Gail Aldwin’s Debut Novel: The String Games

I was honoured when Gail Aldwin sent me a postcard about ‘The String Games’.

Presenting an author’s debut novel is one of the great privileges of blogging, and I was honoured when Gail Aldwin sent me a postcard about The String Games. This debut novel is to be published later this month by Victorina Press. Gail’s poetic style of writing is charged with emotion and appeals to me.  I look forward to reading her debut novel to discover how she has painted the complex emotions involved in the challenging narrative.

Without further ado, I will hand over to my lovely guest, Dr Gail Aldwin.

I have long been a fan of Jessie’s writing (You Can’t Go It Alone is a super novel with memorable characters) and Jessie’s blog (always love being introduced to new writers) so I am delighted to be offered a post to celebrate the launch of my debut novel The String Games which will be published by Victorina Press later in May 2019.

About The String Games

The String Games is Gail Aldwin’s debut novel

When four-year-old Josh is abducted and murdered during a family holiday in France, Nim, aged ten, becomes an only child. To cope with the tragedy, Nim reinvents herself but continues to carry a burden of unresolved grief. As an adult she returns to France determined to find out more about the circumstances of Josh’s death. How will she deal with this new information and what are the implications for her future?

I love the variety of posts on Jessie’s blog and thought I’d take the opportunity to share an extract from the novel that brings food and unforeseen consequences together. Nim narrates the story of the holiday she shares with her brother and her mother, Jenny. Joining them at the caravan is Jenny’s lover Dee and her six-year-old daughter, Ella. In charge of the little kids, Nim takes them to the campsite shop to buy ice-creams:

When it was their turn to be served, Josh bashed his finger at the glass cabinet, pointing to the vanilla. It might be easy to read words in French but it wasn’t so easy to talk. Nim nodded at the lady and stuck three fingers in the air. It was easiest to order the same flavour but that didn’t stop Ella from moaning. She was lucky to have an ice cream at all, seeing as Dad’s money was meant for Nim and Josh. When the first cone was topped with a white wig, Nim passed it to Josh and the next went to Ella. When the last one arrived, Nim gave the lady the money.

‘Non, non, non!’ The assistant shook her head and wagged a finger.

Nim stood there. The little children licked their cones while ice cream ran onto Nim’s hand. What was the matter?

‘Zis English.’ The assistant spat the words.

‘Yes.’

‘Non, non, non!’

‘Is something wrong?’ It was a relief to hear an English voice. The man had a tanned forehead and lines showed on his cheeks when he smiled.

‘I don’t know,’ said Nim. ‘My dad gave me the money as a going away present.’

‘He should’ve given you francs. Never mind. Let me get these.’ He passed the assistant a brown note and returned the five pounds to Nim. ‘Save that for a treat when your holiday’s over – you can spend it back in the UK.’

‘I’m not sure.’

‘It’s not a problem. Let me do you a favour. Your dad would do the same in this situation, I’m sure.’

‘Hmm.’ Nim didn’t know what to say. She’d been told not to talk to strangers, but it was too late. Josh crunched the last of his cone.

‘What’s your name?’ asked Josh.

‘Shush,’ said Nim. Josh had been warned as well, but the man didn’t look like a stranger. He wore a shiny top, and Nim hoped Josh wasn’t going to say anything about football shirts.

‘I’m Geoff,’ he said.

‘What’s your job?’ said Josh. ‘And where did you get that shirt?’

‘Too many questions,’ said Nim.

‘Don’t worry. I know what boys are like. I’ve got nephews. They’re toddlers at the moment but I bet they’ll be the same as Josh one day.’

‘When I was little, I wanted to be a tractor,’ said Josh. ‘But now I want to be a policeman.’

‘Interesting career choice,’ said Geoff.

‘We live at Sank-on-Seas,’ said Josh.

‘Sank-on-Seas?’ Geoff repeated.

‘He means fifty-six in English,’ Nim corrected, but realising she’d probably said too much, she elbowed Josh. ‘We need to go.’

‘Goodbye.’ Josh scampered to the steps, where he turned.

‘You can come to my place any time you want ice cream. My freezer is full of it,’ said Geoff. ‘Just look for the caravan with the yellow door along the road from here.’

‘Okay.’ Josh skipped down the steps.

This is the postcard Gail sent me from Dorset. I’ll certainly take care if I ever need to walk on the bridge.

When Josh goes missing later in the novel, suspicions about Geoff are raised and Nim shoulders feelings of responsibility for bringing the two of them together.

