Category: Historical Novel

Stumbling Across History with Imogen Matthews

In November, I received some mail from Nunspeet, Holland.  Imogen Matthews posted an article to Books in my Handbag Blog, during her annual holiday. On opening the email, I was delighted to read about how she stumbled upon history and the real hidden village.

Imogen Matthews is the author of The Hidden Village, an intriguing historical fiction, and it is a pleasure to hand over my blog to her, today.

 

 

The real hidden village and why I wrote a novel about it

The Pas-Opweg: Inspiration for the front cover of The Hidden Village

The woods are perfectly quiet at this time of year and the only sound is our bikes crunching over fallen beech nuts. We’re on the long straight avenue of tall beech trees arching upwards to meet in the middle. Their leaves still cling on, burnished gold by the sun’s setting rays. It’s a scene I never tire of.  At the crossroads, we stop briefly to take photos, as we always do, and carry on towards the hidden village. We know it well after discovering it only a few years ago.

 

 

Signpost to Het Verscholen Dorp -the real hidden village

I always look forward to our annual holidays in Nunspeet, where we stay in gezellig holiday houses tucked away in the woods. We know all the cycle routes that track across the heath, past improbable sand dunes and along narrow paths leading deep into the woods.

 

At least, we thought we did until one day back in 2011, we cycled past a large boulder with something written on it. I stopped to discover it was a memorial stone to the local community who had sacrificed so much to help people persecuted by the Germans in World War 2. I was astonished to learn this piece of history. In 21 years of cycling holidays, no one had ever mentioned this place, nor had I ever read anything  about it.

Across the path was a sign to Het Verscholen Dorp, Dutch for hidden village. It wasn’t easy to see what was there, which was probably the point. We followed a rough path through the trees and ahead of us was a hut of some sort, only partly visible. The roof was covered with moss, vegetation and branches to look like the ground beside it. It was a reconstruction of an underground hut that had stood on this spot.

 

Reconstruction of an underground hut

These huts were as dark and secluded as the one shown here, designed to be invisible to the naked eye. Whole families lived inside these cramped spaces and many were so relieved to have somewhere safe to live that they were prepared to put up with less than perfect conditions.

After discovering Het Verscholen Dorp, I was enthused to find out more, but there was very little written material or information on the internet. This made me even more intrigued: so few people today know about what happened on this spot that I wanted to write my own story visualising the events and their effect on these brave people. I knew I didn’t want to write a historical account, but a narrative based on imagined characters who flee to safety inside the village and others who put their own lives at risk to help them. The reality was that there was a huge community who devised the plans to build the village, clandestinely helping to bring people there and provide them with everything they needed, including food, clothing, medicines books and news from the outside. It was remarkable that this village stayed hidden for so long from the Germans patrolling these woods. They suspected something was going on but were unable to uncover the village however hard they tried.

Every year we go back and I walk around the “village” which today consists of three underground huts. There would have been more back in 1943-1944, housing nearly 100 Jewish men, women and children, fallen English and American pilots, Dutch men who resisted going to Germany to work for the Germans and other nationalities looking to escape the Nazis. People were in hiding all over the Veluwe woods, in farmhouse attics, cellars, outbuildings and other purpose-built dwellings, but this was the only organised village.

Today, the woods are a haven for people looking to escape busy lives in towns and cities. The Veluwe is a popular holiday destination, but deep in the woods  it’s always tranquil. I imagine how quiet it must have been 74 years ago, although for many the peace was tempered by an undercurrent of threat and fear.

In my story, Tante Else and her helpers do all they can to keep up people’s spirits by visiting every Sunday with coffee, cakes and news.

Tante Else put down her basket and took out a packet of coffee and a cake wrapped in a tea towel. The smell of cinnamon filled the room. She must have baked it that morning. Everyone crowded round to see and soon the hut filled with chatter and laughter.

‘It’s real coffee,’ cried Corrie, taking a deep sniff as she spooned it out into the pan. Tante Else smiled, but wouldn’t let on where she’d obtained such a rare commodity. None had tasted real coffee for months. Everyone had grown sick of the ersatz stuff made from roasted chicory that didn’t taste at all like coffee, just burnt. The smell of coffee filled the air and its effect was as intoxicating as alcohol.

Soon their conversation becomes subdued as Liesbeth, Oscar and tante Else bring them the news from outside. Sofie, just 16 years old, has recently moved to the village and is having difficulty settling in and following all the rules.

‘They’re forcing Jews to wear a big yellow star when they go out. Everyone and anyone can be stopped and searched and if they don’t have ID on them, they’ll be arrested. Every day we’re hearing about people disappearing,’ said Liesbeth.

‘My uncle was arrested in Amsterdam last month. He only just avoided being sent to Vught. Father’s been so angry about this. It’s why he wants this village to be a success,’ said Oscar quietly.

‘This is why it’s best you’re here for the time being. I hope you understand now why we have these rules, which might seem petty, but are for everyone’s safety,’ said tante Else, whose gaze landed on Sofie.

It was too much to bear. Sofie looked away…

 

Contact Imogen at:

https://twitter.com/ImogenMatthews3

https://m.facebook.com/TheHiddenVillagenovel/?locale2=en_GB

 

Visit my Author Chat Room to meet Imogen Matthews.  Please see my review of The Hidden Village at My Reading.

 

Please see my blog at jessiecahalin.com.

 

A psychologist needed for my handbag

Letters to the Pianist

S. D. Mayes

 

 

 

 

 

Introducing S.D. Mayes and her debut novel – ‘Letters to the Pianist’

 

About the book

‘A Family Torn Apart. A Past They Can’t Escape.’

After their home is bombed in the London blitz, a chance connection brings the broken Goldberg family back together, but delivers rebellious and overweight Ruth Goldberg, into the hands of a murderer.

Letter from the author…

Dear readers,

I am delighted to present an extract from my new 1940s suspense novel, ‘Letters to the Pianist’.

This extract is taken from a third of the way into the story, when the pianist, Edward Chopard – a man with no memory of life before the London Blitz – is in New York, preparing to play a concert at Carnegie Hall. His good friend, psychologist Dr Oliver Jungston, has taken a sabbatical to help him on his concert tour.

This gives you a snapshot of the central theme of the story … how the protagonist, Edward is driven to make sense of the confusing events that are happening to him, as he attempts to discover who he really is.

Enjoy,

S.D. Mayes

Extract

The hospital psychologist Dr Oliver Jungston explains to his patient, Edward, about his troubled visions and the chance events unfolding in his life. 

‘These connections … the young boy, the blonde, the London Hospital, your lunch with John the chance meeting with the redhead, even our conversation right now – they are known as meaningful synchronicities.’

Edward looked baffled, rubbing his chin.

‘To explain, Jung’s philosophy is based on the principle that life is not a series of random events, but rather an expression of a deeper order, referred to as Unus mundus, Latin for one world or one energy. A meaningful coincidence occurs from a conscious or unconscious need, want or desire, that draws the observer and the connected phenomenon together through Unus mundus. Listen to me, Eddie,’ he said, standing up and waving his arms around like a conductor of an orchestra, ‘it’s all good.’

‘So you don’t think I’m slowly going insane?’

‘Not at all. These coincidences reveal a deeper realisation that something more powerful is at work. In short, the unconscious you, has brought about a chain of events so that you can rediscover your past. Your soul is pushing you to confront your emotional history.’

‘Hmm, sounds a bit mystical.’

‘Well, in a way it is. Jung believes these meaningful synchronicities direct us back to our spiritual nature.’ Oliver gazed into the distance. ‘There are links in every living thing. We magnetise them to us. There are no accidents.’

What the reviewers say…

‘Letters to the Pianist has a gripping and multi-layered plotline’ – The Daily Mail

‘Exceptional and unique … will remain with me for a very long time’ – Booklover Catlady

‘Mayes has written a masterpiece. Savour the words and let the pages turn themselves’ – John Winston, award winning author

‘This was an incredibly atmospheric novel that brilliantly depicted the effects of ww2 – loss, fear, grief, helplessness, poverty, evacuations and separations; whilst also being a very suspenseful and thrilling story. Detailing horrific acts committed against Jews – the torture made me somewhat uncomfortable – and conspiracies regarding the war.
I utterly loved the way this was written. It was immensely rich with descriptions and added great depth to the characters. The words flowed beautifully and created a vividly imaginable story, wholly capturing the ambience of war. The multiple POVs also gave an insight on the characters’ circumstances, thoughts and emotions.’ – Svetlana’s review

S.D.Mayes worked as a journalist for nearly twenty years before turning her hand to fiction. Originally from the West Country, she has one daughter and currently lives in Berkshire, United Kingdom.

The best of luck to S.D.Mayes with the unique and intriguing novel.

 

Please see my blog at jessiecahalin.com

Celebrating a slice of Italian history in my handbag

Angela Petch is an author of historical fiction, and she has written two wonderful novels set in Tuscany.  I completely lost myself in both novels. ‘Tuscan Roots’ and ‘Now and Then in Tuscany’ are based on her research into her husband’s family and his family’s region.  Angela and her husband live in Tuscany for six months of the year, thus her novels are written in the heart of the setting and culture. Angela’s intelligent and vivid style of writing is perfectly balanced with cultural and historical information. 

The ebooks of ‘Tuscan Roots’ and ‘Now and Then in Tuscany’ have been snapped up by Endeavour Press.  Angela has published short stories in People’s Friend and PRIMA magazine, and she won the Ip-Art short story award in 2008.

I simply adore Angela’s books and feel as if I have discovered a writer whose work will become classics.  I asked her to introduce the extract of ‘Tuscan Roots’ to prevent me from waxing lyrical for pages and pages. 

Cari lettori (Dear Readers),

It is 1944 and in a remote corner of German-occupied, war torn Italy. Ines, an eighteen year old Italian country girl is helping the partisans hide an escaped British POW. Meeting this young man will change her life forever.

There are two time threads weaving through “Tuscan Roots” and this extract from the story set in the past introduces Ines and Norman – two main protagonists. The diary extract is being read by her daughter, years later.

Saluti,

Angela

Presenting the extract:

“Rofelle, September 8th 1944

The inglese was still asleep on the planks above the cows. The nights were chilly and the animal warmth and dry hay made a comfortable bedroom – much better than mine. I have to share with nonna and she kicks and tosses at night. She snores like the pig we used to fatten for Christmas. There have been no pigs this year. The Germans have ‘requisitioned’ ours and everybody else’s in the area. ‘Pigs eating pigs,’ we muttered amongst ourselves.

‘Signore,’ I whispered.

There was no response. His face was long and pale, blond curls fell over his forehead which was bound with a dirty cloth. Blood had oozed and crusted onto the material. He was like a big baby.

‘Signore!’ I said it louder this time. There was still no response. I put the bowl of pasta down and gently shook him.

He opened his eyes, shouted and grabbed me round the neck. I pummelled him with my fists, I could hardly breathe. ‘Let me go, leave me alone!’ I shouted.

And then he recognised where he was and dropped his hands from round my neck. ‘Scusi, scusi. Sorry, signorina.’

‘You nearly knocked over the food.’

I was shaking and rubbed my neck. His grip had hurt me. The cows below seemed to sense something was wrong and they mooed and stamped their hooves.

(Extracted from Ines’ diary. Chapter 10 “Tuscan Roots”)

More words about the book from Angela:

‘Tuscan Roots’ is a story of two women living in two different times. In 1943, in occupied Italy, Ines Santini’s sheltered existence is turned upside down when she meets Norman, an escaped British POW. In 1999, Anna Swill and, their daughter, starts to unravel accounts from assorted documents left to her after her mother’s death. She travels to the beautiful Tuscan Apennines, where the story unfolds. In researching her parents’ past, she will discover secrets about war, her parents and herself, which will change her life forever…

What do the reviewers say about ‘Tuscan Roots’?

It is indeed noteworthy that the ‘Tuscan Roots’ has received over fifty reviews!

“A wonderful read – it is a great combination of a true account and fiction that I truly couldn’t put down” (Elizabeth Pepper – Amazon) ;

“Tuscan Roots is so much more than a literary take on ‘Who Do You Think You Are’ with its credibly fleshed-out characters, glimpses of life in war-weary occupied territory and dreary post-war London and a plot that keeps you on your toes but is never too convoluted – it’s a love letter to Tuscany.” – Ingenue Magazine. ;

“The way Angela has managed to capture in great detail the amazing natural beauty of this area and the culture of the Tuscan people is incredible.” Amazon Reviewer.

