson is fascinated by the medieval world and concepts of time travel. She read English at Keele University, England (after a turbulent but exciting gap year in Ghana, West Africa) specialising in medieval language, literature and history, and has a PhD in socio-linguistics. She wrote her first novel at 10 years of age, but became a school teacher, then an academic as a senior university lecturer and researcher. As well as medieval time-slip, she has published a number of books, including memoir/history of food (The Old Rectory), children’s medieval fantasy (S.C.A.R.S), a trilogy opening in 1960s Ghana (Drumbeats), and many academic works. Apart from insatiable reading, she loves travelling the world, singing in choirs, swimming, yoga and walking in the countryside in England and Madeira where she and her husband divide their time.

 

Please see all my guest’s posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Inspiration for a Tuscan Girl

I am honoured that Angela wrote a letter to explain the inspiration behind Tuscan Girl. Sit back and enjoy a writer’s tour of Italy.

Bestselling author, Angela Petch, released ‘Tuscan Girl’ last week.  I started to read the novel on a stormy Saturday night and awoke at dawn to finish the book.  Lost stories of war, hidden treasure and buried memories gripped me. As a writer, I wanted to learn how this talented author manages to weave such captivating stories. I am honoured Angela wrote a letter to explain the inspiration behind Tuscan Girl.  Sit back and enjoy a writer’s tour of Italy.

In the Tuscan Apennines, where I spend six months of every year, I can step out of our front door straight into wild countryside. Our area is less populated after post war exodus, when people left for work abroad and in big cities and so I come across many ruined houses along the mule tracks that crisscross our hills and valleys.

Each abandoned dwelling holds a potential story and my imagination goes into overdrive, trying to guess what might have gone on within these walls, now strangled with weeds.

Many of the old houses are being eaten up by old man’s beard

When I was seven years old, my father accepted a job in Rome as deputy head of the Commonwealth War Graves Commission. They were formative years and I picked up Italian like a little sponge. I’ve wheedled out stories behind these houses by chatting to elderly friends and through my research. We are lucky to have the national archive of diaries in nearby Pieve Santo Stefano and I’ve spent hours poring over handwritten resources.

Bruno sitting outside the house owned by his son, who had just returned from collecting wild mushrooms.

One of my friends is Bruno Vergni, one hundred years old last January 13th. I met him seven years ago on one of my hikes. I stopped to chat as he pruned an apple tree and, to my huge surprise, he responded in English. He explained that he had been a POW in Nottingham, having been captured in Libya early in the war.

I researched more about Bruno’s war and he is now one of the main characters in “The Tuscan Girl” (albeit tweaked with my own ideas). He now lives with his son, but in my story I have placed him in one of the semi-deserted hamlets called Tramarecchia.

Pieve Santo Stefano holds Italy’s collection of diaries – a wonderful resource

A favourite walk is up to the beautiful Alp of the Moon, (1,400 metres). We stopped to picnic by a pile of stones and read a sign posted by the local partisan association.  Up here, in the summer of 1944, a group of young men planned their resistance missions. After researching and meeting a local historian, Alvaro Tacchini, more ideas for my book were gleaned.

An abandoned chapel, two houses on the outskirts of the village, empty because of a brothers’ squabble, the outline of a Medici fortress… all ruins waiting to be written about in future books.

Angela’s explanation connected me to Alba who treks around the remote Tuscan villages and rebuilds the ruins in her paintings.  She discovers ‘The paths…like arteries leading to the heart of new stories.’  I enjoyed treading these paths with Alba and look forward to more stories.

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

A Writer’s Jukebox in my Handbag with Jo Lambert

Which songs did Jo enter into her writer’s jukebox to evoke the emotions and inspire the tension in A Cornish Affair, her debut novel with Ruby Fiction?

Author, Jo Lambert, celebrates music in her regular blog feature Life Playlists.  Music is an inspiration for Jo, and during the writing process music helps Jo to tease out the emotions in her romance novels.  I imagine a vintage jukebox playing in the corner of her writing room.  Which songs did Jo enter into her writer’s jukebox to evoke the emotions and inspire the tension in A Cornish Affair, her debut novel with Ruby Fiction?

At its heart A Cornish Affair is romantic fiction but it’s also wrapped around a modern day saga.  Alongside the ‘will they-won’t they’ going on between Cat and Luke there’s a host of other things – murder and a cantankerous great aunt to mention just two.  But this book could never have been written without the music.  Like Jessie music has always been a huge part of my life and it’s played an important role in all my writing. With two exceptions, all my books have had their titles taken from songs.  And to help the writing process, I create a playlist of tracks; a musical backdrop to writing different scenes.

But Carrenporth is about to experience far bigger scandals than the return of Luke Carrack – and the secrets unearthed in the process will shake the sleepy seaside town to its core …

So this is in Jessie’s words a ‘Books in my Handbag Jukebox’ post.   A taster of the music I used for this particular novel.

TITLE TRACK

The Boys of Summer – Don Henley.   As this was the working title of the book, the song was a ‘must have’

ROMANTIC TRACKS

Emotional – Whitney Houston

Stay with Me Till Dawn – Judy Tzuke

CAT AND LUKE’S  BREAK UP

 Johnny Hates Jazz – Shattered Dreams

Hall and Oates – She’s Gone    

Jo’s playlist offers a clear insight into the narrative and the emotion. I wanted to discover more about this author.

 

In June 2018 Jo signed to Choc Lit. Her debut A Cornish Affair, set on the North Cornish coast, was published in June under their Ruby imprint.

