Karl is a chartered accountant who previously worked in financial markets for over thirty years. He has collected books his whole life with a focus on London and crime fiction. He is married with two children and lives in Surrey.
Jessie: Can you tell me about ‘The Weight of the Shadows’?
Karl: At one level ‘The Weight of the Shadows’ is an entertaining crime thriller mystery with plot twists and turns. At another level it is the first six days at the beginning of a series that introduces some interesting characters and a narrative that has subtle and, I hope, thought provoking subjects.
Jessie: Crime thrillers are always popular. It’s a great genre to establish a fanbase. What have the reviewers said about your new book?
Smiling, Karl started to recall some of the reviews.
Karl: “an intriguing plot, thoughtful, profound themes, complex troubling characters, and language that make us shudder for its honesty, clarity, and confidence” – Piaras O Cionnaoith
“irresistible book, impossible to put down” – Bookgirl Sulagna
“a story that is intense and heart-pounding!” – Elaine Emmerick
Jessie: I’m impressed that you have already commenced your second book. We are in an ideal place to read. Can you read an extract from the book to tempt the reader?
Karl: It’s a real privilege to read here in Agatha Christie’s library.
Benedict was motionless with one thought. Never give up.
She pushed the tip of the blade in and under the skin on his chest, near his heart.
Karl: This extract is only a few words, but the importance of these at the start of the narrative is significant.
Jessie: A great choice – you certainly hook the reader into the narrative. I can tell that you enjoyed constructing the narrative and the characters. How did you feel when you had finished writing your book, and did you miss any of the characters?
Karl: The euphoria of finishing was quickly met by the realisation that as an indie author the work had just started. Apart from the marketing, reviews, social media etc. I remembered that I needed to start working on the second book in the series.
Given the second book in the series starts the day after the end of this first book I’ve not really had the opportunity to miss the characters.
Jessie: Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family.
Karl: If I were choosing an author it would be Agatha Christie. We could discuss the pace of the plot and sub-plots.
If it were someone famous (and alive) I’d ask Stephen Fry to review the book. Within the series I’m going to try to examine and compare some cognitive and emotive subjects through the plot, characters and narrative. I’d really like to discuss these with him.
Jessie: Why should I keep your book in my handbag?
Karl: Well I hope it has a plot that keeps you guessing and is enjoyable as it begins to reveal itself. If you read some of the reviews you will notice that it’s not clear what the connections are at the start and then the plot arcs entwine; that’s very deliberate.
Jessie: What is the last sentence written in your writer’s notebook?
Karl: ‘Nice nails’ – you’ll have to read the book to see why I might have written that down.
Jessie: What is the biggest challenge for an author?
Karl: This is a really interesting question because it will very much depend upon what type of author you want to be. A full-time author who wants a publisher to do everything for them will have a very different set of challenges compared to an indie with a job who is happy selling a few books a month. I’m going to give you my answer based upon what I am, which is an indie who is trying to make this my full-time job.
My single biggest challenge is becoming known enough so that people take a chance and buy, read and review the book. As an indie author, you have no one to help this happen so you need to do it and this takes a significant amount of both time and commitment. In a world where we have over 200k books published in the UK per year and possibly 1 million in the US, just being seen is a challenge that any aspiring author should not understate.
I have discussed this issue with other authors, both published and indie. Personally, I think many really talented authors will either give up or just never be seen because they get lost in this ‘jungle’.
Jessie: What is the best advice that you have received as a writer?
Secrets, art, Spain and Yorkshire are always winning ingredients for me. Intrigued by Connectedness, when it arrived in the Handbag Gallery, I invited Sandra to tell us more about the inspiration behind her book. She was kind enough to respond and offer a giveaway.
Dear Readers,
I am delighted to present an extract from Connectedness, the second in my ‘Identity Detective’ series of adoption reunion mysteries.
Justine Tree’s art sells around the world, but does anyone truly know her? When her mother dies, Justine returns to her childhood home in Yorkshire where she decides to confront her past. She asks journalist Rose Haldane to find the baby she gave away when she was an art student, but only when Rose starts to ask difficult questions does Justine truly understand what she must face.
I firmly believe that daughters do not tell their mothers everything, and vice versa. I didn’t. Did you?
Happy reading!
