Gail Aldwin’s Debut Novel: The String Games

I was honoured when Gail Aldwin sent me a postcard about ‘The String Games’.

Presenting an author’s debut novel is one of the great privileges of blogging, and I was honoured when Gail Aldwin sent me a postcard about The String Games. This debut novel is to be published later this month by Victorina Press. Gail’s poetic style of writing is charged with emotion and appeals to me.  I look forward to reading her debut novel to discover how she has painted the complex emotions involved in the challenging narrative.

Without further ado, I will hand over to my lovely guest, Dr Gail Aldwin.

I have long been a fan of Jessie’s writing (You Can’t Go It Alone is a super novel with memorable characters) and Jessie’s blog (always love being introduced to new writers) so I am delighted to be offered a post to celebrate the launch of my debut novel The String Games which will be published by Victorina Press later in May 2019.

About The String Games

The String Games is Gail Aldwin’s debut novel

When four-year-old Josh is abducted and murdered during a family holiday in France, Nim, aged ten, becomes an only child. To cope with the tragedy, Nim reinvents herself but continues to carry a burden of unresolved grief. As an adult she returns to France determined to find out more about the circumstances of Josh’s death. How will she deal with this new information and what are the implications for her future?

I love the variety of posts on Jessie’s blog and thought I’d take the opportunity to share an extract from the novel that brings food and unforeseen consequences together. Nim narrates the story of the holiday she shares with her brother and her mother, Jenny. Joining them at the caravan is Jenny’s lover Dee and her six-year-old daughter, Ella. In charge of the little kids, Nim takes them to the campsite shop to buy ice-creams:

When it was their turn to be served, Josh bashed his finger at the glass cabinet, pointing to the vanilla. It might be easy to read words in French but it wasn’t so easy to talk. Nim nodded at the lady and stuck three fingers in the air. It was easiest to order the same flavour but that didn’t stop Ella from moaning. She was lucky to have an ice cream at all, seeing as Dad’s money was meant for Nim and Josh. When the first cone was topped with a white wig, Nim passed it to Josh and the next went to Ella. When the last one arrived, Nim gave the lady the money.

‘Non, non, non!’ The assistant shook her head and wagged a finger.

Nim stood there. The little children licked their cones while ice cream ran onto Nim’s hand. What was the matter?

‘Zis English.’ The assistant spat the words.

‘Yes.’

‘Non, non, non!’

‘Is something wrong?’ It was a relief to hear an English voice. The man had a tanned forehead and lines showed on his cheeks when he smiled.

‘I don’t know,’ said Nim. ‘My dad gave me the money as a going away present.’

‘He should’ve given you francs. Never mind. Let me get these.’ He passed the assistant a brown note and returned the five pounds to Nim. ‘Save that for a treat when your holiday’s over – you can spend it back in the UK.’

‘I’m not sure.’

‘It’s not a problem. Let me do you a favour. Your dad would do the same in this situation, I’m sure.’

‘Hmm.’ Nim didn’t know what to say. She’d been told not to talk to strangers, but it was too late. Josh crunched the last of his cone.

‘What’s your name?’ asked Josh.

‘Shush,’ said Nim. Josh had been warned as well, but the man didn’t look like a stranger. He wore a shiny top, and Nim hoped Josh wasn’t going to say anything about football shirts.

‘I’m Geoff,’ he said.

‘What’s your job?’ said Josh. ‘And where did you get that shirt?’

‘Too many questions,’ said Nim.

‘Don’t worry. I know what boys are like. I’ve got nephews. They’re toddlers at the moment but I bet they’ll be the same as Josh one day.’

‘When I was little, I wanted to be a tractor,’ said Josh. ‘But now I want to be a policeman.’

‘Interesting career choice,’ said Geoff.

‘We live at Sank-on-Seas,’ said Josh.

‘Sank-on-Seas?’ Geoff repeated.

‘He means fifty-six in English,’ Nim corrected, but realising she’d probably said too much, she elbowed Josh. ‘We need to go.’

‘Goodbye.’ Josh scampered to the steps, where he turned.

‘You can come to my place any time you want ice cream. My freezer is full of it,’ said Geoff. ‘Just look for the caravan with the yellow door along the road from here.’

‘Okay.’ Josh skipped down the steps.

This is the postcard Gail sent me from Dorset. I’ll certainly take care if I ever need to walk on the bridge.

When Josh goes missing later in the novel, suspicions about Geoff are raised and Nim shoulders feelings of responsibility for bringing the two of them together.

Praise for The String Games

The String Games takes hold of the reader and the juncture of the head and the heart and simply does not let go. With courage and tenderness, and an unblinking eye, Gail Aldwin explores the ways in which the loss of a child explodes a family. Treat yourself and read this one.

JACQUELYN MITCHARD, bestselling author of THE DEEP END OF THE OCEAN

About Gail Aldwin

Gail co-writes short plays and comedy sketches that have been staged in Bridport, Brighton and Salisbury. She also performs her work at fringe festivals in the South-West.

Gail Aldwin’s published work includes Adversaries/Comrades, a poetry pamphlet (Wordsmith_HQ, 2019) and a collection of short fiction Paisley Shirt (Chapeltown Books, 2018) which was longlisted in the Saboteur Awards 2018. Gail co-writes short plays and comedy sketches that have been staged in Bridport, Brighton and Salisbury. She also performs her work at fringe festivals in the South-West. The String Games is her debut novel.

Twitter:              @gailaldwin
Facebook:          https://www.facebook.com/gailaldwinwriter/
Blog:                  The Writer is a Lonely Hunter

Gail’s anthology of flash fiction entitled Paisley Shirt captivated and moved me.  In the future, I will blog the flash fiction Gail’s work anthology inspired me to write.  I am excited to discover how Gail will stretch my imagination with The String Games.

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel can be found here.

Mistletoe and Mayhem

There’s not just kisses under the Mistletoe this holiday season, dun-dun-dun!

You don’t have to wait for the festive fun.  Open the grand doors of a manor and experience Mistletoe and Mayhem.  Author, Veronica Cline Barton, invited her readers to celebrations.  But beware of mysterious events in this cosy/cozy mystery.

Dear Readers,

I am delighted to present Mistletoe and Mayhem, Yuletide at Castlewood Manor.

Rumor has it a Castlewood Manor feature film will be made to highlight the fan favorite period drama on the big screen. As Gemma and her family and friends prepare for the celebrity filled holiday celebrations, which includes television broadcasts, a visit by the queen to Cherrywood Hall, wedding planning frenzy and plenty of mystery, family drama and intrigue, you can bet that the tinsel will be in a deadly tangle in the stately halls of Cherrywood. Father Christmas has his hands full as revenge, mur-dah, sabotage, and bridezilla wannabes threaten to bring this ‘Tis the Season’ to a fiery and disastrous end.

Mistletoe and Mayhem is a delightful guilty pleasure read for the holidays with romance, mystery, family drama and tons of royal surprises—snuggle up by the fire with your favorite libation and enjoy!

Happy Christmas and Best to You in the New Year! Cheers!

Veronica

Veronica’s Extract

“Why you little darling, it’s about time you called me. We have a wedding to plan!”

I laughed at Max’s dramatic tone. I knew there was no way he was not going to be involved in choreographing my wedding, he was on a mission. “It’s been a bit busy here, Max. Mama said you have someone in mind that you’d like to introduce me to, a Mr. Reginald Gerard?”

The royal garden view that inspired the setting.

“Oh darling, Reggie is absolutely the best there is. He just got back from Denmark you know. He and I go way back to our university days. We both majored in interior design. Reggie branched out years ago to get in the wedding and party planning event business. Queen Annelyce and Lady Adela adore him. He did the queen’s last dinner party, you know.”

“Yes, yes, I’ve heard that. I must tell you Max, that Kyle and I have really not had a chance to discuss any plans yet, not with everything that has gone on with Evan.”