Jo Lambert lives on the eastern edge of the city of Bath. In 2008 she published her first novel When Tomorrow Comes. This was the first of five books which became known as the Little Court series, following the lives and loves of four girls growing up in the 1960/70s in the West Country. In 2015 she published Summer Moved On, a contemporary romance set in South Devon. A sequel, Watercolours in the Rain followed in 2017.

In June 2018 Jo signed to Choc Lit.  Her debut A Cornish Affair, set on the North Cornish coast, was published in June under their Ruby imprint. She is currently working on her next coastal romance.
When Jo isn’t writing she reads and reviews. She also has an active blog – A Writer’s Journey.  She loves travel, red wine and rock music and takes the odd photograph or two. Jo is a member of the Romantic Novelists Association and the Society of Authors

More about A Cornish Affair.

In the close-knit community of Carrenporth in Cornwall everyone knows everyone else’s business. Luke Carrack is only too aware of this. He’s been away for two years but nothing has changed – from the town gossips who can’t see past the scandal of his childhood, to the cold way he is treated by some of his so-called family.
The only person who seems to understand is local hotelier’s daughter Cat Trevelyan, although even Luke’s new friendship with her could set tongues wagging.
But Carrenporth is about to experience far bigger scandals than the return of Luke Carrack – and the secrets unearthed in the process will shake the sleepy seaside town to its core …

Social Media Links –
Website: http://jolambertbooks.com
Blog: http://jolambertwriter.blog
Twitter: @jolambertwriter
Facebook: https://www.facebook.com/jolambert185
Linkedin: https://uk.linkedin.com/in/jo-lambert-6 4644530
Instagram: jolambertwriter185

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Imogen Matthew’s Talking Book

Bestselling book

Owing to the rise in popularity of audio books, talking books are now featuring in the Handbag Gallery.  Improved digital technology has made the audio book more accessible to readers.   I invited bestselling author, Imogen Matthews, to explain how she transformed her words into a talking book with the help of a BAFTA nominated actor.  Imogen has charted her book’s journey into the audio world.

 

At the beginning of this year, I decided to turn my novel, The Hidden Village, into an audiobook, but had no idea where to start. The audiobook market, I’m told, is booming, especially among young people who like to listen to books on their commute, in the gym, when out cycling and running or at home preparing a meal.

Amazon’s ACX (http://www.acx.com/) can take you through the process step-by-step and made it sound fairly straightforward. They would help with everything, from finding a narrator to providing guidance on how to produce my audiobook and getting it distributed onto Amazon and other distribution channels. So far so good. ACX has a big database of narrators all waiting to audition for your book and all you have to do is decide the type of voice, tone and accent you want for your book. I listened to a few narrators and although there was nothing wrong with any of them, I didn’t feel the right connection I so wanted for my book.

In the meantime, some other options arose, which sounded a great deal more exciting.  Early on, I had the chance to work with a well known British stage and TV actor and was blown away by his audition…but work got in the way and he simply couldn’t commit as he was on tour in a musical until June.  Maybe he’ll be free for my next book?

Liam Gerrard narrated the audio version of The Hidden Village

My disappointment was short-lived after I was introduced to Liam, a BAFTA nominated actor, who has narrated dozens of books. Together with his audiobook producer, the delightful Catherine, an Englishwoman based in the US, they have created and produced my audiobook, and I couldn’t be more pleased.

Working with Liam was a dream. We had several phone conversations in which he asked me searching questions about the narrative, characters and foreign words. He took the job seriously and must have read my book multiple times to get under the skin of each of the characters (of which there are many!). I trusted him to go away and narrate the whole story, which I then listened to, all 9 hours and 37 minutes, over the course of a weekend in April.

It was a very strange and wonderful feeling hearing the words I’d written being brought to life by an actor. Liam added layers of meaning and tension to the story I honestly hadn’t realised were there. It made me realise that my role, as an author, is merely to tell the story – and from then on in, the reader/narrator takes over.

The Hidden Village is available on Amazon (on audible) and iTunes

I did think of asking Imogen to present the audio version of her article.  What do you think of audio books?

Introducing Imogen

About Imogen:

Imogen Matthews lives in Oxford, England and is the author of two romantic fiction e-novels. The Hidden Village is her first historical fiction novel. Born in Rijswijk, Holland, to a Dutch mother and English father, the family moved to England when Imogen was very young. She has always enjoyed holidays in Holland and since 1990, has gone regularly with her husband and two children to Nunspeet on the edge of the Veluwe woods. It was here that she discovered the story of the hidden village, and together with her mother’s vivid stories of life in WW2 Holland, she was inspired to write her next novel.

The Hidden Village: Deep in the Veluwe woods lies Berkenhout, a purpose-built village of huts sheltering dozens of persecuted people.

The Hidden Village

Wartime Holland. Whom can you trust?

Deep in the Veluwe woods lies Berkenhout, a purpose-built village of huts sheltering dozens of persecuted people. But the Germans can find no proof of its existence. The whole community pulls together to help the Berkenhout inhabitants adjust to a difficult new life and, above all, stay safe.

Sofie, a Jewish Dutch girl, struggles to adapt to living in Berkenhout, away from her family and friends. As weeks turn to months, she’s worried they’ll abandon her altogether. Young tearaway Jan likes to help, but he also enjoys roaming the woods looking for adventure and fallen pilots. His dream comes true, until he is found out. Henk is in charge of building the underground huts and organizing provisions to Berkenhout, but his contact with the Germans arouses suspicions.