Sandra Danby
Extract from Connectedness by Sandra Danby
The clouds hurried from left to right, moved by a distant wind that did not touch her cheek. It felt unusually still for May. As if the weather was waiting for the day to begin, just as she was. She had given up trying to sleep at three o’clock, pulled on some clothes and let herself out of the front door. Despite the dark, she knew exactly the location of the footpath, the edge of the cliffs; could walk it with her eyes closed. Justine lay on the ground and looked up, feeling like a piece of grit in the immensity of the world. Time seemed both still and marching on. The dark grey of night was fading as the damp began to seep through her jeans to her skin. A pale line of light appeared on the eastern horizon, across the flat of the sea. She shivered and sat up. It was time to go. She felt close to both her parents here, but today belonged to her mother.
Three hours later, she stood at the graveside and watched as the coffin was lowered into the dark damp hole. Her parents together again in the plot they had bought. It was a big plot, there was space remaining.
Will I be buried here?
It was a reassuring thought, child reunited with parents.
TO THE OUTSIDE WORLD, ARTIST JUSTINE TREE HAS IT BUT SHE ALSO HAS A SECRET THAT THREATENS TO DESTROY EVERYTHING
Is Justine strong enough to admit the secrets and lies of her past? To speak aloud the deeds she has hidden for 27 years, the real inspiration for her work that sells for millions of pounds. Could the truth trash her artistic reputation? Does Justine care more about her daughter, or her art? And what will she do if her daughter hates her?
Justine’s tale of art, adoption, romance and loss moves between now and the Eighties, from London’s art world to the bleak isolated cliffs of East Yorkshire and the hot orange blossom streets of Malilaga, Spain.
A family mystery for fans of Maggie O’Farrell, Lucinda Riley, Tracy Rees and Rachel Hore.
Praise for Sandra Danby
This is a novel that I found hard to put down as it swept me along on a roller-coaster of an emotional ride. I had to pull myself together not to burst into tears. Isabell Homfeld, book blogger, Germany
With her well-defined, sympathetic characters, layers of meaning, and sensual, all-engaging descriptions, the author takes us on a highly-emotional and gripping journey through the art world, exploring love, loss and human weakness, all coming together in a truly heartfelt conclusion.Liza Perratt, Book Muse book blog
Evocative and descriptive prose brings places to life with sights, sounds and scents. Justine becomes a very sympathetic character as layers are peeled away and more and more of her past is revealed. Cathy Ryan, Between the Lines book blog
A proud Yorkshire woman, tennis nut and tea drinker, Sandra believes a walk on the beach will cure most ills. Unlike Rose Haldane, the identity detective in her two novels Ignoring Gravity and Connectedness, she is not adopted.
One of the great things about writing this series is that I continue to write about Rose, of whom I am very fond despite her occasional spikiness. To me she is a real person. I grew to love Justine too, perhaps because her birthplace in Yorkshire is also mine. She has also left me with a lasting love of art, which I continue to indulge by buying beautiful art books and wishing I could paint. Despite many attempts at watercolours, I really am hopeless. Perhaps it is time for some lessons.
Folks, I am suffering from cottage envy. Author, Helen Christmas sent me pictures of her chocolate box cottage, with an English country garden. She has an enviable writing room, with a view. The colours of her summer garden will lift your spirits. Indeed, Helen’s sunny letter provided me with the desire to write and the need to purchase a new home. I invite you to retreat to Helen’s life, in the country, via her blog post. Let’s dream about the idyllic writer’s life…
My husband, Peter and I are blessed to live in a 17th century thatched cottage passed down through five generations. We not only love our home but live near close to Bognor seafront. I escaped the rat race in 1999 by which time we had set up a small website design business at home. In summer we spend time maintaining our walled back garden, growing vegetables whilst sharing our home with a beautiful white cat, named Theo (after Peter’s Great Great Grandfather) and doting border collie, Barney.
In the time I have lived here, I’ve become fascinated with the conservation of period property as we endeavoured to protect our cottage. We did come up against the might of our local council who purposefully made planning applications difficult. In fact there was one planning officer in particular whose underlying duplicity astounded me and was perhaps the inspiration behind some of the scenes in my book series, ‘Same Face Different Place,’ a mystery thriller which spans 4 decades.
I began my writing journey in 2011. Working from home gave me the freedom to reflect on life, especially when walking Barney along the beach; such musings included the various social changes I’d observed. I remember the 70s when Labour were in government and despite the power of the trade unions and strikes, there was more camaraderie. People looked out for each other. Next came the 80s. As a student, it was an exciting time, the clothes, the outrageous styles and the music; a time when everyone craved more money but sadly, it turned into an era of greed. With less compassion in society, it makes me wonder if people forgot life’s simple pleasures, something that our home has made us appreciate. It made me want to write a novel that embraced all these different decades.
