Category: Historical Novel

Take a Trip to 76 Silver Street

Writers, Authors and Readers is a supportive and friendly Facebook group organised by Anna Marie Shenton.  Anna supports everyone in the group, but it is time for Anna to have the spotlight.  She has recently published a novella entitled 76 Silver Street. The novella is a historical romance and is the first book in a two-part series.  I have invited Anna to tell you more about her novella and characters.

Rosa Brown is the key character is on front cover

Dear Readers,

I am delighted to present 76 Silver Street.  My novella is gritty, scandalous tale of courage, passion, love, loss and lies with sexual desire and is set in the suburbs of Manchester 1905.

Rosa had worked her fingers to the bone to prepare rooms for the boarding house. Jack Howard takes on Queenie as a new lodger without asking Rosa. Having heard gossip about Queenie, Rosa is ready to confront her.

Meet Queenie, the infamous boarding house guest.

Queenie, a former lodger arrives at Piccadilly railway station. Eager to move into her newly refurbished double room and deliver an almighty shock to Jack, she uses her charm to get there fast.

This extract sets the flavour of the novella and entices the reader to continue after this active scene, portraying just one of the obstacles Rosa is up against.

76 Silver Street is a handbag size novella. Its stunning, eye-catching cover will enhance any handbag and get tongues wagging.  Are you ready for scandal? Are you ready to meet Queenie?

Thanking you kindly for taking the time to sneak peek at 76 Silver Street.

Anna Shenton

Presenting the extract…

The is the location of Silver Street in the novel

“Pembertown…Silver Street. Remember? You dropped me there yesterday?” She instructed the cabbie with a tip of her hat.

“Sure did Miss, never forget a pretty face. On our way soonever I’ve loaded.” He then mounted the cab, cracked his whip and the horse clattered across the cobbles at speed.

“Staying long?” He raised his voice and turned his head in hope of hearing a reply.

“That’s for me to know and you to find out.” Queenie’s bright red lips curled into a smile as they kept up a respectable trot.

For Queenie, the ride into Pembertown gave her time to recap on her plan. Silver Street had good and bad memories. She would only stay as long as it took to get what she wanted. And she didn’t care who got hurt in the process.

The cabbie’s voice interrupted her thoughts as they passed the warehouse and slowed to a halt. “Here we are Miss.” He jumped down and opened the cab door. “Seventy-six! Owd Mildred’s boarding house! Are you sure you want to stay in this place? It was good in its day but…” He gave her a quizzical look whilst settling his ‘tach.

She stepped onto the pavement. “My card Sir…?” If ever you feel unattended to?” She ignored his question and watched him unload her luggage onto the street before paying him.

“Not very of ‘en I turn down a beautiful lass, but I’ve a beautiful wife un three bairns back home. Take care in this place mind.”

More about the novella

An impression of Jack’s clothing in 1905

Rosa Brown couldn’t abide Dan’s drunken coercive behaviour as his house-keeper anymore. Aunt Mildred’s call from her hospital-bed sends Rosa sneaking out of town, to take over her aunt’s rundown boarding house.

Met by Jack Howard on arrival, in Pemberton 1905, Rosa’s heart plummets when her eyes meet with the dingy filthy place and Jack’s dark devilish impudent manner, who thinks she’s mad and has no intention of helping to get the place up and running before it goes bust.

Rosa is shocked when faced with all the ruffians and commoners knocking on the door and struggles to keep Jack’s hands off her. Sprucing the place up and filling it with respectful paying guests, proves harder than expected.

Now, filled with fear for her aunt and her own wellbeing, will Rosa ever be free from trouble and her dreams come true?

Sleep with one eye open!

Reviews:

‘Lively, believable, characters.’

‘The author has captured the true essence of life and times at the turn of the century.’

‘The story is fast paced and keeps you reading, I read it in one go.’

‘Changing genre was a wonderful challenge for me, and I thoroughly enjoyed every minute.’

‘All characters in this novella have left a place in my heart. They took me on a journey that I could have never imagined. I feel a part of this story and proud of 76 Silver Street. And can’t wait to continue the sequel.’

What does Queenie want from Jack? Why must the inhabitants of the boarding house sleep with one eye open?  Read the novella to discover the secrets…

About Anna

Meet Anna Marie Shenton author and creator of the popular Writers, Readers and Authors Facebook group

Anna from Staffordshire, World Poetry Day Prize Winner 2015 for a publishing company, wrote many star letters, fillers, and articles for various magazines. Now an indie author, Anna independently published her debut Romance Novel, Short Stories Collection and Writing for Beginners. She is also founder of the Writers, Authors and Readers group.

Connect with Anna
https://www.facebook.com/annaswritingpage/?ref=bookmarks
https://authorcentral.amazon.com/go/profile
https://twitter.com/ShentonAnna
miarichards54@aol.com

Imogen Matthew’s Talking Book

Bestselling book

Owing to the rise in popularity of audio books, talking books are now featuring in the Handbag Gallery.  Improved digital technology has made the audio book more accessible to readers.   I invited bestselling author, Imogen Matthews, to explain how she transformed her words into a talking book with the help of a BAFTA nominated actor.  Imogen has charted her book’s journey into the audio world.

 

At the beginning of this year, I decided to turn my novel, The Hidden Village, into an audiobook, but had no idea where to start. The audiobook market, I’m told, is booming, especially among young people who like to listen to books on their commute, in the gym, when out cycling and running or at home preparing a meal.

Amazon’s ACX (http://www.acx.com/) can take you through the process step-by-step and made it sound fairly straightforward. They would help with everything, from finding a narrator to providing guidance on how to produce my audiobook and getting it distributed onto Amazon and other distribution channels. So far so good. ACX has a big database of narrators all waiting to audition for your book and all you have to do is decide the type of voice, tone and accent you want for your book. I listened to a few narrators and although there was nothing wrong with any of them, I didn’t feel the right connection I so wanted for my book.

In the meantime, some other options arose, which sounded a great deal more exciting.  Early on, I had the chance to work with a well known British stage and TV actor and was blown away by his audition…but work got in the way and he simply couldn’t commit as he was on tour in a musical until June.  Maybe he’ll be free for my next book?

Liam Gerrard narrated the audio version of The Hidden Village

My disappointment was short-lived after I was introduced to Liam, a BAFTA nominated actor, who has narrated dozens of books. Together with his audiobook producer, the delightful Catherine, an Englishwoman based in the US, they have created and produced my audiobook, and I couldn’t be more pleased.

Working with Liam was a dream. We had several phone conversations in which he asked me searching questions about the narrative, characters and foreign words. He took the job seriously and must have read my book multiple times to get under the skin of each of the characters (of which there are many!). I trusted him to go away and narrate the whole story, which I then listened to, all 9 hours and 37 minutes, over the course of a weekend in April.

It was a very strange and wonderful feeling hearing the words I’d written being brought to life by an actor. Liam added layers of meaning and tension to the story I honestly hadn’t realised were there. It made me realise that my role, as an author, is merely to tell the story – and from then on in, the reader/narrator takes over.

The Hidden Village is available on Amazon (on audible) and iTunes

I did think of asking Imogen to present the audio version of her article.  What do you think of audio books?

Introducing Imogen

About Imogen:

Imogen Matthews lives in Oxford, England and is the author of two romantic fiction e-novels. The Hidden Village is her first historical fiction novel. Born in Rijswijk, Holland, to a Dutch mother and English father, the family moved to England when Imogen was very young. She has always enjoyed holidays in Holland and since 1990, has gone regularly with her husband and two children to Nunspeet on the edge of the Veluwe woods. It was here that she discovered the story of the hidden village, and together with her mother’s vivid stories of life in WW2 Holland, she was inspired to write her next novel.

The Hidden Village: Deep in the Veluwe woods lies Berkenhout, a purpose-built village of huts sheltering dozens of persecuted people.

The Hidden Village

Wartime Holland. Whom can you trust?

Deep in the Veluwe woods lies Berkenhout, a purpose-built village of huts sheltering dozens of persecuted people. But the Germans can find no proof of its existence. The whole community pulls together to help the Berkenhout inhabitants adjust to a difficult new life and, above all, stay safe.

Sofie, a Jewish Dutch girl, struggles to adapt to living in Berkenhout, away from her family and friends. As weeks turn to months, she’s worried they’ll abandon her altogether. Young tearaway Jan likes to help, but he also enjoys roaming the woods looking for adventure and fallen pilots. His dream comes true, until he is found out. Henk is in charge of building the underground huts and organizing provisions to Berkenhout, but his contact with the Germans arouses suspicions.

Whom can you trust? All it takes is one small fatal slip to change the course of all their lives forever.

 

A Tuscan Wedding Feast

‘…picked by Teresa and her girlfriends from the meadows around the village.’

You are all invited to an Italian wedding feast.  Dust off your gladrags and let Angela Petch tingle your taste buds with an extract from the final chapter of ‘Tuscan Roots’. 

 

 

 

 

Extract

‘Teresa and her friends from the village have been busy for days in the kitchen, banning Anna from the food preparations..’

The railings on the steps to Il Casalone have been festooned with laurel branches, garlands of white roses and long strands of variegated ivy and Teresa and her friends from the village have been busy for days in the kitchen, banning Anna from the food preparations. The wedding meal and sharing of food is every bit as important a ritual as the nuptial mass. Tables are piled with a feast of colourful, appetising food, spread on freshly laundered Busatti linen. A warm, balmy October has followed a wet summer and so a separate round table is arranged outside on the terrace to hold a whole Parmesan cheese, cut into squares and served with sparkling Prosecco to each guest as they arrive. Teresa and her team have been busy with starters of roast peppers, courgettes and aubergines, pastries with asparagus and artichokes and melting soft cheeses, home-made cappelletti, small hat-shaped ravioli stuffed with chicken breast, lean beef, lemon zest and nutmeg – and tagliatelle, with Anna’s favourite fresh tomato and basil sauce.

‘And all this is to be washed down with glasses of full-bodied local Sangiovese and Chianti Classico.’

And for the main course, Teresa carries in a platter of whole roast suckling pig served with tiny potatoes kept from the ‘orto’, roasted in olive oil and pungent rosemary, a salad of flowers: nasturtiums, borage and marigold petals with young dandelion leaves, wild sorrel and rocket picked by Teresa and her girlfriends from the meadows around the village. And all this is to be washed down with glasses of full-bodied local Sangiovese and Chianti Classico.

End***

The food prepared by the locals, in the Italian Apennines, transcends time and bridges the gap between the generations.

The food prepared by the locals, in the Italian Apennines, transcends time and bridges the gap between the generations.  I enjoyed ‘the stuffed zucchini flowers, little squares of crostini topped with spicy tomatoes, liver pate and a creamy relish made from dandelion flowers, roasted bay leaves topped with ovals of melted cheese.’  Food is prepared: to celebrate feasts, to welcome people into the home, to celebrate family occasions and to woo.

Let Angela Petch tingle your taste buds with her final chapter of ‘Tuscan Roots’.

Read Tuscan Roots, and you will not want to leave the romantic beauty of ‘indigo blue mountains’, or the ruins of Il Mulino (The Mill).  You will be impressed with the bravery of the Italian community during the war, and you will not want to leave the blossoming romance.  I highly recommend this book! Please read my whole review.

Angela has also published ‘Now and Then in Tuscany’: the sequel to Tuscan Roots.

She has published several stories in People’s Friend and is currently writing her third novel.

About Tuscan Roots

If you like Italy, you will enjoy this novel. A story of two women living in two different times. In 1943,in occupied Italy, Ines Santini’s sheltered existence is turned upside down when she meets Norman, an escaped British POW. Years later, Anna Swillland, their daughter, starts to unravel romantic and historical accounts from assorted documents left to her after her mother’s death. She travels to the beautiful Tuscan Apennines, where the story unfolds. In researching her parents’ past, she will discover secrets about the war, her parents and herself, which will change her life forever.

