Lizzie Lamb is one of my writing fairy godmothers and it was a dream come true to meet her at the Romantic Novelists’ Association Tea in York. We chatted about her latest novel – Harper’s Highland Fling. I am thrilled to share this exclusive interview on Burns Night. Let’s raise our glasses to Scottish story telling.
How would your friends describe Lizzie Lamb, the author?
Friends would describe me as enthusiastic, loyal, funny, highly motivated (if slightly driven!) I hope they also see me as someone who likes to help others, especially rookie authors.
You have soared to the top of the charts with your novels for over ten years. How have you achieved this success?
As the song goes: I get by with a little help from my friends.’ Put yourself out there, make friends with readers and other writers; be generous, buy, read and review their novels. Embrace social media: Facebook, Twitter, Instagram and start a blog. When I published Tall, Dark and Kilted (2008) indie publishing was a new phenomenon and it was easy to stand out from the crowd but it’s become much harder. Luckily, I’d built up a following on Facebook and Twitter before becoming a published author and my friends/followers are usually the first to buy my novels. It’s important to interact with your followers on a daily basis and not bombard them with ‘buy my books’ posts. If you get this right, they will become friends who interact with you and generously spread word of your novels.
My mantra is: RESPOND. RECIPROCATE. RESPECT.
Do you fall in love with your heroes and is your husband jealous of them?I know it sounds cheesy but my husband is all my heroes wrapped up in one. My love of dialogue/banter stems from our interchanges and, even after these years, we still have the ability to make each other laugh. When he read Harper’s Highland Fling he recognised some of the things Harper said to Rocco regarding his collection of ‘classic’ vehicles (code for: rusting old hulks) because I’ve had similar conversations with him over his ‘fleet’ of motors.
I have a couple of signs which sums up our relationship and, besides, he is too much of a grown up to feel jealous of my fictional heroes.
Tell us about the essential ingredients of a great romance?
I believe it is vital that I fall in love with your hero from the get-go. That enables me to see him through the heroine’s eyes and respond accordingly. In Harper’s Highland Fling I’ve used Male Point of View for the first time, perhaps this is why readers have declared the novel my ‘best one yet’. It is essential to establish the ‘spark’ between hero/heroine from the beginning, light the blue touch paper, stand back and wait for the fireworks happen. The author has place obstacles in the way of the h/h which prevent the romance developing, then half way through the novel drop ‘something new’ into the mix which makes the protagonists see each other in a different light/revise their opinions of each other. Then they can start to fall in love. But keep something back so that in the last quarter of the novel you can turn everything on its head and make the reader wonder how it’s all going to work out. That is the Page Turning Quality an author needs to evoke in order to carry the reader through to the end of the novel when, hopefully, she will close the book with a satisfied sigh.
Don’t cheat your reader by not delivering that happy ever after/happy for now ending. They won’t forgive you for it because that’s what you’re genre promises them. Remember Sanditon – what a let-down.
How has your writing changed since your first novel?
I think I’m prepared to take chances because I have learned what readers like/dislike. Readers enjoy sparky dialogue and some description of time and place, but don’t overwhelm them with it. An author should edit her finished novel as though she was a reader, cutting out those scenes which don’t work or slow the action down. Oh, and, I’ve learned to keep my hero/heroine together on the page as much as possible because that’s what I like in a good romance.
What are the benefits of indie publishing and how is it changing the world?
The main benefit of being an indie author is that you can write to your own schedule. I aim to publish a novel am every 18 months. Indie publishing suits my lifestyle and I suspect that, if I wanted to become a contracted author, I’d have to stop writing Scottish-themed romance and write WWII, Cornish Cottage romances, sagas, dark psychological crime instead. So not my bag. I’ll stay an indie for now, but who knows what the future holds?
Explain the classic mistakes of rookie indie publishers?
Looking back, here are the classic mistakes I made as a rookie author. Didn’t work out a plan for the novel before I started it. Spent far too long polishing the first three chapters without seeing the novel as a whole and plotting out where the high and lows. I also spent too much time listening to contradictory advice, not understanding the importance of developing my own ‘voice’ (that comes with experience. I believe). Believing that what works for other authors will also work for me; one size does not fit all.
I love, love, love the dynamic dialogue in your books. Can you give us a peek into a moment in Harper’s Highland Fling?
My favourite bit of dialogue in HHF.
‘Wh-where did you learn to kiss like that?’ Rocco asked.
‘Well, not at Sunday School, that’s for certain,’ Harper quipped.
‘Behind the bike sheds?’
‘I couldn’t possibly comment. More evidence is needed before I can reach a proper conclusion.’
‘Of?’
‘You as a great kisser.’
‘Indeed?’