Whom can you trust? All it takes is one small fatal slip to change the course of all their lives forever.

 

Please see all my guest’s posts at Mail from the Creative Community and my website and blog at JessieCahalin.com

Bonkers Crusade: Dear Mr. Pop Star

Letter from the mysterious crusaders.

Do you ever listen to song lyrics and wonder if they make any sense at all? A couple of eccentric blokes are leading ‘bonkers crusade’ to challenge niggles in pop song lyrics.  I giggled at the concept for their book entitled Dear Mr. Pop star. ‘Dear Mr. Pop star’ consists of deliberately deranged and funny letters to iconic pop stars.  Enough.  I’ll let Derek Philpott explain in his own hilarious and unique style.  Here’s the letter I received from Mister Postman.

‘Dear Mr Pop star’ consists of deliberately deranged and funny letters to iconic pop stars

Dear All

For nearly 10 ten years, with the increasing help of my lad, David, I have been on what is viewed by many as a quite bonkers crusade – writing good old-fashioned letters to pop and rock stars about their songs and band names. The thing is, and I hate to break this to you – a lot of them don’t make any sense!

For example: ”I was born this way,” declares ‘Lady Gaga’, but I would be very surprised if the young lady had entered the world in a frock made of Kermit The Frogs with a telephone on her head

 

Similarly, Mr. Jagger states that he sees a red door and wants to paint it black however one would recommend at least two strong undercoats before commencing his D.I.Y. task.

Similarly, Mr. Jagger states that he sees a red door and wants to paint it black however one would recommend at least two strong undercoats before commencing his D.I.Y. task. Failure to do so may lead to the intended black door actually turning out purple, owing to the strong primary colour that he is looking to supersede. 

David noticed a long time ago that I had an uncanny knack of interpreting The Hit Parade and popular ‘tunes’ in quite a left-field fashion, either pointing out blatant lyrical ambiguities or, very often, completely getting the wrong end of the stick. He’d say things like:

“…but dad, it’s AC/DC, you can’t say that a Highway to Hell is a near impossible to construct thoroughfare towards an ethereal epicentre for dead bad people! They’re legends!” To which I would retort “Listen son, I don’t know who it is and I don’t care who it is. It doesn’t make sense.”

Did I manage to find the Highway to Hell?

We did try and get replies to these missives by sending them to the pop star’s record companies and managers and ‘official channels’, but we didn’t hear anything back. So we built a little website, put the letters up for all to see, and joined Facebook and continued our epistles there.

Then, as the popularity of the letters grew, the artists quite unexpectedly started to reply, pointing out exactly where the original communications went wrong … or right. So we published a book of the funniest letters and replies. That went swimmingly, so now we’re doing another called ”Dear Mr. Pop Star”, out later this year via Unbound with a Trade Edition through Penguin

Of course, it is not always possible to reach certain targets, hence many observations remain unanswered …

We hope you like our bizarre and silly world

Yours,

Derek Philpott

Dear Mr. Pop Star’ is out on 20th September. Let us know if you have any queries about lyrics and I will pass this on to the crusaders.

About Dear Mr. Pop Star

For more than a decade, Derek Philpott and his son, Dave, have been writing to pop stars from the 1960s to the 90s to take issue with the lyrics of some of their best-known songs.

But then, to their great surprise, the pop stars started writing back…

Dear Mr Pop Star contains 100 of Derek and Dave’s greatest hits, including correspondence with Katrina and the Waves, Tears for Fears, Squeeze, The Housemartins, Suzi Quatro, Devo, Deep Purple, Nik Kershaw, T Pau, Human League, Eurythmics, Wang Chung, EMF, Mott the Hoople, Heaven 17, Jesus Jones, Johnny Hates Jazz, Carter the Unstoppable Sex Machine, Chesney Hawkes and many, many more.

About the Derek and Dave Philpott

Derek and Dave Philpott are the nom de plumes of two ordinary members of the public, working with help from a small family and, crucially, a worldwide social networking community. Neither they, or anybody assisting with the creative aspects of this project had any connections with the music, entertainment, media or publishing industries whatsoever at the time of its commencement. Despite these humble origins, however, they now find themselves in the bizarre but enviable position whereby many pop stars and people within these circles are their friends “in real life” (whatever that means!). Many artists consider “getting a Dereking” as a badge of honour, and, as one has participant succinctly put it-

“This is an ingenious and extremely inventive concept. You have given us a platform to answer questions that have been asked of us for years by our fans and respond on a public platform of immense fun. You’ve created a weird and wonderful world loved and admired by 1,000s of people worldwide, and you have your own army of loyal fans. That pretty much makes you part of ‘us lot’ now!”

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

Presenting Jan Baynham’s Debut Novel

A secret left behind in the summer of ’69 …

Secrets buried like treasure in novels always tempt me. When I discovered Jan Baynham’s novel, Her Mother’s Secret, I wanted to find out more. Set in Greece in 1969, Her Mother’s Secret is the just the ticket to travel to glorious Greece.  I invited Jan to tell me more about her debut novel and why she chose to bury a secret in the pages.

