Author of Theatre of Dreams, Rosie Travers, knocked at the Handbag Gallery door with news of a new novel. The local landscape of Hampshire inspired Rosie Travers to write Your Secret’s Safe With Me. During walks along the riverside, her imagination became caught up in possible stories and intrigue. It is always a pleasure when a member of the Romantic Novelists’ Association contacts me to help celebrate a new release, so I invited Rosie to tell me more. She posted a wonderful letter from her golden postbox.
My new novel Your Secret’s Safe With Me explores the intricacies of family relationships and the consequences of keeping secrets. Pearl and Becca are a mother and daughter who have a successful professional working partnership. The family dynamic changes when romantic novelist Pearl announces her surprise engagement to Jack, a man she has only just met, and uproots Becca and her brother Freddy from their busy lives in London to her new fiancé’s home on the south coast.
It makes perfect sense to set my stories in familiar locations. I currently live in Hampshire, close to the River Hamble, a renowned sailing centre. The River Hamble is a busy, bustling place, but a little further along the coast at Beaulieu in the New Forest is another river, quieter and more isolated. Both rivers have historic boat-building pasts but are now bordered by luxury homes and frequented by leisure seekers, on and off the water, with picturesque riverside walks.
My fictional village of Kerridge encompasses a tight-knit rural riverside community, a little light nautical industry – fiancé Jack’s family-owned marina business, and a salt-marshy wilderness and nature reserve. It is an amalgamation of these two locations together with others nearby, and although the story centres on the changing relationship between mother and daughter, I obviously needed sub-plots and additional situations to test my characters’ resolve. This is where the natural habitat came into play.
Smuggling isn’t confined to Poldark country, and sadly modern day smugglers trade in far more dangerous goods than illicit contraband and kegs of rum. As I observed sleek shiny white motor cruisers and yachts gliding upstream on my regular riverside walks, my writer’s enquiring mind kicked in. I began to speculate who or what might be onboard and wondered how easy it would be, with a few more isolated creeks and remote hiding places, for some unscrupulous ‘sailors’ to conduct some illegal activities. My over-fertile imagination quickly envisaged a situation where unsuspecting newcomers to the local community could unwittingly become caught up in some treacherous intrigue. Throw in a former lover and past heartache for Becca, a wedding and a baby, and the story started telling itself.
The overriding tone of the novel is light-hearted, but the river winding through Pearl and Becca’s new surroundings became symbolic of their evolving relationship. Everything seems calm at first, but as the river reveals its hidden dangers, family secrets submerged for many years threaten to bubble to the surface.
As a writer, I am always interested in how authors seek inspiration. I like the sound of this novel and the hidden secrets. I wonder if all will end well. More about Rosie Travers:
Rosie grew up on the south coast of England and after initially training as a secretary she juggled a career in local government with raising her family. She moved to Southern California with her husband in 2009 and began a blog about life as an ex-pat wife which re-kindled a teenage desire to become a writer. On her return to the UK she took a part-time course in creative writing and following some success in short story competitions she joined the Romantic Novelists’ Association New Writers’ Scheme. Her debut novel, The Theatre of Dreams, was accepted for publication by Crooked Cat Books and officially launched on in August 2018. Her second book, Your Secret’s Safe With Me, is published on 18 February 2019.
Are you ready for a Christmas novel with a difference? Having heard about Evonne’s Christmas romantic suspense novel, I had to ask more questions about What Happens at Christmas. We grabbed a corner of the café in Waterstone’s, and Evonne intrigued me with the promise of lots of twists and turns in the narrative. It is time for a Christmas book with a kidnapping from Evonne. Don’t worry, I think Santa is safe!
Jessie: I love to listen about the stories you are developing. You always get so involved with the characters and the research. Tell me about your Christmas book, What Happens at Christmas.
