Tag: RNA

Romantic Suspense at Christmas

Meet Evonne Wareham

Are you ready for a Christmas novel with a difference? Having heard about Evonne’s Christmas romantic suspense novel, I had to ask more questions about What Happens at Christmas.  We grabbed a corner of the café in Waterstone’s, and Evonne intrigued me with the promise of lots of twists and turns in the narrative.  It is time for a Christmas book with a kidnapping from Evonne.  Don’t worry, I think Santa is safe!

Jessie:  I love to listen about the stories you are developing.  You always get so involved with the characters and the research. Tell me about your Christmas book, What Happens at Christmas.

What Happens at Christmas is a festive themed romantic suspense

Evonne: What Happens at Christmas is a festive themed romantic suspense – so as well as the traditional things, like mince pies, carols and snow, it also has kidnapping and some nasty villains. Some of the festive things – a particular carol that is sung at a crucial moment, and the freak snow storm that I organised for the Brecon Beacons, are components of the plot – if you are looking for something a bit different in a Christmas read, it might be for you.

Jessie:  How did you feel when you had finished writing your book, and did you miss any of the characters?

Evonne: It’s always a bit of a wrench to finish a book, even when you know you have left your characters in a good place – all except the villains, of course. You have spent many months with them and you know all their secrets. I especially enjoyed keeping company with Lori and Drew, and I do have a sort of idea for another plot that would involve them. As they now have their HEA, it would need another couple for the developing love story though, so we shall just have to wait and see on that.

Jessie: Did any of your characters misbehave when you were writing the book?

Evonne: Always. They talk back, they refuse to do what you expect them to do, they do things that are totally incomprehensible and only make sense fifty pages later, they complain about the plot … Some of my more alpha heroes refuse to talk at all. I’ve got used to it now. At least no-one has yet refused to fall in love with the right person. Yet.

You will find yourself transported to this setting. It is the Brecon Beacons in Wales.

Jessie: Why should I keep your book in my handbag?

Evonne: you are looking for something a bit more edgy for a seasonal read, What Happens at Christmas has suspense and danger along with the love story. The hero, Drew, is a writer who has a dare-devil streak. It gets him into some serious trouble, which Lori, the heroine, helps him out of, with the assistance of her four year old niece. A large part of the book is set at Christmas, but the story travels over the space of a year, during which time the character’s lives change considerably. I like to think Drew learns that he shouldn’t throw himself into things quite so recklessly. There are actually two very different Christmas celebrations in the book. Two lots of Christmas magic, and Lori finds that in between, some of dearest dreams have come true.

Jessie:  Two lots of Christmas magic is perfect.  It’s sound as if you have the story all wrapped up and ready for the readers.  I am intrigued about your next project.  What is the last sentence written in your writer’s notebook?

Evonne: It’s not exactly a sentence in a note book, it’s a post-it note, and it’s a time line for the names and ages of a set of characters. I love time lines. I always have to work out the ages of everyone who features significantly in the book, and how they relate to each other. One of my writer’s quirks. This one was a bit of a mystery when I found it, but I have now worked out that it relates to the hero and his two older brothers, in a novella that I hope will be out for Christmas 2020.

Jessie:  I notice you’ve written four books and have lots of experience of writing. What is the biggest challenge for an author?  

Evonne: For me, it’s keeping up the quality of the work. I want to give the reader the best possible experience inside the covers of a book that I can manage. I want each of the stories to be different, but all of them exciting and enjoyable. If I can create a page-turning book, that the reader can’t put down, then my work is done. That’s the aim, anyway.

Peek inside the world of Evonne’s writing world.

Jessie: What is the best advice that you have received as a writer?

Evonne: ‘Keep going!’ A lot of other writers will say the same. You need stamina and persistence, when the rejections pile up. It was a long time, and many experiments in genres, before I found out what I really wanted to write, and finally got a publishing deal. During that time I learned a lot about the craft of writing, and I have to thank the Romantic Novelists’ Association for the help and encouragement I received. Once you have a deal, you also learn a lot from having a professional edit. It’s flattering and scary to have the attention of an expert focussed on your work.