‘There is a precedence, I believe. The accepted rule that scientific fact should always be subjected to further experimentation, to eliminate the chance of a fluke occurrence.’
‘You think that kiss was a fluke?’ Rocco asked.
‘I’m simply saying it could be. Best of three?’
‘Very well,’ he sighed.
What some reviewers have said about Harper’s Highland Fling.
A thrilling, entrancing, full on romantic adventure. Hang onto your hat, it’s a 5 Star trip all the way! – Adrienne Vaughan
Written with Lizzie’s customary blend of warmth, wit and ‘will they, won’t they’ drama. Her best romance yet. I loved it! – Janet Brigden
Another smart, funny, romantic read from Lizzie Lamb. – June Kearns
An exciting armchair road trip to Bonnie Scotland, a gripping romance and a set of characters you’re not going to let go. Lizzie Lamb is back! – Isabella Tartaruga
So – get your motor running and fasten your seatbelt, you’re in for a bumpy ride
I love Lizzie Lamb’s books and always know I’m in for a great read. Harper’s Highland Fling is not just any romance, it’s a scorching hot romance, full of surprises and glorious page turning tension. It is great getting to know the two characters and Lizzie Lamb’s lovely turn of phrase sparkles throughout the novel. She is currently writing her seventh novel: Dark Highland Skies.
Lizzie Lamb is a bestselling author with six novels under her belt. She runs the Leicester RNA Chapter, Belmont Belles, with June Kearns and is regularly invited to give presentations and workshops around the UK.
I dare you not to fall in love with Lizzie’s books.
About Lizzie:
After teaching her 1000th pupil and working as a deputy head teacher in a large primary school, Lizzie decided to pursue her first love: writing. She joined the Romantic Novelists’ Association’s New Writers’ Scheme, wrote Tall, Dark and Kilted (2012), quickly followed by Boot Camp Bride. She went on to publish Scotch on the Rocks, which achieved Best Seller status within two weeks of appearing on Amazon and her next novel, Girl in the Castle, reached #3 in the Amazon charts. Lizzie is a founder member of indie publishing group – New Romantics Press, and has hosted author events at Aspinall, St Pancras and Waterstones, Kensington, talking about the research which underpins her novels. Lizzie romance Take Me, I’m Yours, set in Wisconsin, also achieved BEST SELLER status >travel>USA. Her latest novel – Harper’s Highland Fling – has been declared her ‘best one yet’ by readers and reviewers. In it, two warring guardians are forced to join forces and set off in hot pursuit of a runaway niece and son. She has further Scottish-themed romances planned and spends most of the summer touring the Scottish Highlands researching men in kilts. As for the years she spent as a teacher, they haven’t quite gone to waste as she is building a reputation as a go-to speaker on indie publishing, and how to plan, write, and publish your debut novel.
Lizzie lives in Leicestershire (UK) with her husband, David.
She loves to hear from readers, so do get in touch . . .
Please see all my author interviews in Author Chat Room and my website and blog at JessieCahalin.com.
Jaya was born in a place where ‘the tiny mauve and yellow flowers danced in the breeze as the snowy summits of Pin Panjal meditated in the morning sun.’ Despite the beauty and implied freedom and romance of the landscape, the women are inhibited by their culture and the ugly politics of war torn Kashmir. Jaya’s gentle, intelligent observations give an insight into her world as a Kashmiri girl. Her mother asserts ‘you’re a girl’ and believes that ‘love rides on reason, not romance.’ It is clear Jaya is destined to search beyond this and it is impossible not to admire her questioning.
Jaya wishes on a ‘shooting star’ and the author maps out Jaya’s destiny beautifully. The novel explores how the independent, free spirited mind can find flight if given the right opportunities. But the opportunities must be accompanied with an inquiring mind. Jaya’s entrapment in Delhi is as stifling as the intense heat which ‘pressed down on city life like a giant hand.’ Her value, as a potential bride, diminishes once her parents have been killed. She will find a way to escape a doomed arranged marriage – she is born to fight.
Tahir never examines his own world as he is too caught up in the conflict and grudges. The natural ebb and flow of the Jaya’s narrative is enchanting while we never get inside of Tahir’s confused, inhibited mind. The tale of two continents explores cultural difference: it is a wonderful book of contrasts. For instance, the peaceful setting Kashmir Valley translates ‘paradise on earth’ yet it conceals conflict. Jaya questions: ‘How could the landscape be beautiful when Alistair was suffering?’ Like Jaya, one must look beneath the surface.
This novel teaches us to have a respect and understanding of other cultures but we need the freedom to ask questions and pursue our ambition: above all, everyone needs to be loved. ‘Azadi’ (freedom) is a state of mind influenced by opportunities, the people we meet and the strength to ask pertinent questions.