Praise for The String Games

The String Games takes hold of the reader and the juncture of the head and the heart and simply does not let go. With courage and tenderness, and an unblinking eye, Gail Aldwin explores the ways in which the loss of a child explodes a family. Treat yourself and read this one.

JACQUELYN MITCHARD, bestselling author of THE DEEP END OF THE OCEAN

About Gail Aldwin

Gail co-writes short plays and comedy sketches that have been staged in Bridport, Brighton and Salisbury. She also performs her work at fringe festivals in the South-West.

Gail Aldwin’s published work includes Adversaries/Comrades, a poetry pamphlet (Wordsmith_HQ, 2019) and a collection of short fiction Paisley Shirt (Chapeltown Books, 2018) which was longlisted in the Saboteur Awards 2018. Gail co-writes short plays and comedy sketches that have been staged in Bridport, Brighton and Salisbury. She also performs her work at fringe festivals in the South-West. The String Games is her debut novel.

Twitter:              @gailaldwin
Facebook:          https://www.facebook.com/gailaldwinwriter/
Blog:                  The Writer is a Lonely Hunter

Gail’s anthology of flash fiction entitled Paisley Shirt captivated and moved me.  In the future, I will blog the flash fiction Gail’s work anthology inspired me to write.  I am excited to discover how Gail will stretch my imagination with The String Games.

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel can be found here.

When Sue Moorcroft Visited Switzerland

This Christmas, the villagers of Middledip are off on a very Swiss adventure…

Christmas is never far away when Sue Moorcroft releases her Christmas novel.  I am excited to tell you that Let it Snow is out on 26th September.  When Sue agreed to chat to me about her latest novel, it felt like an early Christmas gift.  I also wanted to know how Sue manages to capture the Christmas spirit each year and tell yet another magical story. 

Jessie:  Let it Snow is a great title.  Did you think of the title while listening to the Christmas song?

Sue: No, my editor and the sales team chose it! It’s working title had been ‘A Christmas Adventure’. There’s a singing group in the book and I made ‘Let it Snow’ their favourite song.

Jessie: How do you manage to create such vivid settings?  Did you visit Switzerland to capture the sense of place for  Let it Snow?

Sue: Yes! My friend and fellow author Rosemary J Kind lives between the UK and Switzerland and she said, ‘If you want to set a book there, you can come with me.’ I instantly asked my editor if she was happy with Switzerland as a setting and went back to Ros to say, ‘I want to set a book there!’ She drove us – and her Entlebucher Hound Wilma – through England and France to Switzerland. It was lovely! I’d never visited Switzerland and I was thrilled with it. The Swiss really know how to do Christmas and we went to processions, markets, brunches, choirs and all kinds of things. I try hard to include all the tiny details that capture a setting: the snow on chalets and Christmas lights on balconies.

Sue celebrating Christmas editions of her books. Mark West took this pic of Sue at Christmas in a pub with The Christmas Promise and its German edition.

Jessie: How do you plan the narrative for  Let it Snow and did any of your characters misbehave and change events?

Sue: I met a woman in a same-sex marriage and she had just had a baby. It raised all kinds of questions in my mind and I wanted to write a heroine who had two mums. When she discovers she’s not the result of an anonymous one-night stand as she’d always thought but that her mother had a relationship with a man especially to get pregnant, she experiences a compulsion to discover what she can of her bio-family. I’m afraid my brother Kevan was ill while I was planning the book and I gave his heart failure to Tubb from the Pub. This meant I had to find a relief manager for the pub, The Three Fishes. He is my hero, Isaac O’Brien. I think of him as a reluctant hero because he’s on his way to a new life when he gets sucked into Lily’s. His ex, Hayley, played a much bigger part in the story than I expected her to. Sometimes a character can be secondary but also pivotal.

Jessie: When do you write your Christmas stories?  Do you immerse yourself in Christmas, grab a notebook and begin planning next year’s story gift, or are you writing during the summer and transport yourself to the scene?

Sue: It takes a while to write a book so though I planned Let it Snow in Malta in the sunshine, I wrote the majority of the first draft through the winter. Then the editing came in lovely weather again. When I used to write short stories for magazines it was normal to write Christmas stories in June and summer stories in December so I’m used to it. I had the chance to return to Switzerland when I was almost at the end of the first draft and that would have been fantastic. Sadly, the dates clashed with a professional engagement so I had to give it a miss.

Jessie: Your romance novels have layers and always explore contemporary issues and the changing family unit.  In Let it Snow, it’s that Lily has two mothers, and this adds a poignant dimension to the narrative as she searches for her father.   How did you research this?