Evonne writes romantic thrillers and romantic comedies. Her first published novel, Never Coming Home, won the Joan Hessayon award for the best debut novel of the year, presented by the Romantic Novelists’ Association.  She likes writing about romantic locations, food, art, architecture, pretty clothes, shoes, nasty villains, brooding heroes and independent heroines.  You can find out more about her books and her writing on her website.

Contact details and book links

You can find Evonne at Her blog  http://evonneonwednesday.blogspot.com  where she talks about writing and books and history and life and interesting places and research and anything else that comes into her head, every Wednesday.

On Twitter  @evonnewareham
On Facebook as evonnewarehamauthor
Or you can contact her through her website www.evonnewareham.com

 

Please see all my author interviews at My Guests and my website and blog at JessieCahalin.com.

Celebrating Burns Night with Lizzie Lamb

Lizzie Lamb is a bestselling  author with six novels under her belt. She is a wonderful friend and author.

Lizzie Lamb is one of my writing fairy godmothers and it was a dream come true to meet her at the Romantic Novelists’ Association Tea in York. We chatted about her latest novel – Harper’s Highland Fling. I am thrilled to share this exclusive interview on Burns Night. Let’s raise our glasses to Scottish story telling.

How would your friends describe Lizzie Lamb, the author?

Friends would describe me as enthusiastic, loyal, funny, highly motivated (if slightly driven!) I hope they also see me as someone who likes to help others, especially rookie authors.

You have soared to the top of the charts with your novels for over ten years. How have you achieved this success?

As the song goes: I get by with a little help from my friends.’ Put yourself out there, make friends with readers and other writers; be generous, buy, read and review their novels. Embrace social media: Facebook, Twitter, Instagram and start a blog. When I published Tall, Dark and Kilted (2008) indie publishing was a new phenomenon and it was easy to stand out from the crowd but it’s become much harder. Luckily, I’d built up a following on Facebook and Twitter before becoming a published author and my friends/followers are usually the first to buy my novels. It’s important to interact with your followers on a daily basis and not bombard them with ‘buy my books’ posts. If you get this right, they will become friends who interact with you and generously spread word of your novels.

My mantra is: RESPOND. RECIPROCATE. RESPECT.

Do you fall in love with your heroes and is your husband jealous of them?I know it sounds cheesy but my husband is all my heroes wrapped up in one. My love of dialogue/banter stems from our interchanges and, even after these years, we still have the ability to make each other laugh. When he read Harper’s Highland Fling he recognised some of the things Harper said to Rocco regarding his collection of ‘classic’ vehicles (code for: rusting old hulks) because I’ve had similar conversations with him over his ‘fleet’ of motors.

I have a couple of signs which sums up our relationship and, besides, he is too much of a grown up to feel jealous of my fictional heroes.

Lizzie knows the art of planning a gripping novel and is always willing to share writing tips.

Tell us about the essential ingredients of a great romance?

I believe it is vital that I fall in love with your hero from the get-go. That enables me to see him through the heroine’s  eyes and respond accordingly. In Harper’s Highland Fling I’ve used Male Point of View for the first time, perhaps this is why readers have declared the novel my ‘best one yet’. It is essential to establish the ‘spark’ between hero/heroine from the beginning, light the blue touch paper, stand back and wait for the fireworks happen. The  author has place obstacles in the way of the h/h which prevent the romance developing, then half way through the novel drop ‘something new’ into the mix which makes the protagonists see each other in a different light/revise their opinions of each other. Then they can start to fall in love. But keep something back so that in the last quarter of the novel you can turn everything on its head and make the reader wonder how it’s all going to work out. That is the Page Turning Quality an author needs to evoke in order to carry the reader through to the end of the novel when, hopefully, she will close the book with a satisfied sigh.

Don’t cheat your reader by not delivering that happy ever after/happy for now ending. They won’t forgive you for it because that’s what you’re genre promises them. Remember Sanditon – what a let-down.

How has your writing changed since your first novel?