Evonne: What Happens at Christmas is a festive themed romantic suspense – so as well as the traditional things, like mince pies, carols and snow, it also has kidnapping and some nasty villains. Some of the festive things – a particular carol that is sung at a crucial moment, and the freak snow storm that I organised for the Brecon Beacons, are components of the plot – if you are looking for something a bit different in a Christmas read, it might be for you.
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
Evonne: It’s always a bit of a wrench to finish a book, even when you know you have left your characters in a good place – all except the villains, of course. You have spent many months with them and you know all their secrets. I especially enjoyed keeping company with Lori and Drew, and I do have a sort of idea for another plot that would involve them. As they now have their HEA, it would need another couple for the developing love story though, so we shall just have to wait and see on that.
Jessie: Did any of your characters misbehave when you were writing the book?
Evonne: Always. They talk back, they refuse to do what you expect them to do, they do things that are totally incomprehensible and only make sense fifty pages later, they complain about the plot … Some of my more alpha heroes refuse to talk at all. I’ve got used to it now. At least no-one has yet refused to fall in love with the right person. Yet.
Jessie: Why should I keep your book in my handbag?
Evonne: you are looking for something a bit more edgy for a seasonal read, What Happens at Christmas has suspense and danger along with the love story. The hero, Drew, is a writer who has a dare-devil streak. It gets him into some serious trouble, which Lori, the heroine, helps him out of, with the assistance of her four year old niece. A large part of the book is set at Christmas, but the story travels over the space of a year, during which time the character’s lives change considerably. I like to think Drew learns that he shouldn’t throw himself into things quite so recklessly. There are actually two very different Christmas celebrations in the book. Two lots of Christmas magic, and Lori finds that in between, some of dearest dreams have come true.
Jessie: Two lots of Christmas magic is perfect. It’s sound as if you have the story all wrapped up and ready for the readers. I am intrigued about your next project.What is the last sentence written in your writer’s notebook?
Evonne: It’s not exactly a sentence in a note book, it’s a post-it note, and it’s a time line for the names and ages of a set of characters. I love time lines. I always have to work out the ages of everyone who features significantly in the book, and how they relate to each other. One of my writer’s quirks. This one was a bit of a mystery when I found it, but I have now worked out that it relates to the hero and his two older brothers, in a novella that I hope will be out for Christmas 2020.
Jessie: I notice you’ve written four books and have lots of experience of writing. What is the biggest challenge for an author?
Evonne: For me, it’s keeping up the quality of the work. I want to give the reader the best possible experience inside the covers of a book that I can manage. I want each of the stories to be different, but all of them exciting and enjoyable. If I can create a page-turning book, that the reader can’t put down, then my work is done. That’s the aim, anyway.
Jessie:What is the best advice that you have received as a writer?
Evonne: ‘Keep going!’ A lot of other writers will say the same. You need stamina and persistence, when the rejections pile up. It was a long time, and many experiments in genres, before I found out what I really wanted to write, and finally got a publishing deal. During that time I learned a lot about the craft of writing, and I have to thank the Romantic Novelists’ Association for the help and encouragement I received. Once you have a deal, you also learn a lot from having a professional edit. It’s flattering and scary to have the attention of an expert focussed on your work.
Evonne writes romantic thrillers and romantic comedies. Her first published novel, Never Coming Home, won the Joan Hessayon award for the best debut novel of the year, presented by the Romantic Novelists’ Association. She likes writing about romantic locations, food, art, architecture, pretty clothes, shoes, nasty villains, brooding heroes and independent heroines. You can find out more about her books and her writing on her website.
Contact details and book links
You can find Evonne at Her blog http://evonneonwednesday.blogspot.com where she talks about writing and books and history and life and interesting places and research and anything else that comes into her head, every Wednesday.