“If you love Italy, you will love this book. If you love history, this novel will show you an aspect of WW2 you may well not have encountered before. Angela Petch brings Tuscany to life; the customs, the people – you can taste the food, smell the wild flowers, see the scenery.” Amazon reviewer

Angela is a natural writer and describes herself as a ‘little bit nosey and always looking for stories’.  This piqued my interest and made me wonder how she had managed to weave such a beautiful story.

The inspiration behind ‘Tuscan Roots: A tangle of love and war in the Italian Apennines’

‘Tuscan Roots’ is my first novel and I wrote it for my lovely Italian mother-in-law who was ill at the time. She helped me with so many stories from her own life and allowed me to use them. I hasten to add that, although much of the book is factual and based on research, some of the story is fiction.  I missed the characters and so I wrote a sequel so I could mix with them again. Some of the main characters make a reappearance in “Now and Then in Tuscany” and …I am currently working on the third part of my Tuscan trilogy and the younger characters will tell their stories in this.

I cannot wait for the third novel in this series!

See my review of Tuscan Roots.

Angela’s contact detail:
Website: https://angelapetchsblogsite.wordpress.com
Twitter:@Angela_Petch
Facebook: https://www.facebook.com/AngelaJaneClarePetch/
Email:angela_maurice@hotmail.com

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

A forgotten history in my handbag

The Hidden Village

 

Imogen Matthews

 

 

 

 

This novel takes you back in time to World War Two, in Holland, and is based on fact.  You will find yourself in the village of Berkenhout, hidden deep inside the woods.  Reading this narrative, with the hindsight of a 21st century reader, you fear for the people throughout the book.  Turning each page with dread, you try to hope…

From the outset, Jewish people disappear in the Dutch village.  There is ‘A windowless van parked up ahead, its back doors open and the German soldiers were shouting at the elderly couple to get in.’  Such occurrences become part of everyday life for a community that decides to ‘stand up’ and support their Jewish neighbours.   It is an incredible story!

The community hide their Jewish neighbours in attics and summerhouses. Eventually, an entire village is constructed, in the woods, to protect these vulnerable people.  It is intriguing to observe how a community work together.  In turn, Matthews examines how the hidden villagers feel trapped.  It is sad that ‘freedom seemed an impossible dream’ yet we know it is better than the fate of their counterparts outside of the village.  How could they have realised the danger?  The German occupation is an ever-present menace that pursues the characters.  ‘All it took was a stray German to bump into’ one of children running through the woods with supplies.  Will they be caught?

The pathways, the darkness and the sounds of the forest help to personify the menace that is present throughout the novel. Sofie observes that:

‘for now, the sun was shining and it filled her with the warmth she’d forgotten existed’

The woods that symbolised freedom and adventure for children become an uncertain place.  As in a nightmare, the shadows of fear begin to dominate but will the monsters ever become real?

A society is developed with rules, regulations and leaders but there is tension.  Matthews explores the pressures of a community within a community.  She presents some very strong central characters who grow up in this unnatural world.  It is heart-breaking to observe how the children lose their innocence.  These children live with uncertainty and broken families – they have to find an inner strength.  The community spirit is heartening yet wanes under the burden of war.  Some of the younger characters rely on friendships to support them but they learn about cold, brutal betrayal.

This isn’t a fairy-tale in the woods and ‘you just have to keep hoping’.   You won’t go hurtling from one resolution to another.  You know that not all the characters will survive.  But you will take a look at how brave, unselfish people can work together in the face of injustice and discrimination.  Children will play a real game of cat and mouse, with the Germans, as they risk their lives to deliver food to hidden villagers.

The woods also conceal a village that provides sanctuary for lost souls. You will find Englishmen, Russians, a defective German, an American. World War Two was fought in villages by brave people. Sometimes these brave people feel the weight of responsibility; sometimes these people go missing and sometimes they return.  The narrative successfully captures the world of chaos.  There are raids by German soldiers and some news of the outside world but even this information is in the shadows.  The reader is distanced, with the villagers, from the outside world but niggled by their twenty first century knowledge.

Imogen Matthews

As more and more refugees arrive in the village to seek sanctuary, one cannot fail to see the parallel with the refugees in Europe.  Matthews gives an insight into how desperate people are driven into circumstances. The author guides you towards the uncertain ending.  Find out about Lisebeth, Sofie, Jan and Oscar as they ‘soundlessly’ creep through their adolescence, in a chaotic world.  Get inside of the hidden village and find out more about the impact of the exceptional circumstances on the very real characters and dilemmas.  The characters of this book will never leave your memory and it will make you reassess the terrors in our own world.

Click to buy on Amazon

 

 

Please see all my reviews at Books in Handbag and my blog at jessiecahalin.com.

History Tour and Chat with Anglo-Saxonist

John Broughton

 

 

 

John began writing stories for his two children, Emily and Adam, when they had exhausted all the children’s books in the local library. The result was that six of these were published, one of them being an anthology of shorter stories.  John now lives in Italy and has published two historical fiction novels for adults. 

I met John and his wife, Maria, in Lincoln to discuss ‘The Purple Thread’ and ‘Wyrd of the Wolf’. Both of John’s novels are inspired by his passion for Anglo Saxon history. 

John was on holiday, in Lincoln, with his wife, Maria, and was also taking the opportunity to complete some research. John offered to give me a brief tour of the cathedral before we discussed his books. I had climbed Steep Hill to reach the cathedral but was mightily impressed by the cathedral.  John explained that Maria would meet us later in the coffee shop.

Jessie:  It is an impressive cathedral.  Did you choose to meet here because the cathedral has Anglo Saxon connections?

John:  The present majestic cathedral has nothing to do with the Saxons. In the seventh century, about half a century before the setting of my third novel here in the Kingdom of Lindsey, St Paulinus, companion of Saint Augustine, founded the first Christian church. But not where the present cathedral stands, but in Bailgate, to the north-west. Archaeological evidence shows sunken-floored buildings surrounded the site.

I was in awe of John’s impressive knowledge and his incredible enthusiasm for the history.  I knew that my online research would be of little use, and it was best find out more from the expert.

Jessie: What is it that particularly interests you about the cathedral?

John:  As an Anglo-Saxonist, I’d love to know what lies beneath the cathedral but luckily, I’ll never get a chance to know. Since Lindsey was a sub-kingdom dominated by its powerful neighbours, it is a kind of mysterious period and anyway, much of Lincolnshire was marshland – the famous Fens.

Jessie:  I know that Lincoln is the capital of his country in…..with its beautiful cathedral.  Tell me little more about your books.

John:  Of course, but I suggest that we visit the coffee shop in the town.  My wife is in the café reading my latest book and I need to refer to it.

As we walked to the coffee shop, John engaged me in a detailed overview of the plot of his novels.  He then proceeded to summarise the books for this interview.

John: The Purple Thread is about how a detail can change our lives. In this case, a letter that steals a man from his family and sends him to confront pagans, heretics and deal with saints.

Wyrd of the Wolf is a story of love and betrayal in the context of the struggle between emerging kingships and in particular the pagan Caedwalla who becomes the patron saint of (reformed) serial killers!

Maria was sipping her espresso while absorbed in the book.  She smiled at John and handed over the paperback.  I noticed that she removed another copy of the book from her handbag. 

Jessie:  I realise that you had some success writing stories for children.  How have your recent books been received by the reviewers?

John frowned as he scrolled through emails on his phone.  Maria reached into her handbag and retrieved a notebook with the reviews she had collected. Maria couldn’t wait to read the reviews, it was lovely to see how happy she was to celebrate her husband’s work.

Maria:

John Broughton transports his reader into the fascinating world of our islands in the 8th century. His colourful imagery creates a realistic atmosphere of life as it would have been lived in those days. His intimate knowledge of the period brings this historical novel vividly into the imagination of his readers. No detail is omitted in his colourful account of every scene. (Pronter)

This book has all the classic elements of an adventure story, danger, heroism, cunning and treachery. The author knows his period well but manages to wear his history lightly. Anglo Saxon times are called the dark ages for a reason and we get a real glimpse into this world in the wild lands of western Europe as the author takes us on a vast journey through a dystopian landscape. (Tricky Henry)

The Purple Thread is not my usual genre and, to be honest, I only started the book because I knew the author many years ago. Wow! What a great book and surprise it turned out to be; I was totally absorbed with the quality of writing, the characters & story in a period I know so little about. So many years of research must have gone into The Purple Thread, resulting in an absolute page turner. I simply couldn’t put it down. It entertained me but also made me think. (Sooz B.)

Jessie: Wow!  The reviews are very positive, and I can’t wait to read the books.  Can you give me an extract from the books to tempt the reader?

Maria handed over the books, she pointed to some sections she had marked with yellow post-it notes.  John took the books, skimmed the text and read the passages.

John:

The Purple Thread

A careful reader will notice reference to the colour running as a thread throughout the book. In a way, it represents the Word of God and how the Church places the protagonist under psychological pressure to keep him away from his family. So I chose these lines:

‘Bemused, he shook his head, more pressing thoughts troubling his heart. The coast of his homeland dwindled to a thin purple line, every moment carrying him farther from the woman and child he loved.’

The Wyrd of the Wolf

A father betroths his daughter for political reasons. She falls in love with his most dangerous enemy and a tale of tormented love and revenge unfolds. This passage reveals the protagonist’s underlying motivation:

“Aelfhere struggled to sweep aside sinister thoughts. After all, this should be a joyous occasion.  His king, Arwald, had ordered him to Sussex with a score of armed men but on the outcome of their mission rode the safeguarding of the Isle.”

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

John: The strangest thing happened. I was moved by my protagonist’s predicament (of my own creation, it should be stressed) to the point that I had tears in my eyes. But it’s the end of the book and I don’t want to write a spoiler!

As for Wyrd, well, I regret in a way not writing a sequel because I find myself wondering what happens to Cynethryth (the female protagonist) after she returns to Wight. I suppose there’s still time but for the moment I’m busy on another novel.

Jessie: What is the last sentence written in your writer’s notebook?

John: It’s a quote copied from a fellow author’s blog. She quotes Anton Chekov “Don’t tell me the moon is shining, show me the glint of light on broken glass.’ It’s a good reminder by a great writer to show not tell.

Jessie: What is the biggest challenge for an author?

John: I don’t know, because as a relatively new writer, I’m learning all the time and it’s all a challenge. But among those I’ve faced up to now, the latest is the greatest: trying to create an anti-hero protagonist and yet make the reader empathise with him. I’m at the halfway stage of my novel and I’ll be honest, I don’t think I’m being wholly successful. But I’m relying on revising the story enough times to manage it to my satisfaction in the end.

Jessie: What is the best advice that you have received as a writer?

John: ‘The first 250000 words you write are for the bin’ (Joseph Conrad) In my case maybe more! Never give up. His first novel was rejected 19 times and he was brilliant.

Maria:  Oh, John just loves to write and write.  He is so happy when he is telling stories.  Did he tell you the story about the emblem of this city?

I wasn’t sure if the Lincoln Imp is located in the cathedral, or in a specific place so need your help here.

John: The Lincoln imp – the symbol of the city – has been explained as a medieval mason’s practical joke. It’s to be found in the Angel Choir below the level of the angels. The legend says it was lured into the building by the sweet singing of the angels and God turned him to stone. This doesn’t explain why the angels are stone, of course!

Jessie:  It has been lovely to meet you both.  It is such an impressive city and I the cathedral is the most impressive I have seen.  The setting of Lincoln, John’s storytelling and knowledge of history has inspired me to read the novels.  Have a good journey back to Italy.

John: Sir Kenneth Clark, when pressed to choose, selected Lincoln as the most beautiful of the English cathedrals and I agree with him!  The cathedral also houses one of the few original copies of the Magna Carta.

More about John…

John is sorry that he didn’t start writing for adults twenty years ago. Realistic enough to know that a writer either has time but no income or has income but no time. Incredibly impressed by the solidarity and sheer niceness of fellow indie writers.

For further details, you can visit John’s web site on www.saxonquill.com

Facebook page John Broughton – Historical Fiction Writer.

Twitter:  @broughton_john

 

Please see all my interviews at My Guests and my blog at jessiecahalin.com

 

A Tale of Two Sisters

It’s time for Jena and her sister to present the next Golden Chapter Review.