“Oh, I know, darling. It’s been so awful. That’s why I thought you could just let me and Reggie, get started planning all the details for you. We’ll take care of everything. You won’t have to lift a finger…”

Reviews

‘The fourth book in this well written series has everything you desire for a perfect holiday: Romance, a cozy mystery, British royals and a heart-warming, Christmas miracle.’ Star Traveler

‘I love this cozy murder, it has everything I could ever want in one book, including a lovely little dog.’ Mark Schultz

‘You will truly feel that you are living like the almost-royals at the family home. The story moves along and is vivid, entertaining and interesting and the ending is truly a “wow!”. Full curtsey to author Veronica Cline Barton!” – Jena C. Henry

Gemma’s favorite place to stroll at Hampton Court Palace.

Final word from Veronica

This book was a complete joy for me at the end. We go through a lot with Gemma’s family issues and changes, and of course the ‘mur-dah’ and mayhem, LOL. I think the ending with the slight change in course for the series will keep things fresh and give some new perspectives for the characters and storyline. I love getting together with my characters when I’m writing—this story was particularly fun being set during the holidays, and a few of the scenes actually take place at my favorite royal abode, Hampton Court Palace. It’s been Christmas at my house for all of 2019!

I love all things cozy mystery–in addition to the My American Almost Royal Cousin series books, I’m currently starting a new cozy mystery series titled An American Hygge & Bisous Mysteries, set for release in 2020.

Meet the author, Veronica Cline Barton

More about Mistletoe and Mayhem

There’s not just kisses under the Mistletoe this holiday season, dun-dun-dun!

A family’s legacy, a mother’s heartbreak, a highly anticipated feature film announcement, and bridezilla wannabes are set to rendezvous around the Christmas tree this Yuletide season. History is about to change by royal decree, impacting forever the life of American heiress Gemma Lancaster Phillips and the man she loves as she takes the reins of the family peerage and title—a move that places the British/American Lancaster family relations at risk.

 

Please see all my Book Extracts and Book Excerpts and also my website and blog at JessieCahalin.com.

Voice of an Australian convict in my handbag

Historical novelist, Rosemary Noble, is presenting an extract from her first novel entitled ‘Search for the Light‘. 

Rosemary’s novels are powerful and engaging explorations of historical periods: strong, empathetic characters and beautiful language transport the reader to the time and place.  

Rosemary researches the historical periods thoroughly, but the characters take over and tell their stories. In a letter to readers, Rosemary introduces the inspiration behind her moving novel, ‘Search for the Light’.

Dear Readers,

I am delighted to present an extract from my historical saga: ‘Search for the Light’.

This is a story of love and friendship, of three women out of the thirteen thousand transported to Van Diemen’s Land alone. Until a few years ago they had been written out of history, their contribution ignored, denigrated for behaviour unseemly in a woman of the times, constantly punished for minor misdemeanours. Some were strong enough to survive and their contribution deserves to be recognised.

I sat down one morning, and my character, Sarah, appeared out of nowhere, a victim and survivor of abuse. Readers love Sarah and I grew to love her. Once or twice I wondered if she should die but she told me, no, and I’m relieved she stayed my hand. Of all the characters, she did find the light and it was inside herself.

In the extract, Sarah has been given a life sentence of transportation for manslaughter. She is waiting in Newgate prison and Nora, the main protagonist, is another prisoner who has befriended her. Sarah is the only character written in the first person because I strongly believe she wrote her own story.

Thank you for your interest and your time.

Rosemary Noble

Words from the novel:

My name is Sarah Mawby I told her, but I don’t really know what my name is or even If my mother ever gave me one. Mawby was the name of the street where I was left. No, I don’t know who my parents are. No one claimed me. Why would they? Just another wailing mouth to feed.

I don’t know my age, about fourteen I think. I have never had a birthday. Some of us foundlings survived our childhood, but it was just luck, lots of children didn’t. We were given a cot to share, as many as ten to a cot, a few patched second-hand clothes, a morsel of food, if it could be called that; much worse than in here it was.

When sickness came, whole cotfuls of babies succumbed in turn. They told us they had gone to live with God. God obviously didn’t want me. I’m not surprised.

Oh yes, we were taught to read and count. They didn’t teach us to write. Too dangerous, we might write and tell someone how we were treated. Sundays, we went twice to church and heard all about hell fire and damnation, whilst we shivered in our thin smocks. What else did we get? Oh yes, the stick. There was lots of that. Was there love? I didn’t believe it existed. I’d heard of it but I never had any.

Then I watched Nora with her father today and saw love for the first time. It was the most beautiful thing I ever saw.

How Nora and Sarah fit into the story:

A moment’s foolish mistake costs sixteen-year old Nora her freedom and her family. Sentenced to transportation she has to grow up fast to survive prison, the long journey and then life as an assigned servant in Van Diemen’s Land of the 1820s. She is sustained by real friendships with other prisoners, Sarah and Helen. Can anyone of them overcome the pitfalls of convict life to become pioneering settlers of modern day Tasmania? This is a story of love and friendship amidst the trials of 19th century Australian colonial life.

Opinions of the reviewers:

“There were moments when I was doing the literary equivalent of shouting at the TV. It moved me, I felt alarm, indignation, great sadness and elation.” Ingenue Magazine Summer 2017

“Rosemary Noble writes with immense skill and takes great care with the characters in this story and I look forward to meeting some of them again in her next book.” John Charles Hall June 2017

“The characters are brilliantly defined; the narrative flows and the historical knowledge of the author is admirable. A fabulous read.” Catrin August 2016

More about the author:

I’m probably a frustrated historian but I’m making up for it now.

This was my first book, so a measure of relief in having achieved this goal. I thought it was going to be my one and only but at the end I wrote an epilogue, which is the daughter of Helen, another main character, looking back. And the sequel was born. So, in many ways I didn’t need to miss the characters, they were looking over my shoulder when I wrote The Digger’s Daughter and are still breathing down my neck as I write the third book in the series.

Reading ‘Ranter’s Wharf’, Rosemary’s latest release, made me feel passionate about my ancestors’ suffering. Following Rosemary’s extract and information, I have bought ‘Search for the Light’.  I am looking forward to finding out more about Australian history through Rosemary’s characters.  Digger’s Daughter, the second Australian Saga book, is also available now.

To find out more about this wonderful author, please visit my interview with Rosemary.

Please read my review of Ranter’s Wharf – it will give you a flavour of how Rosemary brings history to life.  Rosemary is the historical novelist with a social conscience. 


https://rosemarynoble.wordpress.com/

https://twitter.com/chirosie

https://www.facebook.com/RosemaryJaneNoble/

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

An Opera Singer’s Debut Novel

Enjoy the Scandinavian landscape presented in this vintage postcard

Meet a Danish opera singer and artist Hanne Holten who couldn’t stop writing until she completed her debut novel.  Snares and Delusions explores myths, class and women’s situation in a time when their place was defined by their husbands.  Hanne agreed to write to her readers and present an extract of her unique novel.  As I discovered more about Snares and Delusions, I could not resist asking additional questions.

Dear Readers,

Snares and Delusions

I am delighted to present an extract from my debut novel: Snares and Delusions.

The protagonist, Hedda, faces her life — and death — in dreams and nightmares. The feisty teenager develops into an independent woman through traumatic events and brief moments of romance.

The extract is a central scene in the book where Hedda faces her abusive and — by then — insane husband. This is a pivot point that determines her future in both positive and negative ways.

Dreams and nightmares, Norse Mythology, romance, terror and the story of a life — all in one book that fits snugly in a handbag — what’s not to love?

Best wishes,

Hanne x

Jessie: What genre does your book fit into and is the writing like any other author’s style? 

Hanne: Basically, Snares and delusions is a historical novel of a literary cast. It may fit into other genres too, it certainly has elements of myth, suspense, humour, and drama. Is my style like another author’s? I’m not sure. I can think of a few authors who have written similar subjects, for instance, John Irving in Avenue of Mysteries, and Kazuo Ishiguro in The Buried Giant.

Jessie: The content of your novel seems challenging. Would you agree with this statement?

This portrait in Sepia’ presents Hedda, as I imagine her at the time of the extract.

Hanne: I’d have to agree with that. It is set in a period when men had absolute power over women, and my heroine, being dead set on winning her independence, takes up the challenge. Also, it deals with death, with pain, and nightmares on different levels.

Jessie:  What have your readers said about this unusual novel?

Hanne: The reviews have been positive.  Here are some quotes I have enjoyed:

‘Such a wonderful book.’

‘The writing style is detailed and is teleporting you directly into the story and its surroundings.’