On Twitter @evonnewareham
On Facebook as evonnewarehamauthor
Or you can contact her through her website www.evonnewareham.com
The South Wales and West Chapter had a birthday party to celebrate sixty years of the Romantic Novelists’ Association. Each member of the group presented a sixty word slice of their novel or work in progress, along with a biography as a gift to romance readers. Our words and chat put the fizz into the celebrations. Unwrap the tiny parcels of words and meet the authors. Enjoy
Georgia’s glossy curls were piled high. As she moved, the light caught seed pearls scattered in her hair. Her creamy velvet dress clung to her curves. Nick watched the joy on her face when she first caught sight of him and longed to give her the world. That moment was, and he prayed it always would be, fixed in his consciousness.
Jill Barry lives close to the estuary dividing Wales from England. Her historical and contemporary romantic fiction is mainly character-driven and she delves into her life experiences to colour her writing. She enjoys bringing different eras to life and, as a multi-published author, enjoys helping fellow RNA members to realise their dreams. Jill is a co-organiser of her local chapter.
Stelios took her in his arms. Dipping and swaying in time to the bousouki music, Elin felt familiar flutterings in her stomach. She’d promised herself that there’d be no romantic liaisons when she was in Greece. So why did the handsome woodturner have this effect on her? His hot breath on her neck and earlobe made her whole body tingle.
Jan lives in Cardiff and writes novels about families and their secrets. An author with Ruby Fiction, her debut novel, will be published in digital and audio in April 2020. Joining the RNA and its wonderful New Writers’ Scheme in 2016 was her best decision as a new writer. She’s joint organiser of her local RNA Chapter.
For the first time, his skin touched her skin as they held hands. It was the closing of a gap, a circle joined. He remembered that quiet moment, in the midst of the restless, big city. They were like a boulder, solid and immovable, while the river raged around them. It was the moment Arthur fell in love with Pearl.
Catherine lives near cliff tops in South Wales, a view which inspires her every day. With published short fiction, articles, a magazine column and a non-fiction book to her name, a published novel is next on her wish list. She is determined, with the help of the brilliant RNA New Writers’ scheme, to become a published novelist and professional daydreamer.
The fading evening light caught the russet highlights in her hair and cast a faint pink glow across her face. Her eyes were alight with wonder and her lips were slightly parted. For one mad moment, he wondered what it would be like to kiss them.
He cleared his throat, trying to drive the disturbing thought out of his mind.
Liz lives halfway between the Brecon Beacons and the sea, in the South Wales Valleys. She writes light-hearted, uplifting romantic fiction, with liberal doses of humour. She joined the RNA to make friends with other writers and is now part of the admin team and a reader for the NWS, to repay the help, support and kindness she’s been shown.
As they began to descend yet another endless hill Ellena turned and caught a glimpse of her home. She could make out the flags fluttering atop the turrets of Castle Swein before it finally disappeared from view. She slowly turned around in her seat and gripped the pommel tightly. The conviction she’d made a terrible mistake hardened in her stomach.
Ella Matthews lives and works in Wales. When not thinking about handsome heroes she can be found walking along the coast with her husband and their two children (probably still thinking about heroes but at least pretending to be interested in everyone else). She writes cosy crime and romance novels. Her first Mills and Boon title is out in April.
Imogen Martin can generally be found behind a laptop in her writing nook, or book in hand in a café, or on a beach in Sardinia. She has two daughters and lives with her husband in South Wales. Her debut novel is a pioneer story set in nineteenth century America. She is a member of the RNA New Writers’ Scheme.
She shrugged. ‘It’s my big romantic birthday break.’ She indicated the vacant chair beside her, straight-faced. ‘Durr. Can’t you see my hunky, virtual boyfriend?
Jake swivelled his eyes to the empty seat and back at her, raising his eyebrows in mute enquiry.
Living on the South Wales coast, Sue McDonagh finds inspiration for both her novels and her art in her beautiful surroundings.
Motorcycles, her other passion, can also be found in the pages of her Art Café trilogy, the third of which will be released in July this year. Her writing explores real life events, with a light touch and humour.
I step inside the shed, hauling the net of footballs. He’s behind me. There’s something invisible pulling me to him. I turn around and he takes my hand. A surge of electricity powers up my arms. We come together in a passionate embrace. Every single bone in my body turns to jelly as he treats me to a sensuous kiss.
