Meet a Danish opera singer and artist, Hanne Holten, who couldn’t stop writing until she completed her debut novel. Snares and Delusions explores myths, class and women’s situation in a time when their place was defined by their husbands. Hanne agreed to write to her readers and present an extract of her unique novel. As I discovered more about Snares and Delusions, I could not resist asking additional questions.
Dear Readers,
I am delighted to present an extract from my debut novel: Snares and Delusions.
The protagonist, Hedda, faces her life — and death — in dreams and nightmares. The feisty teenager develops into an independent woman through traumatic events and brief moments of romance.
The extract is a central scene in the book where Hedda faces her abusive and — by then — insane husband. This is a pivot point that determines her future in both positive and negative ways.
Dreams and nightmares, Norse Mythology, romance, terror and the story of a life — all in one book that fits snugly in a handbag — what’s not to love?
Best wishes,
Hanne x
Jessie: What genre does your book fit into and is the writing like any other author’s style?
Hanne: Basically, Snares and delusions is a historical novel of a literary cast. It may fit into other genres too, it certainly has elements of myth, suspense, humour, and drama. Is my style like another author’s? I’m not sure. I can think of a few authors who have written similar subjects, for instance, John Irving in Avenue of Mysteries, and Kazuo Ishiguro in The Buried Giant.
Jessie: The content of your novel seems challenging. Would you agree with this statement?
Hanne: I’d have to agree with that. It is set in a period when men had absolute power over women, and my heroine, being dead set on winning her independence, takes up the challenge. Also, it deals with death, with pain, and nightmares on different levels.
Jessie: What have your readers said about this unusual novel?
Hanne: The reviews have been positive. Here are some quotes I have enjoyed:
‘Such a wonderful book.’
‘The writing style is detailed and is teleporting you directly into the story and its surroundings.’
‘Go for it! You will love it!’
Jessie: This novel sounds unique, challenging and intriguing. Can you tell me more about the novel that takes Hedda to hell and back?
Hanne: The combined forces of opium and pain brings her face to face with her life. From rural Sweden in the late nineteenth century, over Silkeborg to the Danish Capital, and during the Great War, she experiences love and loss, poverty and betrayal.
Hedda gives up everything to win independence. She soon discovers that this is one thing to wish for and another to achieve. Life handles her roughly, but can she develop strength of character? Will she pay for her freedom in ways she doesn’t anticipate?
Jessie: Reviewers have praised your style of writing. Please give us an extract to introduce us into Hedda’s world.
Inside the study, the French windows swing back and forth in the breeze. The curtains hang half off their pole, and there are mounds of twigs and moss on the tables. Most of Conrad’s books lie on the floor. Every surface is covered in bird droppings, and the stench makes Hedda gag. She enters the room step by step and whimpers when she crunches a mouse-carcass under her foot.
Out of the blue something grabs her hair. Hedda yells and waves her arms to dislodge the creature but it claws at her hands. She can’t see anything but feels its wings, flapping around her head. The bird screeches, pecking at her skull. She screams, but falls silent, as Conrad enters through the open French windows. He carries an axe, and a raven perches on his shoulder. He turns his back on Hedda and takes place at his desk.
Then he whistles sharply. The other bird leaves Hedda and lands on his free shoulder. Conrad gets to his feet and grasps the claws of one of the ravens. He decapitates the sooty bird, using the desk as a chopping block. Wood splinters and wing feathers fly in the air, as the other raven tries to escape through the open window. Conrad throws the axe with uncanny precision, and the raven drops to the floor with a thumping noise, surrounded by broken glass from the window.
Hedda still screams. She tries to quell the sound with her hands, when Conrad turns towards her.
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
It was hard to let go of Hedda, so hard that she features in my second book, soon to be published. Hedda isn’t the main character, and this isn’t a series. Still, there is a connection in time and setting between the two books.
How has your life as an opera singer and artist impacted on your writing?
No doubt, my life influences my writing. It is difficult to say whether my singing or painting has made a direct impact, but I tend to have a visual idea of the scenes as I write them. I also plan to write a book where the protagonist wants to be an opera diva.
About the Author
Hanne Holten was an opera singer and a painter who couldn’t stop writing. So far, that resulted in her debut novel, several poems, and a work in progress that explores of the history around and after the Great War.
She grew up in Denmark but lived and worked in London for fifteen years. A few years ago, she left the UK for Germany. After graduating as an opera singer, she turned to teaching. This way she acquired an eye for details that helped her developing Snares and Delusions.
Contact details
Email: hanne@holten.co.uk
FB Hanne Holten Writes: https://www.facebook.com/HmH24
Blog: http://blog.holten.co.uk
Twitter: https://twitter.com/HoltenHm @HoltenHm
Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.