I have always been intrigued by family secrets and the fact that these sometimes do not come to light until after a person has died. I read of someone who was sorting through her mother’s things after her death and found a diary. In there, the young woman learned about a part of her mother’s life she knew nothing about. The ‘what ifs?’ started in my head and Her Mother’s Secret started to evolve. At the time, I’d been reading a novel where the rustling in the trees sounded like whispers and inanimate statues took on the form of ghosts of the people they represented. Perhaps the whispering could show the presence of a past family member. Always fascinated by the bond between mothers and daughters, this was basis for my story. Very often, the close relationship between mothers and daughters means that they would know things about each other no one else would. I wanted to explore how my character, Alexandra, would feel when she found out about her mother, Elin’s secret life. How could her mother have kept this from her? How would she feel? I needed Elin to have been able to keep her secret from everyone, even her own mother, until she died.

Having visited many times and being struck by the wonderful palette of colours seen in every landscape, Greece was my obvious inspiration

I decided that Elin would be an artist, having just finished art college. She travels to Greece to further her painting skills and while there, something happens that she never mentions again. I chose a setting where the colours would be more vibrant and intense perhaps than in her home country of Wales. Having visited many times and being struck by the wonderful palette of colours seen in every landscape, Greece was my obvious inspiration. Elin’s daughter, Alexandra, arrives on Péfka, a small island off the Peloponnese in Southern Greece, to follow in her mother’s footsteps to find out what happened there twenty-two years earlier. No wonder you loved it here, Mam. The colours alone make it an artist’s heaven, she thought. Péfka is purely fictional and is not based on one particular place; it’s an amalgam of areas I’ve visited – a beach or street here, a taverna or workshop there where I’ve met characters when getting out into Greek villages. Every holiday has inspired me with contributions to create characters and settings that are hopefully authentic showing the climate, the vivid colours of the sea and the flowers as well as the warmth of its people.

Every holiday has inspired me with contributions to create characters and settings that are hopefully authentic showing the climate, the vivid colours of the sea and the flowers as well as the warmth of its people

More about Her Mother’s Secret

It’s 1969 and free-spirited artist Elin Morgan has left Wales for a sun-drenched Greek island. As she makes new friends and enjoys the laidback lifestyle, she writes all about it in her diary. But Elin’s carefree summer of love doesn’t last long, and her island experience ultimately leaves her with a shocking secret …

An artist travelling to Greece in 1969 evokes endless opportunities for secrets.  I can’t wait to escape to Greece with the promise of Her Mother’s Secret. I wonder what Alexandra, Elin’s daughter, will discover when she visits Greece twenty two years later…

Her Mother’s Secret will be published by Ruby Fiction on 21st April and is available to order now.

Jan Baynham

Meet Jan Baynham

After retiring from a career in teaching and advisory education, Jan joined a small writing group in a local library where she wrote her first piece of fiction. From then on, she was hooked! She soon went on to take a writing class at the local university and began to submit short stories for publication to a wider audience. Her stories and flash fiction pieces have been longlisted and short listed in competitions and several appear in anthologies both online and in print. In October 2019, her first collection of stories was published.  Her stories started getting longer and longer so that, following a novel writing course, she began to write her first full length novel. She loves being able to explore her characters in further depth and delve into their stories. She writes about family secrets and the bond between mothers and daughters. Set in the last year of the 60s, ‘Her Mother’s Secret’ takes you to sun-drenched Greece, her favourite holiday destination.

Originally from mid-Wales, Jan lives in Cardiff with her husband. Having joined the Romantic Novelists Association in 2016, she values the friendship and support from other members and regularly attends conferences, workshops, talks and get togethers. She is co-organiser of her local RNA Chapter.

You may find out more about Jan here:

Twitter: @JanBaynham  https://twitter.com/JanBaynham
Facebook: Jan Baynham Writer  https://www.facebook.com/JanBayLit/
Blog: www.janbaynham.blogspot.co.uk

 

Please see all my guests’posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Beautiful Tribute to a Friend

Mavis and Dot

A beautiful, moving letter arrived in my mailbox. Angela Petch sent me a letter she had penned to her late friend, Olga. Inspired by her friendship with Olga, she has composed a glorious seaside adventure about two heart-warming, hilarious characters called Mavis and Dot.  Mavis and Dot will be released on 14th November. Proceeds from sales of the fun novella will be donated to a cancer charity. It is my privilege to share Angela’s moving letter with you.

 

Dear Olga,

Instead of thinking too much about what I’m going to write to you, I’ll just dive in. Otherwise I’ll get maudlin and I only want to remember you with smiles.

When you stayed with us in Italy and you were already ill, in about five minutes you painted a water colour of tomatoes we were about to eat for lunch. It still hangs in Il Mulino.

Call me silly, but each Christmas I still pull out your beautiful home-made cards. When you stayed with us in Italy and you were already ill, in about five minutes you painted a water colour of tomatoes we were about to eat for lunch. It still hangs in Il Mulino.

You were talented. I laughed my head off when you were kind at my attempts – remember the day you held an art class and I tried to sketch your free-range chickens? They wouldn’t keep still, and I scribbled them out.  Everybody thought I’d produced abstract art, when it was my temper. I can’t draw, but I write. And when I sent you my first Mavis and Dot story, you sent me an illustration. It’s in the front of Mavis and Dot, dedicated to you. (I’ve added Wendy Whiting’s name. She died of cancer a couple of months ago. You would have liked her – she was a painter too.)

Olga and Angela all dressed up: a special friendship.

We were Mavis and Dot when we went on our charity shop hunts – struggling up high streets with our goodies in various towns around Suffolk where we both lived, hamming it up. Our children were young, and it was an escape for us to have these days out. I hope you like the adventures I’ve given our two personae. In the novella, you do your art, but as a life model; we find a hideous bargain or two… do you remember that sketch we did together at your summer party, when we dressed up as Mavis and Dot, entering stage with our winter overcoats and shopping trolleys? And ending up doing a strip tease. We were dressed in huge plastic bags of a particular bargain store we used to haunt. Whenever I hear Shirley Bassey’s “Big Spender”, I smile at the memory.