Angela’s Love Affair with Italy

Angela Petch in Italy

I live in the beautiful Italian Apennines for several months each year. Such an inspiring location.
My love affair with Italy was born at the age of seven when I moved with my family to Rome where we lived for six years. My father worked for the Commonwealth War Graves Commission and he made sure we learned Italian and visited many places during that time.
Later on I studied Italian at the University of Kent at Canterbury and afterwards worked in Sicily, where I met my husband. His Italian mother and British father met in Urbino in 1944 and married after a war-time romance.

 

Contact Angela
Facebook:  https://www.facebook.com/AngelaJaneClarePetch/
Twitter:  https://twitter.com/Angela_Petch
Website:  https://angelapetchsblogsite.wordpress.com/

 

Please see all my extracts at Book Extracts and my website and blog at JessieCahalin.com.

A Groundbreaking Novel About Our Troubled Times

Groundbreaking novel about our troubled times

The Lost Girl

Carol Drinkwater

 

 

 

 

The Lost Girl is a significant, groundbreaking novel about our troubled times. The stories of two women, born decades apart, breathes life into well documented periods of history. Marguerite, the actress, was a young woman in France during the forties. Kurtiz, a photographic journalist, began her emotional journey in the nineties.  The poignant parallel between the life experiences of Marguerite’s and Kurtiz provides the engaging narrative structure of this novel.

View Paris through Kurtiz’s lens

Marguerite and Kurtiz meet in a Paris bistro, on the fatal night of November 2015.  Kurtiz is searching for her missing daughter and husband. Loneliness drives Marguerite to visit the bistro daily, thus she is delighted to have an audience for her memories.

The tension surrounding Kurtiz’s search for her daughter, Lizzie, made me afraid to read on. We all know what happened, we all watched the news footage of the terrible events in Paris. This novel takes the reader into the centre of the action, via Kurtiz, and makes your heart ache with her anxiety.

‘She hugged the building, bouncing her shoulders off walls as she advanced, keeping herself clear of the line of fire…’

This happened in Paris, in 2015, and we are taken into the heart of the terrorism.  This is such a stark contrast to the relaxed scene before the attack.  The guests in the bar were ‘such fresh young faces rouged by the cold November air, energized by life.  Paris gearing up for the weekend.’ As a reader, one instantly connects with the irony of the statement, and raw emotions are exposed.

We view the atrocities of Paris, 2015, through the lens of Kurtiz’s camera, filtered with the anxiety for her daughter and husband. The rhythm of the camera clicking is conveyed in the pace of the language and repetition; a vivid visualization of the scene.

‘Heads in laps, heads thrown backwards, eyes closed or open, staring, dead-eyed, fisheyed. Locked in a nightmare.

The fragility of civilization is cracked via the words!  This document of events is then viewed through Kurtiz who asks, ‘Was he shielding Lizzie?  Was she also in the old theatre at gunpoint, or had she managed to escape?’  I was there, with Kurtiz shouting ‘LIZZIE!’  My head pounding with the intensity, involuntary tears escaping.

The terrorism in Paris is contrasted with Kurtiz’s time in the Middle East where a mother loses her son.  Kurtiz worked a photographer in conflict zones, in the Middle East . During Kurtiz’s time in the Middle East the reader observes her despair at the death of the young boy, whilst also gaining insight her relationship with her daughter.

Kurtiz’s emotional life is explored from the beginning of her relationship with Oliver, her husband.  The tenderness and hope of love is beautifully conveyed after her first night with Oliver.  She wakes up to the ‘glorious summer morning. A morning like no other, blossoms abounding, soaking up the heat, bees and butterflies flitting from one flower head to another.’

The colours of Marguerite’s love for Charlie

Similarly, the colours of Marguerite’s love for Charlie are conveyed in La Cote d’Azur when ‘she was happy. She was energised, shot through with a rush of joy as she had rarely known before.’ Until then, Marguerite’s joy had been blighted with events that happened during a screen test: such a relevant message in the wake of the #metoo campaign.

Perspective shifts from close-up of the character’s life to the long shot of the world issues. The texture of this novel reliant on skilful blending of time-frames and layers of emotions. Marguerite felt ‘such a tangle of emotions’ while Kurtiz deals with ‘more emotions than she would ever be able to identify’. The movement from disequilibrium to disequilibrium across time-frames is both exhausting and powerful.

I lingered on each word and viewed the book from different angles.  There were infinite and subtle shades of colour in this outstanding writing.   Drinkwater explores the shifting light between troubled times and people’s lives.  The cruelty of war, cruelty of innocence and cruelty of waiting are explored in the perfect language choices.

‘I have come to realise that kindness and laughter are two of the richest gifts I can share and enjoy.’ Carol Drinkwater

Like Kurtiz, I released a ‘strangled cry’ as I moved towards the end of the novel.  Marguerite’s loss continues to ‘gnaw’ at my thoughts.  Despite the trauma, there is a message of hope.  This novel rendered me speechless.  I cared deeply for the characters, and the power of the mother’s love guided me until the end.  The emotional landscape of this novel will never leave me!

I would like to thank Carol Drinkwater for this brave and beautiful novel.

In an interview about The Lost Girl, Carol told me:

‘It is a story with a miracle at its heart and, from time to time, we all need one of those. Through the bleakest of days, though we may not be aware of it, hope and redemption are always present. The light always returns. The sun always rises.’

Carol discusses The Lost Girl, in my Chat Room. Find out about the inspiration behind the novel and what motivates Carol to write.

Carol is an award-winning actress and Sunday Times bestselling writer

About Carol Drinkwater:

Carol is an award-winning actress and Sunday Times bestselling writer. She was probably most famous for her role of Helen Herriot in the fantastically popular TV series, All Creatures Great and Small. She lives on an olive farm in the south of France with her husband, Michel, and several dogs.

Carol’s Contact Details:

olivefarmbooks@gmail.com
agent: Jonathan Lloyd at Curtis Brown
website: www.caroldrinkwater.com
Twitter:  @Carol4OliveFarm 

 

Please see all my book reviews at Books In Handbag and my website and blog at JessieCahalin.com.

 

Coraggio (courage) in my handbag

Tuscan Roots

Angela Petch

 

 

 

 

 

On opening this beautiful book, I arrived in the ‘early morning sunshine at Perugia’, with Anna.  I sat back as she drove the Italian car and observed the way that the road ‘…cut its way through tobacco fields sprouting green shoots and [took] a mountain road joining Sansepolcro to Rimini.’  I admired the olive trees and waited as the ‘road climbed’.  It was impossible not to see the ‘lake glistening’ and to imagine the people sheltering in this setting during World War Two.

On arrival at Rofelle, I found my way through the tangle of ivy, listened to the river rushing past the stones and opened the large wooden door to the mill.   The paint was peeling, but the knocker of the lion’s head stood proud; as if to announce the courage of Davide, Ines and their parents.  I opened the door to enter the past, with Anna, through the letters and diaries.  It was wonderful to meet Anna’s mother, in the diaries, but painful to discover that her ‘heart began to shrivel a little each day…’ during her traumatic life.

I stopped at the mill ‘hidden in the folds of the Alps of the Moon, where the sun sets from the jewel red skies behind misted blue peaks.’ Anna’s mother once lived in a mill, and she explains ‘…the old building in ruins, crumbling into nothing seems to mirror what I am leaning of Mamma’s past.’ The Mill is ‘fragile’ and is a symbol of lost history and lost dreams that could be rekindled by the new generation.  Sitting on the steps to read the letters and diaries, I sensed the ‘breeze that dances on the river’.  Listening to the ‘sound of the river and distant sheep bells’, I could feel the loneliness of Ines. I am sure I heard the voices of the German soldiers who would have bathed there, and the whispers of the POWs and partisans hidden in the mountains.

I was completely spellbound by the characters and the clever structure of this novel.  ‘Tuscan Roots’ is a beautifully written novel examining cultural differences, the impact of war and the risks that ordinary people will take.  I was intrigued by the details of post war Britain, but wanted to stay in Italy. The contrast between the two settings and cultures reinforces Ines’ emotional landscape.  The patchwork of history and the present are sewn together effortlessly with Angela’s distinctive prose.  How much do we really understand about our grandparents and parents’ experiences?  Such a poignant message is presented:

‘We should not bury our memories, even if they are painful, even if mistakes were made in those times, which causes us anguish…we must learn from them.’

I discovered Anna’s history, trusted her observations and understood her pain.  I was very fond of the vulnerable, innocent Ines who demonstrated incredible bravery. The descriptions of the setting rooted me to the novel, and made me understand how it bound Ines to her homeland.  I pondered the way that a landscape can remain untouched throughout the generations but people leave clues about the place’s history.  The author examines how war changes circumstances and the simple things that we take for granted.  I was in awe of the people who made sacrifices for others during the war, in Italy. The romance of the setting presents the reader with the hope of love.  The romance in the novel is wonderful, natural and tender. Angela’s writing style is captivating.

The food prepared by the locals, in the Italian Apennines, transcends time and bridges the gap between the generations.  I enjoyed ‘the stuffed zucchini flowers, little squares of crostini topped with spicy tomatoes, liver pate and a creamy relish made from dandelion flowers, roasted bay leaves topped with ovals of melted cheese.’  Food is prepared to celebrate feasts, to welcome people into the home, to celebrate family occasions and to woo.

This novel evokes the senses and leaves the reader firmly fixed in Tuscany.  Not the tourist’s Italy, but rural, down to earth Italy – ‘this landscape feels lived in’, and the author breathes life into ‘the ghosts from the past’.  The story of the POW and partisans provide another dimension to this story, and I was impressed with how this was skilfully woven into the story.

Read Tuscan Roots, and you will not want to leave the romantic beauty of ‘indigo blue mountains’, or the ruins of Il Mulino (The Mill).  You will be impressed with the bravery of the Italian community during the war, and you will not want to leave the blossoming romance. I highly recommend this book!

 

Please see all my reviews at Books in Handbag and my blog at jessiecahalin.com.

Yorkshire Lasses in Wales: When Jessie Met Judith Barrow

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire

Judith Barrow

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire, has lived in Pembrokeshire, Wales, for forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen, a BA (Hons) in Literature with the Open University and a Diploma in Drama from Swansea University. She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions. She has completed three children’s books.

She is also a Creative Writing tutor for Pembrokeshire County Council.

Jessie:  Judith, tell me what a Yorkshire lass is doing in Pembrokeshire.

Judith:  We went on holiday to Pembrokeshire, loved it and never returned to Saddleworth.  We bought a half-built house and renovated it.

Jessie:  Do you miss Yorkshire?

Judith Barrow – Secrets

Judith:  Pembrokeshire was a great place for our kids to grow up.  I miss Yorkshire stone, craggy landscape and the meandering moors. I love our house, in Pembrokeshire, but I always expected I’d live in a stone cottage in my old age.  As you can hear, even after forty years in Wales my accent hasn’t changed – I’m still a Yorkshire lass.  People say they can hear my voice in their heads when they read my books.  Lucky them!

Jessie:  Obviously, people love your voice as you have written eight books.  How did the writing start?

Judith:  Well, I hope they do. As for the writing, I’d written since I was a child but never done anything much about it. Then I went to night school with my daughter. I finished A Level English and went on to gain a degree through the Open University. Whilst studying for the degree, I had breast cancer, and this made me see life differently.  I decided to follow my dream to become a writer.

A place that inspired the setting of Judith’s novels

Jessie: I am so sorry to hear about your health issues. It is wonderful you decided to follow your dream. What kind of books do you write?

Judith:  I write people driven, gritty dramas and wasn’t prepared to adapt my writing.  Eventually, I got a contract with Honno Press – an independent publisher in Wales- and found their approach personal and supportive.  My first book ‘Pattern of Shadows’

Jessie:  What’s Pattern of Shadows about?

