Rhoda Baxter
Rhoda is very serious about girls being allowed to do whatever they feel a passion for. Rhoda is also serious about cake. she’d choose tea and cake over alcohol any day.
Rhoda likes to see the humour in a situation, she says it’s her way of dealing with the dark side of life.
Jessie: It is wonderful to be back in Yorkshire. What do you like most about Yorkshire?
Rhoda: The people! Everyone is so friendly here and there so much less tension in the day to day interactions. I lived down south for a while and whenever we go back to visit friends, we feel the difference immediately. My youngest, who can’t remember living anywhere but here, is always surprised at how when she says hello to people in London, they ignore her!
Also, I’m a big fan of cake. Beverley and York have some amazing cake shops.
Jessie: Your romantic novels look great. Your characters look feisty and fun and Sue Moorcroft described them as ‘the real deal’. Tell me about your characters. Can you capture the essence of ‘Girl in Trouble’ in a few sentences?
Rhoda: My characters often just turn up in my head and start talking. I don’t know their stories, but I know their voices. I’ve had several readers say that my characters feel real to them. That’s the highest praise, as far as I’m concerned. My characters are real to me. They live in my head for the duration while I’m writing their book and I miss them when I finish the story.
One of the reasons I started writing was because in the early 2000s, I got into reading romances and I felt that only a certain type of person was represented in popular romance. All the women were likable and unobjectionable, and all the men were super confident, well-muscled and over bearing. Where were the nice guys? Or the women who were smart and career minded? Or even ones who were slightly hard edged?
Girl in Trouble is about two people who are a little different to what society expects. Olivia is a ladette and there isn’t much that will faze her. Walter is a nice guy and is scared of spiders. One of their first interactions is when Olivia has to rescue him from a spider. Olivia is adamant she doesn’t need a man in her life, even when things go horribly wrong. How can Walter persuade the most independent woman he’s ever met to accept his help, let alone his heart?
Jessie: I know you have been nominated for writing awards. What have the reviewers said about ‘Girl in Trouble’?
Rhoda: Most people said it made them laugh and cry in equal measure. I love that!
” there was a real punch of emotional depth – one minute I’d be grinning at what the characters were saying or doing and the next I was fighting tears.” (Amazon review)
“This book with make you laugh out loud at times but will also frustrate you and make you cry. Everything you need for a great romance. ” (Amazon review)
“Baxter’s narrative sets up the sentimental situation only to send it spinning in entirely unexpected directions.” (Romance Novels for Feminists)
Jessie: ‘Girl in Trouble’ sounds like a romance with a strong character – perfect! Can you read a brief extract to tempt the reader?
Rhoda: He leaned back, flustered. Much as he found her attractive, the idea of being pounced on by her was a tiny bit scary. But, only a tiny bit. Which wasn’t all that scary, come to think of it.
Jessie: Wow! Your book sounds like fun! I can sense you enjoyed interacting with your characters. How did you feel when you had finished writing your book, and did you miss any of the characters?
Rhoda: I missed the characters so much that I wrote a follow up novella! Olivia first appeared as a minor character in ‘Girl Having A Ball’ (which was nominated for a RoNA Romantic Novel of the Year award). She’s confident and independent and doesn’t take crap from anyone. I loved her so much that I had to write this book to see what happened to her. I wish I was more like Olivia really. Walter, the hero, is a nice guy. I like beta heroes because they usually have wit and charm (as well being attractive) and I know I’d like to spend time with a man like that!
Jessie: I love the way you present the characters you want to spend time with. It must be great to create the characters you are fond of. Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family.
Rhoda: I’ve love for Emma Watson to read my book. ‘Girl In Trouble’ has a major theme of fathers and daughters, but underneath there’s quite a lot about gender stereotyping and the double standards that we apply to men and women. Boys don’t cry. Girls don’t climb trees (or whatever). I think it would chime with a lot of things Emma Watson raised in her He For She speech.
Jessie: Why should I read your book?
Rhoda: Because it will make you laugh and cry and, by the end, you’ll have met some people who feel like they are real friends.
Jessie: What is the last sentence written in your writer’s notebook?
Rhoda: ‘beachwear and cocktail umbrellas?’ It’s a note to myself to figure out some details about my characters who are stranded on a tropical island with only a few bags they took on holiday. I liked the idea of them having a box of something that is completely useless – like cocktail umbrellas. They’re red, these cocktail umbrellas. They must be useful for something, right?
Jessie: What is the biggest challenge for an author?
Rhoda: Keeping going. I write because I love it and I don’t know what else I’d do with these people who keep popping up in my head. Writing books is hard, but marketing is harder. Nowadays, authors are expected to do a lot of marketing themselves and really, most of us are very shy. I can’t think of anything worse that going up to a stranger and saying ‘hey, I’ve written a book, wanna buy a copy’… but that is exactly what I need to learn to do.
Jessie: Where is your favourite writing place?
Rhoda: My favourite writing place is really my bed – but you don’t want a picture of me in my scratty pyjamas. So here’s a picture of my shed instead. I often sit in there at the weekend and do my editing work. There’s a battered old sofa and a collection of blankets in there, so it’s lovely and cosy even when it’s not the sunniest of days.
Jessie: What is the best advice that you have received as a writer?
Rhoda: Write. Edit. Submit. Repeat. Improve each time you go round the cycle.
You can contact Rhoda via Twitter (@rhodabaxter), Facebook or just drop her an email at rhodabaxter@gmail.com, or visit her website at rhodabaxter.com.
Her book, ‘Girl Having a Ball’ was shortlisted for RoNA award (Best Romantic Comedy) 2017.
I have invited Diane Need to present an extract from ‘
Beth is a gentle and caring heroine, but a lot of fun, too, with the scrapes she gets into. The story deals with some serious issues, but there’s also plenty of humour.
Paul scrutinised the paw prints and cleared his throat before continuing. ‘I’m –’ he blustered, looking to Emily as if for support. ‘Well, the thing is – we’re here about Rodney; we think he should come and live with us. I paid for him, after all – and it’s obvious you can’t cope with him.’
When Beth, fast approaching forty and a stay-at-home wife, decides to put some romance back into her flagging marriage, her plans are thwarted when her husband announces he’s leaving her for his intellectual equal. All he leaves Beth with is an order to vacate the family home and the wrath of her acid-tongued mother-in-law. Beth has no career, no money and no self-esteem.
Patricia Feinberg Stoner has been writing limericks since she was ten and she has now compiled 
Dear Readers,
From the north of England…
to the south of France…
Patricia Feinberg Stoner is presenting an extract of her award winning book. ‘
It was clearly old, very old. It was clearly cobbled together out of what had been two houses. It rose slab-fronted from the street, acres of decaying, yellowish crépis (plaster) bisected by sundry phone and electricity cables. A ridiculous stone staircase flanked by a stunted tree rose ungracefully to a pocket-handkerchief front terrace littered with debris and encrusted with cat droppings.
Patricia and her husband Patrick are spending the summer in their holiday home in the Languedoc village of Morbignan la Crèbe. One hot Friday afternoon Patrick walks in with the little dog, thinking she is a stray. They have no intention of keeping her.
‘