Lucy Mitchell is the author of Instructions for Falling in Love Again, an uplifting romantic comedy about second chances and friendship. She’s also the author of the award-winning blog, BlondeWriteMore; which records the emotional highs and lows of her life as a romance author. On her blog she also reviews romance novels and regularly falls in love with male characters.
‘Summer Island’, Natalie Normann
Jack liked seeing her laugh. The first time they met, she had been so furious with him, but right now she was happy.
‘You look beautiful,’ he said.
Ninni frowned. ‘No, I don’t.’
‘Yes, you do. You are beautiful.’
‘No need to flatter me. I won’t throw you overboard.’
She was teasing him and he enjoyed it. ‘Doesn’t change anything.’
Natalie Normann lived in Cardiff for two years, then sadly had to return to Norway, bringing home inspirations and good memories. A week after arriving in Wales, she joined the RNA and her local chapter, and still can’t believe something this good exists. She writes contemporary romance set in Norway and is determined to show Nordic is more than noir.
She was living a fairy-tale that many women could only imagine. And it was worth it, even if her nights ever after would be cold and bitter. You can’t undo love. Every moment, from here on, must be etched in her memory. The place, the time, the man. Memory she could fall back into, during those long, cold nights.
Evonne has been a member of the Romantic Novelists’ Association for thirty years. While this makes her feel very old, it also means that she has been to a lot of fabulous parties and made some wonderful friends in the romance writing community. She is currently working on two new books in her romantic mystery series, set on the Riviera
She crept into the bedroom where Owen lay asleep, Bridie looked at his sleeping frame, his thick hair spread over the pillow. She knew nights like this would be few. She slipped in beside him, wrapping her arms around him. Wherever he would be sent, his spirit would always be here at her side. That would have to do for tonight.
Pat a retired ward sister and nurse lecturer lives in Cardiff and is writing a novel about two people one from Ireland and one from Wales both away from home in London and divided by war. She has plans for a second novel based in Wales. A member of the RNA New Writers Scheme hoping for a chance of publication.
‘The point is that you, Rosy, are not just the sexiest women I know, you’re the most honourable, tenacious, well, every quality there is and of course I want to kiss you right now, strip you naked and tumble into the back seat but I also want to wake up with you tomorrow and the next day and the next.’
Kitty Wilson lived in Cornwall for twenty-five years having been dragged there, against her will, as a stroppy teen. She is now remarkably grateful to her parents for their foresight and wisdom – and these days spends her time writing romantic comedies with heroines who speak their mind. She loves the RNA and all the opportunities and support it offers.
The South Wales and West Chapter hope you will raise a glass, eat cake and celebrate the 60th anniversary of the RNA with us. We invite RNA members to post your own parcels of words on your FB pages and blogs as a gift to romance readers. Let’s share the love, and ‘champion the quality and diversity of romantic fiction.’ Happy Birthday to the Romance Novelists’ Association.
Gilli Allan, author and artist, has written a novel entitled Buried Treasure and agreed to share an extract. I invited her to tell you more about her latest release. Apparently, ‘Buried Treasure is not always what it seems’…
Dear Readers,
I am delighted to present Buried Treasure. The extract I’ve chosen is a flashback to the gathering after the funeral of “Uncle” Bill Sydney. The heroine Jane, a young teenager, is talking to her twenty-plus sister Rachel. Rachel is being typically high-handed and unsympathetic, and suggesting Bill’s wife, Mary, can now have the clear-out of her late husband’s ‘Sydney Collection’, that she’s always complained about. Although Bill’s father, their great uncle Alf Sydney, did unearth a Viking hoard from a field during the war, always referred to as his ‘Treasure’, it was confiscated, much to his disgust. The collection now consists of the far humbler antiquities dug-up over the years, from the Sussex farm, to which Bill added the curios he brought back after his national Service.
