Tag: Historical

Coraggio (courage) in my handbag

Tuscan Roots

Angela Petch

 

 

 

 

 

On opening this beautiful book, I arrived in the ‘early morning sunshine at Perugia’, with Anna.  I sat back as she drove the Italian car and observed the way that the road ‘…cut its way through tobacco fields sprouting green shoots and [took] a mountain road joining Sansepolcro to Rimini.’  I admired the olive trees and waited as the ‘road climbed’.  It was impossible not to see the ‘lake glistening’ and to imagine the people sheltering in this setting during World War Two.

On arrival at Rofelle, I found my way through the tangle of ivy, listened to the river rushing past the stones and opened the large wooden door to the mill.   The paint was peeling, but the knocker of the lion’s head stood proud; as if to announce the courage of Davide, Ines and their parents.  I opened the door to enter the past, with Anna, through the letters and diaries.  It was wonderful to meet Anna’s mother, in the diaries, but painful to discover that her ‘heart began to shrivel a little each day…’ during her traumatic life.

I stopped at the mill ‘hidden in the folds of the Alps of the Moon, where the sun sets from the jewel red skies behind misted blue peaks.’ Anna’s mother once lived in a mill, and she explains ‘…the old building in ruins, crumbling into nothing seems to mirror what I am leaning of Mamma’s past.’ The Mill is ‘fragile’ and is a symbol of lost history and lost dreams that could be rekindled by the new generation.  Sitting on the steps to read the letters and diaries, I sensed the ‘breeze that dances on the river’.  Listening to the ‘sound of the river and distant sheep bells’, I could feel the loneliness of Ines. I am sure I heard the voices of the German soldiers who would have bathed there, and the whispers of the POWs and partisans hidden in the mountains.

I was completely spellbound by the characters and the clever structure of this novel.  ‘Tuscan Roots’ is a beautifully written novel examining cultural differences, the impact of war and the risks that ordinary people will take.  I was intrigued by the details of post war Britain, but wanted to stay in Italy. The contrast between the two settings and cultures reinforces Ines’ emotional landscape.  The patchwork of history and the present are sewn together effortlessly with Angela’s distinctive prose.  How much do we really understand about our grandparents and parents’ experiences?  Such a poignant message is presented:

‘We should not bury our memories, even if they are painful, even if mistakes were made in those times, which causes us anguish…we must learn from them.’

I discovered Anna’s history, trusted her observations and understood her pain.  I was very fond of the vulnerable, innocent Ines who demonstrated incredible bravery. The descriptions of the setting rooted me to the novel, and made me understand how it bound Ines to her homeland.  I pondered the way that a landscape can remain untouched throughout the generations but people leave clues about the place’s history.  The author examines how war changes circumstances and the simple things that we take for granted.  I was in awe of the people who made sacrifices for others during the war, in Italy. The romance of the setting presents the reader with the hope of love.  The romance in the novel is wonderful, natural and tender. Angela’s writing style is captivating.

The food prepared by the locals, in the Italian Apennines, transcends time and bridges the gap between the generations.  I enjoyed ‘the stuffed zucchini flowers, little squares of crostini topped with spicy tomatoes, liver pate and a creamy relish made from dandelion flowers, roasted bay leaves topped with ovals of melted cheese.’  Food is prepared to celebrate feasts, to welcome people into the home, to celebrate family occasions and to woo.

This novel evokes the senses and leaves the reader firmly fixed in Tuscany.  Not the tourist’s Italy, but rural, down to earth Italy – ‘this landscape feels lived in’, and the author breathes life into ‘the ghosts from the past’.  The story of the POW and partisans provide another dimension to this story, and I was impressed with how this was skilfully woven into the story.

Read Tuscan Roots, and you will not want to leave the romantic beauty of ‘indigo blue mountains’, or the ruins of Il Mulino (The Mill).  You will be impressed with the bravery of the Italian community during the war, and you will not want to leave the blossoming romance. I highly recommend this book!

 

Please see all my reviews at Books in Handbag and my blog at jessiecahalin.com.

Packing for a Trip to the Past

Anna Belfrage

What would you pack if you regularly visited the seventeenth century? On this occasion, you really wouldn’t have anything to wear. Our staple of jeans and a t-shirt would be provocative in the seventeenth century.  Author, Anna Belfrage, regularly sends her characters back in time, and I was intrigued to discover how she helps her heroine, Alex, to pack for another era.  Where does a writer start when dressing characters for another era? Alas, I would have to begin by abandoning my handbags as they didn’t exist.

I am handing over to Anna Belfrage, author of The Graham Saga, and her costume department.  Anna’s novels have allowed her to fulfil her dream of becoming a professional time traveller.

Dressed for Success in the Seventeenth Century

Frans Hals

One of my series, The Graham Saga, is set in the seventeenth century for a variety of reasons, none of which have anything to do with the prevailing fashions of the time. While others may go “ooh” and “aaah” at the paintings of dashing cavaliers adorned with lace and ribbon, I like my men in breeches and a simple linen shirt, a no-nonsense coat worn atop, which is probably why my hero, Matthew Graham, dresses like that. Well, it may have something to do with his convictions as well. After all, Matthew is a devout member of the Scottish Kirk, and he and his brethren have little liking for fripperies.

Where Matthew was born and bred in the 17th century, his beloved wife, Alex(andra) Lind, grew up in our time. In difference to many of us, she never had a hankering for living in the past, but sometimes impossible things happen, which is how she ended up in the 17th century, wearing jeans.

Cook with a Hare

“I like her djeens,” Matthew says, his gaze lingering on her legs. “But, aye, you’re right: she can’t wear them here. Seeing her thus revealed is only for me to see.” (He has a certain amount of cave-man tendencies does our Matthew. Blame it on the times…)

So instead, Alex has to start by donning a shift. This is a long linen garment that reaches halfway between knees and ankles, it has long sleeves and a neckline with a drawstring. It serves as a combined nightie and underwear. (Forget about a silky negligee when in the mood for some action which is why I recommend nudity for seduction). This shift is worn until it can almost stand on its own – laundry is a heavy task.

On top of the shift Alex wears stays. Okay, so they’re not as bad as those sported by Scarlett O’Hara but once they’re laced they have a somewhat inhibiting effect on her movements. Stockings in scratchy wool are rolled up the legs to thigh-level and gartered into place. Petticoats help keep Alex somewhat warm, ending just above the ankle. A bum roll, heavy woollen skirts, a bodice and an apron complete the outfit. Let me tell you, this weighs a lot. It is difficult to run in full skirts. Or climb a tree (which is a bad idea anyway, as women shouldn’t do something as indecorous as climb a tree).

At this point Alex stops to inspect herself – she has a small looking glass, lucky her. The collar is tied into place, the hair is braided back and coiled into a tight bun before being covered by a linen cap. A woman without a cap is a sinful thing indeed! By the door are the shoes – they might be a pair of latchet shoes, but they might just as well be clogs. Actually, maybe using clogs is the better choice – at least they keep the feet dry!

“I’m not wearing all that,” Alex told me the first time I presented her new wardrobe for her. “I’ll stick to my jeans—and my underwear.”

“No, you won’t.” Matthew shakes his head. “To go around dressed like that is to attract unwanted attention. And should anyone find out you’re from the future…” he mimes a sliced throat. Too right: either you conform, or you risk sticking out like a sore thumb and potential witch. Not good in a time and age where witches are still being executed.

Alex sighs. “Fine,” she says, throwing me an angry look. (She blames me for throwing her back in time. She rarely thanks me for gifting her with the rather wonderful Matthew.) “But just so you know, the moment I get back, I’ll be in jeans again.”
Back? I share a look with Matthew. Alex isn’t going back. After all, while time travelling is a rare occurrence, time travelling with a return ticket is even rarer!