‘Go for it! You will love it!’

Jessie:  This novel sounds unique, challenging and intriguing. Can you tell me more about the novel that takes Hedda to hell and back?

Hanne: The combined forces of opium and pain brings her face to face with her life. From rural Sweden in the late nineteenth century, over Silkeborg to the Danish Capital, and during the Great War, she experiences love and loss, poverty and betrayal.

Hedda gives up everything to win independence. She soon discovers that this is one thing to wish for and another to achieve. Life handles her roughly, but can she develop strength of character? Will she pay for her freedom in ways she doesn’t anticipate?

Jessie:  Reviewers have praised your style of writing. Please give us an extract to introduce us into Hedda’s world.

Hedda and her daughter

Inside the study, the French windows swing back and forth in the breeze. The curtains hang half off their pole, and there are mounds of twigs and moss on the tables. Most of Conrad’s books lie on the floor. Every surface is covered in bird droppings, and the stench makes Hedda gag. She enters the room step by step and whimpers when she crunches a mouse-carcass under her foot.

Out of the blue something grabs her hair. Hedda yells and waves her arms to dislodge the creature but it claws at her hands. She can’t see anything but feels its wings, flapping around her head. The bird screeches, pecking at her skull. She screams, but falls silent, as Conrad enters through the open French windows.  He carries an axe, and a raven perches on his shoulder. He turns his back on Hedda and takes place at his desk.

Then he whistles sharply. The other bird leaves Hedda and lands on his free shoulder. Conrad gets to his feet and grasps the claws of one of the ravens. He decapitates the sooty bird, using the desk as a chopping block. Wood splinters and wing feathers fly in the air, as the other raven tries to escape through the open window. Conrad throws the axe with uncanny precision, and the raven drops to the floor with a thumping noise, surrounded by broken glass from the window.

Hedda still screams. She tries to quell the sound with her hands, when Conrad turns towards her.

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

It was hard to let go of Hedda, so hard that she features in my second book, soon to be published. Hedda isn’t the main character, and this isn’t a series. Still, there is a connection in time and setting between the two books.

How has your life as an opera singer and artist impacted on your writing? 

No doubt, my life influences my writing. It is difficult to say whether my singing or painting has made a direct impact, but I tend to have a visual idea of the scenes as I write them. I also plan to write a book where the protagonist wants to be an opera diva.

About the Author

HM Holten

Hanne Holten was an opera singer and a painter who couldn’t stop writing. So far, that resulted in her debut novel, several poems, and a work in progress that explores of the history around and after the Great War.

She grew up in Denmark but lived and worked in London for fifteen years. A few years ago, she left the UK for Germany. After graduating as an opera singer, she turned to teaching. This way she acquired an eye for details that helped her developing Snares and Delusions.

Contact details
Email: hanne@holten.co.uk
FB Hanne Holten Writes: https://www.facebook.com/HmH24
Blog: http://blog.holten.co.uk
Twitter: https://twitter.com/HoltenHm @HoltenHm

 

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

Real Women and Real Dilemmas

‘Fly or Fall’ took me to the edge of the woman’s world

The front cover of Gilli Allan’s ‘Fly or Fall’ took me to the edge of a woman’s world and made me curious about her dilemma.  I adore compelling characters who need the supportive shoulder of the reader.  Before jumping into the woman’s dilemma, I needed to find out more. I asked Gilli, the author, to introduce the woman and present readers with an extract. 

 

 

Dear Readers,

Wife and mother, Nell, fears change, but it is forced upon her by her manipulative husband, Trevor

I am delighted to present Fly or Fall.  Nell has been coerced by her husband into moving and she feels displaced, isolated and out-of-tune with the society she finds herself in. But despite herself, she is gradually drawn into this frivolous world where her principles are threatened.

The extract I’ve chose is quite near the end, where Nell’s belief in her family life and her marriage have been completely undermined, and the pressure to strike out on her own has become irresistible. It shows both her misgivings, even at this late stage, but also her powerful attraction to sample the forbidden fruit that is within her grasp.

I believe that readers would like to have Fly or Fall in their handbags because most will be able to identify with the story on some level. Most women have been tempted at one time or another, even those with a strong moral code, but this is not a “how to” book on cheating; it’s just the story of one woman – how she dealt with a turbulent time in her life, and the decisions she eventually made.

All best wishes,

Gilli Allan

Extract

After taking a part-time bar job at the sports club she is gradually drawn in to the social scene of the area.

‘You’re not here on the pull, are you?’ He grinned. ‘Now that would keep you out of the house.’

My earlier confidence was becoming ever shakier. ‘Why do you think that?’

‘The challenging way you’re sitting there … on your own. The moment I walked into the bar I thought, now there’s a woman who means business.’

‘Are you saying I look like a tart?’

He laughed. [….] ‘Never. Far from it. Get you another drink?’

I held the new glass of Cabernet, its bowl in my palm, the stem between my fingers. The downlighter shone through the wine, throwing a reflection, like a pool of blood, into my cupped hand. As I took my first sip, he leant towards me.

‘Tell me, would anyone do or have you set your sights on a particular target? I don’t always turn down a proposition.’

The glass rattled against my teeth; my throat narrowed to a dry, choking, pinhole and I could barely swallow. I coughed, put the glass down clumsily, and the wine slopped onto the wooden counter. I clasped my hands together.

‘I’m sorry.’ He laid his hand over mine. ‘You’re trembling. I didn’t mean anything … you shouldn’t take me seriously.’

My fingers curled tightly around his. ‘Sometimes I wish I could.’

The smile died away from his face.

‘Come on, let’s get out of here.’ His hand was under my elbow as I stood, but other than that brief contact, we walked out of the bar apart, abandoning our drinks.

Blurb

Finding herself in a new world of flirtation and casual infidelity, she is torn (book cover)
Gilli Allan

Wife and mother, Nell, fears change, but it is forced upon her by her manipulative husband, Trevor. Moving to a house she dislikes, in a town she has no connection to, she feels lost, cast adrift from all her previous certainties. Her life is further disrupted by the renovations Trevor deems essential. She finds herself almost living with a firm of builders, one of whom – Patrick – exasperates and intrigues by turns.

After taking a part-time bar job at the sports club she is gradually drawn in to the social scene of the area. Finding herself in a new world of flirtation and casual infidelity, she is torn. Should she emulate the behaviour of new friends or stick with the safe and familiar? A man she only knows as Angel holds a powerful allure.

But everything Nell has accepted at face value has a dark side.  Everyone – even her nearest and dearest – has been lying. She’s even deceived herself. The presentiment of disaster, first felt as a tremor at the story’s beginning, rumbles into a full-blown earthquake. After the dust settles, nothing is as it previously seemed. When an unlikely love blossoms from the wreckage of her life, she believes it is doomed.

The future, for the woman who feared change, is irrevocably altered. But has she been broken, or has she transformed herself?

The Reviews

‘I found it deeply engrossing and sat up late into the night more than once, unable to put it down; it gathers momentum, like a snowball rolling downhill, hurtling towards its dramatic conclusion.’

‘Gilli Allan always delivers the best in realistic women’s fiction and FLY OR FALL soars; it’s an emotional tale encompassing motherhood, marriage, sexuality, painful pasts, rugged relationships and uncertain futures.’

‘The narrative is compelling, the characters are real and I believed every single word.’

Gilli Allan

Gilli writes ‘challenging and honest stories about women’s lives, documenting the downs as well as the ups.’  This commitment to real stories about real women is powerful. ‘Fly or Fall’ has been praised by the reviewers for gripping the reader until the end.  Who doesn’t love a book where you must, must answer the questions before you can rest?

Jessie:  Was it difficult to leave your characters?

Gilli:It was a wrench. Fly or Fall was complex and challenging and took me far longer to write than most books. I was sad to say goodbye to my main characters. Nell, who I’d put through such extremes of emotion, her close friend Elizabeth (the new-ager), whose close connections to the other players in the story are disguised, and David the beautiful young man who appears to have so much, yet is so embittered. And last but not least, Patrick – Jack-the-lad, chameleon, lothario, exasperating, attractive and unashamed liar.

Jessie:  Leave me with one sentence to hook your reader.