Judith:  It’s the story of a nursing sister, Mary Howarth, and her family, during World War Two and is set around a POW camp located in a disused cotton mill in a Lancashire town.  When I was a child my mother was a winder in a cotton mill and I would go there to wait for her to finish work; I remember the smell of the grease and cotton, the sound of the loud machinery and the colours of the threads and bales of material.  Pattern of Shadows was meant to be a standalone book, but the characters wanted me to carry on with their lives. Eventually, it developed into a family saga trilogy. My recent book, the prequel, is A Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth. They wanted me to explain their, how they had become what they are in the trilogy. I was happy to; I think, as we get older, we are made by our life experiences.

Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth

Jessie:  I’m reading One Hundred Tiny Threads. The opening is engrossing with Winifred waking up to another day in the shop. The characters are so real, and I love getting inside their heads.  I’m shouting at them all the time. The way you thread the characters’ attitudes towards women is brilliant.  I’m fascinated by the Suffragettes in Leeds.  For some reason, I always imagined the movement to be concentrated in London.

Judith:  Researching the Suffragettes opened up my eyes.  I wanted to tell their story through the voices of the characters and show how women, in the society at that time, were ready for the change. Stories draw people into to the political background of the era, and life was certainly a challenge then.  People say my books are dark.  Have you got to the gory bits?

Jessie:  Well, there has been a murder.

Judith:  No, I’m thinking of scene after that – you wait.  Bill’s a bastard but it’s his background.  I don’t know why Winifred married him.

Jessie:  Oh no, what was Winifred thinking of?  I’m furious with her, as I haven’t read the terrible news yet.  I’m intrigued as to why she didn’t marry the love of her life and scared for her.

Judith: Oh ‘eck, hope I haven’t I haven’t spoiled it for you, Jessie.  But, you must understand Bill had a terrible life as a child with his father.  And then he was a soldier in the horrendous First World Wars. He was also one of the Black and Tans when he returned from the Front. He’s a bastard but didn’t have it easy.  As I said, our lives shape us.

Jessie:  I agree and people interest me too.

Judith:  Yes, well your novel is also character driven and could become a family saga.  I can see it now.  I want to know more about Luke and Rosa and their parents.

Jessie:  I plan to do that, and you have inspired me to complete historical research.  I would have to look carefully into the eras the generations were born into.   Thanks for your advice.

Judith:  No problem, I teach creative writing in Pembrokeshire, so I just can’t help myself (some would say it’s interfering!!).  Writing is like looking at the world through the eyes of a child and I love it. I watch folk walk past my window, at home.  It’s hilarious how people walk. I can’t stop people watching and passing it on through my books.  I never stop watching and am always so busy.

Jessie:  What advice would you give to fledgling writers?

Judith:  Get a professional editor and be prepared for a slog.  The first draft of the book is the best bit. I always cry when I get my editor’s comments.

Contact Judith at:
Twitter: @judithbarrow77 
Facebook: https://www.facebook.com/judith.barrow.3

Amazon link to her books:

Secrets
A Hundred Tiny Threads

Secrets

Winifred is a determined young woman eager for new experiences, for a life beyond the grocer’s shop counter ruled over by her domineering mother. When her friend Honora – an Irish girl, with the freedom to do as she pleases – drags Winifred along to a suffragette rally, she realises that there is more to life than the shop and her parents’ humdrum lives of work and grumbling. Bill Howarth’s troubled childhood echoes through his early adult life and the scars linger, affecting his work, his relationships and his health. The only light in his life comes from a chance meeting with Winifred, the daughter of a Lancashire grocer. The girl he determines to make his wife. Meeting Honora’s intelligent and silver-tongued medical student brother turns Winifred’s heart upside down and she finds herself suddenly pregnant. Bill Howarth reappears on the scene offering her a way out.

 

 

Packing for a Trip to the Past

Anna Belfrage

What would you pack if you regularly visited the seventeenth century? On this occasion, you really wouldn’t have anything to wear. Our staple of jeans and a t-shirt would be provocative in the seventeenth century.  Author, Anna Belfrage, regularly sends her characters back in time, and I was intrigued to discover how she helps her heroine, Alex, to pack for another era.  Where does a writer start when dressing characters for another era? Alas, I would have to begin by abandoning my handbags as they didn’t exist.

I am handing over to Anna Belfrage, author of The Graham Saga, and her costume department.  Anna’s novels have allowed her to fulfil her dream of becoming a professional time traveller.

Dressed for Success in the Seventeenth Century

Frans Hals

One of my series, The Graham Saga, is set in the seventeenth century for a variety of reasons, none of which have anything to do with the prevailing fashions of the time. While others may go “ooh” and “aaah” at the paintings of dashing cavaliers adorned with lace and ribbon, I like my men in breeches and a simple linen shirt, a no-nonsense coat worn atop, which is probably why my hero, Matthew Graham, dresses like that. Well, it may have something to do with his convictions as well. After all, Matthew is a devout member of the Scottish Kirk, and he and his brethren have little liking for fripperies.

Where Matthew was born and bred in the 17th century, his beloved wife, Alex(andra) Lind, grew up in our time. In difference to many of us, she never had a hankering for living in the past, but sometimes impossible things happen, which is how she ended up in the 17th century, wearing jeans.

Cook with a Hare

“I like her djeens,” Matthew says, his gaze lingering on her legs. “But, aye, you’re right: she can’t wear them here. Seeing her thus revealed is only for me to see.” (He has a certain amount of cave-man tendencies does our Matthew. Blame it on the times…)

So instead, Alex has to start by donning a shift. This is a long linen garment that reaches halfway between knees and ankles, it has long sleeves and a neckline with a drawstring. It serves as a combined nightie and underwear. (Forget about a silky negligee when in the mood for some action which is why I recommend nudity for seduction). This shift is worn until it can almost stand on its own – laundry is a heavy task.

On top of the shift Alex wears stays. Okay, so they’re not as bad as those sported by Scarlett O’Hara but once they’re laced they have a somewhat inhibiting effect on her movements. Stockings in scratchy wool are rolled up the legs to thigh-level and gartered into place. Petticoats help keep Alex somewhat warm, ending just above the ankle. A bum roll, heavy woollen skirts, a bodice and an apron complete the outfit. Let me tell you, this weighs a lot. It is difficult to run in full skirts. Or climb a tree (which is a bad idea anyway, as women shouldn’t do something as indecorous as climb a tree).

At this point Alex stops to inspect herself – she has a small looking glass, lucky her. The collar is tied into place, the hair is braided back and coiled into a tight bun before being covered by a linen cap. A woman without a cap is a sinful thing indeed! By the door are the shoes – they might be a pair of latchet shoes, but they might just as well be clogs. Actually, maybe using clogs is the better choice – at least they keep the feet dry!

“I’m not wearing all that,” Alex told me the first time I presented her new wardrobe for her. “I’ll stick to my jeans—and my underwear.”

“No, you won’t.” Matthew shakes his head. “To go around dressed like that is to attract unwanted attention. And should anyone find out you’re from the future…” he mimes a sliced throat. Too right: either you conform, or you risk sticking out like a sore thumb and potential witch. Not good in a time and age where witches are still being executed.

Alex sighs. “Fine,” she says, throwing me an angry look. (She blames me for throwing her back in time. She rarely thanks me for gifting her with the rather wonderful Matthew.) “But just so you know, the moment I get back, I’ll be in jeans again.”
Back? I share a look with Matthew. Alex isn’t going back. After all, while time travelling is a rare occurrence, time travelling with a return ticket is even rarer!

 

Sir Anthony van Dyck and Lord Bernard Stuart

Presently, Anna is hard at work with The King’s Greatest Enemy, a series set in the 1320s featuring Adam de Guirande, his wife Kit, and their adventures and misfortunes in connection with Roger Mortimer’s rise to power.

When Anna is not stuck in the 14th century, chances are she’ll be visiting in the 17th century, more specifically with Alex and Matthew Graham, the protagonists of the acclaimed The Graham Saga. This series is the story of two people who should never have met – not when she was born three centuries after him. A ninth instalment has just been published, despite Anna having thought eight books were enough. Turns out her 17th century dreamboat and his time travelling wife didn’t agree…

Anna can be found on her website, on Facebook and on her blog. Or on twitter and Amazon.

 

Please see all my guest posts at Mail from the Creative Community and my blog and website at JessieCahalin.com.

 

Dutch War Secret in my Handbag

Do you know the Dutch built a village for the Jewish community in World War Two?  Imogen Matthews tells the inspirational story in ‘The Hidden Village’.  She has written to her readers to explain more about the forgotten history and to introduce her dramatic extract.

Dear Readers

I’m so pleased to tell you about ‘The Hidden Village’, my novel set in WW2 Holland, deep in the Veluwe woods. It’s a story about survival, hope, despair, and ultimately, love, as a community pulls together to build a purpose-built village to shelter those persecuted by the Germans. The lives of young Sofie, Jan and Liesbeth become entwined with devastating consequences for their future.

About half-way through the book, Jan and his brother, Oscar, are arrested by the Gestapo for helping a fallen American pilot. This extract describes what happens after their terrifying journey in the back of the Nazis’ vehicle.

I chose this extract because it represents a dramatic turn in the story and shows how ruthless the Germans could be towards the Dutch people, even children.

I hope this extract will tempt you to read the book.  I am delighted to present more context about the novel.

Best wishes

Imogen Matthews

 

Extract

‘Is this a prison?’ he whispered to Oscar, who stood, white-faced, next to him.

‘It’s a police station but there are cells through that door,’ said Oscar.

‘They’re going to lock us up?’

‘Looks like it.’

Jan wished Oscar could be a bit more encouraging.

It was their turn next and they went up to the desk together.

‘Name,’ said the man behind the desk without looking up.

‘Oscar Mulder and Jan Mulder,’ said Oscar.

‘One at a time.’

‘We’re brothers. He’s only eleven,’ said Oscar.

Jan pushed close against him.

The man lifted his gaze for a brief moment, before going back to his form. After a short pause, he pulled out another from a pile and wrote Jan’s name in capitals across the top, followed by a line and a squiggle Jan couldn’t read.

Jan decided to let Oscar answer the questions. When he’d finished, they were both led by the smirking SS-er to the door leading to the cells. Again a feeling of panic rose from Jan’s abdomen at the prospect of being separated from his brother. They were marched along an echo-y corridor lined with closed doors. Jan had to break into a trot to keep up. At the end was a metal door that needed four keys to open it.

Jan and Oscar didn’t need telling. They walked through and the door swung back behind them with a decisive clang.’

 

More about the Novel

Deep in the Veluwe woods lies a secret that frustrates the Germans. Convinced that Jews are hiding somewhere close by, they can find no proof.

The secret is Berkenhout, a purpose-built village of huts, many underground, sheltering dozens of persecuted people.

Henk Hauer, head woodman, is in charge of building of underground huts and ensuring the Berkenhout inhabitants are kept safe, But could his friendship with certain German soldiers endanger the very existence of Berkenhout?

Sofie, a Jewish Dutch girl, is one of the first inhabitants of Berkenhout. At first she refuses to participate in village life and pines for her friends and family. But she realises there is no choice and comes to appreciate the support of the local community who make their survival possible.

Young tearaway, Jan, finds the woods an exciting place, but they pose danger from the patrolling German soldiers. His discovery of Donald, an American pilot, changes everything.

The Reviews

Ms E. Holmes-ievers: “From the first chapter you are engaged with the characters and I even found myself warning them when they were due to be raided – OUT LOUD! Sensitively written, with a page-turning plot, this is a wonderful new book from Imogen.”

Gilly Cox: “This skillful blend of fiction within the factual events happening to many at those times, holds you till the end. I couldn’t put it down, nor did I want to until the final page.”

Clarky: “Though the subject matter is tough, there are lighter moments and the book rattles along at a good pace. The varied cast of characters, especially the younger ones, keeps your interest. Highly recommended.”

The Characters

This was a story I felt I had to get down, so when I’d finished I was pleased I’d told a story that so many people won’t have known anything about. It left a big hole as I’d spent so long on the book and I realised just how attached I’d become to my characters.