I think I’m prepared to take chances because I have learned what readers like/dislike. Readers enjoy sparky dialogue and some description of time and place, but don’t overwhelm them with it. An author should edit her finished novel as though she was a reader, cutting out those scenes which don’t work or slow the action down. Oh, and, I’ve learned to keep my hero/heroine together on the page as much as possible because that’s what I like in a good romance.

What are the benefits of indie publishing and how is it changing the world?

The main benefit of being an indie author is that you can write to your own schedule. I aim to publish a novel am every 18 months. Indie publishing suits my lifestyle and I suspect that, if I wanted to become a contracted author, I’d have to stop writing Scottish-themed romance and write WWII, Cornish Cottage romances, sagas, dark psychological crime instead. So  not my bag. I’ll stay an indie for now, but who knows what the future holds?

Explain the classic mistakes of rookie indie publishers?

Looking back, here are the classic mistakes I made as a rookie author. Didn’t work out a plan for the novel before I started it. Spent far too long polishing the first three chapters without seeing the novel as a whole and plotting out where the high and lows. I also spent too much time listening to contradictory advice, not understanding the importance of developing my own ‘voice’ (that comes with experience. I believe). Believing that what works for other authors will also work for me; one size does not fit all.

Let Lizzie take you to Scotland with Harper’s Highland Fling. You are invited to celebrate Burns Night with Rocco and Harper. Cheers!

I love, love, love the dynamic dialogue in your books. Can you give us a peek into a moment in Harper’s Highland Fling?

My favourite bit of dialogue in HHF.

‘Wh-where did you learn to kiss like that?’ Rocco asked.

‘Well, not at Sunday School, that’s for certain,’ Harper quipped.

‘Behind the bike sheds?’

‘I couldn’t possibly comment. More evidence is needed before I can reach a proper conclusion.’

‘Of?’

‘You as a great kisser.’

‘Indeed?’

‘There is a precedence, I believe. The accepted rule that scientific fact should always be subjected to further experimentation, to eliminate the chance of a fluke occurrence.’

‘You think that kiss was a fluke?’ Rocco asked.

‘I’m simply saying it could be. Best of three?’

‘Very well,’ he sighed.

What some reviewers have said about Harper’s Highland Fling.

A thrilling, entrancing, full on romantic adventure. Hang onto your hat, it’s a 5 Star trip all the way! – Adrienne Vaughan

Written with Lizzie’s customary blend of warmth, wit and ‘will they, won’t they’ drama. Her best romance yet. I loved it! – Janet Brigden

Another smart, funny, romantic read from Lizzie Lamb. – June Kearns

An exciting armchair road trip to Bonnie Scotland, a gripping romance and a set of characters you’re not going to let go. Lizzie Lamb is back! – Isabella Tartaruga

So – get your motor running and fasten your seatbelt, you’re in for a bumpy ride

Feast your eyes on Lizzie’s beautiful novels.

I love Lizzie Lamb’s books and always know I’m in for a great read. Harper’s Highland Fling is not just any romance, it’s a scorching hot romance, full of surprises and glorious page turning tension. It is great getting to know the two characters and Lizzie Lamb’s lovely turn of phrase sparkles throughout the novel. She is currently writing her seventh novel: Dark Highland Skies.

Lizzie Lamb is a bestselling author with six novels under her belt. She runs the Leicester RNA Chapter, Belmont Belles, with June Kearns and is regularly invited to give presentations and workshops around the UK.

I dare you not to fall in love with Lizzie’s books.

About Lizzie:

After teaching her 1000th pupil and working as a deputy head teacher in a large primary school, Lizzie decided to pursue her first love: writing. She joined the Romantic Novelists’ Association’s New Writers’ Scheme, wrote Tall, Dark and Kilted (2012), quickly followed by Boot Camp Bride. She went on to publish Scotch on the Rocks, which achieved Best Seller status within two weeks of appearing on Amazon and her next novel, Girl in the Castle, reached #3 in the Amazon charts. Lizzie is a founder member of indie publishing group – New Romantics Press, and has hosted author events at Aspinall, St Pancras and Waterstones, Kensington, talking about the research which underpins her novels. Lizzie romance Take Me, I’m Yours, set in Wisconsin, also achieved BEST SELLER status >travel>USA. Her latest novel – Harper’s Highland Fling – has been declared her ‘best one yet’ by readers and reviewers. In it, two warring guardians are forced to join forces and set off in hot pursuit of a runaway niece and son. She has further Scottish-themed romances planned and spends most of the summer touring the Scottish Highlands researching men in kilts. As for the years she spent as a teacher, they haven’t quite gone to waste as she is building a reputation as a go-to speaker on indie publishing, and how to plan, write, and publish your debut novel.