Gilli:  Will the allure of the unknown ever overcome the fear of stepping away from solid ground?

About Gilli

Always an obsessive writer, Gilli side-lined the hobby when she began work as a commercial artist. With motherhood Gilli resumed writing “seriously”. After the main-stream publication of her first two novels, Gilli went independent. Still a keen artist, Gilli has begun book illustration. She is now published by Accent Press.

Find Gilli @

http://twitter.com/gilliallan  (@gilliallan)
http://www.facebook.com/GilliAllan.AUTHOR
http://gilliallan.blogspot.co.uk/
http://www.goodreads.com/author/show/1027644.Gilli_Allan

 

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

 

A ghostly extract in the pocket of my handbag

Lay Me to Rest, Elizabeth Clark

 

 

 

 

 

 

 

What is the book about?

Lay Me to Rest’ is the story of the newly-widowed, pregnant Annie’s attempt to overcome her depression, by renting a remote cottage in Anglesey. Her arrival, however, triggers violent, unexplained disturbances within the house and the “holiday” soon becomes the stuff of nightmares.

Why should I keep your book in my handbag?

You’ll want to keep the book to hand – there are several momentous events throughout, so you’ll probably want to keep turning pages!

Extract

Again, the same line, yet louder and more persistent. It seemed to reverberate round the walls. I was in no doubt now that the words had been uttered with venom; that someone – or something – meant me harm. My breath came in shallow, rapid gasps. I was filled with a feeling of unreserved dread.

As my eyes grew accustomed to the dimness, I could discern a silhouette, apparently seated at the foot of my bed. I opened my mouth to scream but the power of speech seemed to have deserted me. I could do no more than watch in sheer terror, as the mattress rose slightly and a nebulous figure drew to its full height, releasing a rush of icy air. I could not – dared not– conceive of what might ensue. I was petrified.

I stared helplessly at the apparition; through the gloom, its body resembled the shimmering negative of an old photograph; but the eyes receded deep into their sockets, as black and fathomless as a calm lake. My stomach lurched as the spectre brushed past me, only to vanish into the wall. I sat, rigid with fear, hardly daring to breathe. My heart pounded so loudly in my chest that it seemed to fill my whole head.

The tension shines through in this extract and involves the reader. Elizabeth’s debut novel is receiving very positive reviews. This is a gripping thriller; perfect for fans of Kerry Wilkinson, Sarah Wray and Stella Duffy. 

E. A. Clark

The novel is currently on offer.  Find out more about the book at:

Bag a Bargain

Elizabeth will talk more about her book in an interview on Friday. This ghostly book is released on Friday, 29th September. Warning!  You won’t be able to put this book down.

 

Please see my blog for more articles, book reviews, author interviews and adventures at jessiecahalin.com

A stolen painting in the pocket of my large handbag

Popular author, Anne Allen, released ‘The Betrayal’, on 22nd October.  ‘The Betrayal’ is the sixth book in the Guernsey Series.  Anne Allen has kindly selected an exclusive extract for Books in my Handbag.  The dual-time novel unfolds in the present day and during World War Two.  It is set against the backdrop of the German deportation of the Jewish community, in Guernsey, and involves a stolen Renoir painting. 

Treachery and theft lead to death – and love. 

‘The Betrayal’ is tense, powerful and spellbinding.

Anne will introduce her new novel, present an extract and tell you more about the intricate narrative.

Dear Readers,

I am delighted to present my latest in the Guernsey Novels series, ‘The Betrayal’.

This extract is from the beginning of the book and is the prelude to the modern part of the story, giving you a taste of the tension throughout the book.

Keep a copy of the book in your bag to dip into whenever you have a moment, you won’t regret it!

Happy Reading☺

Anne x

Presenting the extract:

Guernsey 2011

Something was wrong. The alarm didn’t blast out as he pushed open the back door of the shop. Standing still, he heard a noise. Someone was in the shop. Or more accurately, the basement. Nigel paused as he closed the door quietly behind him, his heart hammering against his ribs as he debated what to do. Whoever was in there knew how to disable a burglar alarm otherwise lights would be flashing and a discordant wail would be piercing the air. Best to shut them in the basement and call the police. Following the thought, he crept into the main shop, guided by the dim light coming through the rear window. His eyes adjusting to the dimness, Nigel tried to pick out the area where a rug should cover the trapdoor. For a moment he wondered who could have known about the basement, only discovered a few weeks before when they completed the renovations and replaced the flooring. Odd. And why the basement when the shop was full of valuable antiques?

Crouched at the edge of the hole, light from a torch casting shadows below, he was about to push the open door downwards when a hand snaked up and grabbed his arm.

More about ‘The Betrayal’…

Teresa Bichard and her baby are sent by her beloved husband, Leo, to England as the Germans draw closer to Guernsey. Days later they invade…

Leo, of Jewish descent, is betrayed to the Germans and is sent to a concentration camp, never to return.

Teresa returns to find Leo did not survive and the family’s valuable art collection, including a Renoir, is missing. Heartbroken, she returns to England.

Nigel and his twin Fiona buy a long-established antiques shop in Guernsey and during a refit, find a hidden stash of paintings, including what appears to be a Renoir. Days later, Fiona finds Nigel dead, an apparent suicide. Refusing to accept the verdict, a distraught Fiona employs a detective to help her discover the truth…

Searching for the true owner of the painting brings Fiona close to someone who opens a chink in her broken heart. Can she answer some crucial questions before laying her brother’s ghost to rest?

Who betrayed Leo?

Who knew about the stolen Renoir?

And are they prepared to kill – again?

What do the reviewers think of ‘The Betrayal’?

‘I am a huge fan of Anne Allen’s Guernsey series in which various locations are lovingly described. With the ‘suicide’ of her twin brother, this book has an orally different feel as Fiona tries to get to the bottom of it. With an undiscovered Renoir and links to WW2 this book has a much darker feel to it.’ Julie Ryan

‘Great characters and of course a love connection with a happy ending.’ Karen’s World

‘Having read Anne’s last book, Echoes of Time, I couldn’t wait to read her latest, and I wasn’t disappointed. The novel alternates between WW2 and 2011 and is set on the beautiful island of Guernsey. The Betrayal features twins, Fiona and Nigel, who discover a Renoir within the walls of their antique shop in 2011. When Nigel is found dead, and suicide is suspected, Fiona refuses to believe that her brother would end his own life and she sets out to uncover the truth. Unravelling the mystery will carry her on a journey back to 1940, and to the dark days of the German Occupation and the deportation of Jews.’ S. Charlton

And finally…

A late-comer to writing, Anne was a psychotherapist in a previous life.   Readers are lucky that Anne decided to tell her stories. Anne admits her characters do get under her skin and she misses Fiona and Michael, in particular. I look forward to discovering more about the characters and solving the mysteries presented by this delicious time-slip novel.

You can find out more about Anne Allen here.

 

Please see all the specially chosen extracts at Book Extracts and my blog at jessiecahalin.com

 

No More Mulberries with Mary Smith

Ali Baba and Hussain Ali sharing a bowl of mulberries

I was intrigued when Mary Smith asked me if she could present an extract about Afghan food.  Always keen to learn more about food and other cultures, I invited Mary to present an extract from No More Mulberries. The feast of food is a treat for the senses.

This extract from No More Mulberries comes at the start of the book. Scots-born Miriam, her Afghan husband Dr Iqbal and the two children are finishing their evening meal. Miriam and Iqbal are arguing because he has arbitrarily cancelled the English classes she teaches to some of the village boys.

Mary Smith’s book, No More Mulberries

Extract:

Iqbal’s eyes narrowed and his voice was cool. ‘The subject is closed.’

About to protest, Miriam became aware the two children were still sitting in the room. For once, Ruckshana had fallen silent, gazing round-eyed at her father. Farid’s head was bowed and she couldn’t see his expression, but knew his face would have the closed, tight look it assumed whenever there the possibility of an argument. She’d wait until the children were in bed before continuing this discussion. Hoping to dispel the tension in the room she rose to her feet, saying, ‘Come on, Farid, you clear the plates while I bring the toot.’