 

Sir Anthony van Dyck and Lord Bernard Stuart

Presently, Anna is hard at work with The King’s Greatest Enemy, a series set in the 1320s featuring Adam de Guirande, his wife Kit, and their adventures and misfortunes in connection with Roger Mortimer’s rise to power.

When Anna is not stuck in the 14th century, chances are she’ll be visiting in the 17th century, more specifically with Alex and Matthew Graham, the protagonists of the acclaimed The Graham Saga. This series is the story of two people who should never have met – not when she was born three centuries after him. A ninth instalment has just been published, despite Anna having thought eight books were enough. Turns out her 17th century dreamboat and his time travelling wife didn’t agree…

Anna can be found on her website, on Facebook and on her blog. Or on twitter and Amazon.

 

Please see all my guest posts at Mail from the Creative Community and my blog and website at JessieCahalin.com.

 

Dutch War Secret in my Handbag

Do you know the Dutch built a village for the Jewish community in World War Two?  Imogen Matthews tells the inspirational story in ‘The Hidden Village’.  She has written to her readers to explain more about the forgotten history and to introduce her dramatic extract.

Dear Readers

I’m so pleased to tell you about ‘The Hidden Village’, my novel set in WW2 Holland, deep in the Veluwe woods. It’s a story about survival, hope, despair, and ultimately, love, as a community pulls together to build a purpose-built village to shelter those persecuted by the Germans. The lives of young Sofie, Jan and Liesbeth become entwined with devastating consequences for their future.

About half-way through the book, Jan and his brother, Oscar, are arrested by the Gestapo for helping a fallen American pilot. This extract describes what happens after their terrifying journey in the back of the Nazis’ vehicle.

I chose this extract because it represents a dramatic turn in the story and shows how ruthless the Germans could be towards the Dutch people, even children.

I hope this extract will tempt you to read the book.  I am delighted to present more context about the novel.

Best wishes

Imogen Matthews

 

Extract

‘Is this a prison?’ he whispered to Oscar, who stood, white-faced, next to him.

‘It’s a police station but there are cells through that door,’ said Oscar.

‘They’re going to lock us up?’

‘Looks like it.’

Jan wished Oscar could be a bit more encouraging.

It was their turn next and they went up to the desk together.

‘Name,’ said the man behind the desk without looking up.

‘Oscar Mulder and Jan Mulder,’ said Oscar.

‘One at a time.’

‘We’re brothers. He’s only eleven,’ said Oscar.

Jan pushed close against him.

The man lifted his gaze for a brief moment, before going back to his form. After a short pause, he pulled out another from a pile and wrote Jan’s name in capitals across the top, followed by a line and a squiggle Jan couldn’t read.

Jan decided to let Oscar answer the questions. When he’d finished, they were both led by the smirking SS-er to the door leading to the cells. Again a feeling of panic rose from Jan’s abdomen at the prospect of being separated from his brother. They were marched along an echo-y corridor lined with closed doors. Jan had to break into a trot to keep up. At the end was a metal door that needed four keys to open it.

Jan and Oscar didn’t need telling. They walked through and the door swung back behind them with a decisive clang.’

 

More about the Novel

Deep in the Veluwe woods lies a secret that frustrates the Germans. Convinced that Jews are hiding somewhere close by, they can find no proof.

The secret is Berkenhout, a purpose-built village of huts, many underground, sheltering dozens of persecuted people.

Henk Hauer, head woodman, is in charge of building of underground huts and ensuring the Berkenhout inhabitants are kept safe, But could his friendship with certain German soldiers endanger the very existence of Berkenhout?

Sofie, a Jewish Dutch girl, is one of the first inhabitants of Berkenhout. At first she refuses to participate in village life and pines for her friends and family. But she realises there is no choice and comes to appreciate the support of the local community who make their survival possible.

Young tearaway, Jan, finds the woods an exciting place, but they pose danger from the patrolling German soldiers. His discovery of Donald, an American pilot, changes everything.

The Reviews

Ms E. Holmes-ievers: “From the first chapter you are engaged with the characters and I even found myself warning them when they were due to be raided – OUT LOUD! Sensitively written, with a page-turning plot, this is a wonderful new book from Imogen.”

Gilly Cox: “This skillful blend of fiction within the factual events happening to many at those times, holds you till the end. I couldn’t put it down, nor did I want to until the final page.”

Clarky: “Though the subject matter is tough, there are lighter moments and the book rattles along at a good pace. The varied cast of characters, especially the younger ones, keeps your interest. Highly recommended.”

The Characters

This was a story I felt I had to get down, so when I’d finished I was pleased I’d told a story that so many people won’t have known anything about. It left a big hole as I’d spent so long on the book and I realised just how attached I’d become to my characters.

I miss Sofie’s feistiness and determination not to let her life change by hiding away from the Germans. And I miss her best friend Liesbeth, who sticks by Sofie through thick and thin, even though she also has to make her own big sacrifices. I even miss the enigmatic Henk, the head woodman, who’s instrumental in getting the hidden village built, but struggles with his loyalties. I particularly miss Jan, who’s always getting into scrapes but is only trying to help others and do good. He goes through so much that I just want to give him a big hug and tell him that everything will turn out alright.

The Author

My Dutch heritage has shaped me and influenced the writing of this novel, which is set in the woods where my family and I have cycled for the past 27 years.

This is a story about events in WW2 that hardly anyone knows about. Once you start reading The Hidden Village you’ll be gripped and won’t want to let the book out of your sight!

‘The Hidden Village’ is a bestseller in the US with over three hundred reviews.  The novel explores wartime Holland and asks: Who can you trust?  You can read my review of this book at……

Imogen re-visited the setting of the novel and has mailed an article to Books in my Handbag Blog.

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

Stumbling Across History with Imogen Matthews

In November, I received some mail from Nunspeet, Holland.  Imogen Matthews posted an article to Books in my Handbag Blog, during her annual holiday. On opening the email, I was delighted to read about how she stumbled upon history and the real hidden village.

Imogen Matthews is the author of The Hidden Village, an intriguing historical fiction, and it is a pleasure to hand over my blog to her, today.

 

 

The real hidden village and why I wrote a novel about it

The Pas-Opweg: Inspiration for the front cover of The Hidden Village

The woods are perfectly quiet at this time of year and the only sound is our bikes crunching over fallen beech nuts. We’re on the long straight avenue of tall beech trees arching upwards to meet in the middle. Their leaves still cling on, burnished gold by the sun’s setting rays. It’s a scene I never tire of.  At the crossroads, we stop briefly to take photos, as we always do, and carry on towards the hidden village. We know it well after discovering it only a few years ago.

 

 

Signpost to Het Verscholen Dorp -the real hidden village

I always look forward to our annual holidays in Nunspeet, where we stay in gezellig holiday houses tucked away in the woods. We know all the cycle routes that track across the heath, past improbable sand dunes and along narrow paths leading deep into the woods.

 

At least, we thought we did until one day back in 2011, we cycled past a large boulder with something written on it. I stopped to discover it was a memorial stone to the local community who had sacrificed so much to help people persecuted by the Germans in World War 2. I was astonished to learn this piece of history. In 21 years of cycling holidays, no one had ever mentioned this place, nor had I ever read anything  about it.

Across the path was a sign to Het Verscholen Dorp, Dutch for hidden village. It wasn’t easy to see what was there, which was probably the point. We followed a rough path through the trees and ahead of us was a hut of some sort, only partly visible. The roof was covered with moss, vegetation and branches to look like the ground beside it. It was a reconstruction of an underground hut that had stood on this spot.

 

Reconstruction of an underground hut

These huts were as dark and secluded as the one shown here, designed to be invisible to the naked eye. Whole families lived inside these cramped spaces and many were so relieved to have somewhere safe to live that they were prepared to put up with less than perfect conditions.