Jena, the woman with a golden handbag, has just returned from Florida to present her latest Golden Chapter.  Inspired by the title of the book choice, it’s time for Jena to present a novel with her sister.

I selected a Golden Chapter, inspired by the land of the Golden Horn and the Golden Age of Byzantium, I’m eager to share this new book with you, our golden readers. Let’s take a peek at A Tale of Two Sisters by Merryn Allingham.

YOU WILL FIND A TURKISH DELIGHT!

I selected a Golden Chapter, inspired by the land of the Golden Horn and the Golden Age of Byzantium…

Chapter One

     ALICE

London, February 1907

The book begins with a vivid word picture…

“Fingers of pink-tinged could drift through a sky of blue and mauve and deep violet…the spires of Hagia Sophia thrust upwards amid the crumbling beauty of narrow streets and winding alleys. A city at peace.” Istanbul or Constantinople?

Topkapi Palace in Istanbul inspired the story. ‘It was so opulent – so beautiful, and it stayed in my mind.’ Merryn

In the United Kingdom, the Edwardian period is sometimes portrayed as a romantic golden age of long summer afternoons with leisure garden parties, and elites basking in a sun that never set on the British Empire. But it was also an age that heralded great changes in political and social life. And the first chapter of A Tale of Two Sisters resonates with many of the contrasts of the Edwardian Age. Societal and class expectations, fading gentility, and a woman’s place in the world all lead to interesting contrasts and stories.

In my correspondence with the author, she described her book as one of mystery, romance and sadness. The first chapter delivers on this promise and deftly draws us in to a different time, compels us to bond with the characters and care deeply about their plights.

We meet the older sister, Alice. Alice tells us, “I’m twenty-six. My star has waned.” She lives with her invalid parents in a staid house in Pimlico. Their once prosperous life has faded. Alice has succumbed to being the spinster daughter, destined to live a life of service to others.

She had a brother Charlie, who recently died in a puzzling accident. He was adored and well-loved. She also has her sister, Lydia, the youngest in the family. And a take-charge Aunt Cecily enters the fray!

“Lydia is a free spirit.” And a free spirit who apparently left for an exotic place, wrote a few letters home, and then was not heard from.

Lydia might be impulsive, thoughtless even, but Alice was certain she would never simply disappear without telling her family.

Where is Lydia? Alice has been trying to cover for Lydia because she doesn’t want to trouble her fragile parents. But when her Aunt visits, an idea is sparked. An idea that will take us on the Orient Express. (And we know what kind of things happen on that train!)

When I realized that the sisters reveal their stories in their own chapters, I asked Author Allingham to send me a “Lydia” chapter. I found it was easy to switch characters and pick up the story and that this would be an interesting way to present the mystery of what happened to Lydia as we also follow the journey of Alice.

A Tale of Two Sisters starts with a first chapter that sorts out the many characters in good fashion and immediately presents an intriguing mystery, tinged with family tragedy and problems. The allure of Constantinople, where East meets West, adds to the intrigue.

Who is like me and wants to read more? Take a look at the lovely cover! Have you read this book- please comment and tell us your thoughts. Here are a few questions I have, to start our book discussion.

  1. Do you think Lydia is missing and in danger, or missing because she is on another adventure? A romantic one, perhaps?
  2. Will there be a happy ever after ending for Alice?
  3. Will we learn more about why Charlie died?

BONUS QUESTION: Why did Constantinople get the works? Do you know this song- hum along!

https://www.youtube.com/watch?v=Wcze7EGorOk

Jena C. Henry, 2019

Merryn has written an impressive number of novels and is a member of the Romance Novelists’ Association.

Merryn has written an impressive number of novels and is a member of the Romance Novelists’ Association.  She writes historical novels, all mysteries with a helping of suspense and a dash of romance.  Merryn was inspired to write The Tale of Two Sisters following a visit to Topkapi Place in Istanbul.  She said, ‘It was so opulent – so beautiful, and it stayed in my mind.’

The Tale of Two Sisters is out on 21st March 2019.

It is my pleasure to celebrate this book with Jena.  I look forward to ‘an emotional historical drama perfect for fans of Linda Finlay and Rosie Goodwin.’

Biography

Merryn Allingham was born into an army family and spent her childhood moving around the UK and abroad. Unsurprisingly it gave her itchy feet and in her twenties she escaped from an unloved secretarial career to work as cabin crew and see the world.

Merryn still loves to travel and visit new places, especially those with an interesting history, but the arrival of marriage, children and cats meant a more settled life in the south of England, where she has lived ever since. It also gave her the opportunity to go back to ‘school’ and eventually teach at university.

She has written seven historical novels, all mysteries with a helping of suspense and a dash of romance – sometimes set in exotic locations and often against a background of stirring world events. Her latest novel, A Tale of Two Sisters, is set in Constantinople at the turn of the 20th century when rebellion within the Ottoman Empire is growing Against this background the novel traces the fate of two sisters, Alice and Lydia Verinder, dramatically exploring themes of family, love and loss.

For the latest news of Merryn’s writing, visit her website at www.merrynallingham.com or join her on Facebook at www.facebook.com/MerrynWrites/ or twitter @MerrynWrites

Jena is planning her next adventure with her lovely niece

Jena is travelling around the world with her Golden Handbag looking for more opening chapters.  Here she is planning her next adventure with her lovely niece.  Do you want Jena to visit your opening chapter?  Contact her at:  jena.c.henry@gmail.com

 

 

 

Please see all of Jena’s Golden Chapters and my website and blog at JessieCahalin.com.

My novel is available here.

A perilous journey through the Regency era

Fortune’s Promise

Sue Johnson

 

 

 

 

 

 

A black coach and horses arrived outside of the inn.  Fortunately, there was step outside of the inn to allow me a little grace, as I entered the carriage.  Alas, the handbag had not been invented.  I kept my possessions in my pockets, stored my belongings in a bundle and held ‘Fortune’s Promise’ in my grasp. It was 1811, ‘the night was painted silver’, as I commenced the journey.  The horses moved at a genteel pace and took me to Orchard House.  Peering into the house, I saw a striking young woman, Lucinda, ‘with raven hair and sapphire eyes’.  A servant brought a ‘delicious looking drink in a sugar-frosted glass’, alas he could not see this twenty first century reader.  I settled back in the carriage, and could not wait to open to recommence the thrilling journey through the novel.

Sue Johnson, the author, was driving the coach and horses and I heard her call to the horse to commence the journey. We galloped at a pace through the Regency narrative; it was indeed thrilling as the characters veered of the track.  Without a fortune to keep the characters on a steady road of wealth, I was in awe as they employed survival tactics of the highest order. Lucinda and Hannah, both strong and resourceful ladies, navigated their way through the perilous era – and what a brilliant journey.  The ladies could not see me.  I waited in the background, hoping for a twist in fate to keep them safe.  Perhaps, I did help them along the way.

The shadow of the villain lurked, but ‘a hunger and cold gnawed his insides’, as he searched for his treasure – the lady with the ‘sapphire eyes’. Oh, how I feared for Lucinda. Despite her slight frame and pale countenance, Lucinda had the fire of the twenty first century woman. Indeed, ‘naked hostility’ shone in her ‘sapphire blue eyes’, and she recognised that her brother ‘had more choice in life’.  Mentally stronger than her artist brother, John, Lucinda rejected ‘the devil on Longdon Hill’, and was not fooled when he ‘strutted out like a peacock’.  Laughing at Lucinda’s perceptive, intelligent comments, I wanted to invite her into the twenty first century; but she could not see me.

I was on the edge of my seat, as the horses negotiated the rough narrative terrain. We encountered the thieves and vagabonds hiding in the underworld.  Driving through the era: we stopped at inns, fairs, farms and cottages. Sue Johnson documents the uncivilised element of the era thus providing a refreshing perspective.  I entered an inn to find ‘the air thick with the smell of smoke, old cooking and unwashed bodies. The smell was so over powering…’  But I did not dwell on the assault on my senses, as it was time to follow the pathway of the winding plot.   I saw that ‘turmoil’ ‘twisted inside’ of Lucinda when faced with the devilish character.  She was not hoodwinked by her suitor, and I knew I would witness the adventures of a thoroughly modern Regency lady.  I returned hastily to the carriage each night to follow the plot, but drew the curtains on the ‘man on a black horse’ who was always clipping at Lucinda’s heels.  I hoped Lucinda would be clever enough to outwit him, and see his ‘silhouette’ before he saw her. I pointed at a potential suitor, alas she could neither see me, nor hear my counsel.

I feared for the characters as they met the various people along the way.  I ‘heard of situations where wealthy young men had disappeared to be stripped of their belongings and left dead in a ditch.’ I moved out of the Regency drawing room to travel through the reality of the era.  The hiring fair chilled me to the bone, when the sinister farmer approached Lucinda, but I marvelled at Lucinda’s independent spirit.

The narrative is wrapped in the superstition of the era and a hint of the supernatural.  I was enchanted by this novel, as I travelled back in time to reality of the Regency era.  I wanted to help the characters who had been thrown into turmoil by the cruel twist of their fate.  But, ‘the air cracked with tension’ as I drove through the twists and turns in the narrative.  ‘The storm rattled and crashed overhead’ in the dramatic story of greed, ambition and survival.

 

Please see all my book reviews at Books In Handbag and my blog at jessiecahalin.com.

 

The Man with Azure Eyes

As I sat on the train, destined for Paris, I was drawn to a man with ‘azure eyes’.

A man, with ‘azure eyes’, interrupted me during my journey to Paris. He assisted me with my tartan suitcases then handed me a letter from Elizabeth Gates.  I broke the wax seal on the envelope. The gentleman disappeared while I admired the script on the letter.  I pondered whether I should return to Scotland.

Dear Readers,

After taking a part-time bar job at the sports club she is gradually drawn in to the social scene of the area.

I am delighted to present The Wolf of Dalriada, introducing with this extract, the series’ hero, Malcolm Craig Lowrie and his ‘azure eyes’. This historical adventure novel – run through with sparkling and unashamed romance – draws its characters from the Scottish Isles and the Palace of Versailles and Robespierre’s Paris – with all the bloodshed and glamour that implies. A blend of mysticism and intrigue with humorous social commentary, it’s the ideal read for popping in your handbag for that long train ride.

I hope you enjoy reading The Wolf of Dalriada as much as I enjoyed writing it.

Lizzie Gates

I searched for Elizabeth Gates on Facebook and beseeched her to tell me more about the novel.  Mysteriously, she hopped on the train at the next stop, in Ashford.  She opened her novel and read to me.

Extract

Chapter 1

Watching from castle battlements, eyes – azure, intelligent – pick out the moon-cast shadows as the rider moves away in dusky night.

Dalriada, Argyll, Scotland 1st January 1793

GAELIC CALLS spin a web through the mist in arcs of soft sound. Fear unsteadies the unseen flocks on the scrub heather hillside as men and dogs weave a trap around them in the darkling night. Once the flocks are penned, then the lanterns are turned towards the south. The watchers wait in silence.

Meanwhile, down below, at Crinan Loch-side, a horse’s muffled hooves slither on the cobbled apron before the Castle Craig Lowrie gate. The slope is steep and wet with winter but the horse keeps moving forward. Then, at the forest’s secret edge, the muffles are removed, swiftly, deftly. The rider – dressed in groom’s clothes and wrapped in a stolen plaid – climbs into the saddle. Which way? They take the track north from Dalriada towards Oban.

***

Watching from castle battlements, eyes – azure, intelligent – pick out the moon-cast shadows as the rider moves away in dusky night. ‘Safer out there than here, at present,’ Malcolm Craig Lowrie thinks. ‘I will know where to find her – when I need.’

He pauses for the tiniest shard of a split moment. He wonders how it would feel to love and be so loved – as that young girl is. Then he turns back to his task in hand. A laird with five hundred armed men at his call, he is waiting – as always – for yet another attack.

Elizabeth Gates The Wolf of Dalriada

Jessie: The man with ‘azure eyes’ was not from our world. Tell me more about the historical context and the plot.