Mantu

The children whooped as she placed a large basin heaped with a pyramid of mulberries – white, red, purple – on the cloth. Washed in icy cold well water the berries glistened like jewels in the light of the oil lamps. Everyone gathered round, busy fingers searching expertly for the choicest fruit. At last, Miriam sat back. ‘My favourite, favourite, fruit. I wish they were in season all year round. I’ll put some up to dry tomorrow. They’re not the same dried, though, with their chewy textures and …’ she groped for the word she wanted, shrugged, ‘dustiness. Right, you two,’ she continued, pointing at Ruckshana and Farid in turn, ‘hands and faced washed before you get a story.’

‘I’ll get them ready for bed and read to them,’ Iqbal said. ‘I don’t need to go out tonight.’ She gave him a fleeting smile in outward acceptance of what she understood was a peace offering, though inwardly she still seethed. It would take more than a bedtime story to make peace.

End of Extract

When I lived in Afghanistan I, like Miriam, loved mulberries and was always sorry when their short season ended, though by then it was time for apricots and peaches. It really made me understand the meaning of eating seasonally. Besides, with such a great variety of things to eat it was no hardship not to have apricots in December – fresh ones, that is, there were always dried ones, which were delicious soaked and poached and served with yoghurt for breakfast.

Ash prepared for cooking and the nan fresh from the tandoor. The heat in the tandoor is fearsome.

In No More Mulberries, Miriam worked in the remote, mountainous region of Hazara Jat, as I did. The daily fare is simple: rice with lentils, yoghurt and sometimes ash, which is handmade pasta. Afghanistan was on the Silk Route so benefited from fusion cuisine long before it was fashionable here. The pasta is served with quroot, a rock-hard sour cheese made from buttermilk which is re-hydrated into a sauce and nan, baked in the tandoor. The heat in the tandoor is fearsome. When the weather is cold children sit with their feet dangling inside to warm them – I was horrified to find my three-year-old doing it.

Kabuli rice: rice cooked with lamb and topped with raisins, almonds and strips of carrot, vegetable dishes and firni a pudding made with milk and corn flour and heavily sweetened.

Shurwa is a meat-based soup (chicken or goat) into which we broke our bread – like I used to do with tomato soup when I was a kid – and once it was all nicely mushed, another piece of bread is used as a spoon.

Afghans love entertaining and at a dinner party, a minimum of seven dishes is served, including kabuli (sometimes seen as qabuli) rice cooked with lamb and topped with raisins, almonds and strips of carrot, vegetable dishes and firni a pudding made with milk and corn flour and heavily sweetened. I so admired how the women (often, it has to be said, helped by the men), working in the most primitive conditions, on a mud-constructed stove, smoke billowing around the kitchen produced these dishes, all cooked to perfection, all hot at the same time.

One of my favourite dishes – perhaps because it is easily reproduced at home – is banjan-sia borani.

In the northern city of Mazar-i-Sharif people came from all over Afghanistan, bringing their own regional and tribal specialities. Little leek-filled dumplings are delicious as is mantu, a dish of steamed dumplings filled with minced beef and onions, topped with a yogurt sauce. One of my favourite dishes – perhaps because it is easily reproduced at home – is banjan-sia borani. This is egg-plant (aubergine) slices fried and served with cooked tomatoes, topped with a sour cream and yoghurt garlicky sauce and dried mint.

I still remember the tantalizing aroma of those lamb kebabs being cooked on street grills.

And kebabs! I still remember the tantalizing aroma of those lamb kebabs being cooked on street grills. Afghan sheep have what’s known as dumba – a fat tail – and pieces of this fat are interspersed with chunks of lamb on the skewers to add flavour. The kebabs were served inside round nan breads, which soaked up the delicious juices. I found sheep testicle kebabs particularly tasty, possibly because I’d eaten them before I knew what the succulent softness was.

This is a tiny taster of the varied foods on offer in Afghanistan. And yes, the most memorable meal I had was in the home of a very poor family. He had leprosy and we’d gone to give him his supply of medicines. The rules of hospitality meant he had to feed us, even though he had next to nothing. He brought us spring onions, salt and thin nan. We wrapped a spring onion in the bread, dipped it in salt and it was as good as eating at a banquet.

Biography and links:

Mary Smith is a writer, freelance journalist and poet based in Dumfries & Galloway in south west Scotland.

She worked in Pakistan and Afghanistan for ten years, where she established a mother and child care programme providing skills and knowledge to women health volunteers. She has written a memoir, Drunk Chickens and Burnt Macaroni: Real Stories of Afghan Women, about her work in Afghanistan and the country also provides the setting for her novel No More Mulberries.

Mary’s poems have been widely published in poetry magazines and anthologies and her first full length poetry collection, Thousands Pass Here Every Day, was published by Indigo Dreams.

She has worked in collaboration with photographer Allan Devlin on two local history books: Dumfries Through Time and Castle Douglas Through Time. Secret Dumfries comes out in June 2018. Her next project is to turn her blog; My Dad’s a Goldfish, into a memoir about caring for her dad through his dementia.

Donkey Boy & Other Stories is her latest publication.

Links:
Blogs: My Dad’s a Goldfish: https://marysmith57.wordpress.com
MarySmith’sPlace:  https://marysmithsplace.wordpress.com
Website: www.marysmith.co.uk
Twitter: https://twitter.com/marysmithwriter
Facebook: https://www.facebook.com/profile.php?id=100000934032543

Mary’s latest book is a collection of short stories: Donkey Boy & Other Stories. Shot through with flashes of humour the stories here will entertain, amuse, and make you think. Mary Smith’s debut collection of short stories is a real treat, introducing the reader to a diverse range of characters in a wide range of locations. A donkey boy in Pakistan dreams of buying luxuries for his mother; a mouth artist in rural Scotland longs to leave the circus; a visually impaired man has a problem with his socks; and a woman tries to come to terms with a frightening gift – or curse.

 

 

Are you ready for a real Game of Thrones? – 1066

Real Game of Thrones

Are you ready for a real Game of Thrones?  Glynn Holloway’s debut historical novel: ‘1066: What Fates Impose’ is now available.  I asked the author to explain why a reader should delve into his novel.

Dear Readers,

I am delighted to present, 1066: What Fates Impose, a novel about the fall of Anglo-Saxon England.

William the Conqueror

The extract I have chosen is from the opening chapter, which shows William the Conqueror on his deathbed. The dying king is filled with guilt and haunted by the horrors he inflicted on the English.

The reason I picked this extract is because it has a lot of impact. I felt I needed this, and also, I think the guilt he feels on his death bed and the consequences he feels he will have to face in the afterlife, poses the questions at the beginning of my novel:

Did William really think he had a claim to the English crown?

How much responsibility did he accept for the deaths of tens of thousands?

If you want those questions answered, and a lot more besides, put my novel in your handbag. If you do, you’ll be in possession of a book filled with: family feuds, court intrigues, papal plots, assassinations, loyalties, betrayals, a love triangle and a battle or two. Everything, in fact, that made living in the eleventh century such fun.

With Best Wishes

Glynn Holloway

Extract

1066 What Fates Impose

With the very last of his strength he raises his head to look around the room. There are his sons, the bishop, his brother and . . . ‘Oh God, oh God Almighty. No not him! Not now!’

His eyes bulge as he is gripped by terror. Before him, unseen by the others, stands a blood drenched warrior, tall and proud as an oak, fresh from the battle field, his lank and sweat soaked hair hangs down his shoulders, his once handsome face made ugly by an eyeless socket. As though to steady himself, he leans on his battleaxe, resting his hands on its iron head. He stares impassively at William with his single eye, blue and deep as the ocean, a stare mead all the more intense by its singularity.

William has seen him, or thought he had seen him, a number of times over the years glimpsed in crowds or spotted in enemy lines, but never has he seen him so clearly, so close and for so long as he does now.

‘Have you come for me?’ he asks.

A trace of a smile appears on the face of the apparition, who turns, swinging his axe over his shoulder as he does so, before stepping, with a swift backward glance, silently out of the room.

Hopelessness descends on the king; his temperature rises, and he feels hot again. He wants to break free from the heat, but escape is impossible. Was he like a pagan king of old to be consumed by fire?

The is hot, black and silent.

End of extract

About 1066 What Fates Impose

England is in crisis. King Edward has no heir and promises never to produce one. There are no obvious successors available to replace him, but quite a few claimants are eager to take the crown. While power struggles break out between the various factions at court, enemies abroad plot to make England their own. There are raids across the borders with Wales and Scotland.