After discovering Het Verscholen Dorp, I was enthused to find out more, but there was very little written material or information on the internet. This made me even more intrigued: so few people today know about what happened on this spot that I wanted to write my own story visualising the events and their effect on these brave people. I knew I didn’t want to write a historical account, but a narrative based on imagined characters who flee to safety inside the village and others who put their own lives at risk to help them. The reality was that there was a huge community who devised the plans to build the village, clandestinely helping to bring people there and provide them with everything they needed, including food, clothing, medicines books and news from the outside. It was remarkable that this village stayed hidden for so long from the Germans patrolling these woods. They suspected something was going on but were unable to uncover the village however hard they tried.

Every year we go back and I walk around the “village” which today consists of three underground huts. There would have been more back in 1943-1944, housing nearly 100 Jewish men, women and children, fallen English and American pilots, Dutch men who resisted going to Germany to work for the Germans and other nationalities looking to escape the Nazis. People were in hiding all over the Veluwe woods, in farmhouse attics, cellars, outbuildings and other purpose-built dwellings, but this was the only organised village.

Today, the woods are a haven for people looking to escape busy lives in towns and cities. The Veluwe is a popular holiday destination, but deep in the woods  it’s always tranquil. I imagine how quiet it must have been 74 years ago, although for many the peace was tempered by an undercurrent of threat and fear.

In my story, Tante Else and her helpers do all they can to keep up people’s spirits by visiting every Sunday with coffee, cakes and news.

Tante Else put down her basket and took out a packet of coffee and a cake wrapped in a tea towel. The smell of cinnamon filled the room. She must have baked it that morning. Everyone crowded round to see and soon the hut filled with chatter and laughter.

‘It’s real coffee,’ cried Corrie, taking a deep sniff as she spooned it out into the pan. Tante Else smiled, but wouldn’t let on where she’d obtained such a rare commodity. None had tasted real coffee for months. Everyone had grown sick of the ersatz stuff made from roasted chicory that didn’t taste at all like coffee, just burnt. The smell of coffee filled the air and its effect was as intoxicating as alcohol.

Soon their conversation becomes subdued as Liesbeth, Oscar and tante Else bring them the news from outside. Sofie, just 16 years old, has recently moved to the village and is having difficulty settling in and following all the rules.

‘They’re forcing Jews to wear a big yellow star when they go out. Everyone and anyone can be stopped and searched and if they don’t have ID on them, they’ll be arrested. Every day we’re hearing about people disappearing,’ said Liesbeth.

‘My uncle was arrested in Amsterdam last month. He only just avoided being sent to Vught. Father’s been so angry about this. It’s why he wants this village to be a success,’ said Oscar quietly.

‘This is why it’s best you’re here for the time being. I hope you understand now why we have these rules, which might seem petty, but are for everyone’s safety,’ said tante Else, whose gaze landed on Sofie.

It was too much to bear. Sofie looked away…

 

Contact Imogen at:

https://twitter.com/ImogenMatthews3

https://m.facebook.com/TheHiddenVillagenovel/?locale2=en_GB

 

Visit my Author Chat Room to meet Imogen Matthews.  Please see my review of The Hidden Village at My Reading.

 

Please see my blog at jessiecahalin.com.

 

Celebrating a slice of Italian history in my handbag

Angela Petch is an author of historical fiction, and she has written two wonderful novels set in Tuscany.  I completely lost myself in both novels. ‘Tuscan Roots’ and ‘Now and Then in Tuscany’ are based on her research into her husband’s family and his family’s region.  Angela and her husband live in Tuscany for six months of the year, thus her novels are written in the heart of the setting and culture. Angela’s intelligent and vivid style of writing is perfectly balanced with cultural and historical information. 

The ebooks of ‘Tuscan Roots’ and ‘Now and Then in Tuscany’ have been snapped up by Endeavour Press.  Angela has published short stories in People’s Friend and PRIMA magazine, and she won the Ip-Art short story award in 2008.

I simply adore Angela’s books and feel as if I have discovered a writer whose work will become classics.  I asked her to introduce the extract of ‘Tuscan Roots’ to prevent me from waxing lyrical for pages and pages. 

Cari lettori (Dear Readers),

It is 1944 and in a remote corner of German-occupied, war torn Italy. Ines, an eighteen year old Italian country girl is helping the partisans hide an escaped British POW. Meeting this young man will change her life forever.

There are two time threads weaving through “Tuscan Roots” and this extract from the story set in the past introduces Ines and Norman – two main protagonists. The diary extract is being read by her daughter, years later.

Saluti,

Angela

Presenting the extract:

“Rofelle, September 8th 1944

The inglese was still asleep on the planks above the cows. The nights were chilly and the animal warmth and dry hay made a comfortable bedroom – much better than mine. I have to share with nonna and she kicks and tosses at night. She snores like the pig we used to fatten for Christmas. There have been no pigs this year. The Germans have ‘requisitioned’ ours and everybody else’s in the area. ‘Pigs eating pigs,’ we muttered amongst ourselves.

‘Signore,’ I whispered.

There was no response. His face was long and pale, blond curls fell over his forehead which was bound with a dirty cloth. Blood had oozed and crusted onto the material. He was like a big baby.

‘Signore!’ I said it louder this time. There was still no response. I put the bowl of pasta down and gently shook him.

He opened his eyes, shouted and grabbed me round the neck. I pummelled him with my fists, I could hardly breathe. ‘Let me go, leave me alone!’ I shouted.

And then he recognised where he was and dropped his hands from round my neck. ‘Scusi, scusi. Sorry, signorina.’

‘You nearly knocked over the food.’

I was shaking and rubbed my neck. His grip had hurt me. The cows below seemed to sense something was wrong and they mooed and stamped their hooves.

(Extracted from Ines’ diary. Chapter 10 “Tuscan Roots”)

More words about the book from Angela:

‘Tuscan Roots’ is a story of two women living in two different times. In 1943, in occupied Italy, Ines Santini’s sheltered existence is turned upside down when she meets Norman, an escaped British POW. In 1999, Anna Swill and, their daughter, starts to unravel accounts from assorted documents left to her after her mother’s death. She travels to the beautiful Tuscan Apennines, where the story unfolds. In researching her parents’ past, she will discover secrets about war, her parents and herself, which will change her life forever…

What do the reviewers say about ‘Tuscan Roots’?

It is indeed noteworthy that the ‘Tuscan Roots’ has received over fifty reviews!

“A wonderful read – it is a great combination of a true account and fiction that I truly couldn’t put down” (Elizabeth Pepper – Amazon) ;

“Tuscan Roots is so much more than a literary take on ‘Who Do You Think You Are’ with its credibly fleshed-out characters, glimpses of life in war-weary occupied territory and dreary post-war London and a plot that keeps you on your toes but is never too convoluted – it’s a love letter to Tuscany.” – Ingenue Magazine. ;

“The way Angela has managed to capture in great detail the amazing natural beauty of this area and the culture of the Tuscan people is incredible.” Amazon Reviewer.

“If you love Italy, you will love this book. If you love history, this novel will show you an aspect of WW2 you may well not have encountered before. Angela Petch brings Tuscany to life; the customs, the people – you can taste the food, smell the wild flowers, see the scenery.” Amazon reviewer

Angela is a natural writer and describes herself as a ‘little bit nosey and always looking for stories’.  This piqued my interest and made me wonder how she had managed to weave such a beautiful story.

The inspiration behind ‘Tuscan Roots: A tangle of love and war in the Italian Apennines’

‘Tuscan Roots’ is my first novel and I wrote it for my lovely Italian mother-in-law who was ill at the time. She helped me with so many stories from her own life and allowed me to use them. I hasten to add that, although much of the book is factual and based on research, some of the story is fiction.  I missed the characters and so I wrote a sequel so I could mix with them again. Some of the main characters make a reappearance in “Now and Then in Tuscany” and …I am currently working on the third part of my Tuscan trilogy and the younger characters will tell their stories in this.

I cannot wait for the third novel in this series!

See my review of Tuscan Roots.