And when I sent you my first Mavis and Dot story, you sent me an illustration. It’s in the front of Mavis and Dot, dedicated to you

We both loved days at the seaside. Once, with daughters in tow, we embarrassed them by stripping to our undies and jumping in to the waves; their shocked cries of “Mummm” encouraged us further.

Anyway, that’s all for now. I’ll finish with a poem I wrote at a party held in your honour not long after you left us. Big hugs and I hope you enjoy Mavis and Dot.

 

 

And we were there.

September sun warmed stubbled, Suffolk fields
The sky leant down and kissed the earth with warmth;
Woodsmoke spiralled up with laughs and squeals and times remembered.
Everyone shared, linked memories of
A girl who was there.

Not there to sit inside the tepees
That cocooned the lovers, friends and young;
Not there to dance upon the beer-stamped floor,
To music coaxed from eager, nervous hands.

She may have slipped in quietly
To welcome us with summer’s long-lost rays
Or been the breeze that fanned the brazier’s picture flames
And gently shook her father’s tree…

But she was there
In stories of her kindness and her gifts;
And she was there
In daughters’ eyes or silhouette or turn of phrase.
In ideas whispered to the man she loves,
Who magicked them to being.
And she was there because she always is
And always shall be.
How could she not?

And we were there.

Call me silly, but each Christmas I still pull out your beautiful home-made cards.

The wonderful friendship is conveyed in Angela’s magical words. Angela is a wonderful lady and her words brighten my day: her sensitivity and humour are amazing.  She has a very special place in my heart, because I blogged my very first review about one of Angela’s novels.  Since reading Now and Then in Tuscany, Angela has become one of my favourite authors.  I would not have discovered Angela without my own accidental blogging adventures.  I can’t wait to share my review of Mavis and Dot very soon.

Since getting to know Angela, I have followed her writing journey.  She has published numerous stories in People’s Friend and is about to embark on her second publishing deal. 

About Mavis and Dot

A warm slice of life, funny, feel-good, yet poignant. Introducing two eccentric ladies who form an unlikely friendship. Meet Mavis and Dot – two colourful, retired ladies who live in Worthington-on-Sea, where there are charity shops galore. Apart from bargain hunting, they manage to tangle themselves in escapades involving illegal immigrants, night clubs, nude modelling, errant toupees and more. And then there’s Mal, the lovable dog who nobody else wants. A gently humorous, often side-splitting, heart-warming snapshot of two memorable characters with past secrets and passions. Escape for a couple of hours into this snapshot of a faded, British seaside town. You’ll laugh and cry but probably laugh more.”This book is quirky and individual, and has great pathos…[it] will resonate with a lot of readers.” Gill Kaye – Editor of Ingenu(e). Written with a light touch in memory of a dear friend who passed away from ovarian cancer, Angela Petch’s seaside tale is a departure from her successful Tuscan novels. All profits from the sale of the books will go towards research into the cure for cancer.

“…Clever, touching and powerful writing… Embark on a series of adventures with Mavis and Dot but prepare yourself for a rollercoaster of emotions.” Books in my Handbag.

More from Angela

I live in the beautiful Italian Apennines for several months each year. Such an inspiring location.

My love affair with Italy was born at the age of seven when I moved with my family to Rome where we lived for six years. My father worked for the Commonwealth War Graves Commission and he made sure we learned Italian and visited many places during that time.

Later on I studied Italian at the University of Kent at Canterbury and afterwards worked in Sicily, where I met my husband. His Italian mother and British father met in Urbino in 1944 and married after a war-time romance.

I wanted to write “Tuscan Roots” not only for my amazing mother-in-law, Giuseppina, but also to make people aware of the courage and hospitality shown by families of our Italian neighbours in our corner of war-torn Tuscany.

This is my first novel and is a story about ordinary people who lived through extraordinary times. (Please note it is a revised version of “Never Forget”). I have just been signed by BOOKOUTURE for a two-book deal and one of these will be a slight re-write of “Tuscan Roots”. I am so proud to be a part of this publishing “family”, as they describe themselves.

A sequel to this book was published at the end of April 2017. “Now and then in Tuscany” features the same family that appeared in “Tuscan Roots”. The background is the transhumance, a practice that started in Etruscan times and continued right up until the 1950’s.

My research for both these novels has been greatly helped by my kind Italian, country friends, who have vivid memories of both the Second World War and the harsh times they endured in their childhoods.

Italy is a passion but my stories are not always set there. My next book is about two fun-loving ladies of “a certain age” who live by the seaside in Sussex and get up to all kinds of adventures. Watch out for Mavis and Dot! They will be launched on December 1st 2018 at St Paul’s Centre, Worthing, West Sussex.

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

Packing for a Trip to the Past

Anna Belfrage

What would you pack if you regularly visited the seventeenth century? On this occasion, you really wouldn’t have anything to wear. Our staple of jeans and a t-shirt would be provocative in the seventeenth century.  Author, Anna Belfrage, regularly sends her characters back in time, and I was intrigued to discover how she helps her heroine, Alex, to pack for another era.  Where does a writer start when dressing characters for another era? Alas, I would have to begin by abandoning my handbags as they didn’t exist.

I am handing over to Anna Belfrage, author of The Graham Saga, and her costume department.  Anna’s novels have allowed her to fulfil her dream of becoming a professional time traveller.

