Presenting Jan Baynham’s Debut Novel

A secret left behind in the summer of ’69 …

Secrets buried like treasure in novels always tempt me. When I discovered Jan Baynham’s novel, Her Mother’s Secret, I wanted to find out more. Set in Greece in 1969, Her Mother’s Secret is the just the ticket to travel to glorious Greece.  I invited Jan to tell me more about her debut novel and why she chose to bury a secret in the pages.

I have always been intrigued by family secrets and the fact that these sometimes do not come to light until after a person has died. I read of someone who was sorting through her mother’s things after her death and found a diary. In there, the young woman learned about a part of her mother’s life she knew nothing about. The ‘what ifs?’ started in my head and Her Mother’s Secret started to evolve. At the time, I’d been reading a novel where the rustling in the trees sounded like whispers and inanimate statues took on the form of ghosts of the people they represented. Perhaps the whispering could show the presence of a past family member. Always fascinated by the bond between mothers and daughters, this was basis for my story. Very often, the close relationship between mothers and daughters means that they would know things about each other no one else would. I wanted to explore how my character, Alexandra, would feel when she found out about her mother, Elin’s secret life. How could her mother have kept this from her? How would she feel? I needed Elin to have been able to keep her secret from everyone, even her own mother, until she died.

Having visited many times and being struck by the wonderful palette of colours seen in every landscape, Greece was my obvious inspiration

I decided that Elin would be an artist, having just finished art college. She travels to Greece to further her painting skills and while there, something happens that she never mentions again. I chose a setting where the colours would be more vibrant and intense perhaps than in her home country of Wales. Having visited many times and being struck by the wonderful palette of colours seen in every landscape, Greece was my obvious inspiration. Elin’s daughter, Alexandra, arrives on Péfka, a small island off the Peloponnese in Southern Greece, to follow in her mother’s footsteps to find out what happened there twenty-two years earlier. No wonder you loved it here, Mam. The colours alone make it an artist’s heaven, she thought. Péfka is purely fictional and is not based on one particular place; it’s an amalgam of areas I’ve visited – a beach or street here, a taverna or workshop there where I’ve met characters when getting out into Greek villages. Every holiday has inspired me with contributions to create characters and settings that are hopefully authentic showing the climate, the vivid colours of the sea and the flowers as well as the warmth of its people.

Every holiday has inspired me with contributions to create characters and settings that are hopefully authentic showing the climate, the vivid colours of the sea and the flowers as well as the warmth of its people

More about Her Mother’s Secret

It’s 1969 and free-spirited artist Elin Morgan has left Wales for a sun-drenched Greek island. As she makes new friends and enjoys the laidback lifestyle, she writes all about it in her diary. But Elin’s carefree summer of love doesn’t last long, and her island experience ultimately leaves her with a shocking secret …

An artist travelling to Greece in 1969 evokes endless opportunities for secrets.  I can’t wait to escape to Greece with the promise of Her Mother’s Secret. I wonder what Alexandra, Elin’s daughter, will discover when she visits Greece twenty two years later…

Her Mother’s Secret will be published by Ruby Fiction on 21st April and is available to order now.

Jan Baynham

Meet Jan Baynham

After retiring from a career in teaching and advisory education, Jan joined a small writing group in a local library where she wrote her first piece of fiction. From then on, she was hooked! She soon went on to take a writing class at the local university and began to submit short stories for publication to a wider audience. Her stories and flash fiction pieces have been longlisted and short listed in competitions and several appear in anthologies both online and in print. In October 2019, her first collection of stories was published.  Her stories started getting longer and longer so that, following a novel writing course, she began to write her first full length novel. She loves being able to explore her characters in further depth and delve into their stories. She writes about family secrets and the bond between mothers and daughters. Set in the last year of the 60s, ‘Her Mother’s Secret’ takes you to sun-drenched Greece, her favourite holiday destination.

Originally from mid-Wales, Jan lives in Cardiff with her husband. Having joined the Romantic Novelists Association in 2016, she values the friendship and support from other members and regularly attends conferences, workshops, talks and get togethers. She is co-organiser of her local RNA Chapter.