Angela’s contact detail:
Website: https://angelapetchsblogsite.wordpress.com
Twitter:@Angela_Petch
Facebook: https://www.facebook.com/AngelaJaneClarePetch/
Email:angela_maurice@hotmail.com

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

History Tour and Chat with Anglo-Saxonist

John Broughton

 

 

 

John began writing stories for his two children, Emily and Adam, when they had exhausted all the children’s books in the local library. The result was that six of these were published, one of them being an anthology of shorter stories.  John now lives in Italy and has published two historical fiction novels for adults. 

I met John and his wife, Maria, in Lincoln to discuss ‘The Purple Thread’ and ‘Wyrd of the Wolf’. Both of John’s novels are inspired by his passion for Anglo Saxon history. 

John was on holiday, in Lincoln, with his wife, Maria, and was also taking the opportunity to complete some research. John offered to give me a brief tour of the cathedral before we discussed his books. I had climbed Steep Hill to reach the cathedral but was mightily impressed by the cathedral.  John explained that Maria would meet us later in the coffee shop.

Jessie:  It is an impressive cathedral.  Did you choose to meet here because the cathedral has Anglo Saxon connections?

John:  The present majestic cathedral has nothing to do with the Saxons. In the seventh century, about half a century before the setting of my third novel here in the Kingdom of Lindsey, St Paulinus, companion of Saint Augustine, founded the first Christian church. But not where the present cathedral stands, but in Bailgate, to the north-west. Archaeological evidence shows sunken-floored buildings surrounded the site.

I was in awe of John’s impressive knowledge and his incredible enthusiasm for the history.  I knew that my online research would be of little use, and it was best find out more from the expert.

Jessie: What is it that particularly interests you about the cathedral?

John:  As an Anglo-Saxonist, I’d love to know what lies beneath the cathedral but luckily, I’ll never get a chance to know. Since Lindsey was a sub-kingdom dominated by its powerful neighbours, it is a kind of mysterious period and anyway, much of Lincolnshire was marshland – the famous Fens.

Jessie:  I know that Lincoln is the capital of his country in…..with its beautiful cathedral.  Tell me little more about your books.

John:  Of course, but I suggest that we visit the coffee shop in the town.  My wife is in the café reading my latest book and I need to refer to it.

As we walked to the coffee shop, John engaged me in a detailed overview of the plot of his novels.  He then proceeded to summarise the books for this interview.

John: The Purple Thread is about how a detail can change our lives. In this case, a letter that steals a man from his family and sends him to confront pagans, heretics and deal with saints.

Wyrd of the Wolf is a story of love and betrayal in the context of the struggle between emerging kingships and in particular the pagan Caedwalla who becomes the patron saint of (reformed) serial killers!

Maria was sipping her espresso while absorbed in the book.  She smiled at John and handed over the paperback.  I noticed that she removed another copy of the book from her handbag. 

Jessie:  I realise that you had some success writing stories for children.  How have your recent books been received by the reviewers?

John frowned as he scrolled through emails on his phone.  Maria reached into her handbag and retrieved a notebook with the reviews she had collected. Maria couldn’t wait to read the reviews, it was lovely to see how happy she was to celebrate her husband’s work.

Maria:

John Broughton transports his reader into the fascinating world of our islands in the 8th century. His colourful imagery creates a realistic atmosphere of life as it would have been lived in those days. His intimate knowledge of the period brings this historical novel vividly into the imagination of his readers. No detail is omitted in his colourful account of every scene. (Pronter)

This book has all the classic elements of an adventure story, danger, heroism, cunning and treachery. The author knows his period well but manages to wear his history lightly. Anglo Saxon times are called the dark ages for a reason and we get a real glimpse into this world in the wild lands of western Europe as the author takes us on a vast journey through a dystopian landscape. (Tricky Henry)

The Purple Thread is not my usual genre and, to be honest, I only started the book because I knew the author many years ago. Wow! What a great book and surprise it turned out to be; I was totally absorbed with the quality of writing, the characters & story in a period I know so little about. So many years of research must have gone into The Purple Thread, resulting in an absolute page turner. I simply couldn’t put it down. It entertained me but also made me think. (Sooz B.)

Jessie: Wow!  The reviews are very positive, and I can’t wait to read the books.  Can you give me an extract from the books to tempt the reader?

Maria handed over the books, she pointed to some sections she had marked with yellow post-it notes.  John took the books, skimmed the text and read the passages.

John:

The Purple Thread

A careful reader will notice reference to the colour running as a thread throughout the book. In a way, it represents the Word of God and how the Church places the protagonist under psychological pressure to keep him away from his family. So I chose these lines:

‘Bemused, he shook his head, more pressing thoughts troubling his heart. The coast of his homeland dwindled to a thin purple line, every moment carrying him farther from the woman and child he loved.’

The Wyrd of the Wolf

A father betroths his daughter for political reasons. She falls in love with his most dangerous enemy and a tale of tormented love and revenge unfolds. This passage reveals the protagonist’s underlying motivation:

“Aelfhere struggled to sweep aside sinister thoughts. After all, this should be a joyous occasion.  His king, Arwald, had ordered him to Sussex with a score of armed men but on the outcome of their mission rode the safeguarding of the Isle.”

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

John: The strangest thing happened. I was moved by my protagonist’s predicament (of my own creation, it should be stressed) to the point that I had tears in my eyes. But it’s the end of the book and I don’t want to write a spoiler!

As for Wyrd, well, I regret in a way not writing a sequel because I find myself wondering what happens to Cynethryth (the female protagonist) after she returns to Wight. I suppose there’s still time but for the moment I’m busy on another novel.

Jessie: What is the last sentence written in your writer’s notebook?

John: It’s a quote copied from a fellow author’s blog. She quotes Anton Chekov “Don’t tell me the moon is shining, show me the glint of light on broken glass.’ It’s a good reminder by a great writer to show not tell.

Jessie: What is the biggest challenge for an author?

John: I don’t know, because as a relatively new writer, I’m learning all the time and it’s all a challenge. But among those I’ve faced up to now, the latest is the greatest: trying to create an anti-hero protagonist and yet make the reader empathise with him. I’m at the halfway stage of my novel and I’ll be honest, I don’t think I’m being wholly successful. But I’m relying on revising the story enough times to manage it to my satisfaction in the end.

Jessie: What is the best advice that you have received as a writer?

John: ‘The first 250000 words you write are for the bin’ (Joseph Conrad) In my case maybe more! Never give up. His first novel was rejected 19 times and he was brilliant.

Maria:  Oh, John just loves to write and write.  He is so happy when he is telling stories.  Did he tell you the story about the emblem of this city?

I wasn’t sure if the Lincoln Imp is located in the cathedral, or in a specific place so need your help here.

John: The Lincoln imp – the symbol of the city – has been explained as a medieval mason’s practical joke. It’s to be found in the Angel Choir below the level of the angels. The legend says it was lured into the building by the sweet singing of the angels and God turned him to stone. This doesn’t explain why the angels are stone, of course!

Jessie:  It has been lovely to meet you both.  It is such an impressive city and I the cathedral is the most impressive I have seen.  The setting of Lincoln, John’s storytelling and knowledge of history has inspired me to read the novels.  Have a good journey back to Italy.

John: Sir Kenneth Clark, when pressed to choose, selected Lincoln as the most beautiful of the English cathedrals and I agree with him!  The cathedral also houses one of the few original copies of the Magna Carta.

More about John…

John is sorry that he didn’t start writing for adults twenty years ago. Realistic enough to know that a writer either has time but no income or has income but no time. Incredibly impressed by the solidarity and sheer niceness of fellow indie writers.

For further details, you can visit John’s web site on www.saxonquill.com

Facebook page John Broughton – Historical Fiction Writer.