Dressed for Success in the Seventeenth Century

Frans Hals

One of my series, The Graham Saga, is set in the seventeenth century for a variety of reasons, none of which have anything to do with the prevailing fashions of the time. While others may go “ooh” and “aaah” at the paintings of dashing cavaliers adorned with lace and ribbon, I like my men in breeches and a simple linen shirt, a no-nonsense coat worn atop, which is probably why my hero, Matthew Graham, dresses like that. Well, it may have something to do with his convictions as well. After all, Matthew is a devout member of the Scottish Kirk, and he and his brethren have little liking for fripperies.

Where Matthew was born and bred in the 17th century, his beloved wife, Alex(andra) Lind, grew up in our time. In difference to many of us, she never had a hankering for living in the past, but sometimes impossible things happen, which is how she ended up in the 17th century, wearing jeans.

Cook with a Hare

“I like her djeens,” Matthew says, his gaze lingering on her legs. “But, aye, you’re right: she can’t wear them here. Seeing her thus revealed is only for me to see.” (He has a certain amount of cave-man tendencies does our Matthew. Blame it on the times…)

So instead, Alex has to start by donning a shift. This is a long linen garment that reaches halfway between knees and ankles, it has long sleeves and a neckline with a drawstring. It serves as a combined nightie and underwear. (Forget about a silky negligee when in the mood for some action which is why I recommend nudity for seduction). This shift is worn until it can almost stand on its own – laundry is a heavy task.

On top of the shift Alex wears stays. Okay, so they’re not as bad as those sported by Scarlett O’Hara but once they’re laced they have a somewhat inhibiting effect on her movements. Stockings in scratchy wool are rolled up the legs to thigh-level and gartered into place. Petticoats help keep Alex somewhat warm, ending just above the ankle. A bum roll, heavy woollen skirts, a bodice and an apron complete the outfit. Let me tell you, this weighs a lot. It is difficult to run in full skirts. Or climb a tree (which is a bad idea anyway, as women shouldn’t do something as indecorous as climb a tree).

At this point Alex stops to inspect herself – she has a small looking glass, lucky her. The collar is tied into place, the hair is braided back and coiled into a tight bun before being covered by a linen cap. A woman without a cap is a sinful thing indeed! By the door are the shoes – they might be a pair of latchet shoes, but they might just as well be clogs. Actually, maybe using clogs is the better choice – at least they keep the feet dry!

“I’m not wearing all that,” Alex told me the first time I presented her new wardrobe for her. “I’ll stick to my jeans—and my underwear.”

“No, you won’t.” Matthew shakes his head. “To go around dressed like that is to attract unwanted attention. And should anyone find out you’re from the future…” he mimes a sliced throat. Too right: either you conform, or you risk sticking out like a sore thumb and potential witch. Not good in a time and age where witches are still being executed.

Alex sighs. “Fine,” she says, throwing me an angry look. (She blames me for throwing her back in time. She rarely thanks me for gifting her with the rather wonderful Matthew.) “But just so you know, the moment I get back, I’ll be in jeans again.”
Back? I share a look with Matthew. Alex isn’t going back. After all, while time travelling is a rare occurrence, time travelling with a return ticket is even rarer!

 

Sir Anthony van Dyck and Lord Bernard Stuart

Presently, Anna is hard at work with The King’s Greatest Enemy, a series set in the 1320s featuring Adam de Guirande, his wife Kit, and their adventures and misfortunes in connection with Roger Mortimer’s rise to power.

When Anna is not stuck in the 14th century, chances are she’ll be visiting in the 17th century, more specifically with Alex and Matthew Graham, the protagonists of the acclaimed The Graham Saga. This series is the story of two people who should never have met – not when she was born three centuries after him. A ninth instalment has just been published, despite Anna having thought eight books were enough. Turns out her 17th century dreamboat and his time travelling wife didn’t agree…

Anna can be found on her website, on Facebook and on her blog. Or on twitter and Amazon.

 

Please see all my guest posts at Mail from the Creative Community and my blog and website at JessieCahalin.com.

 

The Tenacity of Lesley Field and her Writing Journey

Lesley Field posting her letter

Discovering an author’s writing journey always intrigues me.  I met inspirational Lesley Field at the Romance Novelists Association Tea. Lesley gave me the courage to pursue another adventure for my own characters. It is an honour to present Lesley’s story.

Every journey starts somewhere and mine started with a cup of tea, a magazine and a short story I’d just read. I thought, I could do that.

I had the pleasure of meeting Lesley Field at the RNA Tea.

A short while later I came up with a story-line, sat down at the laptop and started to write. It was supposed to be a short story but it soon became more. In May I was in our local Smith’s and there was a lady doing a book signing. I hovered, as one does, and eventually plucked up the courage to approach. She asked if I wrote so I told her about the book I had finished and submitted to Mills and Boon. I asked if this was her first book, she kindly told me no, it was her 18th. That was my foot in mouth moment. It turned out the lady was Val Wood, Hull’s answer to Catherine Cookson. She gave me a lot of lovely tips and said to let her know how matters progressed. A rejection came from Mills and Boon, I had no idea of what publishers required back then. I e-mailed Val Wood to let her know. She told me not to give up and to keep submitting.

Val Wood gave me a lot of lovely tips and said to let her know how matters progressed.