Elizabeth: It is 1793. Revolutionaries plan to execute the French Queen Marie Antoinette and, watching events unfold alongside the whole of Europe, King George III of Great Britain fears French-style rebellion in his Scottish lands.There, fractured truths, torn loyalties and bloody atrocities are rife and, in Argyll, the Craig Lowrie clan desperately need someone to keep them safe. Malcolm Craig Lowrie, the handsome, murderous ‘Wolf of Dalriada’, rises to the challenge. Then, with Adelaide de Fontenoy – a beautiful young Frenchwoman fleeing from debauched lawyer, Sir William Robinson – Craig Lowrie finds love and his dilemmas become as unforgiving as the land of Argyll itself…

Jessie:  What do the reviewers think about the novel?  I expect they were thoroughly seduced by the plot and characters.

Elizabeth:  I have been very pleased with the positive response.

‘Just stunning writing, historical turmoil and romance at its very best’ – Rhona Whiteford, novelist and independent publisher.

‘As Scottish as whisky’ – Deborah Jones, Novelist.

‘You won’t want to put this down’ – Carol Fenlon, Novelist.

Jessie:  How did you feel when you had finished writing the novel?

Elizabeth: I was quite bereft when I finished writing ‘The Wolf  of  Dalriada’. As I couldn’t imagine life without the riveting character of Malcolm Craig Lowrie and the urbane and evil Robinson, I immediately started my second novel, due out this year. I’m now creating a series.

Elizabeth Gates

More about Elizabeth

In the 1970s-80s, with a BA Hons English Language & Literature and an MA in Linguistics, Elizabeth Gates explored Europe as a teacher. After 25 years, in freelance health journalism, she began work on the ‘Wolf of Dalriada’ series. And now, while writing fiction, she runs workshops in Writing for Wellbeing.

Elizabeth Gates loves writing, history, travel, and spending time with family, friends, Labradors and other animals.

The Wolf of Dalriada sounds captivating.  The laird certainly sounds charming. I hope you are tempted to visit Craig Lowrie and his dilemmas.

Elizabeth’s Contact Details:
W: www.elizabeth-gates.com
E: egates3@gmail.com

 

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

 

Rosemary Noble insists on a daily dose of realism and compassion

Rosemary Noble 

 

 

 

It was a pleasure to welcome, historical novelist, Rosemary Noble to Wales.  We met at Newport Station. Unfortunately, it was a rainy day but that was soon forgotten as we chatted about her novel, Ranter’s Wharf and retraced the Chartists’ footsteps as we walked down Stow Hill.  We went to visit the site where the Chartists were believed to have been held captive. Unfortunately, the original building has been demolished but the whispers of struggle can still be felt in the town.

Finally, we visited a fish and chip shop before I drove Rosemary to the Chat Room.  There is a good fish and chip shop in Newport that honours the northern tradition of cooking in beef fat.  Back at the Chat Room, we ate fish and chips and talked about Grimsby – the setting of the novel.

Rosemary Noble

Jessie: Your novel is well-researched and rich with historical references.  You have developed strong characters that one cannot fail to empathise with.   I can rant on and on about the merits of your book as I did in my review. Can you summarise the book in a few words?

Rosemary: It’s a moving family saga about love, loss and betrayal set in 19th century England. It follows three generations as they attempt to find a way to live honourably in tumultuous times.

Jessie:  Your novel has been a very popular download on Kindle.  I have noticed an impressive number of reviews.  Can you retrieve some reviews that capture the essence of your book? Always modest, Rosemary hesitated a little until I insisted that we read the reviews.

Rosemary: Maybe like any author, I dread the first reviews because you wonder if anyone will get what you are trying to do, especially when the subject matter is unusual. But I have been overwhelmed with the kind words people have written. For example:

“The wonderful characterisations in this novel make light of a challenging theme and transport the reader through the harsh times of Victorian Lincolnshire in a roller-coaster of emotions A little masterpiece of its genre” John Broughton – May 26 2017

“The joy of this book is that it is absolutely gripping. Because of the sympathy with which the characters are portrayed, you find yourself really caring about what happens to William – adopted as a bewildered child by his rich maiden aunt – and his heirs who carry on the fight for social justice into the next generation.” Perdisima May – 15th 2017

“Delightful and informative. An intriguing story with a wonderful insight of the times.” Amazon Customer – April 15th 2017

Jessie:  Can you tempt the reader with an extract from the novel?

Rosemary: “Her passionate nature freed itself from the reserve she showed the world, allowing her whole body to respond with joy to his smiles, with misery to his tears and a fierce desire to protect him.”

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

Rosemary: In some ways, relieved because it was a hard story to write. It’s based on my 3x great grandfather who was an ordinary farmer until he was converted.  I wanted the book to be engrossing and relevant but I had to keep the reader interested while dealing with the difficult subjects of poverty, politics and religion. Religion has featured strongly in all three of my books only because it was so important in the 19th century but it is not my natural element. My next book set in the 20th century will not be influenced by religion but will have its own problems for me to overcome as a writer and storyteller.

I always miss the characters in my books. As an author, they inhabit my mind constantly. Because the subject has relevance for today with Brexit and the Trump vote, I wonder what my characters would have felt and how they would react. I can hear William saying to his son,’ education is key’ and his son and nephew replying, ‘No, every man should have a vote if they contribute to the wealth of the country.’ I found myself quite conflicted when writing the final chapters.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.  

Rosemary: People like my hairdresser’s receptionist who said to me ‘your book makes me realise I should always use my vote.’

If I can move someone sufficiently to learn how hard life used to be and then become more active in demanding the voice of the poor and dispossessed are heard today, then I will be happy. I am no Dickens or Hardy but am conscious of the impact they had on 19th century society. Our current times are troubling and I see the hard-fought-for Welfare State crumbling through cut-backs. Let’s not go back to those times, please.

If there was one famous person I wish would read my books it would be the director, Ken Loach. I am in awe of his work such as Cathy Comes Home and I Daniel, Blake.

Jessie: Why should I keep your book in my handbag?

Rosemary: For a dose of realism and compassion. Allow yourself to be transported to a time where life was a struggle not just in a material way but also in a spiritual and political way. I want to know how you would react to ‘the undeserving poor’. Would you turn your back, cloak yourself in respectability or would you act to mitigate the poverty around you?

Rosemary Noble

Jessie: What is the last sentence written in your writer’s notebook?

Rosemary: A solitary gull glides and swoops in the azure sky below a trio of swifts cavorting and darting as though playing tag but in the far distance a black speck appears, a harbinger of death.

This is a note for my next book, working title, Sadie, which will link all my books together.

Jessie: What is the biggest challenge for an independent author?

Rosemary: Getting noticed which means learning about marketing on social media. The key for me is the relationships you forge with other indie’ writers. In any walk of life, you learn so much from other people and you’re stronger together in a team. In our case, a virtual team of authors from around the world as well as close to home.

What is the best advice that you have received as a writer?

Rosemary: Learn the craft but write the book you want to write. Stay true to yourself. I am in the lucky position that I don’t need to earn my living from writing which frees me to write what I want.

Rosemary is driven to give a voice to our ancestors, to those who never had a voice in real life. “I like to pose questions, encouraging readers to think for themselves, ‘what would I do in that situation, how would I cope’? The stories history sends us, have relevance for today and I like to tap into that because I am quite a political person though it’s only this year that I joined a political party.”

Rosemary is passionate about the messages that she conveys through her novels.  Ranter’s Wharf did make me think about the way that my own ancestors must have struggled.  Rosemary’s strong characters evoke empathy in the reader as she transports us to their world and their struggles. One only has to open a newspaper to see that poverty has not disappeared and neither has prejudice.  I do worry about the Welfare State and hope that politicians will listen to their conscience.  We must all continue to vote!  

 

Please see all my author interviews at My Guests and my blog at jessiecahalin.com

Voice of an Australian convict in my handbag

Historical novelist, Rosemary Noble, is presenting an extract from her first novel entitled ‘Search for the Light‘. 

Rosemary’s novels are powerful and engaging explorations of historical periods: strong, empathetic characters and beautiful language transport the reader to the time and place.  

Rosemary researches the historical periods thoroughly, but the characters take over and tell their stories. In a letter to readers, Rosemary introduces the inspiration behind her moving novel, ‘Search for the Light’.

Dear Readers,

I am delighted to present an extract from my historical saga: ‘Search for the Light’.

This is a story of love and friendship, of three women out of the thirteen thousand transported to Van Diemen’s Land alone. Until a few years ago they had been written out of history, their contribution ignored, denigrated for behaviour unseemly in a woman of the times, constantly punished for minor misdemeanours. Some were strong enough to survive and their contribution deserves to be recognised.

I sat down one morning, and my character, Sarah, appeared out of nowhere, a victim and survivor of abuse. Readers love Sarah and I grew to love her. Once or twice I wondered if she should die but she told me, no, and I’m relieved she stayed my hand. Of all the characters, she did find the light and it was inside herself.

In the extract, Sarah has been given a life sentence of transportation for manslaughter. She is waiting in Newgate prison and Nora, the main protagonist, is another prisoner who has befriended her. Sarah is the only character written in the first person because I strongly believe she wrote her own story.

Thank you for your interest and your time.

Rosemary Noble

Words from the novel:

My name is Sarah Mawby I told her, but I don’t really know what my name is or even If my mother ever gave me one. Mawby was the name of the street where I was left. No, I don’t know who my parents are. No one claimed me. Why would they? Just another wailing mouth to feed.

I don’t know my age, about fourteen I think. I have never had a birthday. Some of us foundlings survived our childhood, but it was just luck, lots of children didn’t. We were given a cot to share, as many as ten to a cot, a few patched second-hand clothes, a morsel of food, if it could be called that; much worse than in here it was.

When sickness came, whole cotfuls of babies succumbed in turn. They told us they had gone to live with God. God obviously didn’t want me. I’m not surprised.

Oh yes, we were taught to read and count. They didn’t teach us to write. Too dangerous, we might write and tell someone how we were treated. Sundays, we went twice to church and heard all about hell fire and damnation, whilst we shivered in our thin smocks. What else did we get? Oh yes, the stick. There was lots of that. Was there love? I didn’t believe it existed. I’d heard of it but I never had any.

Then I watched Nora with her father today and saw love for the first time. It was the most beautiful thing I ever saw.

How Nora and Sarah fit into the story:

A moment’s foolish mistake costs sixteen-year old Nora her freedom and her family. Sentenced to transportation she has to grow up fast to survive prison, the long journey and then life as an assigned servant in Van Diemen’s Land of the 1820s. She is sustained by real friendships with other prisoners, Sarah and Helen. Can anyone of them overcome the pitfalls of convict life to become pioneering settlers of modern day Tasmania? This is a story of love and friendship amidst the trials of 19th century Australian colonial life.

Opinions of the reviewers:

“There were moments when I was doing the literary equivalent of shouting at the TV. It moved me, I felt alarm, indignation, great sadness and elation.” Ingenue Magazine Summer 2017

“Rosemary Noble writes with immense skill and takes great care with the characters in this story and I look forward to meeting some of them again in her next book.” John Charles Hall June 2017

“The characters are brilliantly defined; the narrative flows and the historical knowledge of the author is admirable. A fabulous read.” Catrin August 2016

More about the author:

I’m probably a frustrated historian but I’m making up for it now.

This was my first book, so a measure of relief in having achieved this goal. I thought it was going to be my one and only but at the end I wrote an epilogue, which is the daughter of Helen, another main character, looking back. And the sequel was born. So, in many ways I didn’t need to miss the characters, they were looking over my shoulder when I wrote The Digger’s Daughter and are still breathing down my neck as I write the third book in the series.

Reading ‘Ranter’s Wharf’, Rosemary’s latest release, made me feel passionate about my ancestors’ suffering. Following Rosemary’s extract and information, I have bought ‘Search for the Light’.  I am looking forward to finding out more about Australian history through Rosemary’s characters.  Digger’s Daughter, the second Australian Saga book, is also available now.

To find out more about this wonderful author, please visit my interview with Rosemary.

Please read my review of Ranter’s Wharf – it will give you a flavour of how Rosemary brings history to life.  Rosemary is the historical novelist with a social conscience. 


https://rosemarynoble.wordpress.com/

https://twitter.com/chirosie

https://www.facebook.com/RosemaryJaneNoble/

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

Meeting historical novelist and his scoundrel ancestors

John Jackson

 

 

 

 

My phone guided me through the ancient streets of York to meet, historical novelist, John Jackson.  I could not resist stopping to watch to the occasional street entertainer, and was very distracted by the outdoor market.  Although, the air was unseasonably warm, I could sense Christmas creeping around the corner. Some of the stalls were crammed with Christmas jumpers, wrapping paper and the sort of decorations that would tempt the Christmas magpies.  Tempted by the bakery, I had a cursory glance through the window then moved on towards Ye Olde Shambles Tavern. 