I miss Sofie’s feistiness and determination not to let her life change by hiding away from the Germans. And I miss her best friend Liesbeth, who sticks by Sofie through thick and thin, even though she also has to make her own big sacrifices. I even miss the enigmatic Henk, the head woodman, who’s instrumental in getting the hidden village built, but struggles with his loyalties. I particularly miss Jan, who’s always getting into scrapes but is only trying to help others and do good. He goes through so much that I just want to give him a big hug and tell him that everything will turn out alright.

The Author

My Dutch heritage has shaped me and influenced the writing of this novel, which is set in the woods where my family and I have cycled for the past 27 years.

This is a story about events in WW2 that hardly anyone knows about. Once you start reading The Hidden Village you’ll be gripped and won’t want to let the book out of your sight!

‘The Hidden Village’ is a bestseller in the US with over three hundred reviews.  The novel explores wartime Holland and asks: Who can you trust?  You can read my review of this book at……

Imogen re-visited the setting of the novel and has mailed an article to Books in my Handbag Blog.

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

Stumbling Across History with Imogen Matthews

In November, I received some mail from Nunspeet, Holland.  Imogen Matthews posted an article to Books in my Handbag Blog, during her annual holiday. On opening the email, I was delighted to read about how she stumbled upon history and the real hidden village.

Imogen Matthews is the author of The Hidden Village, an intriguing historical fiction, and it is a pleasure to hand over my blog to her, today.

 

 

The real hidden village and why I wrote a novel about it

The Pas-Opweg: Inspiration for the front cover of The Hidden Village

The woods are perfectly quiet at this time of year and the only sound is our bikes crunching over fallen beech nuts. We’re on the long straight avenue of tall beech trees arching upwards to meet in the middle. Their leaves still cling on, burnished gold by the sun’s setting rays. It’s a scene I never tire of.  At the crossroads, we stop briefly to take photos, as we always do, and carry on towards the hidden village. We know it well after discovering it only a few years ago.

 

 

Signpost to Het Verscholen Dorp -the real hidden village

I always look forward to our annual holidays in Nunspeet, where we stay in gezellig holiday houses tucked away in the woods. We know all the cycle routes that track across the heath, past improbable sand dunes and along narrow paths leading deep into the woods.

 

At least, we thought we did until one day back in 2011, we cycled past a large boulder with something written on it. I stopped to discover it was a memorial stone to the local community who had sacrificed so much to help people persecuted by the Germans in World War 2. I was astonished to learn this piece of history. In 21 years of cycling holidays, no one had ever mentioned this place, nor had I ever read anything  about it.

Across the path was a sign to Het Verscholen Dorp, Dutch for hidden village. It wasn’t easy to see what was there, which was probably the point. We followed a rough path through the trees and ahead of us was a hut of some sort, only partly visible. The roof was covered with moss, vegetation and branches to look like the ground beside it. It was a reconstruction of an underground hut that had stood on this spot.

 

Reconstruction of an underground hut

These huts were as dark and secluded as the one shown here, designed to be invisible to the naked eye. Whole families lived inside these cramped spaces and many were so relieved to have somewhere safe to live that they were prepared to put up with less than perfect conditions.

After discovering Het Verscholen Dorp, I was enthused to find out more, but there was very little written material or information on the internet. This made me even more intrigued: so few people today know about what happened on this spot that I wanted to write my own story visualising the events and their effect on these brave people. I knew I didn’t want to write a historical account, but a narrative based on imagined characters who flee to safety inside the village and others who put their own lives at risk to help them. The reality was that there was a huge community who devised the plans to build the village, clandestinely helping to bring people there and provide them with everything they needed, including food, clothing, medicines books and news from the outside. It was remarkable that this village stayed hidden for so long from the Germans patrolling these woods. They suspected something was going on but were unable to uncover the village however hard they tried.

Every year we go back and I walk around the “village” which today consists of three underground huts. There would have been more back in 1943-1944, housing nearly 100 Jewish men, women and children, fallen English and American pilots, Dutch men who resisted going to Germany to work for the Germans and other nationalities looking to escape the Nazis. People were in hiding all over the Veluwe woods, in farmhouse attics, cellars, outbuildings and other purpose-built dwellings, but this was the only organised village.

Today, the woods are a haven for people looking to escape busy lives in towns and cities. The Veluwe is a popular holiday destination, but deep in the woods  it’s always tranquil. I imagine how quiet it must have been 74 years ago, although for many the peace was tempered by an undercurrent of threat and fear.

In my story, Tante Else and her helpers do all they can to keep up people’s spirits by visiting every Sunday with coffee, cakes and news.

Tante Else put down her basket and took out a packet of coffee and a cake wrapped in a tea towel. The smell of cinnamon filled the room. She must have baked it that morning. Everyone crowded round to see and soon the hut filled with chatter and laughter.

‘It’s real coffee,’ cried Corrie, taking a deep sniff as she spooned it out into the pan. Tante Else smiled, but wouldn’t let on where she’d obtained such a rare commodity. None had tasted real coffee for months. Everyone had grown sick of the ersatz stuff made from roasted chicory that didn’t taste at all like coffee, just burnt. The smell of coffee filled the air and its effect was as intoxicating as alcohol.

Soon their conversation becomes subdued as Liesbeth, Oscar and tante Else bring them the news from outside. Sofie, just 16 years old, has recently moved to the village and is having difficulty settling in and following all the rules.

‘They’re forcing Jews to wear a big yellow star when they go out. Everyone and anyone can be stopped and searched and if they don’t have ID on them, they’ll be arrested. Every day we’re hearing about people disappearing,’ said Liesbeth.

‘My uncle was arrested in Amsterdam last month. He only just avoided being sent to Vught. Father’s been so angry about this. It’s why he wants this village to be a success,’ said Oscar quietly.

‘This is why it’s best you’re here for the time being. I hope you understand now why we have these rules, which might seem petty, but are for everyone’s safety,’ said tante Else, whose gaze landed on Sofie.

It was too much to bear. Sofie looked away…

 

Contact Imogen at:

https://twitter.com/ImogenMatthews3

https://m.facebook.com/TheHiddenVillagenovel/?locale2=en_GB

 

Visit my Author Chat Room to meet Imogen Matthews.  Please see my review of The Hidden Village at My Reading.

 

Please see my blog at jessiecahalin.com.

 

Celebrating a slice of Italian history in my handbag

Angela Petch is an author of historical fiction, and she has written two wonderful novels set in Tuscany.  I completely lost myself in both novels. ‘Tuscan Roots’ and ‘Now and Then in Tuscany’ are based on her research into her husband’s family and his family’s region.  Angela and her husband live in Tuscany for six months of the year, thus her novels are written in the heart of the setting and culture. Angela’s intelligent and vivid style of writing is perfectly balanced with cultural and historical information. 

The ebooks of ‘Tuscan Roots’ and ‘Now and Then in Tuscany’ have been snapped up by Endeavour Press.  Angela has published short stories in People’s Friend and PRIMA magazine, and she won the Ip-Art short story award in 2008.

I simply adore Angela’s books and feel as if I have discovered a writer whose work will become classics.  I asked her to introduce the extract of ‘Tuscan Roots’ to prevent me from waxing lyrical for pages and pages. 

Cari lettori (Dear Readers),

It is 1944 and in a remote corner of German-occupied, war torn Italy. Ines, an eighteen year old Italian country girl is helping the partisans hide an escaped British POW. Meeting this young man will change her life forever.

There are two time threads weaving through “Tuscan Roots” and this extract from the story set in the past introduces Ines and Norman – two main protagonists. The diary extract is being read by her daughter, years later.

Saluti,

Angela

Presenting the extract:

“Rofelle, September 8th 1944

The inglese was still asleep on the planks above the cows. The nights were chilly and the animal warmth and dry hay made a comfortable bedroom – much better than mine. I have to share with nonna and she kicks and tosses at night. She snores like the pig we used to fatten for Christmas. There have been no pigs this year. The Germans have ‘requisitioned’ ours and everybody else’s in the area. ‘Pigs eating pigs,’ we muttered amongst ourselves.

‘Signore,’ I whispered.

There was no response. His face was long and pale, blond curls fell over his forehead which was bound with a dirty cloth. Blood had oozed and crusted onto the material. He was like a big baby.

‘Signore!’ I said it louder this time. There was still no response. I put the bowl of pasta down and gently shook him.

He opened his eyes, shouted and grabbed me round the neck. I pummelled him with my fists, I could hardly breathe. ‘Let me go, leave me alone!’ I shouted.

And then he recognised where he was and dropped his hands from round my neck. ‘Scusi, scusi. Sorry, signorina.’

‘You nearly knocked over the food.’

I was shaking and rubbed my neck. His grip had hurt me. The cows below seemed to sense something was wrong and they mooed and stamped their hooves.

(Extracted from Ines’ diary. Chapter 10 “Tuscan Roots”)

More words about the book from Angela:

‘Tuscan Roots’ is a story of two women living in two different times. In 1943, in occupied Italy, Ines Santini’s sheltered existence is turned upside down when she meets Norman, an escaped British POW. In 1999, Anna Swill and, their daughter, starts to unravel accounts from assorted documents left to her after her mother’s death. She travels to the beautiful Tuscan Apennines, where the story unfolds. In researching her parents’ past, she will discover secrets about war, her parents and herself, which will change her life forever…

What do the reviewers say about ‘Tuscan Roots’?

It is indeed noteworthy that the ‘Tuscan Roots’ has received over fifty reviews!

“A wonderful read – it is a great combination of a true account and fiction that I truly couldn’t put down” (Elizabeth Pepper – Amazon) ;

“Tuscan Roots is so much more than a literary take on ‘Who Do You Think You Are’ with its credibly fleshed-out characters, glimpses of life in war-weary occupied territory and dreary post-war London and a plot that keeps you on your toes but is never too convoluted – it’s a love letter to Tuscany.” – Ingenue Magazine. ;

“The way Angela has managed to capture in great detail the amazing natural beauty of this area and the culture of the Tuscan people is incredible.” Amazon Reviewer.

“If you love Italy, you will love this book. If you love history, this novel will show you an aspect of WW2 you may well not have encountered before. Angela Petch brings Tuscany to life; the customs, the people – you can taste the food, smell the wild flowers, see the scenery.” Amazon reviewer

Angela is a natural writer and describes herself as a ‘little bit nosey and always looking for stories’.  This piqued my interest and made me wonder how she had managed to weave such a beautiful story.

The inspiration behind ‘Tuscan Roots: A tangle of love and war in the Italian Apennines’

‘Tuscan Roots’ is my first novel and I wrote it for my lovely Italian mother-in-law who was ill at the time. She helped me with so many stories from her own life and allowed me to use them. I hasten to add that, although much of the book is factual and based on research, some of the story is fiction.  I missed the characters and so I wrote a sequel so I could mix with them again. Some of the main characters make a reappearance in “Now and Then in Tuscany” and …I am currently working on the third part of my Tuscan trilogy and the younger characters will tell their stories in this.

I cannot wait for the third novel in this series!

See my review of Tuscan Roots.

Angela’s contact detail:
Website: https://angelapetchsblogsite.wordpress.com
Twitter:@Angela_Petch
Facebook: https://www.facebook.com/AngelaJaneClarePetch/
Email:angela_maurice@hotmail.com

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

A forgotten history in my handbag

The Hidden Village

 

Imogen Matthews

 

 

 

 

This novel takes you back in time to World War Two, in Holland, and is based on fact.  You will find yourself in the village of Berkenhout, hidden deep inside the woods.  Reading this narrative, with the hindsight of a 21st century reader, you fear for the people throughout the book.  Turning each page with dread, you try to hope…

From the outset, Jewish people disappear in the Dutch village.  There is ‘A windowless van parked up ahead, its back doors open and the German soldiers were shouting at the elderly couple to get in.’  Such occurrences become part of everyday life for a community that decides to ‘stand up’ and support their Jewish neighbours.   It is an incredible story!