Harold Godwinson, Earl of Wessex, is seen by many as the one man who can bring stability to the kingdom. He has powerful friends and two women who love him, but he has enemies who will stop at nothing to gain power. As 1066 begins, England heads for an uncertain future. It seems even the heavens are against Harold.
Intelligent and courageous, can Harold forge his own destiny – or does he have to bow to what fates impose?

Jessie:  What do the reviewers say?

‘An extremely promising debut – highly recommended’. Steve Donoghue – Historical Novel Society

‘A Brilliant and Entertaining Novel of the Events that led to 1066.’  Glenn Cook – Vine Voice – Amazon Hall of Fame – Top 100 Reviewer

‘Excellent and Gripping Story.’ Avid Reader – Amazon Hall of Fame – Top 50 Reviewer

Jessie:  How did you feel when you had finished writing the book, and did you miss any of the character?

I was pleased that I’d actually managed to finish it; there were times when I thought the day would never dawn. I did miss some of the characters, particularly King Harold and Earl Godwin.  completing my novel felt a bit like saying goodbye to friends I knew I’d never see again. Harold and Godwin won’t appear in any sequel but there are other characters who will put in an appearance, one of them I’d quite like to never hear of again, but that’s the price of a good villain I suppose.

Glynn Holloway

About Glynn Holloway

G K Holloway lives in Bristol with his wife and two children. After reading a biography about Harold Godwinson, he studied the late Anglo-Saxon era in detail. When he had enough material to weave together facts and fiction he produced 1066 What Fates Impose

http://www.gkholloway.co.uk/
https://www.facebook.com/G-K-Holloway-219766941394283/
@GlynnHolloway

 

 

A book from another world in my handbag

It is great to challenge ourselves with new genres, and ‘We Other’ is a dark fairy thriller. According to reviewers, ‘We Other’ is a magical novel to inspire the imagination. ‘In the book you will meet faeries you would never want to meet on a dark night,’ explained, the author, Sue Bentley. Intrigued, I asked Sue to address her readers, and tell us more about her novel.

 

 

Dear Readers – I am delighted to present We Other.

In this extract we meet Jess Morgan, a loner who doesn’t fit in and has few friends. Her life is about to change in ways she could never have imagined.

I chose this extract to introduce Jess, whose story this is. She’s feisty, difficult and street-wise – with good reason – but she’s vulnerable too, with a good heart.

The reader should be tempted to place my book in their handbag because it’s a complex and rewarding read, with many twists and turns which will keep them guessing.  I’m rooting for Jess and I hope you will too, once you get to know her.

Best wishes and I hope you enjoy the extract. Happy reading!

Sue Bentley

 

Words from the book…

And then looking through the opening into the final gallery, Jess caught sight of a large painting hanging by itself. Her breath quickening with excitement, she walked rapidly towards it.

There was a small crowd of people in front of the painting. She could only glimpse details through the shifting bodies, but she knew it was the one. She hung back, wanting to prolong the moment when she stood face to face with that figure wrought from shadows. Leave me alone with it, she thought. Go away. All of you.

Oblivious to the air around her tingling and shimmering, in a way that was beginning to feel familiar, she stared at the painting. As she moved forward, time seemed to shift into slow motion. A slew of sound echoed hollow and discordant in her ears as every person standing in front of the painting turned in a single movement. They looked at Jess with glazed eyes, before drifting sideways in a single body, moving as if in the steps of some tightly choreographed dance, and melting from the gallery.

Everyone else had somehow left too, she realised. She could see people strolling around the other galleries through the archways. But here, she was alone. In the sudden stillness Jess caught her breath. The painting was revealed to her in its entirety. Or as she thought oddly, it revealed itself to her.

She was not disappointed by what she saw.

More about the book…

Jess Morgan’s life has always been chaotic. When a startling new reality cannot be denied, it’s clear that everything she believed about herself is a lie. She is linked to a world where humans – ‘hot-bloods’ – are disposable entertainment. Life on a run-down estate – her single mum’s alcoholism and violent boyfriend – become the least of her worries. Drawn into a new world of rich darkness, she finds herself torn between love, family and a growing sense of a new, powerful identity.

Strapline for the book – Fairies you never want to meet on a dark night.

What the reviewers say…

‘Darkly delicious. Lights the blue touch paper and runs away.’ Peter J Goodchild

‘Absolutely magical. Compelling story and gorgeous writing.’  Freda Warrington – award winning author of 21 fantasy novels

‘Give yourself time. You won’t want to put this down.’ Ruth Webster

More about Sue…

Sue Bentley is fascinated by English Folklore, the extraordinary in the everyday and the darkness that hovers at the edges of the light.

Sue says…

Louis Armstrong says it best – ‘the bright blessed day and the dark sacred night’ You can’t have one without the other.

I always enjoyed ‘real’ fairy tales – not the sanitised Disney versions. For example, in some versions of Cinderella – the ugly sisters snip off their toes to be able to cram their feet into the glass slipper.

I was that kid in a class of pink tutus who was dressed as a vampire bat. I never wanted high-heeled dancing shoes, I wanted sturdy boots to go tramping around forests looking for the shapes of goblins in the trees.

As for characters – Goody, Goody is all very well, but it can get boring. We all love the ‘bad’ characters who do doubtful things – they’re much more fun to write about.

I am intrigued by Sue’s exploration of the ‘darkness that hovers on the edge of light’ and wonder what she presents to the reader in ‘We Other’.  The extract evoked my imagination, and I wanted to know why Jess ‘wasn’t disappointed’.  This novel sounds as if it will challenge the boundaries of the imagination, as it has done for the reviewers.

 

 

The Art of Food

‘I’m going to try a different approach with this,’ he said. ‘We call them fantasy shots?’

In response to my request for foodie extracts, Susan Willis presented me with something that wasn’t quite what it seemed.  I marvelled at the glorious pictures of food, but there wasn’t any recipe or cooking.  Feast your eyes on the extract from The Girl in the Dark.  Find out what is simmering in the kitchen.

Extract

Kim arranged six of the Chantenay carrots.

When Kim carried coffee into the room they all busied themselves preparing for the shoot. Thankfully, her mind was occupied with preparing the carrots and green beans to look as appealing as possible, rather than staring at Alex. He looked even more attractive prowling around the room with the big camera in his hand. Editorial still shots of the vegetables were first taken on a plain black background. Kim arranged six of the Chantenay carrots with their green tops uppermost into an attractive pile all facing in the same direction. She looked at Alex, who smiled and asked her to slice one lengthways and balance it on top of the pile.

‘We need to make it look sweet and tender,’ he muttered. ‘I’m loving the bright orange colour on the black background, and I’m thinking of whizzing them around with water droplets.’

Kim blanched the green beans to help to keep the green colour bright

Kim agreed and began to pile the green beans with their trimmed ends uppermost in an attractive pile on a wood board. She smiled at Alex, as if to say she was on the same wavelength, in fact, one step ahead. Kim blanched the green beans to help to keep the green colour bright and they worked out a design scattering the cut ends on a white cloth. By the time Alex had finished cropping and working his magic on the computer, they looked amazing.

He stood beside Kim chatting while she trimmed the cauliflower for the overhead shot. ‘I’m going to try a different approach with this,’ he said. ‘We call them fantasy shots?’

Kim could feel his hot breath on the back of her neck and her knees trembled – she was having fantasies of her own, but they didn’t include cauliflowers!

About the Novel

The Girl in the Dark

The Girl in the Dark is the latest Grip Lit novel from Susan Willis. A thrilling romantic suspense story that will keep you turning pages long into the night.

When Kim goes to old friend, Sidney’s, photography studio to start a new food styling contract she meets his new assistant, Alex. Kim is catapulted from her mournful existence into an explosive romantic relationship with Alex. Sidney, however, is wary. He thinks, there’s something not quite right about Alex, and urges caution.

Will Kim look back and wish she’d listened…

Susan Willis

Susan Willis is a published author of three novels, and five novellas’. She lives in the North East of England surrounded by family and friends. Following publication of a love story about a chef and her boyfriend, she wrote more foodie-based love stories and wove them into her first novel, ‘Yes Chef, No Chef’.