About 6 weeks later I received an e-mail from Val inviting me to attend the next meeting of her Romantic Novelists Association Chapter, The Flying Ducks. I learned about the New Writers Scheme (NWS) and managed to get on this in January 2013. By this time I had written a further contemporary novel, so submitted this for critique. When the critique arrived I thought, well this is it. If they say its rubbish I know I can’t write. But they didn’t. I had a very good critique, and the reader commented I had the tenacity to succeed.

So, I could write contemporary, but could I write historical? I sat down and had a go. I submitted that book to MuseItUp publishing and in 2014 received a contract from them. That novel, “Dangerous Entrapment,” was shortlisted for Historical Novel of the year 2016 by the RNA.

Saunders-Lies and Deception is set in Banff in the heart of the Canadian Rocky Mountains.

You may wonder what happened to the first novel I wrote in 2012. Well, in 2013, while on a coach tour in America, the plotline for a sequel to that book came to me. In fact it wouldn’t leave me alone. So I wrote that. Then a third plot line came along. I now had three books in a series, which is my Saunders series. The first book, “Saunders Lies and Deception,” was published in May 2018.

With 4 books published and 4 more contracted, my journey continues…

Biography

Lesley Field is an award nominated author of Romantic Novels and should not be confused with any other writer of the same name.
Lesley lives in North Yorkshire, often described as “God’s own county.” Before retiring she spent her working life pursuing personal injury claims. Now at a time when she should be thinking of early nights and cocoa, she finds herself writing somewhat “hot” novels. Her first published novel “Dangerous Entrapment” was her first historical novel. She also writes contemporary novels which are usually based in Canada, which she calls her “heart home.” Having achieved publication so soon after starting to write she hopes that, “Dangerous Entrapment,”(1st book in the Duchess in Danger series) is just the beginning.

About Lies and Deception

This is the background for “Saunders-Lies and Deception” and the adventure that inspired the writing journey

Set in Banff in the heart of the Canadian Rocky Mountains. A magical place in the winter and a hub for tourists in the summer. Come and meet the Saunders family. With prestige and money you would think they had everything, but a dark secret lies hidden, a secret that is about to be uncovered, and the lies and deception will change the family forever. Follow Sarah and Jeff’s journey in Book 1. Sarah had everything, a handsome loving husband, a young son, then suddenly it was all snatched away. Defeated by outside forces, she made a new life for herself. But never forgot the life she once had. Risking everything if she was discovered, she returned to Canada, and crept back into Banff like a thief in the night. The last person Jeff thought to see was Sarah, but walking down the aisle at his son’s wedding, he saw the one person he had never expected to see again. When his eyes met hers shock quickly turned to anger. Tracking her down was easy, then he had one question. Why? The answer was not what he expected, nor one that he could believe. Or could he? He was everything she once wanted, and he gave her everything she needed. Except one thing, trust. Could she believe what he said now? Could she risk being hurt again? Can the lies and deception be overcome? Book 1 in the Saunders Series, “Saunders-Lies and Deception.”

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com

Stumbling Across History with Imogen Matthews

In November, I received some mail from Nunspeet, Holland.  Imogen Matthews posted an article to Books in my Handbag Blog, during her annual holiday. On opening the email, I was delighted to read about how she stumbled upon history and the real hidden village.

Imogen Matthews is the author of The Hidden Village, an intriguing historical fiction, and it is a pleasure to hand over my blog to her, today.

 

 

The real hidden village and why I wrote a novel about it

The Pas-Opweg: Inspiration for the front cover of The Hidden Village

The woods are perfectly quiet at this time of year and the only sound is our bikes crunching over fallen beech nuts. We’re on the long straight avenue of tall beech trees arching upwards to meet in the middle. Their leaves still cling on, burnished gold by the sun’s setting rays. It’s a scene I never tire of.  At the crossroads, we stop briefly to take photos, as we always do, and carry on towards the hidden village. We know it well after discovering it only a few years ago.

 

 

Signpost to Het Verscholen Dorp -the real hidden village

I always look forward to our annual holidays in Nunspeet, where we stay in gezellig holiday houses tucked away in the woods. We know all the cycle routes that track across the heath, past improbable sand dunes and along narrow paths leading deep into the woods.

 

At least, we thought we did until one day back in 2011, we cycled past a large boulder with something written on it. I stopped to discover it was a memorial stone to the local community who had sacrificed so much to help people persecuted by the Germans in World War 2. I was astonished to learn this piece of history. In 21 years of cycling holidays, no one had ever mentioned this place, nor had I ever read anything  about it.

Across the path was a sign to Het Verscholen Dorp, Dutch for hidden village. It wasn’t easy to see what was there, which was probably the point. We followed a rough path through the trees and ahead of us was a hut of some sort, only partly visible. The roof was covered with moss, vegetation and branches to look like the ground beside it. It was a reconstruction of an underground hut that had stood on this spot.

 

Reconstruction of an underground hut

These huts were as dark and secluded as the one shown here, designed to be invisible to the naked eye. Whole families lived inside these cramped spaces and many were so relieved to have somewhere safe to live that they were prepared to put up with less than perfect conditions.

After discovering Het Verscholen Dorp, I was enthused to find out more, but there was very little written material or information on the internet. This made me even more intrigued: so few people today know about what happened on this spot that I wanted to write my own story visualising the events and their effect on these brave people. I knew I didn’t want to write a historical account, but a narrative based on imagined characters who flee to safety inside the village and others who put their own lives at risk to help them. The reality was that there was a huge community who devised the plans to build the village, clandestinely helping to bring people there and provide them with everything they needed, including food, clothing, medicines books and news from the outside. It was remarkable that this village stayed hidden for so long from the Germans patrolling these woods. They suspected something was going on but were unable to uncover the village however hard they tried.