Finally, I felt the uneven cobbles beneath my feet, and the heels of my boots struggled to grip the ground, it was obvious that I had reached the famous medieval street.  I reached a building that would have looked at home in a museum.  Outside the building was painted black and the window reminded me of a shop one would imagine in a Dickensian novel.  My imagination had taken me to the wrong era, but having researched John’s book, my mind was full of history.  Instantly, John greeted me with his warm smile and welcoming manner.  He was looking very relaxed in his cords and checked shirt.

John:  Welcome to York!  I have taken the liberty of buying you half a pint of Shambles Tavern Stumbler.

It was a straw coloured beer with a pleasant hoppy finish.  It was served cool but not cold.  We also had a complementary plate of sandwiches and crisps.

Jessie:  Thank you, John. It is great to be back in Yorkshire.  Sorry, I’m a little late but I got distracted with Shambles Market. 

John:  No problem, it is so easy to get lost in the history of York.  The Shambles is rumoured to be the best preserved medieval street in the world.

Jessie: I didn’t know that – thank you.  You certainly do adore your history.  I was reading about your historical novel on the train and it looks so tempting.  It was fascinating to discover your novel is based on your family history.

John:  Ah yes, I started to research my Family Tree fifty years ago.  I was lucky to find transcribed letters from my great, great grandfather on one side of the family, and on the other I found that my great great grandmother was related to the Rochforts of Belvedere, in Ireland.  I had to research this treasure and along the way, I came across some juicy relatives – and a story that was crying out to be told.

I found a booklet titled ” Some Celebrated Irish Beauties of the Last Century”, and the first chapter was about my book’s heroine. I couldn’t pass this story by. In my eyes it was crying out to be told, even though the original story would need a very different treatment.

I ended up writing the story of what I would LIKE to have happened.

John saw me looking at his novel peeping out of a rucksack.  He held up the front cover with pride.

John:  It was a great moment for me when I received the physical copies of the book.  I am totally delighted with the front cover. It’s a portrait of Robert Rochfort, and it hangs in Belvedere House in Mullingar. The management of the house (an Irish National Monument) were extremely helpful in allowing me to use the image.

Jessie:  It is like the front cover for a classic, historical novel – perfect for the genre.  Can you capture the essence of the book in a couple of sentences?

John:

You can’t choose who you lose your heart to!

Love can be the only thing that keeps you alive.

Jessie:  Wow!  You have already hooked me into the novel.  

I picked up the book and searched for a key sentence on the blurb.  The blurb is succinct and deliciously tempting. I read from the blurb on the book, hoping that John would tell me more.

Jessie: The blurb says, ‘Based on real events, Heart of Stone is a tale of power, jealousy, imprisonment, and love, set in 1740s Ireland.’ Please tell me more about this captivating story.

John: I don’t want to give too much away, obviously. Fortunately, it is a time that is past. We behave better now – or at least differently. I can reassure you, though – you really WILL be captivated by the story.

Jessie: I can see that there has been an awful lot of interest in your book online.  Everyone seems to love the fact that the story is based on your own family.  What do the reviewers say?

John:  For me, the fact that my wife loved the book was such a great reward.  Here are some of the reviews from Amazon:

‘A brilliant book, found it hard to put it down!’ By Mum’s the word

‘I thoroughly enjoyed reading Heart of Stone. I found it hard to put down from the first pages onwards.’ By Rebecca H Stevens

And from Goodreads: ‘Utterly loved the book, fantastic read and loved it very much…’ by Gwessie Tee.

Jessie:  I am impressed with the way that you are tempting me to read the book – very clever.  Come on now, can you read an extract.

John took a sip of his beer then picked up his book.  He had already marked some passages and took a couple of minutes to select the extract.

John: Mary felt the warmth of his lips on her fingers; the sensation caused her to feel a glow deep within her. She looked up and into his eyes. They seemed deep enough to drown in.

Jessie:  Well, I wasn’t expecting that level of intrigue in such a short passage.  Who is Mary, she sounds as if she is in trouble?

John: She is, but doesn’t know it! She is my 5 x Great Grandmother, Mary Molesworth and the daughter of an Irish peer. She is Robert’s new wife.

Jessie:  How did you develop the characters in your novel.  Did you have clues about the characters’ personalities in your research?

I started with what was actually known about them and worked from there. I found that easier than I expected, possibly because they are – initially – “broad brush” characters.

Jessie:  It must have been quite a journey to write this book, and it must have been difficult to leave the characters behind. How did you feel when you had finished writing your book, and did you miss any of the characters?

John: Writing “The End” was both the best and the worst of sensations. I was delighted to finish the work; but it was also like saying goodbye to some old friends.

I would like to have written more about the enigmatic Mr Stafford. He knows everything.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.  

John: Most of all, I would like my friends to read it. There is a lot of “me” in Heart of Stone.  My wife has already read it, and, happily, loved it.

Jessie: Why should I keep your book in my handbag?

John: It entertains (I hope), and it reaffirms the old tenet of “Never give up! Never lose faith!”

What is the last sentence written in your writer’s notebook?

From my next book: (Working title “Strange Bedfellows”. He never felt the blow that felled him, but, as his assailant kicked him viciously in the ribs and back, he could feel himself slipping into unconsciousness. A disembodied voice spoke into his ear as he lay there. “Stay away from here. We don’t want your kind.”

Jessie: I have just read a wonderful blog post from you where you explain how you have marketed your book.  It was thorough and I have shared it with others. What is the biggest challenge for an author?

John: For a NEW author, realising that you might have a good tale to tell, but you really need to learn how to tell it! Writing is a craft, and it behoves us to do it well, if we believe in our story.

Jessie: What is the best advice that you have received as a writer?

John:  Don’t give up!

Jessie:  You certainly don’t seem like the sort of person to give up.  Your novel sounds like a labour of love. It must be wonderful to get an insight into your ancestors.  I searched for Belvedere House, one of the settings, it looks magnificent.  I was intrigued by the Jealous Wall.  Does this feature in the novel? Tell me, did you visit Belvedere House in Ireland? 

John: We did indeed. I HAD to check to see if I had made any major mistakes in my draft. Fortunately, I hadn’t. Belvedere and the Wall are impressive. They both feature heavily in the novel.

As expected, John was great fun to interview.  He is such a warm character and very clever at presenting clues about his book.  I wish him the very best of luck with his debut novel.

About John…

After a lifetime at sea, I am now retired, and have turned to writing fiction. An avid genealogist, I found a rich vein of ancestors, and suddenly realised just how much material there was for any number of books. Most people throughout history have led boring, humdrum and frequently brutally short lives, but on my family tree, there were a good number of real characters. Some were total scumbags, and lots did “interesting things.”

A chance meeting with some authors led me to turn his efforts to setting down some amazing stories. John is a keen member of the Romantic Novelists Association and the Historic Novel Society and an enthusiastic conference-goer for both organizations.

I was brought up on Georgette Heyer from an early age, and, like many of my age devoured R L Stevenson, Jane Austen, R M Ballantyne, and the like. These days my tastes run towards Bernard Cornwell, Simon Scarrow, Liz Fenwick, and Kate Mosse.

Contact details:

Website:  john42hhh.blogspot.co.uk

Twitter: @jjackson42 

Facebook:  https://www.facebook.com/johnjacksonauthor/

 

 

Please see all my interviews at My Guests and my blog at jessiecahalin.com.

 

Discover the Dark Ages with John Broughton

John Broughton posting me a letter

John Broughton spends a great deal of his time stuck in the Dark Ages. As a historian, John is happy to become immersed in the gruesome eighth century.  He is not afraid to walk beside kings, noblemen and monks who inhabit a world where it is ‘kill or be killed’.  John’s novels are praised for the historical accuracy and take you into the heart of the bloody battles. Though a little afraid, I asked John to explain what inspired him to write his third novel Saints and Sinners. John sent me a letter via a gallant messenger.

John Broughton Saints and Sinners

My third published novel, Saints and Sinners, was inspired by a love of my county, Lincolnshire, and of the Anglo-Saxon period in general. Putting the two together leads one to the Kingdom of Lindsey, the least-known of the Dark-Age kingdoms. Starting from the apparently simple desire to write a novel about this kingdom, I soon realised that our knowledge of Lindsey is very limited, being almost exclusively dependent on archaeological revelations.

The names we have for Lindsey are from a debatable list of kings, who were anyway, sub-kings to the powerful neighbouring Kings of Northumberland or Mercia. One name, however, kept recurring in my research – that of Guthlac: the hermit saint who founded the monastery of Crowland. His life was recorded in a hagiographic work by a monk, Felix, crucially within a generation of his living.

Saint Guthlac takes a boat in the Fens to Crowland

What a character was Guthlac! Setting aside the monastic praise, isn’t it interesting how a red-blooded Saxon nobleman left a life of military adventuring, ale-guzzling and wenching to become an ascetic in the wilderness of the Fens? This apart, his best friend was a certain Aethelbald, another Mercian noble, devoted to the former lifestyle of Guthlac. This sinful nobleman was considered a dangerous pretender to the throne of Mercia: so much so that he was exiled and fled into the Fens where his old friend sheltered him for a while.

A fragment of a cross shaft from Repton includes on one face a carved image of a mounted man which, it has been suggested, may be a memorial to Aethelbald.

What makes Aethelbald even more intriguing is that from being a hunted exile he became one of the greatest of Mercian kings. My idea of a novel about Lindsey transformed into one about Mercia too. By the way, Aethelbald was condemned in a letter from Boniface for seducing nuns. The novel is truly about saints and sinners!

Guthlac’s life is still commemorated. Apart from the ruins of the Crowland monastery – still with the tallest bell tower in the land – his name lingers on in the Saint Guthlac School in Crowland, and even in street names in places as far away as Hereford. Of course, we must not forget St Guthlac’s Church in Market Deeping and another in the fenlands at Fishtoft is dedicated to him.

St Guthlac, tormented by demons, is handed a scourge by St Bartholomew, Guthlac Roll, 1210, British Library

As for Aethelbald, well, he’s remembered in the sequel to Saints and Sinners, entitled Mixed Blessings, scheduled for publication on January 25 2019, dealing wholly with the vicissitudes of his long and successful reign. A fragment of a cross shaft from Repton includes on one face a carved image of a mounted man which may be a memorial to Æthelbald. The figure is of a man wearing mail armour and brandishing a sword and shield, with a diadem bound around his head. If this is Æthelbald, it’s the earliest large-scale pictorial representation of an English monarch.

John posted his letter in Italy, but I received the letter via a messenger on horseback.  The messenger arrived on Offa’s Dyke at Tintern. He told me he was from a dark and treacherous land and couldn’t be sure who had followed him.  He was required on the battlefield, so I bid him farewell, and watched as he rode his horse through the landscape. We will have to read John Broughton’s books to solve the mystery of where the messenger returned to.

John Broughton Mixed Blessings

You can read Saint and Sinners and the sequel Mixed Blessings.  You are warned ‘Saxon times are not called the Dark Ages for nothing. It is a violent, unrecognisable world of kill or be killed …’

In all of John Broughton’s stories you will find:

‘All the classic elements of an adventure story, danger, heroism, cunning and treachery. The author knows his period well but wears his history lightly’ – Rosemary Noble 

John Broughton was born in Cleethorpes, Lincolnshire, and studied Medieval and Modern History at the University of Nottingham. He also studied Archaeology, distinguishing himself with a Roman find on a dig at Ancaster. He taught History and English for a decade, becoming Head of Department of History in a Manchester grammar school. A restless period saw him experiment with writing children’s stories while working in a variety of jobs before moving in Italy to teach EFL at a southern university. Teaching and work as a translator of books kept him busy until he retired in January 2014. Since then he has taken up fiction writing once more – returning to his great love, the Anglo-Saxon period. His debut historical novel was The Purple Thread followed by Wyrd of the Wolf.

You can also meet John at:

https://jessiecahalin.com/history-tour-chat-anglo-saxonist/

 

Please see all my guest’s posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

My novel can be found here.