Sue: My other brother, Trevor, volunteered to take on some of my research when he retired and he’s brilliant at it. I was able to send him emails asking whether lesbian couples could have received artificial insemination in 1983 and he’d come back with a factual answer. (Lily’s sister Zinnia was conceived via artificial insemination.) For the emotional side I was able to read case studies on websites and talk to someone about twins they know who are searching out all their half-siblings and learn something of their journey. There seemed to me to be two distinct attitudes amongst the children of same-sex relationships, however they’re conceived, and so I gave Lily one attitude and Zinnia the other. I don’t want to give details because they’d also be spoilers.

The ‘singing Christmas tree’ in Zürich. It’s a pyramidical stage for a choir. This appears in the book, of course!

Jessie: I am in awe of how you manage to vary your characters and always make them so likeable.  What three tips do you have for developing characters?

Sue: Thank you! My big tip is to look at each major character through the eyes of several other characters. If we take Lily, for example, I looked not just at the facts of her life, interesting as they were, but what Zinnia thought of her, what Roma her birth mother thought of her and also, importantly, Patsie, her ‘other mother’. How was she regarded at work? What about her ex husband? In real life we behave differently with and are perceived differently by different people and I use this to build multi-faceted characters.

Jessie: The sparks always fly in the brilliant dialogue between your characters.  What advice do you have for writers who wish to make their dialogue realistic?  Can you give us a snapshot of some of the dialogue in your latest novel.

Sue: I think one develops a feel for dialogue. I listen to people speak, think about the syntax they use and try and make it appropriate for age, background and region. An 18-year-old girl and an 80-year-old woman could each say, ‘He’s wicked!’ and mean two entirely different things. Dialogue’s wonderful. It breathes life into characters, allows them to interact with each other and passes information to the reader. Here’s a few lines from  Let it Snow, Chapter 1:

‘We’re your family!’ Zinnia declared, shoving her fingers through her chestnut hair. ‘What you’re doing could hurt Patsie and Roma.’

Lily climbed on a stool and began to feed the string of lights through hooks above the bar. ‘They understand it’s my decision. You know this, Zin. Let’s not press “repeat” on the conversation.’

Zinnia bulldozed on. ‘Aren’t we enough for you? You and I grew up sharing a bedroom! We’re sisters—’

‘And you’re the loveliest sister in the world.’ Lily hoped popping in a positive note would distract Zinnia. She jumped down, scraped her stool towards the next few hooks, gave Zinnia a hug then clambered up again. ‘How about twisting that tinsel around the ivy swags along the mantelpiece?’

Jessie: Do you give your books as Christmas gifts to family and friends?

Sue: No. I give out most of my free copies when they arrive to various members of my family who would read them and to anyone who has played a major part in research. Apart from that, people have to buy them themselves, I’m afraid.

Jessie: What is your typical Christmas like and are there any special family traditions or recipes?

Sue: I like the run up to Christmas and all the festive meetings of the various writing organisations to which I belong or Christmas meals with friends, but when Christmas itself comes around I like a quiet time with family. Between Christmas and New Year either my household or my brother’s household hosts an extended family lunch and that’s anything but quiet.

Sue wraps up her Christmas stories beautifully and her novels are perfect Christmas gifts.  The Ebook is out on the 26th September.  The paperback and audio book will be available on 14th November.

More about Let it Snow

This Christmas, the villagers of Middledip are off on a very Swiss adventure…

Family means everything to Lily Cortez and her sister Zinnia, and growing up in their non-conventional family unit, they and their two mums couldn’t have been closer.

So it’s a bolt out of the blue when Lily finds her father wasn’t the anonymous one-night stand she’d always believed – and is in fact the result of her mum’s reckless affair with a married man.

Confused, but determined to discover her true roots, Lily sets out to find the family she’s never known; an adventure that takes her from the frosted, thatched cottages of Middledip to the snow-capped mountains of Switzerland, via a memorable romantic encounter along the way…

The Sunday Times bestseller returns with a gloriously cosy read, perfect for fans of Katie Fforde, Trisha Ashley and Carole Matthews.

Contact details
Website: www.suemoorcroft.com
Blog: https://suemoorcroft.wordpress.com/
Facebook: https://www.facebook.com/sue.moorcroft.3
Facebook author page: https://www.facebook.com/SueMoorcroftAuthor
Twitter @suemoorcroft
LinkedIn: https://www.linkedin.com/in/suemoorcroft
Instagram: suemoorcroftauthor

Christmas books:
The Christmas Promise
The Little Village Christmas
A Christmas Gift

 

Please see all my author interviews at My Guests and my website and blog at JessieCahalin.com.

A copy of my novel is available here.