Lizzie lives in Leicestershire (UK) with her husband, David.

She loves to hear from readers, so do get in touch . . .

 

Please  see all my author interviews in Author Chat Room and my website and blog at JessieCahalin.com.

Inside the Handbags of The Foyles Bookshop Girls

Elaine Roberts posting me a letter

As the Great War takes hold is there room for what lies ahead in The Foyles Bookshop Girls’ handbags? The Foyles Bookshop Girls is a story about love and friendships, which are tested as war grips the country. The girls, in age order, are Alice, Victoria and Molly and have been friends for most of their lives. When they invited me to peek inside each of their bags I was surprised at what I discovered.

Alice doesn’t overfill her bag, leaving a space in the corner for hope; hope that the men she loves will return safe and sound from the Great War.

Alice’s hand bag, a colourful tapestry, contained a comb, Kirby hairgrips, a small black purse, keys, a sewing kit, a lace trimmed handkerchief, a small black velvet box containing pearl earrings, nail scissors, a gold pen, the latest book she was reading and receipts for books that she’s purchased. Alice doesn’t overfill her bag, leaving a space in the corner for hope; hope that the men she loves will return safe and sound from the Great War.

Victoria’s bag is bursting at the seams with the responsibility of holding everything inside.

Victoria’s handbag is plain black and used to belong to her mother. The contents of her bag were a comb, keys, sewing kit, a plaster, a worn white cotton handkerchief with her initials embroidered in the corner, a well-thumbed second hand paperback book, some yellowed tickets, a dried flower pressed between two pieces of off white paper in an envelope with a photograph of a young man, a small torch, a shopping list with money off coupons, old receipts and a photograph of her parents. Victoria’s bag is bursting at the seams with the responsibility of holding everything inside. It has been crammed with everyday items and treasured belongings leaving no room for hope, faith or love.

Molly’s handbag contains things to make her feel better, to improve her, to try to rid her of the guilt that is hidden amongst the finery it holds.

Molly’s handbag is peacock blue with glass beads hanging down from it. Her bag contains silver bangles, a compact, a small pot of rouge, a white cotton handkerchief, a small glass bottle filled with perfume, loose hairclips and bands, a black coin purse, which has her notes screwed up and forced inside. A half eaten chocolate bar, a nail file, comb and a pad and pen. Molly’s handbag contains things to make her feel better, to improve her, to try to rid her of the guilt that is hidden amongst the finery it holds.

Elaine Roberts had a dream to write for a living.

Elaine’s guest post demonstrates she knows her characters inside out.  The characters’ handbags reveal so much about these characters and make me want to delve into their worlds. I can’t resist walking into a bookshop.  The Foyles Bookshop Girls is ‘a delightful story of friendship, love and hope during the dark days of WW1. Elaine Roberts is a bright new star in the world of sagas’
About Elaine

Elaine Roberts had a dream to write for a living. She completed her first novel in her twenties and received her first very nice rejection. Life then got in the way until circumstances made her re-evaluate her life, and she picked up her dream again in 2010. She joined a creative writing class, The Write Place, in 2012 and shortly afterwards had her first short story published. She was thrilled when many more followed and started to believe in herself.

As a member of the Romantic Novelists’ Association, progressing to full membership from the New Writers Scheme, and The Society of Women Writers & Journalists, Elaine attends many conferences, workshops, seminars and wonderful parties. Meeting other writers gives her encouragement, finding most face similar problems.