The community hide their Jewish neighbours in attics and summerhouses. Eventually, an entire village is constructed, in the woods, to protect these vulnerable people.  It is intriguing to observe how a community work together.  In turn, Matthews examines how the hidden villagers feel trapped.  It is sad that ‘freedom seemed an impossible dream’ yet we know it is better than the fate of their counterparts outside of the village.  How could they have realised the danger?  The German occupation is an ever-present menace that pursues the characters.  ‘All it took was a stray German to bump into’ one of children running through the woods with supplies.  Will they be caught?

The pathways, the darkness and the sounds of the forest help to personify the menace that is present throughout the novel. Sofie observes that:

‘for now, the sun was shining and it filled her with the warmth she’d forgotten existed’

The woods that symbolised freedom and adventure for children become an uncertain place.  As in a nightmare, the shadows of fear begin to dominate but will the monsters ever become real?

A society is developed with rules, regulations and leaders but there is tension.  Matthews explores the pressures of a community within a community.  She presents some very strong central characters who grow up in this unnatural world.  It is heart-breaking to observe how the children lose their innocence.  These children live with uncertainty and broken families – they have to find an inner strength.  The community spirit is heartening yet wanes under the burden of war.  Some of the younger characters rely on friendships to support them but they learn about cold, brutal betrayal.

This isn’t a fairy-tale in the woods and ‘you just have to keep hoping’.   You won’t go hurtling from one resolution to another.  You know that not all the characters will survive.  But you will take a look at how brave, unselfish people can work together in the face of injustice and discrimination.  Children will play a real game of cat and mouse, with the Germans, as they risk their lives to deliver food to hidden villagers.

The woods also conceal a village that provides sanctuary for lost souls. You will find Englishmen, Russians, a defective German, an American. World War Two was fought in villages by brave people. Sometimes these brave people feel the weight of responsibility; sometimes these people go missing and sometimes they return.  The narrative successfully captures the world of chaos.  There are raids by German soldiers and some news of the outside world but even this information is in the shadows.  The reader is distanced, with the villagers, from the outside world but niggled by their twenty first century knowledge.

Imogen Matthews

As more and more refugees arrive in the village to seek sanctuary, one cannot fail to see the parallel with the refugees in Europe.  Matthews gives an insight into how desperate people are driven into circumstances. The author guides you towards the uncertain ending.  Find out about Lisebeth, Sofie, Jan and Oscar as they ‘soundlessly’ creep through their adolescence, in a chaotic world.  Get inside of the hidden village and find out more about the impact of the exceptional circumstances on the very real characters and dilemmas.  The characters of this book will never leave your memory and it will make you reassess the terrors in our own world.

Click to buy on Amazon

 

 

Please see all my reviews at Books in Handbag and my blog at jessiecahalin.com.

History Tour and Chat with Anglo-Saxonist

John Broughton

 

 

 

John began writing stories for his two children, Emily and Adam, when they had exhausted all the children’s books in the local library. The result was that six of these were published, one of them being an anthology of shorter stories.  John now lives in Italy and has published two historical fiction novels for adults. 

I met John and his wife, Maria, in Lincoln to discuss ‘The Purple Thread’ and ‘Wyrd of the Wolf’. Both of John’s novels are inspired by his passion for Anglo Saxon history. 

John was on holiday, in Lincoln, with his wife, Maria, and was also taking the opportunity to complete some research. John offered to give me a brief tour of the cathedral before we discussed his books. I had climbed Steep Hill to reach the cathedral but was mightily impressed by the cathedral.  John explained that Maria would meet us later in the coffee shop.

Jessie:  It is an impressive cathedral.  Did you choose to meet here because the cathedral has Anglo Saxon connections?

John:  The present majestic cathedral has nothing to do with the Saxons. In the seventh century, about half a century before the setting of my third novel here in the Kingdom of Lindsey, St Paulinus, companion of Saint Augustine, founded the first Christian church. But not where the present cathedral stands, but in Bailgate, to the north-west. Archaeological evidence shows sunken-floored buildings surrounded the site.

I was in awe of John’s impressive knowledge and his incredible enthusiasm for the history.  I knew that my online research would be of little use, and it was best find out more from the expert.

Jessie: What is it that particularly interests you about the cathedral?

John:  As an Anglo-Saxonist, I’d love to know what lies beneath the cathedral but luckily, I’ll never get a chance to know. Since Lindsey was a sub-kingdom dominated by its powerful neighbours, it is a kind of mysterious period and anyway, much of Lincolnshire was marshland – the famous Fens.

Jessie:  I know that Lincoln is the capital of his country in…..with its beautiful cathedral.  Tell me little more about your books.

John:  Of course, but I suggest that we visit the coffee shop in the town.  My wife is in the café reading my latest book and I need to refer to it.

As we walked to the coffee shop, John engaged me in a detailed overview of the plot of his novels.  He then proceeded to summarise the books for this interview.

John: The Purple Thread is about how a detail can change our lives. In this case, a letter that steals a man from his family and sends him to confront pagans, heretics and deal with saints.

Wyrd of the Wolf is a story of love and betrayal in the context of the struggle between emerging kingships and in particular the pagan Caedwalla who becomes the patron saint of (reformed) serial killers!

Maria was sipping her espresso while absorbed in the book.  She smiled at John and handed over the paperback.  I noticed that she removed another copy of the book from her handbag. 

Jessie:  I realise that you had some success writing stories for children.  How have your recent books been received by the reviewers?

John frowned as he scrolled through emails on his phone.  Maria reached into her handbag and retrieved a notebook with the reviews she had collected. Maria couldn’t wait to read the reviews, it was lovely to see how happy she was to celebrate her husband’s work.

Maria:

John Broughton transports his reader into the fascinating world of our islands in the 8th century. His colourful imagery creates a realistic atmosphere of life as it would have been lived in those days. His intimate knowledge of the period brings this historical novel vividly into the imagination of his readers. No detail is omitted in his colourful account of every scene. (Pronter)

This book has all the classic elements of an adventure story, danger, heroism, cunning and treachery. The author knows his period well but manages to wear his history lightly. Anglo Saxon times are called the dark ages for a reason and we get a real glimpse into this world in the wild lands of western Europe as the author takes us on a vast journey through a dystopian landscape. (Tricky Henry)

The Purple Thread is not my usual genre and, to be honest, I only started the book because I knew the author many years ago. Wow! What a great book and surprise it turned out to be; I was totally absorbed with the quality of writing, the characters & story in a period I know so little about. So many years of research must have gone into The Purple Thread, resulting in an absolute page turner. I simply couldn’t put it down. It entertained me but also made me think. (Sooz B.)

Jessie: Wow!  The reviews are very positive, and I can’t wait to read the books.  Can you give me an extract from the books to tempt the reader?

Maria handed over the books, she pointed to some sections she had marked with yellow post-it notes.  John took the books, skimmed the text and read the passages.

John:

The Purple Thread

A careful reader will notice reference to the colour running as a thread throughout the book. In a way, it represents the Word of God and how the Church places the protagonist under psychological pressure to keep him away from his family. So I chose these lines:

‘Bemused, he shook his head, more pressing thoughts troubling his heart. The coast of his homeland dwindled to a thin purple line, every moment carrying him farther from the woman and child he loved.’

The Wyrd of the Wolf

A father betroths his daughter for political reasons. She falls in love with his most dangerous enemy and a tale of tormented love and revenge unfolds. This passage reveals the protagonist’s underlying motivation:

“Aelfhere struggled to sweep aside sinister thoughts. After all, this should be a joyous occasion.  His king, Arwald, had ordered him to Sussex with a score of armed men but on the outcome of their mission rode the safeguarding of the Isle.”

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

John: The strangest thing happened. I was moved by my protagonist’s predicament (of my own creation, it should be stressed) to the point that I had tears in my eyes. But it’s the end of the book and I don’t want to write a spoiler!

As for Wyrd, well, I regret in a way not writing a sequel because I find myself wondering what happens to Cynethryth (the female protagonist) after she returns to Wight. I suppose there’s still time but for the moment I’m busy on another novel.

Jessie: What is the last sentence written in your writer’s notebook?

John: It’s a quote copied from a fellow author’s blog. She quotes Anton Chekov “Don’t tell me the moon is shining, show me the glint of light on broken glass.’ It’s a good reminder by a great writer to show not tell.

Jessie: What is the biggest challenge for an author?

John: I don’t know, because as a relatively new writer, I’m learning all the time and it’s all a challenge. But among those I’ve faced up to now, the latest is the greatest: trying to create an anti-hero protagonist and yet make the reader empathise with him. I’m at the halfway stage of my novel and I’ll be honest, I don’t think I’m being wholly successful. But I’m relying on revising the story enough times to manage it to my satisfaction in the end.

Jessie: What is the best advice that you have received as a writer?

John: ‘The first 250000 words you write are for the bin’ (Joseph Conrad) In my case maybe more! Never give up. His first novel was rejected 19 times and he was brilliant.

Maria:  Oh, John just loves to write and write.  He is so happy when he is telling stories.  Did he tell you the story about the emblem of this city?

I wasn’t sure if the Lincoln Imp is located in the cathedral, or in a specific place so need your help here.

John: The Lincoln imp – the symbol of the city – has been explained as a medieval mason’s practical joke. It’s to be found in the Angel Choir below the level of the angels. The legend says it was lured into the building by the sweet singing of the angels and God turned him to stone. This doesn’t explain why the angels are stone, of course!

Jessie:  It has been lovely to meet you both.  It is such an impressive city and I the cathedral is the most impressive I have seen.  The setting of Lincoln, John’s storytelling and knowledge of history has inspired me to read the novels.  Have a good journey back to Italy.

John: Sir Kenneth Clark, when pressed to choose, selected Lincoln as the most beautiful of the English cathedrals and I agree with him!  The cathedral also houses one of the few original copies of the Magna Carta.

More about John…

John is sorry that he didn’t start writing for adults twenty years ago. Realistic enough to know that a writer either has time but no income or has income but no time. Incredibly impressed by the solidarity and sheer niceness of fellow indie writers.

For further details, you can visit John’s web site on www.saxonquill.com

Facebook page John Broughton – Historical Fiction Writer.

Twitter:  @broughton_john

 

Please see all my interviews at My Guests and my blog at jessiecahalin.com

 

A Tale of Two Sisters

It’s time for Jena and her sister to present the next Golden Chapter Review.

Jena, the woman with a golden handbag, has just returned from Florida to present her latest Golden Chapter.  Inspired by the title of the book choice, it’s time for Jena to present a novel with her sister.

I selected a Golden Chapter, inspired by the land of the Golden Horn and the Golden Age of Byzantium, I’m eager to share this new book with you, our golden readers. Let’s take a peek at A Tale of Two Sisters by Merryn Allingham.

YOU WILL FIND A TURKISH DELIGHT!

I selected a Golden Chapter, inspired by the land of the Golden Horn and the Golden Age of Byzantium…

Chapter One

     ALICE

London, February 1907

The book begins with a vivid word picture…

“Fingers of pink-tinged could drift through a sky of blue and mauve and deep violet…the spires of Hagia Sophia thrust upwards amid the crumbling beauty of narrow streets and winding alleys. A city at peace.” Istanbul or Constantinople?

Topkapi Palace in Istanbul inspired the story. ‘It was so opulent – so beautiful, and it stayed in my mind.’ Merryn

In the United Kingdom, the Edwardian period is sometimes portrayed as a romantic golden age of long summer afternoons with leisure garden parties, and elites basking in a sun that never set on the British Empire. But it was also an age that heralded great changes in political and social life. And the first chapter of A Tale of Two Sisters resonates with many of the contrasts of the Edwardian Age. Societal and class expectations, fading gentility, and a woman’s place in the world all lead to interesting contrasts and stories.

In my correspondence with the author, she described her book as one of mystery, romance and sadness. The first chapter delivers on this promise and deftly draws us in to a different time, compels us to bond with the characters and care deeply about their plights.

We meet the older sister, Alice. Alice tells us, “I’m twenty-six. My star has waned.” She lives with her invalid parents in a staid house in Pimlico. Their once prosperous life has faded. Alice has succumbed to being the spinster daughter, destined to live a life of service to others.