Sadie’s Wars: Powerful and Deeply Moving

This historical saga of an extraordinary Australian pioneer family continues into a new generation

I have been idle for two days and it is Rosemary Noble’s fault. I travelled from innocence to experience with her character, Sadie.  She had my ear as soon as I walked into this thrilling family saga.  This hard-hitting, realistic document of challenging times deals with: propaganda, inequality, domestic violence and loss. Insight into Australia and England placed me in the centre of the historical periods.

Strategic juxtaposition of Sadie’s life during World War One Australia and World War Two Grimsby is brilliant.  Noble explores how our experiences make us react in the future thus providing depth to Sadie’s character.  Wounded by past troubles, Sadie makes decisions that made me want to sit her down and give her advice.  Tempting questions hang artfully in each chapter of this novel.  The trajectory of the plot is driven by the intense drama: the action never stops.

A photo of Sadie (she is the standing bridesmaid). This is the only one I have. She is a bridesmaid for her brother, Joe and his wife, Olive. Grandma Jane is sitting next to her. (I found this photo on the author’s website).

I moved from the air raids and community spirit in Grimsby to Sadie’s privileged life in Australia. Neither the ‘uninterrupted sky changing from purple to cobalt’, nor the ‘endless grey skies’ of Grimsby can shelter Sadie from the harsh reality of life. In her innocent years, she is brainwashed by war propaganda then learns about the impact on people as she moves through her life.   Sadie is raised to ‘obey your father until you marry then obey your husband.’  Like her contemporaries, the social straightjacket causes Sadie pain.  Noble shows the inequalities between men and woman at the turn of the century and contrasts it with changing attitudes in post Second World War Britain.  Historical events, attitudes and politics are artfully woven into the narrative fabric of the novel.

Chateau Yering as it is today

Details of a wealthy life in Australia at the turn of last century intrigued me.  I lingered on the verandas and looked at the ‘rich grassland and vineyards as far as the eye could see, framed on by majestic mountains.’ I admired Sadie’s wardrobe of beautiful clothes but realised her wealth and over-protection of her father made her more vulnerable. At every turn, I felt empathy for the young Sadie who is isolated by her ignorance.  ‘Her marriage seemed like a distant dream and her husband merely an actor in it’, and I wanted to chat with Sadie.  Noble explored love so beautifully in the novel.  There is an enchanting, exciting love story, as Sadie learns what real love means.

The wiser, experienced Sadie charmed me.  I sat with her as she waited to discover if her sons would return safely from the RAF. Noble takes the reader into the heart of air raids in Grimsby.  The air raid provides a backdrop to the inner turmoil Sadie suffers, and all these emotions are vividly connected to experiences of the past. Events in post-World War One Australia were shocking.  An intelligent, powerful and deeply moving novel from Rosemary Noble.

About the Book

An astonishing tale, spanning continents, where truth is stranger than fiction. This historical saga of an extraordinary Australian pioneer family continues into a new generation.
Sadie is brought amongst the vineyards of the Yarra Valley whilst her work-obsessed father reaps riches from the boom years before the Great War.
With post-war depression looming, Sadie’s only option is to flee from her disastrous marriage, seeking refuge in Cleethorpes, a small seaside town in northern England.
Years later, when her sons are in RAF Bomber Command, she receives a letter from her long-lost brother which forces her to confront the past and her part in her family’s downfall.
Can old wounds be healed?
Will she find new love?
Will this second war destroy everyone she saved?

Rosemary Noble is the author of Sadie’s Wars and the Currency Girls Trilogy. This is her favourite writing spot.

About Rosemary

Rosemary worked as a college and university librarian and has a life-long love of social history and reading. Researching family history led to an interest in Australia where Search for the Light ends and provides the setting for the sequel, The Digger’s Daughter. A third book in the Australian series, Sadie’s Wars, is now available.

Rosemary is a member of Arun Scribes Creative Writing Group and a member of CHINDI (Network of Independent Authors). Her third book, Ranter’s Wharf is set in England during the first half of the nineteenth century. In odd moments, she writes flash fiction for Paragraph Planet and Drabble.

For more information read my interview with Rosemary here or visit Rosemary’s blog at https://rosemarynoble.wordpress.com/

 

Please see all my book reviews and book excerpts at Books In Handbag and my website and blog at JessieCahalin.com.

Enigmatic Dual-Time Guernsey novel in my handbag 

Anne Allen

 

 

 

 

 

 

Having departed from a grey, rainy day in London, it was a thrill to arrive in Guernsey.  A blue sky greeted me in Guernsey, and the cool breeze was refreshing.  A taxi took me to the quaint St Peter’s Port. I met Anne at The Old Government House Hotel, a cosy homely hotel with spectacular views.  Looking around, I tried to imagine how the building may have been used by the Germans, during World War Two.  My imagination slipped into scenes presented in novels and I shivered.  Fortunately, Anne greeted me, and her charming, sunny disposition and instantly brought me back to the present.

I wore my jeans and green Ralph Lauren jacket, while Anne wore jeans and a gorgeous grey leather jacket and carried a tan leather handbag. My green leather bag was crammed full of my notebook, kindle and snacks for the journey.  We sat in two comfortable brown leather armchairs, near a beautiful piano.  The room was cosy, despite the glamorous chandeliers twinkling above us. Unfortunately, there was no sign of the Renoir painting like the one found in Anne’s novel.  We chatted happily as we waited for the tea.  Grabbing Anne’s latest novel, ‘The Betrayal’, from my handbag, I asked Anne to tell me more.  

Jessie:  This is a beautiful place and it is difficult to imagine how Guernsey when it was occupied by the Germans.  Please, tell me more about your novel.

Anne: ‘The Betrayal’ is two intertwined stories; the first focusing on Leo, who loses everything in the German Occupation of Guernsey. The second concerns Fiona, who sixty years later, becomes caught up in what happened to Leo after the mysterious find of a Renoir in a Guernsey basement.

Jessie:  Where did you get the inspiration for your narrative in ‘The Betrayal’?

Anne: From two historical events that took place in Guernsey. The first was Renoir’s visit in 1883, when he stayed for a few weeks and painted numerous local scenes; in particular Moulin Huet on the south coast. These paintings are quite well-known and at least one is in a major museum. The second event was the forced deportation of Jews from Guernsey – and Jersey – by the Germans to concentration camps during WWII.

Jessie:  German occupation must have been terrifying for the inhabitants.  I look forward to reading your novel to capture a sense of the atmosphere.  Can you read an extract from the novel?

Anne removed her novel from the coffee table and selected a passage instantly.

Anne: ‘His heart lurched, hating to see her like this. Before he could say anything, she went on, ‘I can’t leave you here on your own, Leo. Anything might happen to you if…if the Germans do come.’

Jessie:  Great choice!  You build up the tension and make me want to read more.  Indeed, the passage is also anchored by the enigmatic front cover. I was searching for your reviews on the plane and found the following:

“To sum up, this is a wonderful novel, with tons of pace where pace is needed, and a setting so lovingly described, it is almost a character in the book. I am happy to recommend this story, in fact, all of them, to anybody who enjoys a well-plotted mystery populated with convincing and always credible characters.” A ‘Wishing Shelf’ Book Review

Anne found some Amazon reviews on her phone.

Anne:

“I just finished the book–could hardly put it down! Another winning story from Anne with history, romance and intrigue” Amazon review 5*

“Really enjoyed this book. I almost didn’t put it down. Wonderful twists and turns with a lot of wonderful descriptions of Guernsey” Amazon Review 5*

Jessie:  Having seen the wonderful setting via the plane.  Could you read your description of the setting?

Anne:  The warm sunshine felt good and deep breaths of salty air soon had her striding out towards Moulin Huet Bay. The yellow flowers of the gorse, shading pink campion and yellow celandine, made a bright contrast against the deep green of the grass and Fiona felt her spirits lift a little. Cliff walks had played a large part in her childhood and youth. Her parents considered them an integral part of the weekends and school holidays. They always started from Soldiers Bay, within easy reach of their home in Colborne Road. The path led them close to Blue Bell Wood, a delightful sea of blue in spring and one of Fiona’s favourite places.

Jessie:  The setting is wonderful and does ‘lift my spirits.’.  I adore a book where you feel transported to the time and place.  I can understand why Renoir was inspired to paint in Guernsey. I notice the novel is part of a series.  How does ‘The Betrayal’ fit into the Guernsey Series?

Anne:  All six books in The Guernsey Novels series are standalone stories but they share characters who featured in previous books. It’s like reading about a small town, when people know each other and turn up when needed. Each book has fresh main characters to add to the mix and to prevent readers becoming bored! My ‘fans’ tell me they love recognising characters from previous books in the series, making them feel at home

Jessie: How did you feel when you had finished writing ‘The Betrayal’, and did you miss any of the characters?

Anne: Relieved – and exhausted! It had taken me months longer than anticipated to finish but I was pleased with the result. Characters do get under your skin and I miss Fiona and Michael in particular. The joy of writing books in a series is that characters can pop up again, so it might be au revoir not goodbye.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family. 

Anne: I would be honoured if Barbara Erskine, the writer of so many wonderful time-slip books, would deign to read my humble offerings. Any words of advice and/or encouragement from her would be gratefully received.

Jessie: Why should I keep your book in my handbag?

Anne: It’s a page-turner and with short chapters, so easy to pick up and read when you have a moment to spare.

Jessie: What is the last sentence written in your writer’s notebook?

Anne: “Leopoldine drowned with her husband, aged 19, in September 1843.” For my next book, ‘The Inheritance’, set partly around Victor Hugo’s time in Guernsey.

Jessie: What is the biggest challenge for an author?

Anne: Getting noticed by potential readers. There are millions of books available to choose from these days making it almost impossible for an unknown writer to be noticed in the crowd. Now I have a series of six books to my name, it’s becoming a little easier.

Jessie: What is the best advice that you have received as a writer?

Anne: To write as if for myself, not to worry if anyone will ever read my words.

More about Anne…

…Anne is a retired psychotherapist who finally got the chance to write when her three children flew the nest.
… loves history and exploring old houses, visiting places of archaeological interest on her travels.
…won a holiday to The Gambia early this year and had a wonderful time.

The enigma and setting of ‘The Betrayal’ left me wanting more, and I was delighted to receive a copy of the novel. I look forward to travelling back to Guernsey via the novel. 

Following the interview, Anne took me on a tour of St Peter’s Port.  The cobbled streets greeted us as we walked towards the gardens.  It is no surprise that this port has been deemed one of the prettiest ports. We walked to George Road, the lodging house where Renoir stayed during his visit to Guernsey.

 

Please see all my interviews at My Guests and my blog at jessiecahalin.com.

 

A stolen painting in the pocket of my large handbag

Popular author, Anne Allen, released ‘The Betrayal’, on 22nd October.  ‘The Betrayal’ is the sixth book in the Guernsey Series.  Anne Allen has kindly selected an exclusive extract for Books in my Handbag.  The dual-time novel unfolds in the present day and during World War Two.  It is set against the backdrop of the German deportation of the Jewish community, in Guernsey, and involves a stolen Renoir painting. 

Treachery and theft lead to death – and love. 

‘The Betrayal’ is tense, powerful and spellbinding.

Anne will introduce her new novel, present an extract and tell you more about the intricate narrative.

Dear Readers,

I am delighted to present my latest in the Guernsey Novels series, ‘The Betrayal’.

This extract is from the beginning of the book and is the prelude to the modern part of the story, giving you a taste of the tension throughout the book.

Keep a copy of the book in your bag to dip into whenever you have a moment, you won’t regret it!

Happy Reading☺

Anne x

Presenting the extract:

Guernsey 2011

Something was wrong. The alarm didn’t blast out as he pushed open the back door of the shop. Standing still, he heard a noise. Someone was in the shop. Or more accurately, the basement. Nigel paused as he closed the door quietly behind him, his heart hammering against his ribs as he debated what to do. Whoever was in there knew how to disable a burglar alarm otherwise lights would be flashing and a discordant wail would be piercing the air. Best to shut them in the basement and call the police. Following the thought, he crept into the main shop, guided by the dim light coming through the rear window. His eyes adjusting to the dimness, Nigel tried to pick out the area where a rug should cover the trapdoor. For a moment he wondered who could have known about the basement, only discovered a few weeks before when they completed the renovations and replaced the flooring. Odd. And why the basement when the shop was full of valuable antiques?

Crouched at the edge of the hole, light from a torch casting shadows below, he was about to push the open door downwards when a hand snaked up and grabbed his arm.

