The 2016 Joan Hessayon Award finalists. Guess which one is me.
Love makes the world go round. However, it is a truth universally acknowledged that romance fiction authors tend to be women. I am delighted to introduce you to a male romance writer, R. J. Gould, and let him tell you why men can write romance.
I suppose I am a rarity, a man writing in the Romance genre. There aren’t many of us; less than one percent of the membership of the Romantic Novelists’ Association are male. How did I fall into that genre and sign up to that organisation? Well, a fellow member of the local Cambridge Writers suggested that what I wrote was “sort of” romance and that I should put my novel forward for the New Writers’ Scheme. I got in, received a positive review, was a finalist for the Joan Hessayon Award (yes, the only male), and was taken on by an indie publisher after our RNA annual conference meeting.
Covers for one of my first novels. They’re OK but they’re not me.
At the next annual conference I played the ‘I am a rare male’ card and presented on ‘The Man in RoMANce’, this followed by a commission to write a feature for Writing Magazine. Meanwhile Part One, my publisher was going flat out to produce ChickLit/Romcomesque covers that I have never been comfortable with. Meanwhile Part Two, having fought off an agent’s suggestion that I use a pseudonym to attract my predominantly female target readership, I did adopt the cowardly compromise of using ‘R J’ in place of Richard.
“This tale of self-doubt, adultery and forgiveness is shot through with humour and compassion.” David Lister, The Independent
I appreciate why I was placed in the Romance genre: I write about relationships. Based on many conversations, I can see why there aren’t more males writing, and for that matter reading, Romance – it’s the word itself and often the book covers that put men off. What a pity because this diverse genre can offer deep insights, thought-provoking takes on life and top-rate humour in addition to escapism.
My writing covers second-chance relationships, the tragi-comic journeys of the protagonists impeded by having to carry cartloads of baggage. For Mid-life follies starting point is a man taking early retirement and excited by the opportunities this presents. By contrast, his wife, several years younger, panics and flees the family home. One question stayed with me as the essence of the novel as I plotted their contrasting responses to ageing: ‘When you look in the mirror, do you see someone young and vibrant like you used to be,’ Liz asks her husband, ‘or old and decrepit like you’re going to be?’
The serene beauty of night time Cambridge
I decided to set the novel in Cambridge, the place where I now live. It was a good choice, not least because it got me walking around, notebook in hand, to check on the old haunts and new places that my lead characters visit. This picturesque and serene city seemed the ideal location for my solidly middle class protagonists to discard rationality and academia and compete for who can have the most embarrassing midlife crisis.
‘I’m looking for a book that’s a satisfying and uplifting read.’ Rhoda Baxter ‘I’ll be looking to be swept away by gorgeous writing and a plot that pulls me back to the book…’ Thorne Ryan
The Romantic Novelists’ Association (RNA) has announced the 2020 line-up for its prestigious Joan Hessayon Award for graduates of the New Writers’ Scheme. I am delighted to celebrate the wonderful contenders for the award and introduce the judges. Rhoda Baxter is an author of contemporary romance and Thorne Ryan is Commissioning Editor for Hodder and Stoughton. I am honoured the judges chatted with me about what they will be looking for in a winner.
RNA Joan Hessayon Award
Jessie: Rhoda, it is lovely to welcome you to my blog again. Please introduce yourself to the readers.
Rhoda: I write romantic comedies about people who make me laugh. I also write multicultural women’s fiction under the name Jeevani Charika. My books have been shortlisted for various awards. I am currently the chair of the Authors North events committee of the Society of Authors.
Jessie: How has the RNA supported your writing career?
Rhoda: I joined the RNA back in the day when you still had to send submissions out in the post. When I first joined, I was completely star struck and intimidated. Everyone was so helpful and kind I soon relaxed. I went through the NWS scheme and was a Joan Hessayon contender myself, many years ago. With the first contract, I became a member of the Society of Authors and went on take a voluntary role there. When I was offered the chance to be a judge and help strengthen the ties between the RNA and the Society of Authors (where I’m the chair of Authors North committee), I couldn’t say no.