She had a brother Charlie, who recently died in a puzzling accident. He was adored and well-loved. She also has her sister, Lydia, the youngest in the family. And a take-charge Aunt Cecily enters the fray!

“Lydia is a free spirit.” And a free spirit who apparently left for an exotic place, wrote a few letters home, and then was not heard from.

Lydia might be impulsive, thoughtless even, but Alice was certain she would never simply disappear without telling her family.

Where is Lydia? Alice has been trying to cover for Lydia because she doesn’t want to trouble her fragile parents. But when her Aunt visits, an idea is sparked. An idea that will take us on the Orient Express. (And we know what kind of things happen on that train!)

When I realized that the sisters reveal their stories in their own chapters, I asked Author Allingham to send me a “Lydia” chapter. I found it was easy to switch characters and pick up the story and that this would be an interesting way to present the mystery of what happened to Lydia as we also follow the journey of Alice.

A Tale of Two Sisters starts with a first chapter that sorts out the many characters in good fashion and immediately presents an intriguing mystery, tinged with family tragedy and problems. The allure of Constantinople, where East meets West, adds to the intrigue.

Who is like me and wants to read more? Take a look at the lovely cover! Have you read this book- please comment and tell us your thoughts. Here are a few questions I have, to start our book discussion.

  1. Do you think Lydia is missing and in danger, or missing because she is on another adventure? A romantic one, perhaps?
  2. Will there be a happy ever after ending for Alice?
  3. Will we learn more about why Charlie died?

BONUS QUESTION: Why did Constantinople get the works? Do you know this song- hum along!

https://www.youtube.com/watch?v=Wcze7EGorOk

Jena C. Henry, 2019

Merryn has written an impressive number of novels and is a member of the Romance Novelists’ Association.

Merryn has written an impressive number of novels and is a member of the Romance Novelists’ Association.  She writes historical novels, all mysteries with a helping of suspense and a dash of romance.  Merryn was inspired to write The Tale of Two Sisters following a visit to Topkapi Place in Istanbul.  She said, ‘It was so opulent – so beautiful, and it stayed in my mind.’

The Tale of Two Sisters is out on 21st March 2019.

It is my pleasure to celebrate this book with Jena.  I look forward to ‘an emotional historical drama perfect for fans of Linda Finlay and Rosie Goodwin.’

Biography

Merryn Allingham was born into an army family and spent her childhood moving around the UK and abroad. Unsurprisingly it gave her itchy feet and in her twenties she escaped from an unloved secretarial career to work as cabin crew and see the world.

Merryn still loves to travel and visit new places, especially those with an interesting history, but the arrival of marriage, children and cats meant a more settled life in the south of England, where she has lived ever since. It also gave her the opportunity to go back to ‘school’ and eventually teach at university.

She has written seven historical novels, all mysteries with a helping of suspense and a dash of romance – sometimes set in exotic locations and often against a background of stirring world events. Her latest novel, A Tale of Two Sisters, is set in Constantinople at the turn of the 20th century when rebellion within the Ottoman Empire is growing Against this background the novel traces the fate of two sisters, Alice and Lydia Verinder, dramatically exploring themes of family, love and loss.

For the latest news of Merryn’s writing, visit her website at www.merrynallingham.com or join her on Facebook at www.facebook.com/MerrynWrites/ or twitter @MerrynWrites

Jena is planning her next adventure with her lovely niece

Jena is travelling around the world with her Golden Handbag looking for more opening chapters.  Here she is planning her next adventure with her lovely niece.  Do you want Jena to visit your opening chapter?  Contact her at:  jena.c.henry@gmail.com

 

 

 

Please see all of Jena’s Golden Chapters and my website and blog at JessieCahalin.com.

My novel is available here.

A perilous journey through the Regency era

Fortune’s Promise

Sue Johnson

 

 

 

 

 

 

A black coach and horses arrived outside of the inn.  Fortunately, there was step outside of the inn to allow me a little grace, as I entered the carriage.  Alas, the handbag had not been invented.  I kept my possessions in my pockets, stored my belongings in a bundle and held ‘Fortune’s Promise’ in my grasp. It was 1811, ‘the night was painted silver’, as I commenced the journey.  The horses moved at a genteel pace and took me to Orchard House.  Peering into the house, I saw a striking young woman, Lucinda, ‘with raven hair and sapphire eyes’.  A servant brought a ‘delicious looking drink in a sugar-frosted glass’, alas he could not see this twenty first century reader.  I settled back in the carriage, and could not wait to open to recommence the thrilling journey through the novel.

Sue Johnson, the author, was driving the coach and horses and I heard her call to the horse to commence the journey. We galloped at a pace through the Regency narrative; it was indeed thrilling as the characters veered of the track.  Without a fortune to keep the characters on a steady road of wealth, I was in awe as they employed survival tactics of the highest order. Lucinda and Hannah, both strong and resourceful ladies, navigated their way through the perilous era – and what a brilliant journey.  The ladies could not see me.  I waited in the background, hoping for a twist in fate to keep them safe.  Perhaps, I did help them along the way.

The shadow of the villain lurked, but ‘a hunger and cold gnawed his insides’, as he searched for his treasure – the lady with the ‘sapphire eyes’. Oh, how I feared for Lucinda. Despite her slight frame and pale countenance, Lucinda had the fire of the twenty first century woman. Indeed, ‘naked hostility’ shone in her ‘sapphire blue eyes’, and she recognised that her brother ‘had more choice in life’.  Mentally stronger than her artist brother, John, Lucinda rejected ‘the devil on Longdon Hill’, and was not fooled when he ‘strutted out like a peacock’.  Laughing at Lucinda’s perceptive, intelligent comments, I wanted to invite her into the twenty first century; but she could not see me.

I was on the edge of my seat, as the horses negotiated the rough narrative terrain. We encountered the thieves and vagabonds hiding in the underworld.  Driving through the era: we stopped at inns, fairs, farms and cottages. Sue Johnson documents the uncivilised element of the era thus providing a refreshing perspective.  I entered an inn to find ‘the air thick with the smell of smoke, old cooking and unwashed bodies. The smell was so over powering…’  But I did not dwell on the assault on my senses, as it was time to follow the pathway of the winding plot.   I saw that ‘turmoil’ ‘twisted inside’ of Lucinda when faced with the devilish character.  She was not hoodwinked by her suitor, and I knew I would witness the adventures of a thoroughly modern Regency lady.  I returned hastily to the carriage each night to follow the plot, but drew the curtains on the ‘man on a black horse’ who was always clipping at Lucinda’s heels.  I hoped Lucinda would be clever enough to outwit him, and see his ‘silhouette’ before he saw her. I pointed at a potential suitor, alas she could neither see me, nor hear my counsel.

I feared for the characters as they met the various people along the way.  I ‘heard of situations where wealthy young men had disappeared to be stripped of their belongings and left dead in a ditch.’ I moved out of the Regency drawing room to travel through the reality of the era.  The hiring fair chilled me to the bone, when the sinister farmer approached Lucinda, but I marvelled at Lucinda’s independent spirit.

The narrative is wrapped in the superstition of the era and a hint of the supernatural.  I was enchanted by this novel, as I travelled back in time to reality of the Regency era.  I wanted to help the characters who had been thrown into turmoil by the cruel twist of their fate.  But, ‘the air cracked with tension’ as I drove through the twists and turns in the narrative.  ‘The storm rattled and crashed overhead’ in the dramatic story of greed, ambition and survival.

 

Please see all my book reviews at Books In Handbag and my blog at jessiecahalin.com.

 

Rosemary Noble insists on a daily dose of realism and compassion

Rosemary Noble 

After four decades teaching students how to research in the day job as an education librarian, Rosemary began her own research into her family and discovered stories that begged to be told.

It was a pleasure to welcome, historical novelist, Rosemary Noble to Wales to discuss her novel – Ranter’s Wharf.

Rosemary Noble

Jessie: Your novel is well-researched and rich with historical references.  You have developed strong characters that one cannot fail to empathise with.   I can rant on and on about the merits of your book as I did in my review. Can you summarise the book in a few words?

Rosemary: It’s a moving family saga about love, loss and betrayal set in 19th century England. It follows three generations as they attempt to find a way to live honourably in tumultuous times.

Jessie:  Your novel has been a very popular download on Kindle.  I have noticed an impressive number of reviews.  Can you retrieve some reviews that capture the essence of your book? Always modest, Rosemary hesitated a little until I insisted that we read the reviews.

Rosemary: Maybe like any author, I dread the first reviews because you wonder if anyone will get what you are trying to do, especially when the subject matter is unusual. But I have been overwhelmed with the kind words people have written. For example:

“The wonderful characterisations in this novel make light of a challenging theme and transport the reader through the harsh times of Victorian Lincolnshire in a roller-coaster of emotions A little masterpiece of its genre” John Broughton – May 26 2017

“The joy of this book is that it is absolutely gripping. Because of the sympathy with which the characters are portrayed, you find yourself really caring about what happens to William – adopted as a bewildered child by his rich maiden aunt – and his heirs who carry on the fight for social justice into the next generation.” Perdisima May – 15th 2017

“Delightful and informative. An intriguing story with a wonderful insight of the times.” Amazon Customer – April 15th 2017

Jessie:  Can you tempt the reader with an extract from the novel?

Rosemary: “Her passionate nature freed itself from the reserve she showed the world, allowing her whole body to respond with joy to his smiles, with misery to his tears and a fierce desire to protect him.”

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

Rosemary: In some ways, relieved because it was a hard story to write. It’s based on my 3x great grandfather who was an ordinary farmer until he was converted.  I wanted the book to be engrossing and relevant but I had to keep the reader interested while dealing with the difficult subjects of poverty, politics and religion. Religion has featured strongly in all three of my books only because it was so important in the 19th century but it is not my natural element. My next book set in the 20th century will not be influenced by religion but will have its own problems for me to overcome as a writer and storyteller.

I always miss the characters in my books. As an author, they inhabit my mind constantly. Because the subject has relevance for today with Brexit and the Trump vote, I wonder what my characters would have felt and how they would react. I can hear William saying to his son,’ education is key’ and his son and nephew replying, ‘No, every man should have a vote if they contribute to the wealth of the country.’ I found myself quite conflicted when writing the final chapters.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.  

Rosemary: People like my hairdresser’s receptionist who said to me ‘your book makes me realise I should always use my vote.’

If I can move someone sufficiently to learn how hard life used to be and then become more active in demanding the voice of the poor and dispossessed are heard today, then I will be happy. I am no Dickens or Hardy but am conscious of the impact they had on 19th century society. Our current times are troubling and I see the hard-fought-for Welfare State crumbling through cut-backs. Let’s not go back to those times, please.

If there was one famous person I wish would read my books it would be the director, Ken Loach. I am in awe of his work such as Cathy Comes Home and I Daniel, Blake.

Jessie: Why should readers select your novel?

Rosemary: For a dose of realism and compassion. Allow yourself to be transported to a time where life was a struggle not just in a material way but also in a spiritual and political way. I want to know how you would react to ‘the undeserving poor’. Would you turn your back, cloak yourself in respectability or would you act to mitigate the poverty around you?

Rosemary Noble

Jessie: What is the last sentence written in your writer’s notebook?

Rosemary: A solitary gull glides and swoops in the azure sky below a trio of swifts cavorting and darting as though playing tag but in the far distance a black speck appears, a harbinger of death.

This is a note for my next book, working title, Sadie, which will link all my books together.

Jessie: What is the biggest challenge for an independent author?

Rosemary: Getting noticed which means learning about marketing on social media. The key for me is the relationships you forge with other indie’ writers. In any walk of life, you learn so much from other people and you’re stronger together in a team. In our case, a virtual team of authors from around the world as well as close to home.

What is the best advice that you have received as a writer?

Rosemary: Learn the craft but write the book you want to write. Stay true to yourself. I am in the lucky position that I don’t need to earn my living from writing which frees me to write what I want.