More about ‘The Betrayal’…

Teresa Bichard and her baby are sent by her beloved husband, Leo, to England as the Germans draw closer to Guernsey. Days later they invade…

Leo, of Jewish descent, is betrayed to the Germans and is sent to a concentration camp, never to return.

Teresa returns to find Leo did not survive and the family’s valuable art collection, including a Renoir, is missing. Heartbroken, she returns to England.

Nigel and his twin Fiona buy a long-established antiques shop in Guernsey and during a refit, find a hidden stash of paintings, including what appears to be a Renoir. Days later, Fiona finds Nigel dead, an apparent suicide. Refusing to accept the verdict, a distraught Fiona employs a detective to help her discover the truth…

Searching for the true owner of the painting brings Fiona close to someone who opens a chink in her broken heart. Can she answer some crucial questions before laying her brother’s ghost to rest?

Who betrayed Leo?

Who knew about the stolen Renoir?

And are they prepared to kill – again?

What do the reviewers think of ‘The Betrayal’?

‘I am a huge fan of Anne Allen’s Guernsey series in which various locations are lovingly described. With the ‘suicide’ of her twin brother, this book has an orally different feel as Fiona tries to get to the bottom of it. With an undiscovered Renoir and links to WW2 this book has a much darker feel to it.’ Julie Ryan

‘Great characters and of course a love connection with a happy ending.’ Karen’s World

‘Having read Anne’s last book, Echoes of Time, I couldn’t wait to read her latest, and I wasn’t disappointed. The novel alternates between WW2 and 2011 and is set on the beautiful island of Guernsey. The Betrayal features twins, Fiona and Nigel, who discover a Renoir within the walls of their antique shop in 2011. When Nigel is found dead, and suicide is suspected, Fiona refuses to believe that her brother would end his own life and she sets out to uncover the truth. Unravelling the mystery will carry her on a journey back to 1940, and to the dark days of the German Occupation and the deportation of Jews.’ S. Charlton

And finally…

A late-comer to writing, Anne was a psychotherapist in a previous life.   Readers are lucky that Anne decided to tell her stories. Anne admits her characters do get under her skin and she misses Fiona and Michael, in particular. I look forward to discovering more about the characters and solving the mysteries presented by this delicious time-slip novel.

You can find out more about Anne Allen here.

 

Please see all the specially chosen extracts at Book Extracts and my blog at jessiecahalin.com. 

 

Slipping back to 499 AD with Julia Ibbotson

Julia posting her guest post to Books in Handbag Blog

Julia Ibbotson contacted me and offered me the opportunity to slip into 499AD and meet the characters of her latest novel. Lady Vivianne is from 499AD and Dr Viv DuLac living in the present day. In A Shape on the Air, the worlds of these two women collide to create a fascinating narrative.  Fascinated by the concept, I asked Julia to explain more about her novel.

Dear Jessie,

My latest novel, A Shape on the Air, is about two women, divided by centuries, united by a quest for truth. Dr Viv DuLac, a medievalist, is devastated when her partner Pete walks out (and with her best friend too) and it seems that she is about to lose everything. Drunk and desperate, her world quite literally turns upside down when she finds herself in the body of the fifth century Lady Vivianne. Lady V has her own traumas; she is struggling with the shifting values of the Dark Ages and her forced betrothal to the brutish Sir Pelleas, who is implicated in the death of her parents.  Little does Viv realise that both their lives across the centuries will become so completely intertwined. Haunted by both Lady Vivianne in 499 AD and by Viv’s own parents’ death and legacy, can Viv unlock the mystery that surrounds and connects their two lives, 1500 years apart, and bring peace to them both?

Meet Lady Vivianne

As with all authors, my characters’ voices ring around my head as I write. So I’ll imagine the women speaking for themselves and this is how they might have introduced themselves to you …

Meet Lady Vivianne …

It is the year of Our Lord 499, I am fifteen and I have a problem.  I am betrothed, against my will, to the odious Sir Pelleas, yet I am not unaware of the glances of my childhood friend, Sir Roland. It was my late father, kind as he was, who took in the tattered cast-out Saxon child Pelleas, thinking him to be a potential successor as chieftain of our settlement in the midlands of England.  Back then, it was not so usual for a woman to succeed to the chieftaincy, and anyway I was not expected, my dear mother being cursed to be childless. But she had used her pagan rituals to try to conceive, and I was the result. They named me Lady Vivianne.

I will never forget the day that my parents died, burned in the fire that destroyed our sacred hall. Sir Pelleas said that it was the tallows on the altar. But yet I knew that was not so.  And as I grew towards my sixteenth year and Pelleas had already persuaded the council in the mead hall with his military prowess to confirm him as chieftain, he was appointed my ‘protector’ and my suitor.

I hate him. I hate his brutish ways and his raucous drunken friends as they feast and carouse and stink in my father’s hall that used to display rich tapestries and religious icons, a backdrop to the travelling scōps with their beautiful poetry.

I will do anything, anything at all that is in my power, to rid myself of Pelleas and this terrible betrothal. And I have powers, like my mother, Lady Nymue, the lady of the lake, believe me …

The inspiration for Dr Viv

Meet medievalist Dr Viv DuLac …

… I get home to my apartment a couple of nights ago, totally unaware of what that night would bring. I’d had a hard day at the university where I teach medieval studies. Maybe it’s tiredness but I think I hear my dead mother’s voice in my pounding head and the name ‘Lady Vivianne’.  But my mind is full of my partner Pete’s treachery. I still cannot believe that he would stoop so low. Going off with one of my best friends and then having the gall to try to sell the apartment from under me. I’d like to hate him, but it’s not so easy to dismiss those years, is it? Are there no decent men left? I’d do anything, anything at all, to keep my beloved home and to be safe. But instead I drink far too much red wine and make for the lake where something is drawing me …

A Shape on the Air

As their lives become intertwined, the quest for truth intensifies. How is Lady Vivianne connected to Dr Viv’s parents’ death and the centuries-old mystery they tried to uncover?  By the way, Jessie, my WIP (The Dragon Tree) is the sequel to A Shape on the Air, and will be published later in 2020.

With love,

Julia

Website/blog   https://www.juliaibbotsonauthor.com
Facebook          https://www.facebook.com/JuliaIbbotsonauthor
Twitter              @JuliaIbbotson
Pinterest           http://www.pinterest.co.uk/juliai1

About Dr Julia Ibbotson

Acclaimed, award-winning author Julia Ibbotson is fascinated by the medieval world and concepts of time travel. She read English at Keele University, England (after a turbulent but exciting gap year in Ghana, West Africa) specialising in medieval language, literature and history, and has a PhD in socio-linguistics. She wrote her first novel at 10 years of age, but became a school teacher, then an academic as a senior university lecturer and researcher. As well as medieval time-slip, she has published a number of books, including memoir/history of food (The Old Rectory), children’s medieval fantasy (S.C.A.R.S), a trilogy opening in 1960s Ghana (Drumbeats), and many academic works. Apart from insatiable reading, she loves travelling the world, singing in choirs, swimming, yoga and walking in the countryside in England and Madeira where she and her husband divide their time.

 

Please see all my guest’s posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Real folk in One Hundred Tiny Threads

I urge you to read One Hundred Tiny Threads

Judith Barrow’s ‘One Hundred Tiny Threads’ reawakened my reading addiction.  I stretched on a Devon beach, during a heatwave, but sat in Lancashire during 1911. Vivid figurative language moved me from the colours of a Monet painting to a Lowry painting.

One Hundred Tiny Threads is the prequel to Judith’s Howarth family saga but was the perfect book to begin with.  Bill was trapped down the mine and the explosion deafened me.  I stood in the dark, grimy streets as the ‘knocker-upper’ tapped on the Winifred’s window. I forgot the heat of the sun as ‘frost patterns covered the panes of the windows’.  ‘The clatter of clogs’ on the cobbles turned my head to the dark streets and ‘the feeling there was a shadow lurking around the corners’.

A life beyond the grocer’s shop counter ruled over by Winifred’s domineering mother.

Despite shivering with Winifred, I found warmth in her friendship.  Winifred presented me with an honest account of a woman’s plight during the beginning of the last century.  Her rebellion against her dominant mother placed me firmly on Winifred’s side.  I was driven mad to discover Winifred’s mother’s secret; I could not fathom her bitterness. Barrow demonstrates why Winifred needs to befriend Honora, a suffragette, and why she finds comfort in Conal’s arms.  Every strand of the characters’ backgrounds is woven into their actions and responses.

I stretched on a Devon beach, during a heatwave, but sat in Lancashire during 1911. ‘The clatter of clogs’ on the cobbles…

I felt for Winifred.  Her naivety and love for Conal present tender moments.  How I ached for Winifred’s happy ending.  The narrative wrenches the heartstrings and punches your senses, but the strands of the plot are taught and well structured. But there is no time to mollycoddle the characters: there’s ‘nowt’ you can do as the characters face life, love and loss. I advise you set time aside and listen to the characters’ voices and let the gritty drama unfold.  The dulcet tones of the Lancashire people rattle your emotions with the powerful dialogue. Be aware of Ethel who makes the ‘air seem rancid with hostility.’

The artfully woven narrative is populated with real folk: ‘good Northern stock’.  I couldn’t abide the hardship yet couldn’t stop reading.  I found myself thinking about the characters when not reading.  The folk got under my skin.  Barrow is not afraid to introduce some horrible people and conflict.  I loathed Bill because he is a hard-faced, rotten man.  Yet, I was forced to explore the motivation for his character.  It was most annoying to feel empathy for Bill. I wanted to banish him from the book and leave him to rot in a dark alley. Barrow made me understand the motivation for this bloke’s actions. 

‘…all they wanted was equality in voting’

Winifred was isolated from her mother Ethel and inhibited by the era but wanted to shake off the corset of stifling expectations.  Ironically, Winifred’s mother inhibits her more than her father.  Barrow demonstrates how women like Ethel were trapped by their own boundaries and expectations: fear of society’s rejection isolates those who have dared to follow their hearts.  Women such as Winifred who dared to articulate the inequalities of women in normal settings:

Women such as Winifred paved the way for the birth of the modern woman. 

‘…all they wanted was equality in voting; to be able to have as much as their husbands, their brothers, their fathers.’

The Suffragette Movement, World War One and the Irish War of Independence are threaded into the fabric of the novel.

Barrow squeezes every drop of empathy from her reader, because she explores the complex psychological motivations of the characters.  It is testimony to Judith Barrow that she creates such powerful characters.  The rhythms of the characters’ words are combined with the ebb and flow of the narrative to produce a phenomenal drama of epic proportions.  I am delighted there are more books to read in this family saga.  However, I am fearful for Winifred’s plight in the remaining novels. shh – don’t tell me what happens.  I am not sure Winifred has made a good choice of husband, but he does believe Winifred ‘was the one woman to keep him on the straight and narrow.’  Narrative perspectives of Winifred and Bill provide clever contrast in life experiences. The basis for their relationship is dynamic, yet I sense some threads will fray in the other books. Florence said, ‘men will have their way’; I hope this is not an omen.

The Suffragette Movement, World War One and the Irish War of Independence are threaded into the fabric of the novel. Hard times exasperate the loneliness suffered by the characters.  I urge you to read One Hundred Tiny Threads to find out more about the texture of these characters’ lives – you won’t be disappointed.

Judith Barrow, author

Connect with Judith at:

Website: https://judithbarrowblog.com

Find out more about Judith at:

Twitter: @judithbarrow

 https://www.facebook.com/judith.barrow.3

Please see all my book reviews at Books In Handbag and my website and blog at JessieCahalin.com.

Are you ready for a real Game of Thrones? – 1066

Real Game of Thrones

Are you ready for a real Game of Thrones?  Glynn Holloway’s debut historical novel: ‘1066: What Fates Impose’ is now available.  I asked the author to explain why a reader should delve into his novel.

Dear Readers,

I am delighted to present, 1066: What Fates Impose, a novel about the fall of Anglo-Saxon England.

William the Conqueror

The extract I have chosen is from the opening chapter, which shows William the Conqueror on his deathbed. The dying king is filled with guilt and haunted by the horrors he inflicted on the English.

The reason I picked this extract is because it has a lot of impact. I felt I needed this, and also, I think the guilt he feels on his death bed and the consequences he feels he will have to face in the afterlife, poses the questions at the beginning of my novel:

Did William really think he had a claim to the English crown?