Every year we go back and I walk around the “village” which today consists of three underground huts. There would have been more back in 1943-1944, housing nearly 100 Jewish men, women and children, fallen English and American pilots, Dutch men who resisted going to Germany to work for the Germans and other nationalities looking to escape the Nazis. People were in hiding all over the Veluwe woods, in farmhouse attics, cellars, outbuildings and other purpose-built dwellings, but this was the only organised village.

Today, the woods are a haven for people looking to escape busy lives in towns and cities. The Veluwe is a popular holiday destination, but deep in the woods  it’s always tranquil. I imagine how quiet it must have been 74 years ago, although for many the peace was tempered by an undercurrent of threat and fear.

In my story, Tante Else and her helpers do all they can to keep up people’s spirits by visiting every Sunday with coffee, cakes and news.

Tante Else put down her basket and took out a packet of coffee and a cake wrapped in a tea towel. The smell of cinnamon filled the room. She must have baked it that morning. Everyone crowded round to see and soon the hut filled with chatter and laughter.

‘It’s real coffee,’ cried Corrie, taking a deep sniff as she spooned it out into the pan. Tante Else smiled, but wouldn’t let on where she’d obtained such a rare commodity. None had tasted real coffee for months. Everyone had grown sick of the ersatz stuff made from roasted chicory that didn’t taste at all like coffee, just burnt. The smell of coffee filled the air and its effect was as intoxicating as alcohol.

Soon their conversation becomes subdued as Liesbeth, Oscar and tante Else bring them the news from outside. Sofie, just 16 years old, has recently moved to the village and is having difficulty settling in and following all the rules.

‘They’re forcing Jews to wear a big yellow star when they go out. Everyone and anyone can be stopped and searched and if they don’t have ID on them, they’ll be arrested. Every day we’re hearing about people disappearing,’ said Liesbeth.

‘My uncle was arrested in Amsterdam last month. He only just avoided being sent to Vught. Father’s been so angry about this. It’s why he wants this village to be a success,’ said Oscar quietly.

‘This is why it’s best you’re here for the time being. I hope you understand now why we have these rules, which might seem petty, but are for everyone’s safety,’ said tante Else, whose gaze landed on Sofie.

It was too much to bear. Sofie looked away…

 

Contact Imogen at:

https://twitter.com/ImogenMatthews3

https://m.facebook.com/TheHiddenVillagenovel/?locale2=en_GB

 

Visit my Author Chat Room to meet Imogen Matthews.  Please see my review of The Hidden Village at My Reading.

 

Please see my blog at jessiecahalin.com.

 

A Feast of Christmas Stories

‘A unique collection of stories that warm the heart but avoids sentimentality. Wit and humour sparkles in the stories.’ Lady Bracknell.

As the festive season approaches, I have been looking for books that capture the Christmas spirit. My concentration levels have suffered recently so I have found short stories to be the perfect escape. It is wonderful to read a complete story each night. Having discovered ‘A Feast of Christmas Stories’, I asked Patricia Feinberg Stoner, contributing author and editor of the anthology, to capture the essence of the magical collection.

With the nights getting darker and longer, and Christmas approaching fast, it’s time to seek out books to curl up with by the fire.  ‘A Feast of Christmas Stories’ is an anthology of seasonal tales with a Sussex flavour, produced by the authors’ network Chindi.

In this book of sixteen short stories you will find something to please every taste, with contributions from best-selling authors such as Beryl Kingston, Carol Thomas and Angela Petch, as well as less well-known but no less accomplished writers.

If ghosts are your thing, sample ‘Moon Shadows’ by Bruce Macfarlane, ‘Stranger on the Shore’ by Angela Petch, and ‘Tiny Tim and the Glittery Reindeer’ by Christopher Joyce.  If you prefer dragons, take a look at Christmas through the eyes of the Knucker, a local beast who’s a lot less fierce than his reputation suggests.

Alan Readman’s ‘Side by Side’ and Phil Clinker’s ‘Christmas Repeats’ are set in very different eras and locations, but both will have you reaching for the tissues.

Two sisters feature in two very different tales.  The many fans of Beryl Kingston’s novels will love ‘The First Christmas of the War’, a poignant tale of sibling rivalry, while ‘Pudding’ by Lexi Rees is a truly feel-good story with a succulent Sussex Pond Pudding at its heart.

What would Christmas be without presents?  Maralyn Green and Susanne Haywood have very different takes on the subject.  Susanne’s heart-warming ‘The Gift’ reminds us that Santa so often goes unappreciated, but ‘The Christmas Present’ by Maralyn Green – easily the sauciest story in the book – suggests an indulgence every lady of a certain age might hope to find in her stocking.

For a taste of crime at Christmas, look no further than Peter Bartram’s ‘The Mystery of the Phantom Santa’.  Peter is the author of the much-loved ‘Crampton of the Chronicle’ series of cosy mysteries, featuring Colin Crampton, intrepid crime reporter. In the final story of the book, Colin is desperate to find a news story on Christmas Eve which doesn’t involve elves and mistletoe and Santas.  With strange goings-on in the alleyway, Colin’s reporter’s nose soon detects that the stranger in the fur-trimmed, scarlet-hooded cloak is no merry bringer of gifts for children.  Suffice it to say, Crampton gets his story.

 

Please see all my Guests’ Posts and also my website and blog at JessieCahalin.com.

A copy of my novel is available here.