Rosemary is driven to give a voice to our ancestors, to those who never had a voice in real life. “I like to pose questions, encouraging readers to think for themselves, ‘what would I do in that situation, how would I cope’? The stories history sends us, have relevance for today and I like to tap into that because I am quite a political person though it’s only this year that I joined a political party.”

Voice of an Australian convict in my handbag

Historical novelist, Rosemary Noble, is presenting an extract from her first novel entitled ‘Search for the Light‘. 

Rosemary’s novels are powerful and engaging explorations of historical periods: strong, empathetic characters and beautiful language transport the reader to the time and place.  

Rosemary researches the historical periods thoroughly, but the characters take over and tell their stories. In a letter to readers, Rosemary introduces the inspiration behind her moving novel, ‘Search for the Light’.

Dear Readers,

I am delighted to present an extract from my historical saga: ‘Search for the Light’.

This is a story of love and friendship, of three women out of the thirteen thousand transported to Van Diemen’s Land alone. Until a few years ago they had been written out of history, their contribution ignored, denigrated for behaviour unseemly in a woman of the times, constantly punished for minor misdemeanours. Some were strong enough to survive and their contribution deserves to be recognised.

I sat down one morning, and my character, Sarah, appeared out of nowhere, a victim and survivor of abuse. Readers love Sarah and I grew to love her. Once or twice I wondered if she should die but she told me, no, and I’m relieved she stayed my hand. Of all the characters, she did find the light and it was inside herself.

In the extract, Sarah has been given a life sentence of transportation for manslaughter. She is waiting in Newgate prison and Nora, the main protagonist, is another prisoner who has befriended her. Sarah is the only character written in the first person because I strongly believe she wrote her own story.

Thank you for your interest and your time.

Rosemary Noble

Words from the novel:

My name is Sarah Mawby I told her, but I don’t really know what my name is or even If my mother ever gave me one. Mawby was the name of the street where I was left. No, I don’t know who my parents are. No one claimed me. Why would they? Just another wailing mouth to feed.

I don’t know my age, about fourteen I think. I have never had a birthday. Some of us foundlings survived our childhood, but it was just luck, lots of children didn’t. We were given a cot to share, as many as ten to a cot, a few patched second-hand clothes, a morsel of food, if it could be called that; much worse than in here it was.

When sickness came, whole cotfuls of babies succumbed in turn. They told us they had gone to live with God. God obviously didn’t want me. I’m not surprised.

Oh yes, we were taught to read and count. They didn’t teach us to write. Too dangerous, we might write and tell someone how we were treated. Sundays, we went twice to church and heard all about hell fire and damnation, whilst we shivered in our thin smocks. What else did we get? Oh yes, the stick. There was lots of that. Was there love? I didn’t believe it existed. I’d heard of it but I never had any.

Then I watched Nora with her father today and saw love for the first time. It was the most beautiful thing I ever saw.

How Nora and Sarah fit into the story:

A moment’s foolish mistake costs sixteen-year old Nora her freedom and her family. Sentenced to transportation she has to grow up fast to survive prison, the long journey and then life as an assigned servant in Van Diemen’s Land of the 1820s. She is sustained by real friendships with other prisoners, Sarah and Helen. Can anyone of them overcome the pitfalls of convict life to become pioneering settlers of modern day Tasmania? This is a story of love and friendship amidst the trials of 19th century Australian colonial life.

Opinions of the reviewers:

“There were moments when I was doing the literary equivalent of shouting at the TV. It moved me, I felt alarm, indignation, great sadness and elation.” Ingenue Magazine Summer 2017

“Rosemary Noble writes with immense skill and takes great care with the characters in this story and I look forward to meeting some of them again in her next book.” John Charles Hall June 2017

“The characters are brilliantly defined; the narrative flows and the historical knowledge of the author is admirable. A fabulous read.” Catrin August 2016

More about the author:

I’m probably a frustrated historian but I’m making up for it now.

This was my first book, so a measure of relief in having achieved this goal. I thought it was going to be my one and only but at the end I wrote an epilogue, which is the daughter of Helen, another main character, looking back. And the sequel was born. So, in many ways I didn’t need to miss the characters, they were looking over my shoulder when I wrote The Digger’s Daughter and are still breathing down my neck as I write the third book in the series.

Reading ‘Ranter’s Wharf’, Rosemary’s latest release, made me feel passionate about my ancestors’ suffering. Following Rosemary’s extract and information, I have bought ‘Search for the Light’.  I am looking forward to finding out more about Australian history through Rosemary’s characters.  Digger’s Daughter, the second Australian Saga book, is also available now.

To find out more about this wonderful author, please visit my interview with Rosemary.

Please read my review of Ranter’s Wharf – it will give you a flavour of how Rosemary brings history to life.  Rosemary is the historical novelist with a social conscience. 


https://rosemarynoble.wordpress.com/

https://twitter.com/chirosie

https://www.facebook.com/RosemaryJaneNoble/

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

Meeting historical novelist and his scoundrel ancestors

John Jackson

 

 

 

 

My phone guided me through the ancient streets of York to meet, historical novelist John Jackson. Instantly, John greeted me with his warm smile and welcoming manner.  He was looking very relaxed in his cords and checked shirt.

John:  Welcome to York!  I have taken the liberty of buying you half a pint of Shambles Tavern Stumbler.

It was a straw coloured beer with a pleasant hoppy finish.  It was served cool but not cold.  We also had a complementary plate of sandwiches and crisps.

Jessie:  Thank you, John. It is great to be back in Yorkshire.  Sorry, I’m a little late but I got distracted with Shambles Market. 

John:  No problem, it is so easy to get lost in the history of York.  The Shambles is rumoured to be the best preserved medieval street in the world.

Jessie: I didn’t know that – thank you.  You certainly do adore your history.  I was reading about your historical novel on the train and it looks so tempting.  It was fascinating to discover your novel is based on your family history.

John:  Ah yes, I started to research my Family Tree fifty years ago.  I was lucky to find transcribed letters from my great, great grandfather on one side of the family, and on the other I found that my great great grandmother was related to the Rochforts of Belvedere, in Ireland.  I had to research this treasure and along the way, I came across some juicy relatives – and a story that was crying out to be told.

I found a booklet titled ” Some Celebrated Irish Beauties of the Last Century”, and the first chapter was about my book’s heroine. I couldn’t pass this story by. In my eyes it was crying out to be told, even though the original story would need a very different treatment.

I ended up writing the story of what I would LIKE to have happened.

John saw me looking at his novel peeping out of a rucksack.  He held up the front cover with pride.

John:  It was a great moment for me when I received the physical copies of the book.  I am totally delighted with the front cover. It’s a portrait of Robert Rochfort, and it hangs in Belvedere House in Mullingar. The management of the house (an Irish National Monument) were extremely helpful in allowing me to use the image.

Jessie:  It is like the front cover for a classic, historical novel – perfect for the genre.  Can you capture the essence of the book in a couple of sentences?

John:

You can’t choose who you lose your heart to!

Love can be the only thing that keeps you alive.

Jessie:  Wow!  You have already hooked me into the novel.  The blurb says, ‘Based on real events, Heart of Stone is a tale of power, jealousy, imprisonment, and love, set in 1740s Ireland.’ Please tell me more about this captivating story.

John: I don’t want to give too much away, obviously. Fortunately, it is a time that is past. We behave better now – or at least differently. I can reassure you, though – you really WILL be captivated by the story.

Jessie: I can see that there has been an awful lot of interest in your book online.  Everyone seems to love the fact that the story is based on your own family.  What do the reviewers say?

John:  For me, the fact that my wife loved the book was such a great reward.  Here are some of the reviews from Amazon:

‘A brilliant book, found it hard to put it down!’ By Mum’s the word

‘I thoroughly enjoyed reading Heart of Stone. I found it hard to put down from the first pages onwards.’ By Rebecca H Stevens

And from Goodreads: ‘Utterly loved the book, fantastic read and loved it very much…’ by Gwessie Tee.

Jessie:  I am impressed with the way that you are tempting me to read the book – very clever.  Come on now, can you read an extract.

John took a sip of his beer then picked up his book.  He had already marked some passages and took a couple of minutes to select the extract.

John: Mary felt the warmth of his lips on her fingers; the sensation caused her to feel a glow deep within her. She looked up and into his eyes. They seemed deep enough to drown in.

Jessie:  Well, I wasn’t expecting that level of intrigue in such a short passage.  Who is Mary, she sounds as if she is in trouble?

John: She is, but doesn’t know it! She is my 5 x Great Grandmother, Mary Molesworth and the daughter of an Irish peer. She is Robert’s new wife.

Jessie:  How did you develop the characters in your novel.  Did you have clues about the characters’ personalities in your research?

I started with what was actually known about them and worked from there. I found that easier than I expected, possibly because they are – initially – “broad brush” characters.

Jessie:  It must have been quite a journey to write this book, and it must have been difficult to leave the characters behind. How did you feel when you had finished writing your book, and did you miss any of the characters?

John: Writing “The End” was both the best and the worst of sensations. I was delighted to finish the work; but it was also like saying goodbye to some old friends.

I would like to have written more about the enigmatic Mr Stafford. He knows everything.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.  

John: Most of all, I would like my friends to read it. There is a lot of “me” in Heart of Stone.  My wife has already read it, and, happily, loved it.

Jessie: Why should I keep your book in my handbag?

John: It entertains (I hope), and it reaffirms the old tenet of “Never give up! Never lose faith!”

What is the last sentence written in your writer’s notebook?

From my next book: (Working title “Strange Bedfellows”. He never felt the blow that felled him, but, as his assailant kicked him viciously in the ribs and back, he could feel himself slipping into unconsciousness. A disembodied voice spoke into his ear as he lay there. “Stay away from here. We don’t want your kind.”

Jessie: I have just read a wonderful blog post from you where you explain how you have marketed your book.  It was thorough and I have shared it with others. What is the biggest challenge for an author?

John: For a NEW author, realising that you might have a good tale to tell, but you really need to learn how to tell it! Writing is a craft, and it behoves us to do it well, if we believe in our story.

Jessie: What is the best advice that you have received as a writer?

John:  Don’t give up!

Jessie:  You certainly don’t seem like the sort of person to give up.  Your novel sounds like a labour of love. It must be wonderful to get an insight into your ancestors.  I searched for Belvedere House, one of the settings, it looks magnificent.  I was intrigued by the Jealous Wall.  Does this feature in the novel? Tell me, did you visit Belvedere House in Ireland? 

John: We did indeed. I HAD to check to see if I had made any major mistakes in my draft. Fortunately, I hadn’t. Belvedere and the Wall are impressive. They both feature heavily in the novel.

As expected, John was great fun to interview.  He is such a warm character and very clever at presenting clues about his book.  I wish him the very best of luck with his debut novel.

About John…

After a lifetime at sea, I am now retired, and have turned to writing fiction. An avid genealogist, I found a rich vein of ancestors, and suddenly realised just how much material there was for any number of books. Most people throughout history have led boring, humdrum and frequently brutally short lives, but on my family tree, there were a good number of real characters. Some were total scumbags, and lots did “interesting things.”

A chance meeting with some authors led me to turn his efforts to setting down some amazing stories. John is a keen member of the Romantic Novelists Association and the Historic Novel Society and an enthusiastic conference-goer for both organizations.

I was brought up on Georgette Heyer from an early age, and, like many of my age devoured R L Stevenson, Jane Austen, R M Ballantyne, and the like. These days my tastes run towards Bernard Cornwell, Simon Scarrow, Liz Fenwick, and Kate Mosse.

Contact details:

Website:  john42hhh.blogspot.co.uk

Twitter: @jjackson42 

Facebook:  https://www.facebook.com/johnjacksonauthor/

 

 

Please see all my interviews at My Guests and my blog at jessiecahalin.com.