Now Susan has ventured into romantic suspense with her latest novel, The Girl In The Dark.

Set in her home town of Durham City, this storyline is not a who done it thriller, but, a psychological page-turner which she loved writing. We can only hope the heroine hasn’t put her trust in the wrong man?

Best of luck to Susan with this novel.

I had never really considered the role of a food stylist until I read this extract.  When I take photographs of food for tweets and posts, I tend to photograph exactly what I have cooked.  Food is all about the taste for me.  However, recipe books are probably bursting with these creations.  

Have you ever followed a recipe from a cookbook and realised your creation looks nothing like the photograph?

 

 

Hilarity in my handbag

Patricia Feinberg Stoner is presenting an extract of her award winning book. ‘At Home in the Pays d’Oc’ is the funniest book I have read this year: I am still recounting her anecdotes at dinner parties. Forget ‘Victoria’, someone should serialise this book for the Sunday night audience – we all need a laugh!

It is an honour to hand over to, the wordsmith, Patricia Feinberg Stoner. 

 

Dear readers,

I’m so pleased to be able to share At Home In the Pays d’Oc with you.  In this extract I’ve chosen the moment when, after a long search, my husband and I first set eyes on what was to become our home in the Languedoc.  It’s my abiding memory, even after 30 years, and I still feel the lift of excitement I felt that day.  I was sure then, and I am sure now, that when I first walked into the dusty, red-flagged kitchen, the house opened one eye and said ‘Well, you took your time getting here.’

Why read At Home in the Pays d’Oc?  Look at the state of the world!  If we are all going to hell in a handbag, then wouldn’t it be nice to have something light-hearted to offset the doom and gloom?   I hope this book will encourage everyone to follow their dream and see where it takes them.

I hope you enjoy this tale of our adventures, and that the book brings you something of the sunshine and fun and laughter that our sojourn in the Languedoc brought to us.

With all good wishes

Patricia Feinberg Stoner.

Extract:

Jean-Jacques, the estate agent, turned right, drove up a narrow street between ancient houses, turned the corner and stopped. We got out of the car. On the corner of the church square and a road so narrow you could have spanned it with outstretched arms, stood the ugliest house I had ever seen.

It was clearly old, very old. It was clearly cobbled together out of what had been two houses. It rose slab-fronted from the street, acres of decaying, yellowish crépis (plaster) bisected by sundry phone and electricity cables. A ridiculous stone staircase flanked by a stunted tree rose ungracefully to a pocket-handkerchief front terrace littered with debris and encrusted with cat droppings.

I stopped dead in my tracks. ‘Ohmigawd’ thought Himself to himself (as he told me later), ‘we’ve just bought a house.’

Why?  There were prettier houses. There were certainly prettier villages – Morbignan in those days was, to put it politely, a little run-down. What made me fall so immediately, so irrevocably in love with this house in this village?

Did I see possibilities in the tree?  In years to come it would grow so high that it could be seen on Google Earth.

Was I enchanted by the steps, crumbling and lichen-dappled though they were? Did I foresee their future when, cleaned and decorated with pots of scarlet geraniums, they would prompt visitors to exclaim ‘What a lovely house!’?

Who can tell?  All I can say is, the heart wants what the heart wants.

More about this ‘tale of accidental expatriates’…

This is the story of how a small brown and white spaniel turned the lives of two English holidaymakers upside down.

Patricia and her husband Patrick are spending the summer in their holiday home in the Languedoc village of Morbignan la Crèbe. One hot Friday afternoon Patrick walks in with the little dog, thinking she is a stray. They have no intention of keeping her.

‘Just for tonight,’ says Patrick. ‘We will take her to the animal shelter tomorrow.’ It never happens. They spend the weekend getting to know and love the little creature, who looks at them appealingly with big brown eyes, and wags her absurd stump of a tail every time they speak to her.

On the Monday her owner turns up, alerted by the Mairie. They could have handed her over. Instead Patricia finds herself saying: ‘We like your dog, Monsieur. May we keep her?’

It is the start of what will be four years as Morbignanglais, as they settle into life as permanent residents of the village. “At Home in the Pays d’Oc” is about their lives in Morbignan, the neighbours who soon become friends, the parties and the vendanges and the battles with French bureaucracy.

It is the story of some of their bizarre and sometimes hilarious encounters:  the Velcro bird, the builder in carpet slippers, the neighbour who cuts the phone wires, the clock that clacks, the elusive carpenter who really did have to go to a funeral.

At Home in the Pays d’Oc‘ has won a Five Star Book Award from One Stop Fiction.  Here is a flavour of the other reviews:

Part memoir, part travel book, wittily written and engaging, At Home in the Pays d’Oc is so much more than ‘how to live in a foreign country’.  Despite being penned anecdotally, it flows with the rhythm of a good novel. Ingenue Magazine

The author, Patricia, in this captivating book, takes the reader on a voyage of discovery, a celebration of the years she and her husband spent enjoying their French home.  Susan Keefe, Living in France

What I most admire about the couple’s story is their attitude to life in another country. (While Many expats are the “Little Englanders,” the Stoners make a real attempt to integrate into the social system of their adopted village.  Kathleen Lance, One Stop Fiction

Patricia is passionate about humour, food and writing; she loves all dogs and some people.  She has written: ‘At Home in the Pays d’Oc’, ‘Paw Prints in the Butter: A Clowder of Comical Cats’ and ‘The Little Book of Rude Limericks’. Her writing is witty, entertaining and a joy to read.

Patricia is releasing her ‘Little Book of Rude Limericks’, on 15th November.

Read my review of ‘At Home in the Pays d’Oc’ or visit Patricia in my Chat Room.

Join Patricia’s blog for her latest news and mewsings.

paw-prints-in-the-butter.com

 

 

Bridget Jones meets La La Land

Jane Lambert’s Debut Novel

Always intrigued by what goes on behind the scenes of the theatre, I asked Jane Lambert to share an extract from her debut novel.

 

 

 

Dear readers,

I’m thrilled to share a slice of The Start of Something Wonderful with you.

Emily had it all!

The extract I have chosen is when understudy actress Emily arrives at the theatre, all set for yet another quiet night in her dressing room, drinking tea and devouring the latest copy of Hello! But tonight, fate has other plans…

The Start of Something Wonderful will make you laugh, cry and inspire you to step out of your comfort zone – the perfect travelling companion to have in your handbag.

Happy reading, love & laughter,

Jane x

I chose this extract because it typifies the unpredictability of Emily’s new career path and the many unexpected scrapes she finds herself in.

Be careful what you wish for …

I am beginning to worry. There’s a dark side to my character emerging that I didn’t know was there.

Emily heads for the bright lights of London’s West End – but is it too late to reach for the stars?

Whilst I’m naturally over the moon and grateful for this understudy job, as the weeks go by, I’m becoming a teensy-weensy bit frustrated. I know the part now, and whilst I may not have starred in my own TV series or graced the cover of celebrity mags, dare I say it, I think I could play the role just as well. Does that sound conceited? Day after day, week after week, the waiting, the hoping …

Wishing someone to be struck down with laryngitis or a mild tummy bug is one thing, but willing someone’s foot to get trapped in a revolving set is something else entirely. Evil. I’m horrified that I’m capable of such a thought.

I breeze through the stage door, clutching the latest copy of Hello! and a bag of Jelly Babies.

‘Evening, Arthur. Dressing room ten, please.’

‘Reckon you’ll no’ be havin’ much time for readin’ the night, doll,’ he wheezes, glancing at my magazine as he hands me the key.

‘Mmm?’ I say, signing in, then checking my pigeonhole, mind elsewhere.

‘It’s no’ for me to say,’ he says, hoisting a shaggy eyebrow.

I slowly start to climb the spiral staircase, calling in at the greenroom on the way for a brew.

‘Company manager’s been looking for you,’ grunts one of the lighting guys from behind his Autocar magazine.

‘Right. Thanks,’ I say breezily, spilling milk everywhere, my stomach dropping ten floors. Surely not? I mean, I saw Sophie barely two hours ago. I watched her performance from the darkness of the stage-right wings and she was on fine form, giving her ‘I-love-you-but-we-must-part’ speech.