I have always loved reading and cannot deny the influence of certain authors: Leslie Pearse for her loveable characters and unforgettable stories; Martina Cole who opened my eyes to a world of psychopathic gangsters. But most poignant of all was Ken Follet’s ‘Pillars of the Earth’ a saga which explored the conflict of Medieval times and the impact wielded by men in power.
Going back to my own writing, once started, I began to get up at dawn to get at least a couple of hours in before work. Much of my writing takes place in our peaceful office with Barney curled up at my feet and nothing but the cry of gulls on the beach.
Whilst thinking about my writing space, there is just one more thing I would like to mention; there is a very special picture in the office of Peter’s ancestors, all of whom lived in this cottage. In fact this inspired a particular scene in my second book ‘Visions.’
The misty faces of three generations (including their father, just a baby at the time) added an element of comfort to the atmosphere and even though the sepia-toned picture contained an eerie quality, it emitted the sense that someone was watching over them.
I definitely feel something when I gaze at that picture; it breathes a sense of nostalgia into my world and feels very reassuring, which is wonderful for a writer…
Helen is certainly blessed with inspiration, and it is wonderful she appreciates her life. Helen writes romantic suspense. She has written a saga spanning decades. Her work sounds fascinating. Interesting, how the environment and experiences make us and inspire us. Many thanks to Helen for writing to my blog.
About Helen
Helen J. Christmas lives on the south coast of Sussex in a very old thatched cottage with her husband. With a love of writing since childhood, she started her decade spanning thriller series ‘Same Face Different Place‘ in 2011. Her first book ‘Beginnings,’ set in 1970s London, combines romantic suspense with a hard-hitting conspiracy thriller.
Writing is something she juggles around family and social life. Helen is self employed and enjoys running a web design company from home with her husband, accompanied by their faithful border collie and a fluffy white cat.
We have busy lives and among my many hats, I am a writer, a blogger, photographer and website designer. I love networking with other authors and readers and when I’m not engrossed in work, I enjoy gardening, cooking, reading books, films and fine wines.
Same Face Different Place is a mystery suspense thriller, set across 4 decades. The first book ‘Beginnings’ is based in 1970s London against a backdrop of organised crime and police cover-ups. Part thriller and part romance, it has been likened to books by Martina Cole and Kimberley Chambers and received some pleasing reviews.
The next part of the saga, ‘Visions’ resonates through the 80s, packed with nostalgia from the music and fashion to the politics under Margaret Thatcher’s government.
Book 3 ‘Pleasures’ continues where ‘Visions’ left off, a thrilling coming of age story, where the younger generation are drawn to designer drugs and raves. This book ends with a dramatic trial at the Old Bailey, where pieces of the mystery are unpicked and justice is served…
But nothing is straight forward with this complex cast of characters; as the main heroine, Eleanor, must once again protect her family from the evils of her enemies. The final episode, ‘Retribution’ concludes with a terrifying campaign of revenge and is published in 2 parts, ‘Retribution – Phase 1’ and ‘Retribution – End Game.’ With the characters reunited in an epilogue in 2012, I am pleased to say, the series was completed in summer 2017.
It’s time for an almost royal welcome for Veronica Cline Barton. Having found a gold tiara to accessorize with Jena’s latest addition to her Golden Chapter, I’m ready to meet Veronica Cline Barton’s characters and offer a genteel curtsey. On second thoughts, I think I’ll sit back and listen from the comfort of my throne. Has anyone seen Jena? Ah. I see her walking along the red carpet. Is she wearing a crown?
Sorry I’m late. I’ve been searching for the next chapter in our Golden Chapter story. Do you like my new crown? I thought I’d wear it for this royal celebration. I’ve recently made friends with many of you in the UK, so I chose The Crown for Castlewood Manor for my Golden Chapter Review. A charming heroine with American and English roots, a stately home, a titled gentleman, and a cozy mystery- sounds Golden to me!
The blurb for Castlewood Manor begins, “The English ancestral manor of Cherrywood Hall is ready to compete for selection in an upcoming British TV period drama series.” I know what you are thinking- sounds like Downton Abbey! Yes it does, but I was put in mind of a different TV show, The Patty Duke Show which was an American sitcom that aired from 1963 to 1966.