You may find out more about Jan here:

Twitter: @JanBaynham  https://twitter.com/JanBaynham
Facebook: Jan Baynham Writer  https://www.facebook.com/JanBayLit/
Blog: www.janbaynham.blogspot.co.uk

 

Packing for a Trip to the Past

Anna Belfrage

What would you pack if you regularly visited the seventeenth century? On this occasion, you really wouldn’t have anything to wear. Our staple of jeans and a t-shirt would be provocative in the seventeenth century.  Author, Anna Belfrage, regularly sends her characters back in time, and I was intrigued to discover how she helps her heroine, Alex, to pack for another era.  Where does a writer start when dressing characters for another era? Alas, I would have to begin by abandoning my handbags as they didn’t exist.

I am handing over to Anna Belfrage, author of The Graham Saga, and her costume department.  Anna’s novels have allowed her to fulfil her dream of becoming a professional time traveller.

Dressed for Success in the Seventeenth Century

Frans Hals

One of my series, The Graham Saga, is set in the seventeenth century for a variety of reasons, none of which have anything to do with the prevailing fashions of the time. While others may go “ooh” and “aaah” at the paintings of dashing cavaliers adorned with lace and ribbon, I like my men in breeches and a simple linen shirt, a no-nonsense coat worn atop, which is probably why my hero, Matthew Graham, dresses like that. Well, it may have something to do with his convictions as well. After all, Matthew is a devout member of the Scottish Kirk, and he and his brethren have little liking for fripperies.

Where Matthew was born and bred in the 17th century, his beloved wife, Alex(andra) Lind, grew up in our time. In difference to many of us, she never had a hankering for living in the past, but sometimes impossible things happen, which is how she ended up in the 17th century, wearing jeans.

Cook with a Hare

“I like her djeens,” Matthew says, his gaze lingering on her legs. “But, aye, you’re right: she can’t wear them here. Seeing her thus revealed is only for me to see.” (He has a certain amount of cave-man tendencies does our Matthew. Blame it on the times…)

So instead, Alex has to start by donning a shift. This is a long linen garment that reaches halfway between knees and ankles, it has long sleeves and a neckline with a drawstring. It serves as a combined nightie and underwear. (Forget about a silky negligee when in the mood for some action which is why I recommend nudity for seduction). This shift is worn until it can almost stand on its own – laundry is a heavy task.

On top of the shift Alex wears stays. Okay, so they’re not as bad as those sported by Scarlett O’Hara but once they’re laced they have a somewhat inhibiting effect on her movements. Stockings in scratchy wool are rolled up the legs to thigh-level and gartered into place. Petticoats help keep Alex somewhat warm, ending just above the ankle. A bum roll, heavy woollen skirts, a bodice and an apron complete the outfit. Let me tell you, this weighs a lot. It is difficult to run in full skirts. Or climb a tree (which is a bad idea anyway, as women shouldn’t do something as indecorous as climb a tree).

At this point Alex stops to inspect herself – she has a small looking glass, lucky her. The collar is tied into place, the hair is braided back and coiled into a tight bun before being covered by a linen cap. A woman without a cap is a sinful thing indeed! By the door are the shoes – they might be a pair of latchet shoes, but they might just as well be clogs. Actually, maybe using clogs is the better choice – at least they keep the feet dry!

“I’m not wearing all that,” Alex told me the first time I presented her new wardrobe for her. “I’ll stick to my jeans—and my underwear.”

“No, you won’t.” Matthew shakes his head. “To go around dressed like that is to attract unwanted attention. And should anyone find out you’re from the future…” he mimes a sliced throat. Too right: either you conform, or you risk sticking out like a sore thumb and potential witch. Not good in a time and age where witches are still being executed.

Alex sighs. “Fine,” she says, throwing me an angry look. (She blames me for throwing her back in time. She rarely thanks me for gifting her with the rather wonderful Matthew.) “But just so you know, the moment I get back, I’ll be in jeans again.”
Back? I share a look with Matthew. Alex isn’t going back. After all, while time travelling is a rare occurrence, time travelling with a return ticket is even rarer!

 

Sir Anthony van Dyck and Lord Bernard Stuart

Presently, Anna is hard at work with The King’s Greatest Enemy, a series set in the 1320s featuring Adam de Guirande, his wife Kit, and their adventures and misfortunes in connection with Roger Mortimer’s rise to power.