Twitter:  @broughton_john

 

Please see all my interviews at My Guests and my blog at jessiecahalin.com

 

A perilous journey through the Regency era

Fortune’s Promise

Sue Johnson

 

 

 

 

 

 

A black coach and horses arrived outside of the inn.  Fortunately, there was step outside of the inn to allow me a little grace, as I entered the carriage.  Alas, the handbag had not been invented.  I kept my possessions in my pockets, stored my belongings in a bundle and held ‘Fortune’s Promise’ in my grasp. It was 1811, ‘the night was painted silver’, as I commenced the journey.  The horses moved at a genteel pace and took me to Orchard House.  Peering into the house, I saw a striking young woman, Lucinda, ‘with raven hair and sapphire eyes’.  A servant brought a ‘delicious looking drink in a sugar-frosted glass’, alas he could not see this twenty first century reader.  I settled back in the carriage, and could not wait to open to recommence the thrilling journey through the novel.

Sue Johnson, the author, was driving the coach and horses and I heard her call to the horse to commence the journey. We galloped at a pace through the Regency narrative; it was indeed thrilling as the characters veered of the track.  Without a fortune to keep the characters on a steady road of wealth, I was in awe as they employed survival tactics of the highest order. Lucinda and Hannah, both strong and resourceful ladies, navigated their way through the perilous era – and what a brilliant journey.  The ladies could not see me.  I waited in the background, hoping for a twist in fate to keep them safe.  Perhaps, I did help them along the way.

The shadow of the villain lurked, but ‘a hunger and cold gnawed his insides’, as he searched for his treasure – the lady with the ‘sapphire eyes’. Oh, how I feared for Lucinda. Despite her slight frame and pale countenance, Lucinda had the fire of the twenty first century woman. Indeed, ‘naked hostility’ shone in her ‘sapphire blue eyes’, and she recognised that her brother ‘had more choice in life’.  Mentally stronger than her artist brother, John, Lucinda rejected ‘the devil on Longdon Hill’, and was not fooled when he ‘strutted out like a peacock’.  Laughing at Lucinda’s perceptive, intelligent comments, I wanted to invite her into the twenty first century; but she could not see me.

I was on the edge of my seat, as the horses negotiated the rough narrative terrain. We encountered the thieves and vagabonds hiding in the underworld.  Driving through the era: we stopped at inns, fairs, farms and cottages. Sue Johnson documents the uncivilised element of the era thus providing a refreshing perspective.  I entered an inn to find ‘the air thick with the smell of smoke, old cooking and unwashed bodies. The smell was so over powering…’  But I did not dwell on the assault on my senses, as it was time to follow the pathway of the winding plot.   I saw that ‘turmoil’ ‘twisted inside’ of Lucinda when faced with the devilish character.  She was not hoodwinked by her suitor, and I knew I would witness the adventures of a thoroughly modern Regency lady.  I returned hastily to the carriage each night to follow the plot, but drew the curtains on the ‘man on a black horse’ who was always clipping at Lucinda’s heels.  I hoped Lucinda would be clever enough to outwit him, and see his ‘silhouette’ before he saw her. I pointed at a potential suitor, alas she could neither see me, nor hear my counsel.

I feared for the characters as they met the various people along the way.  I ‘heard of situations where wealthy young men had disappeared to be stripped of their belongings and left dead in a ditch.’ I moved out of the Regency drawing room to travel through the reality of the era.  The hiring fair chilled me to the bone, when the sinister farmer approached Lucinda, but I marvelled at Lucinda’s independent spirit.

The narrative is wrapped in the superstition of the era and a hint of the supernatural.  I was enchanted by this novel, as I travelled back in time to reality of the Regency era.  I wanted to help the characters who had been thrown into turmoil by the cruel twist of their fate.  But, ‘the air cracked with tension’ as I drove through the twists and turns in the narrative.  ‘The storm rattled and crashed overhead’ in the dramatic story of greed, ambition and survival.

 

Please see all my book reviews at Books In Handbag and my blog at jessiecahalin.com.

 

Rosemary Noble insists on a daily dose of realism and compassion

Rosemary Noble 

After four decades teaching students how to research in the day job as an education librarian, Rosemary began her own research into her family and discovered stories that begged to be told.

It was a pleasure to welcome, historical novelist, Rosemary Noble to Wales to discuss her novel – Ranter’s Wharf.

Rosemary Noble

Jessie: Your novel is well-researched and rich with historical references.  You have developed strong characters that one cannot fail to empathise with.   I can rant on and on about the merits of your book as I did in my review. Can you summarise the book in a few words?

Rosemary: It’s a moving family saga about love, loss and betrayal set in 19th century England. It follows three generations as they attempt to find a way to live honourably in tumultuous times.

Jessie:  Your novel has been a very popular download on Kindle.  I have noticed an impressive number of reviews.  Can you retrieve some reviews that capture the essence of your book? Always modest, Rosemary hesitated a little until I insisted that we read the reviews.

Rosemary: Maybe like any author, I dread the first reviews because you wonder if anyone will get what you are trying to do, especially when the subject matter is unusual. But I have been overwhelmed with the kind words people have written. For example:

“The wonderful characterisations in this novel make light of a challenging theme and transport the reader through the harsh times of Victorian Lincolnshire in a roller-coaster of emotions A little masterpiece of its genre” John Broughton – May 26 2017

“The joy of this book is that it is absolutely gripping. Because of the sympathy with which the characters are portrayed, you find yourself really caring about what happens to William – adopted as a bewildered child by his rich maiden aunt – and his heirs who carry on the fight for social justice into the next generation.” Perdisima May – 15th 2017

“Delightful and informative. An intriguing story with a wonderful insight of the times.” Amazon Customer – April 15th 2017

Jessie:  Can you tempt the reader with an extract from the novel?

Rosemary: “Her passionate nature freed itself from the reserve she showed the world, allowing her whole body to respond with joy to his smiles, with misery to his tears and a fierce desire to protect him.”

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

Rosemary: In some ways, relieved because it was a hard story to write. It’s based on my 3x great grandfather who was an ordinary farmer until he was converted.  I wanted the book to be engrossing and relevant but I had to keep the reader interested while dealing with the difficult subjects of poverty, politics and religion. Religion has featured strongly in all three of my books only because it was so important in the 19th century but it is not my natural element. My next book set in the 20th century will not be influenced by religion but will have its own problems for me to overcome as a writer and storyteller.

I always miss the characters in my books. As an author, they inhabit my mind constantly. Because the subject has relevance for today with Brexit and the Trump vote, I wonder what my characters would have felt and how they would react. I can hear William saying to his son,’ education is key’ and his son and nephew replying, ‘No, every man should have a vote if they contribute to the wealth of the country.’ I found myself quite conflicted when writing the final chapters.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.  

Rosemary: People like my hairdresser’s receptionist who said to me ‘your book makes me realise I should always use my vote.’

If I can move someone sufficiently to learn how hard life used to be and then become more active in demanding the voice of the poor and dispossessed are heard today, then I will be happy. I am no Dickens or Hardy but am conscious of the impact they had on 19th century society. Our current times are troubling and I see the hard-fought-for Welfare State crumbling through cut-backs. Let’s not go back to those times, please.

If there was one famous person I wish would read my books it would be the director, Ken Loach. I am in awe of his work such as Cathy Comes Home and I Daniel, Blake.

Jessie: Why should readers select your novel?

Rosemary: For a dose of realism and compassion. Allow yourself to be transported to a time where life was a struggle not just in a material way but also in a spiritual and political way. I want to know how you would react to ‘the undeserving poor’. Would you turn your back, cloak yourself in respectability or would you act to mitigate the poverty around you?

Rosemary Noble

Jessie: What is the last sentence written in your writer’s notebook?

Rosemary: A solitary gull glides and swoops in the azure sky below a trio of swifts cavorting and darting as though playing tag but in the far distance a black speck appears, a harbinger of death.

This is a note for my next book, working title, Sadie, which will link all my books together.

Jessie: What is the biggest challenge for an independent author?