The premise of the show involved the hijinks of Patty, a rambunctious American teen, and her refined identical cousin from the UK, Cathy. Both girls were played by Patty Duke and as they say, hilarity ensued. The bouncy theme song included these memorable lines,
OK, I will now close my “golden age of tv handbag” and get to the First Chapter Review of The Crown for Castlewood Manor by Veronica Cline Barton.
The first chapter, Beaches of Malibu, August, is fun and well-written as we meet the heroine of the book, Gemma. She gives us a succinct summary of her life:
“My name is Gemma Alexandra Lancaster Phillips, and I’m a twenty-seven-year-old California girl, born and bred. I was newly awarded my PhD. I have an American Lancaster family and an English Lancaster family.”
Aha! And as we soon learn, the British side of the family needs Gemma’s help. A Marquess and a stately home, Castlewood Manor are involved. (In addition to almost-royalty on the English side, Gemma’s Ma-ma is a successful American film star.)
We are also treated to an intro to the California nature of our girl Gemma. Whether she is dining at an upscale Malibu bistro, confronting a misbehaving boyfriend, or howling at the moon, Gemma wants to make her own mark. But does she really know what awaits her at Castlewood Manor?
Sounds like a golden beginning to an intriguing cozy mystery. (Or cosy, for my British friends.) Gemma is smart, beautiful and lively, with a tinge of self-doubt. Get to know Gemma and her English cousins!
Many thanks to Jessie Cahalin for letting me browse her Handbag Gallery. If you have read The Crown for Castlewood Manor, we’d love to hear from you in the comments. Haven’t read the book? Then let’s discuss it! Here are some questions to get us started.
Have you visited a stately home in America or the UK? Do you have a favorite?
Are you good at solving cozy mysteries as you read them?
I liked Gemma’s attributes. What makes a good protagonist?
Open Adrienne Vaughan’s That Summer at the Seahorse Hotel to enter the world of Hollywood glamour. Allow the camera to reveal a bird’s eye view of the enchanting Irish coast. Observe the long shot of the ‘regal and resplendent’ Georgian mansion. Pan across to the sea lapping, like a temptress, on the shore. Dissolve to the medium closeup of a red-haired beauty sitting at the water’s edge like a mermaid. Cut to the hero and fade… Don’t worry if you can’t imagine these scenes, just let Adrienne Vaughan’s words roll into your imagination and paint the picture for you. Let this author enchant you with the setting and enigmatic characters as she adds colour.
Enjoy the sight of ‘the sun dripping over the horizon as the night’s velvet promise smeared the purple sky.’ As you visualise the scene, you will be intrigued by the hidden secrets. For instance, who is Mia’s father, and how does this relate to the lyrical prologue at the beginning of the narrative? Mysteries linked to the characters’ lives and the history of the place are cleverly interwoven into the fabric of the narrative.
Like a skilled seamstress, Adrienne Vaughan has sewn the narrative together. But, everything is held together by the wonderfully flamboyant Archie, a Hollywood screen legend. Before dying, Archie, the fairy godfather, weaves his magic and leaves threads of happiness for the characters in the story. Oh, how I adore Archie’s philosophy of life! He is ‘teasingly playful and lethal at the same time’ – he even knows how manipulate destiny. He has enjoyed a decadent lifestyle at Galty Manor, but he has shared it with the people he loves – and made them all his forever family. And his home is a haven for lost souls. He knows how to make everyone feel better, including the actress, Fenella, who has ‘beauty and brains’. For Archie, ‘Champagne makes everything better.’ Fenella and Trixie concur that ‘a girl needs champagne, vitamin C and good mates’ when Mia is heartbroken.
Is Archie Mia’s father? This question bubbles throughout the novel. Such is the charm of Archie that one wills him to be the father. Mia is tormented by the same question. Archie sets up meetings designed to make Mia evaluate on her own life. Archie compares ten year old Pearl to the younger Mia and says the child is ‘amazing’. Mia reflects ‘when do you grow out of being amazing’. It would seem Archie orchestrates encounters and experiences to help his precious loved ones to remember who they are. Indeed, he writes his own plays and seems to be determined to influence the events in his loved one’s lives. I loved this hint of magic and the essence of fairy-tale running cleverly through the novel. The novel examines the concept of family and the way others can play a significant role in a person’s life. There is a heart-warming message threaded throughout the characters’ turmoil.