 

Discover the Dark Ages with John Broughton

John Broughton posting me a letter

John Broughton spends a great deal of his time stuck in the Dark Ages. As a historian, John is happy to become immersed in the gruesome eighth century.  He is not afraid to walk beside kings, noblemen and monks who inhabit a world where it is ‘kill or be killed’.  John’s novels are praised for the historical accuracy and take you into the heart of the bloody battles. Though a little afraid, I asked John to explain what inspired him to write his third novel Saints and Sinners. John sent me a letter via a gallant messenger.

John Broughton Saints and Sinners

My third published novel, Saints and Sinners, was inspired by a love of my county, Lincolnshire, and of the Anglo-Saxon period in general. Putting the two together leads one to the Kingdom of Lindsey, the least-known of the Dark-Age kingdoms. Starting from the apparently simple desire to write a novel about this kingdom, I soon realised that our knowledge of Lindsey is very limited, being almost exclusively dependent on archaeological revelations.

The names we have for Lindsey are from a debatable list of kings, who were anyway, sub-kings to the powerful neighbouring Kings of Northumberland or Mercia. One name, however, kept recurring in my research – that of Guthlac: the hermit saint who founded the monastery of Crowland. His life was recorded in a hagiographic work by a monk, Felix, crucially within a generation of his living.

Saint Guthlac takes a boat in the Fens to Crowland

What a character was Guthlac! Setting aside the monastic praise, isn’t it interesting how a red-blooded Saxon nobleman left a life of military adventuring, ale-guzzling and wenching to become an ascetic in the wilderness of the Fens? This apart, his best friend was a certain Aethelbald, another Mercian noble, devoted to the former lifestyle of Guthlac. This sinful nobleman was considered a dangerous pretender to the throne of Mercia: so much so that he was exiled and fled into the Fens where his old friend sheltered him for a while.

A fragment of a cross shaft from Repton includes on one face a carved image of a mounted man which, it has been suggested, may be a memorial to Aethelbald.

What makes Aethelbald even more intriguing is that from being a hunted exile he became one of the greatest of Mercian kings. My idea of a novel about Lindsey transformed into one about Mercia too. By the way, Aethelbald was condemned in a letter from Boniface for seducing nuns. The novel is truly about saints and sinners!

Guthlac’s life is still commemorated. Apart from the ruins of the Crowland monastery – still with the tallest bell tower in the land – his name lingers on in the Saint Guthlac School in Crowland, and even in street names in places as far away as Hereford. Of course, we must not forget St Guthlac’s Church in Market Deeping and another in the fenlands at Fishtoft is dedicated to him.

St Guthlac, tormented by demons, is handed a scourge by St Bartholomew, Guthlac Roll, 1210, British Library

As for Aethelbald, well, he’s remembered in the sequel to Saints and Sinners, entitled Mixed Blessings, scheduled for publication on January 25 2019, dealing wholly with the vicissitudes of his long and successful reign. A fragment of a cross shaft from Repton includes on one face a carved image of a mounted man which may be a memorial to Æthelbald. The figure is of a man wearing mail armour and brandishing a sword and shield, with a diadem bound around his head. If this is Æthelbald, it’s the earliest large-scale pictorial representation of an English monarch.

John posted his letter in Italy, but I received the letter via a messenger on horseback.  The messenger arrived on Offa’s Dyke at Tintern. He told me he was from a dark and treacherous land and couldn’t be sure who had followed him.  He was required on the battlefield, so I bid him farewell, and watched as he rode his horse through the landscape. We will have to read John Broughton’s books to solve the mystery of where the messenger returned to.

John Broughton Mixed Blessings

You can read Saint and Sinners and the sequel Mixed Blessings.  You are warned ‘Saxon times are not called the Dark Ages for nothing. It is a violent, unrecognisable world of kill or be killed …’

In all of John Broughton’s stories you will find:

‘All the classic elements of an adventure story, danger, heroism, cunning and treachery. The author knows his period well but wears his history lightly’ – Rosemary Noble 

John Broughton was born in Cleethorpes, Lincolnshire, and studied Medieval and Modern History at the University of Nottingham. He also studied Archaeology, distinguishing himself with a Roman find on a dig at Ancaster. He taught History and English for a decade, becoming Head of Department of History in a Manchester grammar school. A restless period saw him experiment with writing children’s stories while working in a variety of jobs before moving in Italy to teach EFL at a southern university. Teaching and work as a translator of books kept him busy until he retired in January 2014. Since then he has taken up fiction writing once more – returning to his great love, the Anglo-Saxon period. His debut historical novel was The Purple Thread followed by Wyrd of the Wolf.

You can also meet John at:

https://jessiecahalin.com/history-tour-chat-anglo-saxonist/

Sadie’s Wars: Powerful and Deeply Moving

This historical saga of an extraordinary Australian pioneer family continues into a new generation

I have been idle for two days and it is Rosemary Noble’s fault. I travelled from innocence to experience with her character, Sadie.  She had my ear as soon as I walked into this thrilling family saga.  This hard-hitting, realistic document of challenging times deals with: propaganda, inequality, domestic violence and loss. Insight into Australia and England placed me in the centre of the historical periods.

Strategic juxtaposition of Sadie’s life during World War One Australia and World War Two Grimsby is brilliant.  Noble explores how our experiences make us react in the future thus providing depth to Sadie’s character.  Wounded by past troubles, Sadie makes decisions that made me want to sit her down and give her advice.  Tempting questions hang artfully in each chapter of this novel.  The trajectory of the plot is driven by the intense drama: the action never stops.

A photo of Sadie (she is the standing bridesmaid). This is the only one I have. She is a bridesmaid for her brother, Joe and his wife, Olive. Grandma Jane is sitting next to her. (I found this photo on the author’s website).

I moved from the air raids and community spirit in Grimsby to Sadie’s privileged life in Australia. Neither the ‘uninterrupted sky changing from purple to cobalt’, nor the ‘endless grey skies’ of Grimsby can shelter Sadie from the harsh reality of life. In her innocent years, she is brainwashed by war propaganda then learns about the impact on people as she moves through her life.   Sadie is raised to ‘obey your father until you marry then obey your husband.’  Like her contemporaries, the social straightjacket causes Sadie pain.  Noble shows the inequalities between men and woman at the turn of the century and contrasts it with changing attitudes in post Second World War Britain.  Historical events, attitudes and politics are artfully woven into the narrative fabric of the novel.

Chateau Yering as it is today

Details of a wealthy life in Australia at the turn of last century intrigued me.  I lingered on the verandas and looked at the ‘rich grassland and vineyards as far as the eye could see, framed on by majestic mountains.’ I admired Sadie’s wardrobe of beautiful clothes but realised her wealth and over-protection of her father made her more vulnerable. At every turn, I felt empathy for the young Sadie who is isolated by her ignorance.  ‘Her marriage seemed like a distant dream and her husband merely an actor in it’, and I wanted to chat with Sadie.  Noble explored love so beautifully in the novel.  There is an enchanting, exciting love story, as Sadie learns what real love means.

The wiser, experienced Sadie charmed me.  I sat with her as she waited to discover if her sons would return safely from the RAF. Noble takes the reader into the heart of air raids in Grimsby.  The air raid provides a backdrop to the inner turmoil Sadie suffers, and all these emotions are vividly connected to experiences of the past. Events in post-World War One Australia were shocking.  An intelligent, powerful and deeply moving novel from Rosemary Noble.

About the Book

An astonishing tale, spanning continents, where truth is stranger than fiction. This historical saga of an extraordinary Australian pioneer family continues into a new generation.
Sadie is brought amongst the vineyards of the Yarra Valley whilst her work-obsessed father reaps riches from the boom years before the Great War.
With post-war depression looming, Sadie’s only option is to flee from her disastrous marriage, seeking refuge in Cleethorpes, a small seaside town in northern England.
Years later, when her sons are in RAF Bomber Command, she receives a letter from her long-lost brother which forces her to confront the past and her part in her family’s downfall.
Can old wounds be healed?
Will she find new love?
Will this second war destroy everyone she saved?

Rosemary Noble is the author of Sadie’s Wars and the Currency Girls Trilogy. This is her favourite writing spot.

About Rosemary

Rosemary worked as a college and university librarian and has a life-long love of social history and reading. Researching family history led to an interest in Australia where Search for the Light ends and provides the setting for the sequel, The Digger’s Daughter. A third book in the Australian series, Sadie’s Wars, is now available.

Rosemary is a member of Arun Scribes Creative Writing Group and a member of CHINDI (Network of Independent Authors). Her third book, Ranter’s Wharf is set in England during the first half of the nineteenth century. In odd moments, she writes flash fiction for Paragraph Planet and Drabble.

For more information read my interview with Rosemary here or visit Rosemary’s blog at https://rosemarynoble.wordpress.com/

 

Please see all my book reviews and book excerpts at Books In Handbag and my website and blog at JessieCahalin.com.

Enigmatic Dual-Time Guernsey novel in my handbag 

Anne Allen

 

 

 

 

 

 

Having departed from a grey, rainy day in London, it was a thrill to arrive in Guernsey. A blue sky greeted me in Guernsey, and the cool breeze was refreshing. A taxi took me to the quaint St Peter’s Port. I met Anne at The Old Government House Hotel, a cosy homely hotel with spectacular views. Looking around, I tried to imagine how the building may have been used by the Germans, during World War Two.

We sat in two comfortable brown leather armchairs, near a beautiful piano.Grabbing Anne’s latest novel, The Betrayal, from my handbag, I asked Anne to tell me more.

Jessie: This is a beautiful place and it is difficult to imagine how Guernsey when it was occupied by the Germans. Tell me more about your novel.

Anne: The Betrayal  is two intertwined stories; the first focusing on Leo, who loses everything in the German Occupation of Guernsey. The second concerns Fiona, who sixty years later, becomes caught up in what happened to Leo after the mysterious find of a Renoir in a Guernsey basement.

Jessie:Where did you get the inspiration for your narrative in The Betrayal?

Anne: From two historical events that took place in Guernsey. The first was Renoir’s visit in 1883, when he stayed for a few weeks and painted numerous local scenes; in particular Moulin Huet on the south coast. These paintings are quite well-known and at least one is in a major museum. The second event was the forced deportation of Jews from Guernsey and Jersey – by the Germans to concentration camps during WWII.

Jessie: German occupation must have been terrifying for the inhabitants.  I look forward to reading your novel to capture a sense of the atmosphere. Can you read an extract from the novel?

Anne removed her novel from the coffee table and selected a passage instantly.

Anne: His heart lurched, hating to see her like this. Before he could say anything, she went on, ‘I can’t leave you here on your own, Leo. Anything might happen to you if the Germans do come.’

Jessie: Great choice! You build up the tension and make me want to read more. How does The Betrayal fit into the Guernsey Series?

Anne:All six books in The Guernsey Novels series are standalone stories but they share characters who featured in previous books. It’s like reading about a small town, when people know each other and turn up when needed. Each book has fresh main characters to add to the mix and to prevent readers becoming bored! My fans tell me they love recognising characters from previous books in the series, making them feel at home

Jessie: How did you feel when you had finished writing The Betrayal and did you miss any of the characters?

Anne: Relieved and exhausted! It had taken me months longer than anticipated to finish but I was pleased with the result. Characters do get under your skin and I miss Fiona and Michael in particular. The joy of writing books in a series is that characters can pop up again, so it might be au revoir not goodbye.

Jessie: Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family. 

Anne: I would be honoured if Barbara Erskine, the writer of so many wonderful time-slip books, would deign to read my humble offerings. Any words of advice and/or encouragement from her would be gratefully received.

Jessie: What is the biggest challenge for an author?

Anne: Getting noticed by potential readers. There are millions of books available to choose from these days making it almost impossible for an unknown writer to be noticed in the crowd. Now I have a series of six books to my name, it’s becoming a little easier.

Jessie: What is the best advice that you have received as a writer?

Anne: To write as if for myself, not to worry if anyone will ever read my words.

More about Anne

Anne is a retired psychotherapist who finally got the chance to write when her three children flew the nest. She loves history and exploring old houses, visiting places of archaeological interest on her travels.

Please see all my interviews at My Guests and my blog at jessiecahalin.com.