Elaine and her patient husband, Dave, have five children who have flown the nest. Home is in Dartford, Kent and is always busy with their children, grandchildren, grand dogs and cats visiting. Without her wonderful family and supportive friends, she knows the dream would never have been realised.

Blurb

London, 1914: one ordinary day, three girls arrive for work at London’s renowned Foyles bookshop. But when war with Germany is declared their lives will never be the same again…

Alice has always been the ‘sensible’ one in her family – especially in comparison with her suffrage-supporting sister! But decidedly against her father’s wishes, she accepts a job at Foyles Bookshop; and for bookworm Alice it’s a dream come true.

But with the country at war, Alice’s happy world is shattered in an instant. Determined to do what she can, Alice works in the bookshop by day, and risks her own life driving an ambulance around bomb-ravaged London by night. But however busy she keeps herself, she can’t help but think of the constant danger those she loves are facing on the frontline…

Alice, Victoria and Molly couldn’t be more different and yet they share a friendship that stems back to their childhood – a friendship that provides everyday solace from the tribulations and heartbreak of war.

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

 

Alison May: Romance Fiction Rocks

I want the RNA to continue to be brilliant in all the ways it already is – supportive to new writers, friendly, welcoming and a real voice for professional commercial authors.

As a Leeds lass, I had to discover more about the dynamic Yorkshire woman who is Chair of the Romantic Novelists’ Association.  I invited Alison May to chat about the RNA and her writing. 

Jessie:  It is wonderful to finally meet you.  Tell me, who is Alison May, the writer?

Alison:  I’m a total control freak (which is helpful for writing novels – you basically get to invent a whole world and be god of it). If it was socially acceptable, I would live on toast and chocolate the whole time. And I have an uncontrollable tendency to take on one thing more than I have time to do – at the moment that one thing is ‘being Chair of the RNA’ so quite a big time-consuming thing!                             

Jessie: Chair of the RNA is a prestigious role and such an honour. What does your role as Chair of the RNA involve?

Alison: Essentially everything that goes wrong is my fault, and everything that goes well is down to the brilliant and inspirational management committee and volunteer team I have around me. On a practical level being Chair involves, hosting RNA events, chairing management committee meetings, representing the RNA at industry events and meetings, and, responding to whatever crises come up unexpectedly. And the start of 2020 has brought more crisis that any of us was expecting, so at the moment I’m mostly working on ways that we can respond to the Covid-19 outbreak and lockdown and support our members virtually.

And I also write collaboratively with Janet Gover under the penname, Juliet Bell. Juliet writes stories inspired by misunderstood classics…

Jessie:  What is your vision for the RNA?

Alison:  I want the RNA to continue to be brilliant in all the ways it already is – supportive to new writers, friendly, welcoming and a real voice for professional commercial authors. I want to see us develop the education and professional development opportunities we provide for our members. I want the RNA to be a critical friend to the publishing industry – it’s great for us to build close ties with romantic fiction publishers, but it’s also vital that we remember that we’re an author focussed organisation and authors’ interests and publishers’ interests overlap but aren’t always precisely the same.

I’d also like to see us become more inclusive. At the moment, like much of the publishing industry, we can be a bit white and straight and middle class. It’s really important to me that writers who have been under-represented in publishing know they have a place within the RNA.

Mostly though I want authors of romantic fiction to be proud of their genre and of what we create. There can be snobbery around commercial fiction, especially around commercial fiction that is often written and read by women. I am simply not at home to those sorts of attitudes. Romantic fiction rocks.

All That Was Lost is my most recent title writing solo as Alison May though.

Jessie: What are the essential ingredients of a great romance?

Alison: People who want to be together and a really good reason they can’t be.

Jessie: Why did you join the Romance Novelists’ Association and what has it offered you?

Alison: I joined the RNA in 2011 as a member of the New Writers’ Scheme. The NWS gives unpublished authors a critique on their novel in progress, but also means that you can attend RNA events as a member. In that first year I went to conference and the Winter Party and joined my local chapter. The conference was a two day whirlwind knowledge dump of a huge amount of stuff about how publishing works that would have taken years to learn without the RNA. Since then the RNA has become my village. Writing is incredibly solitary. A support network of people who get the emotional ups and downs of writing and publishing is essential. And I think the RNA provides the very best support network there is.