How much responsibility did he accept for the deaths of tens of thousands?

If you want those questions answered, and a lot more besides, put my novel in your handbag. If you do, you’ll be in possession of a book filled with: family feuds, court intrigues, papal plots, assassinations, loyalties, betrayals, a love triangle and a battle or two. Everything, in fact, that made living in the eleventh century such fun.

With Best Wishes

Glynn Holloway

Extract

1066 What Fates Impose

With the very last of his strength he raises his head to look around the room. There are his sons, the bishop, his brother and . . . ‘Oh God, oh God Almighty. No not him! Not now!’

His eyes bulge as he is gripped by terror. Before him, unseen by the others, stands a blood drenched warrior, tall and proud as an oak, fresh from the battle field, his lank and sweat soaked hair hangs down his shoulders, his once handsome face made ugly by an eyeless socket. As though to steady himself, he leans on his battleaxe, resting his hands on its iron head. He stares impassively at William with his single eye, blue and deep as the ocean, a stare mead all the more intense by its singularity.

William has seen him, or thought he had seen him, a number of times over the years glimpsed in crowds or spotted in enemy lines, but never has he seen him so clearly, so close and for so long as he does now.

‘Have you come for me?’ he asks.

A trace of a smile appears on the face of the apparition, who turns, swinging his axe over his shoulder as he does so, before stepping, with a swift backward glance, silently out of the room.

Hopelessness descends on the king; his temperature rises, and he feels hot again. He wants to break free from the heat, but escape is impossible. Was he like a pagan king of old to be consumed by fire?

The is hot, black and silent.

End of extract

About 1066 What Fates Impose

England is in crisis. King Edward has no heir and promises never to produce one. There are no obvious successors available to replace him, but quite a few claimants are eager to take the crown. While power struggles break out between the various factions at court, enemies abroad plot to make England their own. There are raids across the borders with Wales and Scotland.

Harold Godwinson, Earl of Wessex, is seen by many as the one man who can bring stability to the kingdom. He has powerful friends and two women who love him, but he has enemies who will stop at nothing to gain power. As 1066 begins, England heads for an uncertain future. It seems even the heavens are against Harold.
Intelligent and courageous, can Harold forge his own destiny – or does he have to bow to what fates impose?

Jessie:  What do the reviewers say?

‘An extremely promising debut – highly recommended’. Steve Donoghue – Historical Novel Society

‘A Brilliant and Entertaining Novel of the Events that led to 1066.’  Glenn Cook – Vine Voice – Amazon Hall of Fame – Top 100 Reviewer

‘Excellent and Gripping Story.’ Avid Reader – Amazon Hall of Fame – Top 50 Reviewer

Jessie:  How did you feel when you had finished writing the book, and did you miss any of the character?

I was pleased that I’d actually managed to finish it; there were times when I thought the day would never dawn. I did miss some of the characters, particularly King Harold and Earl Godwin.  completing my novel felt a bit like saying goodbye to friends I knew I’d never see again. Harold and Godwin won’t appear in any sequel but there are other characters who will put in an appearance, one of them I’d quite like to never hear of again, but that’s the price of a good villain I suppose.

Glynn Holloway

About Glynn Holloway

G K Holloway lives in Bristol with his wife and two children. After reading a biography about Harold Godwinson, he studied the late Anglo-Saxon era in detail. When he had enough material to weave together facts and fiction he produced 1066 What Fates Impose. 

http://www.gkholloway.co.uk/
https://www.facebook.com/G-K-Holloway-219766941394283/
@GlynnHolloway

 

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

 

Meet an explorer of the dark corners of history

Annabel Fielding

 

 

 

 

 

Annabel arrived at my Chat Room in the middle of September.   The autumnal feeling was already in the atmosphere, and I was tempted to light a fire.  Annabel was wearing black jeans and a loose blue blouse, clearly indicating that she is not yet prepared to say a decisive farewell to summer.  Her handbag was slightly bulky – spacious enough to fit in all the possible gadgets and tools of trade, including, perhaps, an odd typewriter.

She was feeling rather tired after a long journey.  Inspired by Annabel’s interest in tea, I had been to a specialist shop, in Bath, to buy some tea.  Annabel approved of my quirky 1930s teapot and a vintage tea strainer.  Apparently, the Winter Mixture tea was perfect.  I served the tea with some shortbread biscuits.  I added stem ginger and lemon to the shortbread and the flavour worked perfectly with the tea.

Jessie:  The front cover of your debut novel looks intriguing.  Tell me more about your book. 

Annabel:  Three very different women get caught up in the political struggles of the 1930s, in three very different ways. The novel is about the allure of fascism, the allure of love, the power of art and the art of climbing to power.

Jessie:  What prompted you to write the book, and what genre does it fit into

Annabel:  I’d say it’s a cross between historical fiction and an LGBT novel. I can say it was inspired by the period dramas that followed in the wake of Downton Abbey (I think we all remember that craze!), but in a sort of twisted way. I had this desire to explore the darker side of the world they’ve showed, to dissect all the political conflicts they only hinted at.

Jessie:  How do you manage to combine a career in PR with writing?

Annabel:  Actually, I can count myself to be incredibly lucky, as most of my duties allow me to work from home and to generally keep flexible hours. Honestly, I cannot imagine how I would have kept up otherwise – scribbled during lunch breaks, probably!

Jessie:  It is such a challenge to release a debut novel.  What response have you had from the reviewers so far?

“A captivating, stylish… historical novel about the polite society, dangerous affairs … political intrigue and espionage in London in the 1930s.’ Christabel, Goodreads

“So well researched and written, this exciting time in Britain (pre-WWII) is brought life in this lively novel. ” Polly Krize, Goodreads

“A fantastic story line and wonderfully written, the plot is well thought out and a brilliant LGBT tale”. Charlotte McGlinchey, Goodreads

Jessie:  It seems as if you have researched the plot thoroughly and developed an intricate plot.  Read me a short extract from the book to tempt the reader.

‘It was as if Hester was once again cycling down the hill and feeling the wind roaring in her ears; only this time the brakes were broken, and the map was lost, and the landscape around her was full of dangers”.

Jessie:  It sounds like the character is having a difficult time here.  Can you provide a little context?

Annabel:  She is under a kind of double pressure here. She is drawn into a turbulent affair with a woman… I could have ended the sentence here, as we are talking about a respectable, salt-of-the-earth, small town girl in the 1930’s; but that’s not the end of it – she is drawn into a turbulent affair with a woman, who has her own dark secrets and a continents-spanning political agenda.

Jessie:  How did you feel when you had finished writing your book, and did you miss any of the characters?

Annabel: I’d say it was a mix of relief and regret. Parting with Lucy was especially painful. I missed her terribly in the months to come, the shadows in her heart and her glorious way of making trouble..

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.

Annabel: I would have loved to hear Sarah Waters’ opinion on it. Her Tipping the Velvet was a revelation for the nineteen-years-old me.

Jessie:  Would your book appeal to fans of Sarah Waters?

Annabel:  I hope so! I have always loved her mix of sensuality, unparalleled historical atmosphere and social commentary.

Jessie: Why should I keep your book in my handbag?

Annabel: That way you’d be able to get your daily dose of hot jazz, bias-cut gowns and interwar intrigue while on the Tube.

Jessie: What is the last sentence written in your writer’s notebook?

“Into the coming storm”.

Jessie:  Is this a note for another book?  Tell me more!

Annabel:  I would be glad to say so – but, alas, my new book is still in the research phase! This from one of my drafts for the epilogue.

Jessie: What is the biggest challenge for an author?

Annabel: For me it was to piece the intricacies of the plot together. After I was done with that, the actual writing process came surprisingly easy.

Jessie: Did you have beta readers and an editor?

Annabel:  Yes, I had good fortune to have as my editor the lovely Clio Cornish at the HQ Digital. She was a tremendous help for me, especially when it came to improving my plot flow or character development!

Jessie: What is the best advice that you have received as a writer?

Annabel: Probably to disregard the romantic ‘tortured artist’ archetype and work out methods that would cause me as little torture as possible. In my case, it was dedicating enough time to careful research, detailed outline and scene-by-scene planning.

 More about Annabel…

Annabel Fielding graduated from the University of Arts London with an MA in Public Relations. She is a PR assistant by day and a novelist by night. Being a self-professed history geek, she dedicates her free time to obscure biographies, solo travel and tea. She also posts a mix of book reviews and travel photos on her blog at http://historygeekintown.com“. 

Annabel has always been unique.  She read The Iliad in primary school to prove everyone wrong.  She is obsessed with the dark corners of history and wants to bring them to life in her novels.  From an early age, Annabel liked to explore the world – prefect for a writer!

A tale of two continents

The Giants Look Down

 

Sonja Price

 

 

 

This gripping tale explores cultural differences, in two continents, through the life of Jaya and her brother.  An intelligent study of how one’s understanding of freedom is relative to education, experience and culture: a very poignant, contemporary message!

Jaya was born in a place where ‘the tiny mauve and yellow flowers danced in the breeze as the snowy summits of Pin Panjal meditated in the morning sun.’  Despite the beauty and implied freedom and romance of the landscape, the women are inhibited by their culture and the ugly politics of war torn Kashmir.  Jaya’s gentle, intelligent observations give an insight into her world as a Kashmiri girl.  Her mother asserts ‘you’re a girl’ and believes that ‘love rides on reason, not romance.’  It is clear Jaya is destined to search beyond this and it is impossible not to admire her questioning.

Jaya wishes on a ‘shooting star’ and the author maps out Jaya’s destiny beautifully.  The novel explores how the independent, free spirited mind can find flight if given the right opportunities.  But the opportunities must be accompanied with an inquiring mind. Jaya’s entrapment in Delhi is as stifling as the intense heat which ‘pressed down on city life like a giant hand.’ Her value, as a potential bride, diminishes once her parents have been killed.  She will find a way to escape a doomed arranged marriage – she is born to fight.

In contrast, Tahir, Jaya’s brother is forced to survive in a world of violence.  Here, Price examines how the innocent, accepting mind can become involved in terrorism.  Tahir’s life is written in the third person as he never finds his own voice.  Jaya’s story is written in the first person so that you can recognise her strength and identity.  She wants to be a wife ‘but (she) wasn’t going to give up everything.’  Ironically, the masculine stereotype and expectations shackle Tahir to a life of unfulfillment. Sadly, a lack of ambition and opportunity forces Tahir to accept his comrades as family.

Like her father, Jaya leaves ‘The Giants’ behind and moves to Scotland.  The cool Scottish breeze brings a fresh new perspective to Jaya’s life.  ‘The ocean! A slate grey stretching out to the horizon’ is symbolic of Jaya’s freedom and endless possibilities.  Meanwhile, her brother remains in Kashmir, and Tahir, believes the British to be the destructive force in his country.  He asks a British man, ‘Have you thought about the devastation your empire has left behind?’  He is unable to see how different cultures can collaborate and learn from each other. Tahir fights for his confused perception of freedom while his sister, Jaya, fights to save lives.  Jaya and Tahir’s father was a doctor. Jaya’s father involved her in his mission of caring for everyone, regardless of religion or race.

Jaya learns to inhabit the space between two cultures and finds her identity.  Her love for Alistair gives her stability, purpose and strength. Tahir is tormented by:

‘The poverty, the beauty, the peace and the violence.  Such extremes separated by the blink of an eyelid.

Tahir never examines his own world as he is too caught up in the conflict and grudges.   The natural ebb and flow of the Jaya’s narrative is enchanting while we never get inside of Tahir’s confused, inhibited mind.  The tale of two continents explores cultural difference: it is a wonderful book of contrasts.  For instance, the peaceful setting Kashmir Valley translates ‘paradise on earth’ yet it conceals conflict.  Jaya questions: ‘How could the landscape be beautiful when Alistair was suffering?’ Like Jaya, one must look beneath the surface.

This novel teaches us to have a respect and understanding of other cultures but we need the freedom to ask questions and pursue our ambition: above all, everyone needs to be loved. ‘Azadi’ (freedom) is a state of mind influenced by opportunities, the people we meet and the strength to ask pertinent questions.

A sensitive, well-crafted narrative that explores challenging themes through a beautiful central character. I recommend this novel wholeheartedly!

 

Please see all my reviews at Books In Handbag and my blog at jessiecahalin.com.