Rosemary: Getting noticed which means learning about marketing on social media. The key for me is the relationships you forge with other indie’ writers. In any walk of life, you learn so much from other people and you’re stronger together in a team. In our case, a virtual team of authors from around the world as well as close to home.

What is the best advice that you have received as a writer?

Rosemary: Learn the craft but write the book you want to write. Stay true to yourself. I am in the lucky position that I don’t need to earn my living from writing which frees me to write what I want.

Rosemary is driven to give a voice to our ancestors, to those who never had a voice in real life. “I like to pose questions, encouraging readers to think for themselves, ‘what would I do in that situation, how would I cope’? The stories history sends us, have relevance for today and I like to tap into that because I am quite a political person though it’s only this year that I joined a political party.”

Voice of an Australian convict in my handbag

Historical novelist, Rosemary Noble, is presenting an extract from her first novel entitled ‘Search for the Light‘. 

Rosemary’s novels are powerful and engaging explorations of historical periods: strong, empathetic characters and beautiful language transport the reader to the time and place.  

Rosemary researches the historical periods thoroughly, but the characters take over and tell their stories. In a letter to readers, Rosemary introduces the inspiration behind her moving novel, ‘Search for the Light’.

Dear Readers,

I am delighted to present an extract from my historical saga: ‘Search for the Light’.

This is a story of love and friendship, of three women out of the thirteen thousand transported to Van Diemen’s Land alone. Until a few years ago they had been written out of history, their contribution ignored, denigrated for behaviour unseemly in a woman of the times, constantly punished for minor misdemeanours. Some were strong enough to survive and their contribution deserves to be recognised.

I sat down one morning, and my character, Sarah, appeared out of nowhere, a victim and survivor of abuse. Readers love Sarah and I grew to love her. Once or twice I wondered if she should die but she told me, no, and I’m relieved she stayed my hand. Of all the characters, she did find the light and it was inside herself.

In the extract, Sarah has been given a life sentence of transportation for manslaughter. She is waiting in Newgate prison and Nora, the main protagonist, is another prisoner who has befriended her. Sarah is the only character written in the first person because I strongly believe she wrote her own story.

Thank you for your interest and your time.

Rosemary Noble

Words from the novel:

My name is Sarah Mawby I told her, but I don’t really know what my name is or even If my mother ever gave me one. Mawby was the name of the street where I was left. No, I don’t know who my parents are. No one claimed me. Why would they? Just another wailing mouth to feed.

I don’t know my age, about fourteen I think. I have never had a birthday. Some of us foundlings survived our childhood, but it was just luck, lots of children didn’t. We were given a cot to share, as many as ten to a cot, a few patched second-hand clothes, a morsel of food, if it could be called that; much worse than in here it was.

When sickness came, whole cotfuls of babies succumbed in turn. They told us they had gone to live with God. God obviously didn’t want me. I’m not surprised.

Oh yes, we were taught to read and count. They didn’t teach us to write. Too dangerous, we might write and tell someone how we were treated. Sundays, we went twice to church and heard all about hell fire and damnation, whilst we shivered in our thin smocks. What else did we get? Oh yes, the stick. There was lots of that. Was there love? I didn’t believe it existed. I’d heard of it but I never had any.

Then I watched Nora with her father today and saw love for the first time. It was the most beautiful thing I ever saw.

How Nora and Sarah fit into the story:

A moment’s foolish mistake costs sixteen-year old Nora her freedom and her family. Sentenced to transportation she has to grow up fast to survive prison, the long journey and then life as an assigned servant in Van Diemen’s Land of the 1820s. She is sustained by real friendships with other prisoners, Sarah and Helen. Can anyone of them overcome the pitfalls of convict life to become pioneering settlers of modern day Tasmania? This is a story of love and friendship amidst the trials of 19th century Australian colonial life.

Opinions of the reviewers:

“There were moments when I was doing the literary equivalent of shouting at the TV. It moved me, I felt alarm, indignation, great sadness and elation.” Ingenue Magazine Summer 2017

“Rosemary Noble writes with immense skill and takes great care with the characters in this story and I look forward to meeting some of them again in her next book.” John Charles Hall June 2017

“The characters are brilliantly defined; the narrative flows and the historical knowledge of the author is admirable. A fabulous read.” Catrin August 2016

More about the author:

I’m probably a frustrated historian but I’m making up for it now.

This was my first book, so a measure of relief in having achieved this goal. I thought it was going to be my one and only but at the end I wrote an epilogue, which is the daughter of Helen, another main character, looking back. And the sequel was born. So, in many ways I didn’t need to miss the characters, they were looking over my shoulder when I wrote The Digger’s Daughter and are still breathing down my neck as I write the third book in the series.

Reading ‘Ranter’s Wharf’, Rosemary’s latest release, made me feel passionate about my ancestors’ suffering. Following Rosemary’s extract and information, I have bought ‘Search for the Light’.  I am looking forward to finding out more about Australian history through Rosemary’s characters.  Digger’s Daughter, the second Australian Saga book, is also available now.

To find out more about this wonderful author, please visit my interview with Rosemary.

Please read my review of Ranter’s Wharf – it will give you a flavour of how Rosemary brings history to life.  Rosemary is the historical novelist with a social conscience. 


https://rosemarynoble.wordpress.com/

https://twitter.com/chirosie

https://www.facebook.com/RosemaryJaneNoble/

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

Meeting historical novelist and his scoundrel ancestors

John Jackson

 

 

 

 

My phone guided me through the ancient streets of York to meet, historical novelist John Jackson. Instantly, John greeted me with his warm smile and welcoming manner.  He was looking very relaxed in his cords and checked shirt.

John:  Welcome to York!  I have taken the liberty of buying you half a pint of Shambles Tavern Stumbler.

It was a straw coloured beer with a pleasant hoppy finish.  It was served cool but not cold.  We also had a complementary plate of sandwiches and crisps.

Jessie:  Thank you, John. It is great to be back in Yorkshire.  Sorry, I’m a little late but I got distracted with Shambles Market. 

John:  No problem, it is so easy to get lost in the history of York.  The Shambles is rumoured to be the best preserved medieval street in the world.

Jessie: I didn’t know that – thank you.  You certainly do adore your history.  I was reading about your historical novel on the train and it looks so tempting.  It was fascinating to discover your novel is based on your family history.

John:  Ah yes, I started to research my Family Tree fifty years ago.  I was lucky to find transcribed letters from my great, great grandfather on one side of the family, and on the other I found that my great great grandmother was related to the Rochforts of Belvedere, in Ireland.  I had to research this treasure and along the way, I came across some juicy relatives – and a story that was crying out to be told.

I found a booklet titled ” Some Celebrated Irish Beauties of the Last Century”, and the first chapter was about my book’s heroine. I couldn’t pass this story by. In my eyes it was crying out to be told, even though the original story would need a very different treatment.

I ended up writing the story of what I would LIKE to have happened.

John saw me looking at his novel peeping out of a rucksack.  He held up the front cover with pride.

John:  It was a great moment for me when I received the physical copies of the book.  I am totally delighted with the front cover. It’s a portrait of Robert Rochfort, and it hangs in Belvedere House in Mullingar. The management of the house (an Irish National Monument) were extremely helpful in allowing me to use the image.

Jessie:  It is like the front cover for a classic, historical novel – perfect for the genre.  Can you capture the essence of the book in a couple of sentences?

John:

You can’t choose who you lose your heart to!

Love can be the only thing that keeps you alive.

Jessie:  Wow!  You have already hooked me into the novel.  The blurb says, ‘Based on real events, Heart of Stone is a tale of power, jealousy, imprisonment, and love, set in 1740s Ireland.’ Please tell me more about this captivating story.

John: I don’t want to give too much away, obviously. Fortunately, it is a time that is past. We behave better now – or at least differently. I can reassure you, though – you really WILL be captivated by the story.