When Anna is not stuck in the 14th century, chances are she’ll be visiting in the 17th century, more specifically with Alex and Matthew Graham, the protagonists of the acclaimed The Graham Saga. This series is the story of two people who should never have met – not when she was born three centuries after him. A ninth instalment has just been published, despite Anna having thought eight books were enough. Turns out her 17th century dreamboat and his time travelling wife didn’t agree…

Anna can be found on her website, on Facebook and on her blog. Or on twitter and Amazon.

 

Please see all my guest posts at Mail from the Creative Community and my blog and website at JessieCahalin.com.

 

Jo Lambert on Creating a Sense of Place

Inspiration for Lyndbrook Hall

I love to celebrate authors who have connected with me over the years. Jo Lambert lives east of Bath, and she has written an impressive seven books. Books are a destination for readers, and Jo creates a powerful sense of place in her romantic suspense novels.  I invited Jo to tell me about the inspiration for the sense of place in her writing.

A SENSE OF PLACE – Pure imagination, reality or a little of both – what’s best for you?

Inspiration for the Black Bull

As an author it’s not only about developing the plot and creating the characters, it’s also getting the setting right.  Whether you are writing a psychological thriller or contemporary romance set in the city or the suburbs – or maybe like me, using a rural/small town community – creating the perfect backdrop can occasionally throw up some problems. That is why personally I’ve always found it easier to base my fictional locations on actual places.

My first novel When Tomorrow Comes was set in rural West Somerset.  For this I used my own experiences of village life.  Of course it’s not just using familiar places, it can also include buildings such as houses, pubs and hotels. They can all be used to help the writing process.   In Summer Moved On and Watercolours in the Rain, set in South Devon village of Lynbrook, The Bull Inn is actually based on a local village pub I still visit.  Similarly Lynbrook Hall is a real place about five miles away from the pub. It was for sale while I was writing and the on line estate agent’s photographs were a bonus in helping create my fictitious manor house.

Set in Cornwall Shadows on the Water is a story of family ties, lost love and tangled loyalties

My current novels are set in Cornwall. For A Cornish Affair, I used a hotel I’d seen while staying in Richmond. It was totally right for the one central to the book which sat on a cliff overlooking a small coastal fishing village.  And for my latest novel, Shadows on the Water, I’ve taken parts of Fowey and Dartmouth and blended them into the estuary town of Kingswater.

Inspiration for Tarwin House Hotel

Another useful aid is Google Map. In one of my novels my character was in Verona, a place I had visited several years before.  During her stay she had gone on walkabout in the city. Apart from The Arena and Juliet’s Balcony I had a very hazy memory of our day trip there.  Luckily Google Map came to the rescue.   It enabled me to ‘walk’ in her footsteps and describe the things she was seeing, giving the whole scene a far more authentic feel.

In the end, of course, it depends very much on individual preference. Some writers are happy to use their imagination while others set their stories in real places.  And then there are those like me who ‘borrow’, taking reality and remoulding it to suit the story they are writing.  It’s all about what works best for you really.

I also enjoy the freedom to create a new village based on places I have encountered in my travels. The place wraps itself around my characters and listens to their hopes, dreams and sadness. Jo Lambert has recently released Shadows on the Water. Set in Cornwall Shadows on the Water is a story of family ties, lost love and tangled loyalties. I look forward to visiting Jo’s destination.

Jo Lambert is a member of the Romantic Novelists Association and the Society of Authors. She has been writing since 2008

More about Shadows on the Water

After the tragic death of her fiancé, Ava Warren is slowly rebuilding her life.  She has a supportive family, great friends and a job she loves, managing holiday letting company Estuary Escapes in her home town of Kingswater. Another relationship is the last thing she wants or needs. Until one evening she meets Alex Penhaligon.

Alex’s father Sam owns Heron’s Gate Vineyard and Alex has recently returned from California, where he has been working for the past five years.  A case of mistaken identity gets them off to a bad start. But discovering his error, Alex is anxious to make amends and soon persuades Ava that he’s not quite as arrogant as she thinks he is. As their friendship begins to turn into something much deeper, Ava wonders whether she can at last put the past behind her and make a new future with Alex.