Just like on the silver screen, this novel celebrates the ‘power of dreams’. Take several leading ladies, a mermaid Cinderella and a fairy godfather. Let the dreams take you to the magical coast of Ireland where the ocean displays ‘a myriad of colours sparkling and inviting’. But, be prepared for tales of ‘a dark stormy night’ and some dark events. This story will beguile you, as it pulls you into the drama and mystery where ‘black clouds of angry clouds split across the orange sky’. You may not want to leave ‘the busy, happy house’ unless you wander down to the summerhouse or take a trip on Archie’s yacht. You are sure to find ‘a perfect day for memory making’ when you visit the glorious house and setting. Sadly, Archie will exit centre stage, at some stage; happily, he will have a plan for the loved ones waiting in the wings. But who will inherit his fortune and will his sister live happily ever after? What does Sister Agnes know about the past? Long after you have finished this novel, and the credits roll, you will be thinking about the magic of this story and its layers of meaning, behind the scenes.
More about Adrienne Vaughan
Adrienne Vaughan has been making up stories since she could speak; primarily to entertain her sister Reta, who from a very early age never allowed a plot or character to be repeated – tough gig!
As soon as she could pick up a pen, she started writing them down. No surprise she wanted to be a journalist; ideally the editor of a glossy music and fashion magazine, so she could meet and marry a rock star – some of that came true! And in common with so many, she still holds the burning ambition to be a ‘Bond Girl’.
Travel with Jennifer S Alderson to Amsterdam and find out what has happened to some missing Dutch masterpieces. Jennifer asked me to hide the paintings in the Handbag Gallery, but if you read the novel then the secrets will be revealed. A pesky amateur sleuth will guide you through the mystery. Sit back in your armchair, turn back the clock to World War Two. Time to immerse yourself in a narrative, inspired by detailed historical research, and meet the author’s favourite characters.
Dear readers,
I am delighted to share an extract from my art mystery set in present-day and wartime Amsterdam – The Lover’s Portrait.
It is the second novel following the adventures of my travel and culture loving protagonist, Zelda Richardson. This time she’s discovered a cache of priceless artwork is hidden somewhere in Amsterdam. Trouble is, someone else is prepared to do anything to find the missing masterpieces first – even murder.
This extract is set in Amsterdam in the spring of 1942 when the Nazis occupied the city. Since the German Army stormed into the Netherlands two years earlier, bombing raids, neighbors disappearing, and food shortages have become normal occurrences. Philip Verbeet and Arjan van Heemsvliet are hiding the artwork Zelda will later search for. Their actions and conversation provide clues as to why these paintings must be hidden away.
I have chosen this extract because it introduces you to heart of the mystery, as well as two of my favorite characters in the novel.
Based on the many lovely reviews posted about my novel, if you love art, history and a good mystery, you will enjoy The Lover’s Portrait. And reading it now is a great way to prepare for the release of my next art-related mystery, Rituals of the Dead, on April 6th!
Happy reading!
Take care,
Jennifer
EXTRACT (From Chapter One):
June 26, 1942
Just two more crates, then our work is finally done, Arjan reminded himself as he bent down to grasp the thick twine handles, his back muscles already yelping in protest. Drops of sweat were burning his eyes, blurring his vision. “You can do this,” he said softly, heaving the heavy oak box upwards with an audible grunt.
Philip nodded once then did the same. Together they lugged their loads across the moonlit room, down the metal stairs and into the cool subterranean space below. After hoisting the last two crates onto a stack close to the ladder, Arjan smiled in satisfaction, slapping Philip on the back as he regarded their work. One hundred and fifty-two crates holding his most treasured objects, and those of so many of his friends, were finally safe. Relief briefly overcame the panic and dread he’d been feeling for longer than he could remember. Preparing the space and artwork had taken more time than he’d hoped it would, but they’d done it. Now he could leave Amsterdam knowing he’d stayed true to his word. Arjan glanced over at Philip, glad he’d trusted him. He stretched out a hand towards the older man, “They fit perfectly.”
Philip answered with a hasty handshake and a tight smile before nodding towards the ladder, “Shall we?”
He was right, Arjan thought, there was still so much to do. They climbed back up into the small shed and closed the heavy metal lid, careful to cushion its fall. They didn’t want to give the neighbors an excuse to call the Gestapo. Not when they were so close to being finished.