Jessie: I can see that there has been an awful lot of interest in your book online.  Everyone seems to love the fact that the story is based on your own family.  What do the reviewers say?

John:  For me, the fact that my wife loved the book was such a great reward.  Here are some of the reviews from Amazon:

‘A brilliant book, found it hard to put it down!’ By Mum’s the word

‘I thoroughly enjoyed reading Heart of Stone. I found it hard to put down from the first pages onwards.’ By Rebecca H Stevens

And from Goodreads: ‘Utterly loved the book, fantastic read and loved it very much…’ by Gwessie Tee.

Jessie:  I am impressed with the way that you are tempting me to read the book – very clever.  Come on now, can you read an extract.

John took a sip of his beer then picked up his book.  He had already marked some passages and took a couple of minutes to select the extract.

John: Mary felt the warmth of his lips on her fingers; the sensation caused her to feel a glow deep within her. She looked up and into his eyes. They seemed deep enough to drown in.

Jessie:  Well, I wasn’t expecting that level of intrigue in such a short passage.  Who is Mary, she sounds as if she is in trouble?

John: She is, but doesn’t know it! She is my 5 x Great Grandmother, Mary Molesworth and the daughter of an Irish peer. She is Robert’s new wife.

Jessie:  How did you develop the characters in your novel.  Did you have clues about the characters’ personalities in your research?

I started with what was actually known about them and worked from there. I found that easier than I expected, possibly because they are – initially – “broad brush” characters.

Jessie:  It must have been quite a journey to write this book, and it must have been difficult to leave the characters behind. How did you feel when you had finished writing your book, and did you miss any of the characters?

John: Writing “The End” was both the best and the worst of sensations. I was delighted to finish the work; but it was also like saying goodbye to some old friends.

I would like to have written more about the enigmatic Mr Stafford. He knows everything.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.  

John: Most of all, I would like my friends to read it. There is a lot of “me” in Heart of Stone.  My wife has already read it, and, happily, loved it.

Jessie: Why should I keep your book in my handbag?

John: It entertains (I hope), and it reaffirms the old tenet of “Never give up! Never lose faith!”

What is the last sentence written in your writer’s notebook?

From my next book: (Working title “Strange Bedfellows”. He never felt the blow that felled him, but, as his assailant kicked him viciously in the ribs and back, he could feel himself slipping into unconsciousness. A disembodied voice spoke into his ear as he lay there. “Stay away from here. We don’t want your kind.”

Jessie: I have just read a wonderful blog post from you where you explain how you have marketed your book.  It was thorough and I have shared it with others. What is the biggest challenge for an author?

John: For a NEW author, realising that you might have a good tale to tell, but you really need to learn how to tell it! Writing is a craft, and it behoves us to do it well, if we believe in our story.

Jessie: What is the best advice that you have received as a writer?

John:  Don’t give up!

Jessie:  You certainly don’t seem like the sort of person to give up.  Your novel sounds like a labour of love. It must be wonderful to get an insight into your ancestors.  I searched for Belvedere House, one of the settings, it looks magnificent.  I was intrigued by the Jealous Wall.  Does this feature in the novel? Tell me, did you visit Belvedere House in Ireland? 

John: We did indeed. I HAD to check to see if I had made any major mistakes in my draft. Fortunately, I hadn’t. Belvedere and the Wall are impressive. They both feature heavily in the novel.

As expected, John was great fun to interview.  He is such a warm character and very clever at presenting clues about his book.  I wish him the very best of luck with his debut novel.

About John…

After a lifetime at sea, I am now retired, and have turned to writing fiction. An avid genealogist, I found a rich vein of ancestors, and suddenly realised just how much material there was for any number of books. Most people throughout history have led boring, humdrum and frequently brutally short lives, but on my family tree, there were a good number of real characters. Some were total scumbags, and lots did “interesting things.”

A chance meeting with some authors led me to turn his efforts to setting down some amazing stories. John is a keen member of the Romantic Novelists Association and the Historic Novel Society and an enthusiastic conference-goer for both organizations.

I was brought up on Georgette Heyer from an early age, and, like many of my age devoured R L Stevenson, Jane Austen, R M Ballantyne, and the like. These days my tastes run towards Bernard Cornwell, Simon Scarrow, Liz Fenwick, and Kate Mosse.

Contact details:

Website:  john42hhh.blogspot.co.uk

Twitter: @jjackson42 

Facebook:  https://www.facebook.com/johnjacksonauthor/

 

 

Please see all my interviews at My Guests and my blog at jessiecahalin.com.

 

Enigmatic Dual-Time Guernsey novel in my handbag 

Anne Allen

 

 

 

 

 

 

Having departed from a grey, rainy day in London, it was a thrill to arrive in Guernsey. A blue sky greeted me in Guernsey, and the cool breeze was refreshing. A taxi took me to the quaint St Peter’s Port. I met Anne at The Old Government House Hotel, a cosy homely hotel with spectacular views. Looking around, I tried to imagine how the building may have been used by the Germans, during World War Two.

We sat in two comfortable brown leather armchairs, near a beautiful piano.Grabbing Anne’s latest novel, The Betrayal, from my handbag, I asked Anne to tell me more.

Jessie: This is a beautiful place and it is difficult to imagine how Guernsey when it was occupied by the Germans. Tell me more about your novel.

Anne: The Betrayal  is two intertwined stories; the first focusing on Leo, who loses everything in the German Occupation of Guernsey. The second concerns Fiona, who sixty years later, becomes caught up in what happened to Leo after the mysterious find of a Renoir in a Guernsey basement.

Jessie:Where did you get the inspiration for your narrative in The Betrayal?

Anne: From two historical events that took place in Guernsey. The first was Renoir’s visit in 1883, when he stayed for a few weeks and painted numerous local scenes; in particular Moulin Huet on the south coast. These paintings are quite well-known and at least one is in a major museum. The second event was the forced deportation of Jews from Guernsey and Jersey – by the Germans to concentration camps during WWII.

Jessie: German occupation must have been terrifying for the inhabitants.  I look forward to reading your novel to capture a sense of the atmosphere. Can you read an extract from the novel?

Anne removed her novel from the coffee table and selected a passage instantly.

Anne: His heart lurched, hating to see her like this. Before he could say anything, she went on, ‘I can’t leave you here on your own, Leo. Anything might happen to you if the Germans do come.’

Jessie: Great choice! You build up the tension and make me want to read more. How does The Betrayal fit into the Guernsey Series?

Anne:All six books in The Guernsey Novels series are standalone stories but they share characters who featured in previous books. It’s like reading about a small town, when people know each other and turn up when needed. Each book has fresh main characters to add to the mix and to prevent readers becoming bored! My fans tell me they love recognising characters from previous books in the series, making them feel at home

Jessie: How did you feel when you had finished writing The Betrayal and did you miss any of the characters?

Anne: Relieved and exhausted! It had taken me months longer than anticipated to finish but I was pleased with the result. Characters do get under your skin and I miss Fiona and Michael in particular. The joy of writing books in a series is that characters can pop up again, so it might be au revoir not goodbye.

Jessie: Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family. 

Anne: I would be honoured if Barbara Erskine, the writer of so many wonderful time-slip books, would deign to read my humble offerings. Any words of advice and/or encouragement from her would be gratefully received.

Jessie: What is the biggest challenge for an author?

Anne: Getting noticed by potential readers. There are millions of books available to choose from these days making it almost impossible for an unknown writer to be noticed in the crowd. Now I have a series of six books to my name, it’s becoming a little easier.

Jessie: What is the best advice that you have received as a writer?

Anne: To write as if for myself, not to worry if anyone will ever read my words.

More about Anne

Anne is a retired psychotherapist who finally got the chance to write when her three children flew the nest. She loves history and exploring old houses, visiting places of archaeological interest on her travels.

Please see all my interviews at My Guests and my blog at jessiecahalin.com.