Jessie:  It’s obvious you are a perfect ambassador for the RNA.  I love the fact that it has become your village as I feel the same way.  I am impressed you have written six books.

Alison: I’ve actually written 8 (I think!) – some of them were novellas though so are published separately and together which makes counting tricky! And I also write collaboratively with Janet Gover under the penname, Juliet Bell. Juliet writes stories inspired by misunderstood classics – most recently, The Other Wife, which was inspired by Jane Eyre. All That Was Lost is my most recent title writing solo as Alison May though.

Jessie:  Capture All That Was Lost in one sentence.

Alison: One lie – told for a lifetime. What would that do to the girl you used to be?

Jessie: Can you tempt me with an extract from the book?

Alison: She’s stylish, but never threatening. She could be other mother of the bride at an elegant country wedding … but she’s not. She’s Patrice Leigh, the woman who’s built a fifty year career on the claim that she can talk to the dead.

Jessie:  Wow!  The final sentence evokes mystery.  What did the readers say about the novel?

Alison:  I am delighted with the responses.  Readers really connected with the subject and the characters and loved the humour.

‘I love the touches of humour Alison writes into what is, in essence, a very sad tale.’

‘I am not going to forget Patience/Patrice any time soon. She is one of the most original characters in any novel I’ve read recently.’

‘I loved this book – couldn’t put it down. It was thought provoking and I am still thinking about it many weeks later.’

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

I think the characters, especially Patrice, from this book have stayed with me more than any other book that I’ve written. I don’t miss them exactly. I definitely don’t think I’ll ever write a sequel but they’re all still there inside my head.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.  Perhaps it could even be a friend or family member that has passed away.

Alison: The person I most want to read this book is Jack Thorne. He’s a playwright and screenwriter and I’m a huge fan of his work from The Cursed Child to National Treasure and lots of other things beside. I have a recurring fantasy where he reads All That Was Lost and adapts it for TV and I believe that if I mention this enough in interviews and online it might one day happen! (If I’m allowed a second person I also have a very similar recurring fantasy about Lin Manuel Miranda and a Broadway hip hop musical version.)

Jessie: What is the last sentence written in your writer’s notebook?

Alison: ‘If you change Alice back to Anna you can reuse the Annabel line.’

And it’s true. I can.

Jessie: What is the best advice that you have received as a writer?

Alison: ‘Work out what your dream is and follow it.’ Once you get to the point of having a completed manuscript there are a lot of people who will tell you that you ‘must have an agent’ or that ‘looking for an agent is a waste of time and you should self-publish’ or whatever else might have worked for them. And that’s fine but the right option for them might not be the right option for you, so work out what you really want and pursue that first.

Jessie: What do you when you are not writing?

Well at the moment a lot of my time is spent on RNA projects, but asides from that and writing, I also run a novel-writing tutoring and mentoring business. That means I work one-to-one with authors and also offer manuscript critiques and teach group workshops and lead residential retreats. I LOVE teaching. It’s basically my happy place. And I’m super-proud like a mother hen of all my past students. I have three shelves above my desk. One has my own published books on it, but the other two have books by former students. Those shelves are my absolute pride and joy!

When I’m not teaching, writing or working on RNA stuff, I love baking and reading and sleeping. Sleep is really excellent.

Alison joined the RNA as a member of the New Writers’ Scheme in 2011 and won the Elizabeth Goudge Trophy in 2012.   All That Was Lost is the sixth novel, but she also writes as Juliet Bell, in collaboration with Janet Gover.  Alison also runs writing courses and is currently offering virtual Book Doctor appointments on a ‘pay what you choose’ basis.  I am impressed with her innovative approach to supporting others at this challenging time. 

Contact details and book links:

You can find out more about me at www.alison-may.co.uk, on twitter and Insta @MsAlisonMay and on facebook – www.facebook.com/AlisonMayAuthor

You can find all my books at www.alison-may.co.uk/books and buy All That Was Lost.