But someone is watching.  A man who not only thinks Ava should be his but also holds a long term grudge against Alex.  And he’s determined to get his own way irrespective of the lengths he has to go to or who gets hurt in the process.

Social Media Links –
Website: http://jolambertbooks.com
Blog: http://jolambertwriter.blog
Twitter: @jolambertwriter
Facebook: https://www.facebook.com/jolambert185
Linkedin: https://uk.linkedin.com/in/jo-lambert-6 4644530
Instagram: jolambertwriter185

 

Please see all my guests’ posts at Mail from the Creative Community and also my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Travelling back to my childhood with word magician, Patricia Furstenberg

Patricia Furstenberg is a bestselling children’s author and her work is an absolute joy.  My interactions with her over the last couple of months have been an inspiration.  I was honoured when she asked if I would reveal the covers of her new trio of books.   As an avid reader, I believe that the children’s authors are word magicians and dream weavers.  Once upon a time, children’s stories commenced my lifelong reading journey thus they have a special place in my heart.  Children’s writers inspire the future readers and writers.

I know that Patricia will inspire children aged three to seven years with her trio of stories: ‘The Lion and the Dog’, ‘The Elephant and the Sheep’, ‘The Cheetah and the Dog’.  These stories are simple tales of friendship inspired by true stories from the animal kingdom. Without minding their differences diverse animals become friends, helping and supporting each other. They share food and shelter, they give each other moral support and, of course, they have lots of fun together! It is my pleasure to reveal the covers of these stories here today.  Instantly, the covers present you the promise of a magical world of animals.  Patricia’s stories are popular because they entertain and educate: they can be used as a starting point for discussion with children.  I am sure that adults will enjoy the stories as much as the children.

One is never too old to read a children’s story! I had great fun reading ‘Joyful Trouble’, and realized the depth of what Patricia achieved with her books. I am astounded at how much Patricia writes and wondered what motivates her.  Having interviewed and interacted with this prolific writer of children’s fiction, I invited Patricia to tell me more about her writing.  I wanted to know how she works her magic to get children reading and how she educates through her stories.

Patricia Furstenberg on the magic of animals in children’s stories #Guestpost

Children’s love of stories comes from an innate desire to discover the truth, supported by their confidence that they will succeed in this endeavour because they feel protected in the safety of their lives. I like to think of children’s books as a magic trick. You have the instant surprise and joy, yet in the long run, besides the lingering amazement and awe, there are countless benefits. Reading improves a child’s vocabulary, thus his self-esteem. Reading is linked to EQ (Emotional Intelligence); a high EQ can positively assist a child in a bullying situation. Reading improves child-parent bonding as well as a scholar’s concentration and his academic excellence.

Writing for children is an attractive challenge which I enjoy tremendously. Take a real life situation, add lots of imagination, dress it with metaphors, throw in at least one animal character and sprinkle with humour. Let it rise. Bake it with love and serve it with bright illustrations. It will keep kids entertained for years. And ideas for new kids’ stories are everywhere; tucked away in my memories, like Puppy, my latest book release, or hidden gems in the nature surrounding us like my first book, Happy Friends. The more I write, the more ideas I discover.

Animals are very important in children’s lives. From an emotional level, as they teach youngsters empathy and responsibility, to a more cognitive one. So many life lessons can be taught if we sugar-coat them in a puppy or bunny shape. The same goes for Young Adult books. Think of Yann Martel’s Life of Pi, a sheer lesson about the will to live and how our perception of reality changes when beasts are involved, whether they are imaginary or not. Animals always do unexpected and extraordinary things in order to survive and often they become a symbol of our most profound fears and battles; yet animals never judge. My second book, Joyful Trouble, tells the story of a Great Dane enlisted in the Royal Navy during WWII. This dog wins the hearts of all soldiers and residents of Simon’s Town, South Africa, through his sheer loyalty and love. I like to think that Joyful Trouble reached Bestseller status on Amazon UK and US in its category through his likeable personality and uplifting presence.