Philip picked up a shovel and scooped sand onto the floor, letting Arjan rake it out evenly before adding more. When the sand was an inch thick, they shifted the first layer of heavy cement tiles into place, careful to fit them snug up against each other.
As they heaved and pushed, Arjan allowed himself to think about the future for the first time in weeks. Hiding the artwork was only the first step; he still had a long road to go before he could stop looking over his shoulder. First, back to his place to collect their suitcases. Then a short walk to Central Station where second-class train tickets to Venlo were waiting. Finally, a taxi ride to the Belgian border where his contact would provide him with falsified travel documents and a chauffeur-driven Mercedes-Benz. The five Rembrandt etchings in his suitcase would guarantee safe passage to Switzerland. From Genève he should be able to make his way through the Demilitarized Zone to Lyon, then down to Marseille. All he had to do was keep a few steps ahead of Oswald Drechsler.
Just thinking about the hawk-nosed Nazi made him work faster. So far he’d been able to clear out his house and storage spaces without Drechsler noticing. Their last load, the canvases stowed in his gallery, was the riskiest, but he’d had no choice. His friends trusted him – no, counted on him – to keep their treasures safe. He couldn’t let them down now. Not after all he’d done wrong.
When a Dutch art dealer hides the stock from his gallery – rather than turn it over to his Nazi blackmailer – he pays with his life, leaving a treasure trove of modern masterpieces buried somewhere in Amsterdam, presumably lost forever. That is, until American art history student Zelda Richardson sticks her nose in.
After studying for a year in the Netherlands, Zelda scores an internship at the prestigious Amsterdam Historical Museum, where she works on an exhibition of paintings and sculptures once stolen by the Nazis, lying unclaimed in Dutch museum depots almost seventy years later. When two women claim the same painting, the portrait of a young girl entitled Irises, Zelda is tasked with investigating the painting’s history and soon finds evidence that one of the two women must be lying about her past. Before she can figure out which one and why, Zelda learns about the Dutch art dealer’s concealed collection – and that Irises is the key to finding it.
Her discoveries make her a target of someone willing to steal – and even kill – to find the missing paintings. As the list of suspects grows, Zelda realizes she has to track down the lost collection and unmask a killer if she wants to survive.
The Reviews
“Gripping mystery that explores the provenance of artwork that was hidden from the Nazis during World War II and reappears in 2015… As the narrative unfolds and the truth is revealed, the suspense is intensely magnetic and the characters equally captivating.” – BookLife Prize for Fiction 2016, No. 14 in Mystery category (8 out of 10 stars)
“Well worth reading for what the main character discovers – not just about the portrait mentioned in the title, but also the sobering dangers of Amsterdam during World War II.” – IndieReader
“The Lover’s Portrait is a well-written mystery with engaging characters and a lot of heart. The perfect novel for those who love art and mysteries!” – Readers’ Favorite, 5 star medal
Jennifer: I am an avid traveler, journalist, art historian, and long-time expat, who draws inspiration from my own adventures and interests when writing.
Writing this novel was a three-year labor of love that combined several of my passions. Finishing it was exhilarating and frightening at the same time. Of all the characters I’d invented, I missed Arjan van Heemsvliet the most. He was such a kind soul; I’ll miss chatting with him.
In a nutshell my novel is about: missing masterpieces, Nazi blackmailers and a pesky amateur sleuth.
About Jennifer
Jennifer S. Alderson worked as a journalist and website developer in Seattle, Washington, USA, before trading her financial security for a backpack. After traveling extensively around Asia and Central America, she moved to Darwin, Australia, before finally settling in the Netherlands. There she earned degrees in art history and museum studies. Home is now Amsterdam, where she lives with her Dutch husband and young son. Jennifer’s travels and experiences color and inform her internationally-oriented fiction.
I am delighted to showcase Jennifer’s The Lover’s Portrait: An Art Mystery. She has been inspired by art, travel and history – a perfect trio for me. I adore books that give me an insight into an unknown history. The strapline is intriguing:
When a Dutch art dealer hides the stock from his gallery – rather than turn it over to his Nazi blackmailer
Jennifer’s next mystery – Rituals of the Dead – is available as pre-order – release April 6th.
Zelda is pulled into a world of shady anthropologists, missionaries, art collectors, and smugglers, where the only certainty is that sins of the past are never fully erased. Set in Amsterdam and Dutch New Guinea, art, religion, and anthropology collide in the exciting thriller, book three of the Adventures of Zelda Richardson series