It’s never too late to follow your dreams…

It was at that point that I’d decided to make a break for it. Technically, I’m not supposed to leave the building until the curtain comes down, but I’ve religiously watched and mouthed every performance from the wings of Brighton’s Theatre Royal, to this, our final fortnight at The Dukes in Edinburgh. With just five minutes of the matinée left, what could possibly happen to her?

Mistake no. 1: leaving theatre early
Mistake no. 2: gorging on all-you-can-eat buffet
Mistake no. 3: succumbing to large glass of house red
Mistake no. 4: ordering garlic bread
Mistake no. 5: forgetting to switch on mobile phone
Mistake no. 6: arriving five minutes late for ‘the half’

‘… so, the silly cow’s been whisked off to A&E to have it x-rayed. You know what this means?’ says Simon, our company manager, running his hand nervously through his mop of unruly hair.

An eerie sensation ripples through my body. I feel a stab of guilt. My visualisation powers have taken on a telekinetic life of their own, like in some Stephen King horror film. I hadn’t intended anything serious to happen – just a minor ailment, something to lay her low for a week, a cold perhaps, allowing my agent sufficient time to arrange invitations and tickets for casting directors and producers.

I swallow hard and force my lips into a weak smile. There is an expectant silence. This is the stuff of Hollywood musicals: the leading actress is taken ill, and the understudy has to take over at short notice.

I can do it. I’ve been practising for months, says the heroine, with an assured toss of her pretty head. Bravo! More! A star is born! This is the moment I have waited for, longed for all these weeks, these seventy-two performances, so why do I now have this overwhelming desire to flee the theatre and catch the first National Express coach out of town? Well, apart from my all-consuming guilt, the auditorium will be packed to the rafters with legions of excited fans waiting to see Sophie Butterfield and her co-star, Rick Romano, give their highly acclaimed, headline-grabbing performances as star-crossed lovers, Constance and Enrique.

The fact that their on-stage passion has spilled over into reality has fuelled the public’s imagination. The House-Full sign is now a permanent fixture on the pavement, while armies of eager punters camp outside in all weathers, hoping for returns.

Exquisite pairing! The chemistry between Romano and Butterfield is electric. Beg, steal or borrow a ticket! ~ The Billingham Gazette

This romantic duo sets the stage alight. You’d be mad to miss it! ~ The Yorkshire Evening Post

So I may sit in my dressing room, stuffing my face with Hobnobs and tea whilst reading trashy magazines.

‘You up for it?’ Simon asks, knowing full well it doesn’t matter whether I’m ‘up for it’ or not. Why else have I been travelling up and down the country, getting paid £500 per week plus touring allowance? So I may sit in my dressing room, stuffing my face with Hobnobs and tea whilst reading trashy magazines, or to be allowed to finally finish reading Doctor Zhivago, which I started back in 2010?

Nah – if it’s all the same to you, Simon, I’d rather give it a miss.

About the book:

It’s never too late to follow your dreams… Forty-year-old air stewardess, Emily Forsyth, thought she had everything a woman could wish for: a glamorous, jet-set lifestyle, a designer wardrobe and a dishy pilot boyfriend. Until she realises he’s cheating on her… Catapulted into a mid-life crisis she wishes she’d had earlier, she decides to turn her life upside-down, quitting her job and instead beginning to chase her long-held dreams of becoming an actress!

Leaving the skies behind her, Emily heads for the bright lights of London’s West End – but is it too late to reach for the stars?

What the reviewers say:

‘A perfect antidote to all the bad things in the world.’ ~ Jen Med Book Reviews

‘An inspiring novel about female determination.’ ~ Chapter and Cake

‘Perfect for fans of Marian Keyes and Sophie Kinsella.’ ~ Culture for Kicks

About Jane:

Jane Lambert preparing for a show

Jane taught English in Vienna then travelled the world as cabin crew before making the life-changing (and slightly mad) decision to become an actress in her mid-thirties. She has appeared in Calendar Girls, Deathtrap and The Curious Incident of the Night-time in London’s West End. She is currently writing her second book and a six-part comedy drama for TV.

How did you feel when you finished the book?

My book was my therapist when I was going through a painful divorce. Through my writing I re-discovered my sense of humour and my self-esteem.

I felt something positive had been born of a sad situation. The book symbolised the new, strong, happy, independent me.

The extract is light-hearted and amusing.  I immediately engaged with the narrative voice.  The best of luck to Jane with this novel.  I hope this will be The Start of Something Wonderful for her writing career.

You can find Jane on Facebook www.facebook.com/janelambertauthor
or Twitter @janelambert22

She’d love to hear from you!

 

 

Find out why the book in my handbag is waiting for the weekend…

As it is almost the weekend, I have asked Jan Brigden to present an extract from her romance novel, ‘As Weekends Go’.  Grab yourself a coffee, take a break and let Jan chat to you about her novel.

 

 

 

 

What if your entire life changed in the space of a weekend?

Dear Readers,

I am delighted to present ‘As Weekends Go’. The extract I have chosen is fairly early on in the book.  I think it perfectly portrays how Alex (principal male character) feels after his memorable first encounter with Rebecca (principal female character) at Hawksley Manor, the plush hotel in which they are both staying as guests, little knowing the drama that lay ahead of them.

I’d love you keep ‘As Weekends Go’ in your handbag so you can dip in and out of the story. Open the book as you move from place to place, and flit from one dilemma to the next over the course of their eventful weekend and beyond.

Enjoy!

Best Wishes,

Jan X

Words from the book…

Alex took the scenic route to the car park to try and fathom the effect she’d had on him. Those eyes, so rich in colour, like a tiger’s eyes, sparkling back at him.

As much as he hated how big-headed it sounded, even to himself, he was used to people staring at him. Fact. He also knew that what had happened back there was in no way premeditated on her part; the deep blush and dip of her head when he’d first spoken to her had told him that. How small she’d tried to make herself appear during the ensuing chaos in reception, standing there nervously pulling on the bottom of her ponytail, looking so desperately sorry.

He’d felt like an ogre deliberately holding on to her mobile, but if he’d given it straight back to her she might have fled before he’d had a chance to find out her name.

Rebecca.

He’d certainly never seen her at the hotel before.

What was it his granddad had told him during their precious heart-to-heart the day before he’d died?

‘Believe me, Alex, you’ll know when you’ve met “the one”’

Trouble is, Granddad … What do I do if she’s already married?

More about the book…

When Rebecca’s friend Abi convinces her to get away from it all at the fabulous Hawksley Manor hotel in York, it seems too good to be true. Pampering and relaxation is just what Rebecca needs to distract herself from the creeping suspicion that her husband, Greg, is hiding something from her.

She never imagined that by the end of the weekend she would have dined with celebrities or danced the night away in exclusive clubs. Nor could she have predicted she would meet famous footballer, Alex Heath, or that he would be the one to show her that she deserved so much more …

But no matter how amazing a weekend is, it’s always back to reality come Monday morning – isn’t it?

What the reviewers say…

“I loved this gorgeous love story, written with a sure touch and a big heart.” Bestselling author, Lisa Jewell.

“Alex isn’t your stereotypical celeb footballer (or rather stereotypically portrayed in the media).  His ethics and morals had me swooning as much as his physique!” Shaz Goodwin – Jera’s Jamboree

“Those lovely people at Choc Lit and their reading panel do have a bit of a talent for spotting something special that their readers will enjoy, and they’ve done it again with this lovely book.”  Anne Williams of Being Anne

More about Jan…

Jan is a South London-dwelling all-round book devotee, married to Dave, and one eighth of online-writing group The Romaniacs

As Weekends Go tested as many of my emotions as I put my characters through, so when it was published by Choc Lit UK after winning their Search for a Star Competition 2014/2015, I was elated. I missed the characters terribly, especially Rebecca and Alex, so much so, that I’m currently writing the sequel where I get to spend more time with a few of the ‘As Weekends Go’ crew, plus some new faces who are creating a whole fresh mixture of predicaments for everyone.

I suggest you go shopping, stock up on your favourite treats and pamper yourself with a great read.  Now your weekend is organised, and you can sit back and read about someone else’s dilemmas, as you visit York, Spain and Brighton. I’ll see you in Brighton – happy reading!