Sometimes beasts have their own path to follow, as well as dance with Belle. Other times animals succeed in bringing humanity into a story where people act mercilessly. Dumb Witness, Agatha Christie’s thriller, presents a most softened Hercule Poirot solely through his interactions with Bob, the fox terrier that holds the definitive clue. Perhaps reading this crime novel by Dame Christie was one of the turning points in my life. But it wasn’t until much later that I decided to put pen on paper and write children’s books focused on animals. Animals make for such versatile characters. George Orwell’s Animal Farm, where “some animals are more equal than others,” although it is a satire on the Soviet Union under the Communist Party rule is still relevant to the present political scene of many countries around the world.

At times, an animal pops up in a story because of cultural perceptions, such as in Jerome K Jerome’s witty Three Men in a Boat (To Say Nothing of the Dog). Other times the animal itself brings the fiction to life, if you think of Dion Leonard’s wonderful Finding Gobi or of my next trio of children’s stories The Lion and the Dog, The Elephant and the Sheep, The Cheetah and the Dog. Some stories ask to be written, others just wait to be discovered, you must just pay attention. And where there is an animal with a history to tell, there are usually more waiting in line. For most beasts live in packs, helping each other. A little bit like the Twitter community J where we follow and support one another, taking strength from numbers.

 

Take a look at one of Patricia’s articles about encouraging boys to read.

http://www.huffingtonpost.co.za/patricia-furstenberg/how-to-get-boys-to-read-in-5-easy-steps_a_22491122/

http://Author.to/PatFurstenberg

Author Website: http://alluringcreations.co.za/wp/

Huffington Post SA http://www.huffingtonpost.co.za/author/patricia-furstenberg/

Twitter: https://twitter.com/PatFurstenberg

Facebook: https://www.facebook.com/PatriciaFurstenbergAuthor

LinkedIn: https://www.linkedin.com/in/patriciafurstenberg

 

 

Please see my review of Joyful Trouble, the interview with Patricia Furstenberg and my blog at jessiecahalin.com.

 

Judith Barrow’s Memories

‘The Memory is a poignant tale of love and hate in which you will feel every emotion experienced by Irene.’– Terry Tyler

Wonderful author of the Bestselling Haworth family saga, Judith Barrow, is launching her latest novel.  The Memory explores a ‘Mother and daughter tied together by shame and secrecy, love and hate.’ I can’t resist books with secrets and know Judith is an expert at weaving these into her narratives.  I invited Judith to tell me more about the background to The Memory because I know it is close to her heart and experience.

Much of the background of The Memory is taken from my own memories of when I was carer at different times in my life. With the support of my husband I’ve looked after two aunts. One who lived with us for thirty years before dementia took hold of her – and then, at the same time, her aunt, who came to us when the disease first made its presence known and she had no one else. The idea was that we found a care home for her in Pembrokeshire where we live, but she cried when we left her there. So we brought her home. Physically robust, she lived with us for twelve years. We were four generations under one roof and, looking back I don’t think it did our children any harm. Indeed I think it taught them empathy. And finding the humour in the chaos of living with someone with dementia far outweighed the sadness.

A portrait of Judith’s Auntie Olive who lived with Judith’s family for over thirty years.

I truly believe that the role of carer for a loved and respected relative with dementia is something that takes over both lives with unseen stealth. The disease steals away the person who affected until they gradually disappear. The carer increasingly and sometimes automatically takes on the role until their whole life revolves around the caring. And, mostly, it’s a mantle that’s taken on willingly.

But it’s hard.

During the years I was a carer I met others whose lives, despite help from any professional bodies, had become a constant round of tiredness and stress. And it was only when the trust was built up between us that the word ‘resentment’ would sometimes be voiced. But spoken of with shame, as though it was a reaction that had no place. After all, most of them were caring for a person who had been a constant presence in their lives as a cherished parent, relative, companion, partner. It was the carer’s time to give back the love – wasn’t it? They had no right to sometimes feel resentful. Or so they believed. I remember the relief to be able to admit it, to relax, to know I wasn’t alone. And to share stories of the ridiculous and bizarre situations we found ourselves in.

I’ve tried to show those two contrasting emotions in The Memory; love and yet resentment. But with Irene Hargreaves, the protagonist, hatred often rears its ugly head. All because on one dreadful memory.

Pots and Pans is the memorial where the Remembrance Services are held. It’s a memorial where memories are kept and/ or shared to the wind.