 

A stolen painting in the pocket of my large handbag

Popular author, Anne Allen, released ‘The Betrayal’, on 22nd October.  ‘The Betrayal’ is the sixth book in the Guernsey Series.  Anne Allen has kindly selected an exclusive extract for Books in my Handbag.  The dual-time novel unfolds in the present day and during World War Two.  It is set against the backdrop of the German deportation of the Jewish community, in Guernsey, and involves a stolen Renoir painting. 

Treachery and theft lead to death – and love. 

‘The Betrayal’ is tense, powerful and spellbinding.

Anne will introduce her new novel, present an extract and tell you more about the intricate narrative.

Dear Readers,

I am delighted to present my latest in the Guernsey Novels series, ‘The Betrayal’.

This extract is from the beginning of the book and is the prelude to the modern part of the story, giving you a taste of the tension throughout the book.

Keep a copy of the book in your bag to dip into whenever you have a moment, you won’t regret it!

Happy Reading☺

Anne x

Presenting the extract:

Guernsey 2011

Something was wrong. The alarm didn’t blast out as he pushed open the back door of the shop. Standing still, he heard a noise. Someone was in the shop. Or more accurately, the basement. Nigel paused as he closed the door quietly behind him, his heart hammering against his ribs as he debated what to do. Whoever was in there knew how to disable a burglar alarm otherwise lights would be flashing and a discordant wail would be piercing the air. Best to shut them in the basement and call the police. Following the thought, he crept into the main shop, guided by the dim light coming through the rear window. His eyes adjusting to the dimness, Nigel tried to pick out the area where a rug should cover the trapdoor. For a moment he wondered who could have known about the basement, only discovered a few weeks before when they completed the renovations and replaced the flooring. Odd. And why the basement when the shop was full of valuable antiques?

Crouched at the edge of the hole, light from a torch casting shadows below, he was about to push the open door downwards when a hand snaked up and grabbed his arm.

More about ‘The Betrayal’…

Teresa Bichard and her baby are sent by her beloved husband, Leo, to England as the Germans draw closer to Guernsey. Days later they invade…

Leo, of Jewish descent, is betrayed to the Germans and is sent to a concentration camp, never to return.

Teresa returns to find Leo did not survive and the family’s valuable art collection, including a Renoir, is missing. Heartbroken, she returns to England.

Nigel and his twin Fiona buy a long-established antiques shop in Guernsey and during a refit, find a hidden stash of paintings, including what appears to be a Renoir. Days later, Fiona finds Nigel dead, an apparent suicide. Refusing to accept the verdict, a distraught Fiona employs a detective to help her discover the truth…

Searching for the true owner of the painting brings Fiona close to someone who opens a chink in her broken heart. Can she answer some crucial questions before laying her brother’s ghost to rest?

Who betrayed Leo?

Who knew about the stolen Renoir?

And are they prepared to kill – again?

What do the reviewers think of ‘The Betrayal’?

‘I am a huge fan of Anne Allen’s Guernsey series in which various locations are lovingly described. With the ‘suicide’ of her twin brother, this book has an orally different feel as Fiona tries to get to the bottom of it. With an undiscovered Renoir and links to WW2 this book has a much darker feel to it.’ Julie Ryan

‘Great characters and of course a love connection with a happy ending.’ Karen’s World

‘Having read Anne’s last book, Echoes of Time, I couldn’t wait to read her latest, and I wasn’t disappointed. The novel alternates between WW2 and 2011 and is set on the beautiful island of Guernsey. The Betrayal features twins, Fiona and Nigel, who discover a Renoir within the walls of their antique shop in 2011. When Nigel is found dead, and suicide is suspected, Fiona refuses to believe that her brother would end his own life and she sets out to uncover the truth. Unravelling the mystery will carry her on a journey back to 1940, and to the dark days of the German Occupation and the deportation of Jews.’ S. Charlton

And finally…

A late-comer to writing, Anne was a psychotherapist in a previous life.   Readers are lucky that Anne decided to tell her stories. Anne admits her characters do get under her skin and she misses Fiona and Michael, in particular. I look forward to discovering more about the characters and solving the mysteries presented by this delicious time-slip novel.

You can find out more about Anne Allen here.

 

Please see all the specially chosen extracts at Book Extracts and my blog at jessiecahalin.com. 

 

A tale of two continents

The Giants Look Down

 

Sonja Price

 

 

 

This gripping tale explores cultural differences, in two continents, through the life of Jaya and her brother.  An intelligent study of how one’s understanding of freedom is relative to education, experience and culture: a very poignant, contemporary message!

Jaya was born in a place where ‘the tiny mauve and yellow flowers danced in the breeze as the snowy summits of Pin Panjal meditated in the morning sun.’  Despite the beauty and implied freedom and romance of the landscape, the women are inhibited by their culture and the ugly politics of war torn Kashmir.  Jaya’s gentle, intelligent observations give an insight into her world as a Kashmiri girl.  Her mother asserts ‘you’re a girl’ and believes that ‘love rides on reason, not romance.’  It is clear Jaya is destined to search beyond this and it is impossible not to admire her questioning.

Jaya wishes on a ‘shooting star’ and the author maps out Jaya’s destiny beautifully.  The novel explores how the independent, free spirited mind can find flight if given the right opportunities.  But the opportunities must be accompanied with an inquiring mind. Jaya’s entrapment in Delhi is as stifling as the intense heat which ‘pressed down on city life like a giant hand.’ Her value, as a potential bride, diminishes once her parents have been killed.  She will find a way to escape a doomed arranged marriage – she is born to fight.

In contrast, Tahir, Jaya’s brother is forced to survive in a world of violence.  Here, Price examines how the innocent, accepting mind can become involved in terrorism.  Tahir’s life is written in the third person as he never finds his own voice.  Jaya’s story is written in the first person so that you can recognise her strength and identity.  She wants to be a wife ‘but (she) wasn’t going to give up everything.’  Ironically, the masculine stereotype and expectations shackle Tahir to a life of unfulfillment. Sadly, a lack of ambition and opportunity forces Tahir to accept his comrades as family.

Like her father, Jaya leaves ‘The Giants’ behind and moves to Scotland.  The cool Scottish breeze brings a fresh new perspective to Jaya’s life.  ‘The ocean! A slate grey stretching out to the horizon’ is symbolic of Jaya’s freedom and endless possibilities.  Meanwhile, her brother remains in Kashmir, and Tahir, believes the British to be the destructive force in his country.  He asks a British man, ‘Have you thought about the devastation your empire has left behind?’  He is unable to see how different cultures can collaborate and learn from each other. Tahir fights for his confused perception of freedom while his sister, Jaya, fights to save lives.  Jaya and Tahir’s father was a doctor. Jaya’s father involved her in his mission of caring for everyone, regardless of religion or race.

Jaya learns to inhabit the space between two cultures and finds her identity.  Her love for Alistair gives her stability, purpose and strength. Tahir is tormented by:

‘The poverty, the beauty, the peace and the violence.  Such extremes separated by the blink of an eyelid.

Tahir never examines his own world as he is too caught up in the conflict and grudges.   The natural ebb and flow of the Jaya’s narrative is enchanting while we never get inside of Tahir’s confused, inhibited mind.  The tale of two continents explores cultural difference: it is a wonderful book of contrasts.  For instance, the peaceful setting Kashmir Valley translates ‘paradise on earth’ yet it conceals conflict.  Jaya questions: ‘How could the landscape be beautiful when Alistair was suffering?’ Like Jaya, one must look beneath the surface.

This novel teaches us to have a respect and understanding of other cultures but we need the freedom to ask questions and pursue our ambition: above all, everyone needs to be loved. ‘Azadi’ (freedom) is a state of mind influenced by opportunities, the people we meet and the strength to ask pertinent questions.

A sensitive, well-crafted narrative that explores challenging themes through a beautiful central character. I recommend this novel wholeheartedly!