Rhoda: The Joan Hessayon Award recognises those authors whose debut novels have been accepted for publication after passing through the Romantic Novelists’ Association New Writers’ Scheme. Each year 300 places are offered to unpublished writers in the romantic fiction genre. As part of the scheme, they can submit a complete manuscript for critique by one of the Association’s published authors as well as attend RNA events which offer opportunities to meet and network with publishers, agents and other published authors. The Joan Hessayon Award is generously sponsored by gardening expert Dr. David Hessayon OBE, in honour of his late wife, Joan, who was a longstanding member of the RNA and a great supporter of its New Writers’ Scheme.
Jessie: What do you like best about the RNA?
Rhoda: I should say something erudite here, but all I can think of is that I love the social aspect of it. I found my tribe in the RNA. The parties are invariably great fun. It’s such a relief to talk to people who don’t think it’s weird to have imaginary people running around in your head. It’s also nice to be among people who give the romance genre the respect it deserves.
Laura Bambrey, Kirsten Hesketh, Kathleen Whyman, Maggie Richell-Davies, Lynn Johnson and Lucy Keeling
Jessie: What will you be looking for in a winner?
Rhoda: I’m looking for a book that’s a satisfying and uplifting read. I love to see great dialogue and characters that feel so real that I think about them long after I’ve closed the bool. I have to say, the standard of entries is very high and the books I’ve read so far have all been really good. It’s going to be hard to choose the winner.
Jessie: Thorne, welcome to Books in Handbag Blog. Can you tell me something about yourself. Thorne: I started my career in the Contracts department at Hachette UK in 2015 before moving over to Editorial, which I immediately knew was where I was meant to be. I am now Commissioning Editor, Women’s Fiction at Hodder & Stoughton. I like books that give me ‘all the feels’, and have a particular fondness for ones that make me cry.
Melissa Oliver, Mairibeth MacMillan, Jacqueline Rohen, Jan Baynham, Emma Jackson and Fiona Woodifield
Jessie: Why do publishers value the RNA and the Joan Hessayon Award?
Thorne: Organisations like the RNA and prizes like the Joan Hessayon Award are vital to publishers and authors alike. As Milly Johnson said in her wonderful speech at the RNA awards evening earlier this year, romantic novels are often viewed in general society as somehow less important or less worthy than other types of fiction, which is so frustrating for those who love it and see it for what it really is: great stories told really well by very talented people. The RNA is a haven from that narrow-mindedness, providing authors and readers of romantic fiction with a place where the thing they love is truly celebrated. It also provides invaluable practical support to its members. With regards to prizes such as the Joan Hessayon Award, they give authors the recognition they so thoroughly deserve – and of course that’s great for both authors and publishers alike, because if a book wins a prize then we can shout about it from the rooftops and hopefully bring more readers to that book and the genre in general. Overall, the RNA provides authors and publishers with an invaluable community, and prizes such as the Joan Hessayon award provide moments to celebrate what is bringing everyone in that community together.
Jessie: What will you be looking for in a winner?
Well, I was going to say, ‘Just a really good book!’ but all of them will of course be brilliant if they’ve made it to the shortlist! I tend to look at various components individually (plot, characters, writing etc.) and give them a mark out of ten, then add them up for an overall score. Even if you feel like you loved all the entries and couldn’t choose between them, it’s surprising how quickly this method can break through that and show you your true favourite. But in general, I’ll be looking to be swept away by gorgeous writing and a plot that pulls me back to the book whenever I have to put it down. Basically, anything that’s going to make me go all tingly!
Annette Hannah, Stephanie Harte and Victoria Garland
This year’s debuts show the wide range of stories encompassed by the romance genre.
If you click on the contenders, you will discover more about the books and the authors. All of the contenders have placed their books in the Handbag Gallery. The Award will be announced on 5th September 2020 in an online presentation.