As a child, I escaped to a place known as Pots and Pans in Saddleworth.  Pots and Pans, quite high, windy and isolated, is the memorial where the Remembrance Services are held.  I used to climb with my first dog when I was eleven to get away from home. It’s where I used to chunter on about the unfairness of anything that was happening.  It’s a memorial where memories are kept and/ or shared to the wind. Well, that’s what I always thought. The dog was also a great listener!  This is the place where the bones of my books were constructed.

The Memory is a stand alone book about a woman, Irene Hargreaves, who is the career for her mother. One a dark evening in 2001 Irene stands by the side of her mother’s bed and knows it is time. For more than fifty years she has carried a secret around with her; a haunting memory she hasn’t even confided to her husband, Sam, a man she has loved and trusted all her life. But now she must act before he arrives home…

About Judith:

Wonderful author of The Memory and the bestselling Howarth family saga.

Judith Barrow,originally from Saddleworth, a group of villages on the edge of the Pennines,has lived in Pembrokeshire, Wales, for forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen. BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University and She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions..

She is a Creative Writing tutor for Pembrokeshire County Council and holds private one to one workshops on all genres.

https://www.judithbarrow-author.co.uk/
https://judithbarrow.blogspot.com
https://twitter.com/judithbarrow77
https://www.facebook.com/judith.barrow.3
https://www.honno.co.uk/authors/b/judith-barrow/

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Inspiration for a Tuscan Girl

I am honoured that Angela wrote a letter to explain the inspiration behind Tuscan Girl. Sit back and enjoy a writer’s tour of Italy.

Bestselling author, Angela Petch, released ‘Tuscan Girl’ last week.  I started to read the novel on a stormy Saturday night and awoke at dawn to finish the book.  Lost stories of war, hidden treasure and buried memories gripped me. As a writer, I wanted to learn how this talented author manages to weave such captivating stories. I am honoured Angela wrote a letter to explain the inspiration behind Tuscan Girl.  Sit back and enjoy a writer’s tour of Italy.

In the Tuscan Apennines, where I spend six months of every year, I can step out of our front door straight into wild countryside. Our area is less populated after post war exodus, when people left for work abroad and in big cities and so I come across many ruined houses along the mule tracks that crisscross our hills and valleys.

Each abandoned dwelling holds a potential story and my imagination goes into overdrive, trying to guess what might have gone on within these walls, now strangled with weeds.

Many of the old houses are being eaten up by old man’s beard

When I was seven years old, my father accepted a job in Rome as deputy head of the Commonwealth War Graves Commission. They were formative years and I picked up Italian like a little sponge. I’ve wheedled out stories behind these houses by chatting to elderly friends and through my research. We are lucky to have the national archive of diaries in nearby Pieve Santo Stefano and I’ve spent hours poring over handwritten resources.

Bruno sitting outside the house owned by his son, who had just returned from collecting wild mushrooms.

One of my friends is Bruno Vergni, one hundred years old last January 13th. I met him seven years ago on one of my hikes. I stopped to chat as he pruned an apple tree and, to my huge surprise, he responded in English. He explained that he had been a POW in Nottingham, having been captured in Libya early in the war.

I researched more about Bruno’s war and he is now one of the main characters in “The Tuscan Girl” (albeit tweaked with my own ideas). He now lives with his son, but in my story I have placed him in one of the semi-deserted hamlets called Tramarecchia.

Pieve Santo Stefano holds Italy’s collection of diaries – a wonderful resource

A favourite walk is up to the beautiful Alp of the Moon, (1,400 metres). We stopped to picnic by a pile of stones and read a sign posted by the local partisan association.  Up here, in the summer of 1944, a group of young men planned their resistance missions. After researching and meeting a local historian, Alvaro Tacchini, more ideas for my book were gleaned.

An abandoned chapel, two houses on the outskirts of the village, empty because of a brothers’ squabble, the outline of a Medici fortress… all ruins waiting to be written about in future books.

Angela’s explanation connected me to Alba who treks around the remote Tuscan villages and rebuilds the ruins in her paintings.  She discovers ‘The paths…like arteries leading to the heart of new stories.’  I enjoyed treading these paths with Alba and look forward to more stories.