‘Uncle Bill’s been dead less than a fortnight,’ Jane reminded her sister. ‘And the collection’s not in her way. As far as I know, it’s still in her shed.’
‘He was a silly old fool. You were the only one really interested in it, or in the so-called treasure, for that matter.’
‘We were both thrilled when we first heard about it.’
‘We were children!’
‘It was an amazing find. And Bill was only young when it was dug up. No wonder it became a big event in his memory.’
‘Most of us grow up, but I can see you’re not planning to. As for ‘The Sydney Collection’ … one day it will fall to you to sort it all out. I certainly don’t want a load of old stone-age tools, broken pottery and dirty coins…. Not to mention his “precious – s – s – s – s” !’ Rachel mimics the sibilant enunciation made famous by Gollum in the Lord of the Rings films. She twirls her index finger at her temple.
‘How can you be so…!’ Jane hated her sister’s disdainful tone, but it was true, the older he’d become the more Bill talked about the unearthing of the “treasure”, and since his father’s death he continually obsessed about the secret hidden artefact, never admitted to at the time of the treasure’s confiscation, that he claimed to have found.
‘You’ll have the pleasure of discovering that it was a delusion. Probably just as well he popped off when he did.’
Thank you for reading this extract. It was fun selecting a short passage that might whet the appetite. If you choose to read my book, I very much hope you enjoy it. And do please connect with me, leave a review or tell me what you think.
Best wishes, Gilli x
Jessie: Why did you select this extract?
Gilli: I chose this section as it’s the first occasion when one of the books mysteries is referred to – the notion that there might be something more valuable – perhaps an item of the Viking hoard – hidden amongst Bills rag-bag of oddities.
Jessie: Why should I place Buried Treasure in my handbag?
Gilli: As for why do I think you should pop Buried Treasure onto the ereader in YOUR handbag? Well, I don’t think you should if you like your romance sugar-coated! My writing engages with the more challenging aspects of life and relationships, often glossed over or ignored in mass-market romance. In real life morality is not necessarily black or white. People are not neatly divided into heroes or villains. Sex is not always awesome – it can be awkward, embarrassing – even abusive – and it has consequences. And in Buried Treasure there is the intriguing backdrop of an old university, and a mismatched couple whose lives become entangled because each has an archaeological puzzle they need to solve.
Jessie: How did you feel when you finished writing Buried Treasure? Did you miss any of the characters?
Gilli: When I finished Buried Treasure my first feeling was relief; it was the hardest book I have ever written, but I found myself thinking about the characters long after.
Jessie: Tell us a little about yourself.
Gilli: I am stubborn, persistent and slightly obsessional; if I wasn’t I wouldn’t have 6 published books to my name.
Biography:
Living in Gloucestershire with her husband Geoff, Gilli is still a keen artist. She draws and paints and has now moved into book illustration.
She is published by Accent Press and each of her books, Torn, Life Class and Fly or Fall has won a ‘Chill with a Book’ award.
About Buried Treasure
Their backgrounds could hardly be further apart, their expectations in life more different. And there is nothing in the first meeting between the conference planner and the university lecturer which suggests they should expect or even want to connect again. But they have more in common than they could ever have imagined. Both have unresolved issues from the past which have marked them; both have an archaeological puzzle they want to solve. Their stories intertwine and they discover together that treasure isn’t always what it seems.
Reviews
“….credible, three dimensional, affecting characters […] ordinary people doing and/or experiencing sometimes extraordinary things. Their respective loneliness, sadness and difficult back stories made this seemingly mismatched couple very appealing…” Anne Stormont.
“…[I] have the highest regard for this talented author. The title intrigued me from the outset; who hasn’t at some time in their life dreamed of finding buried treasure? I know I have, and found this treasure of a story deeply satisfying….” Lyn Sofras (The Manic Scroibbler)
“… I promise you will not be disappointed. It is a very satisfying romance, to be sure, but as always with Gilli Allan’s stories, ‘Buried Treasure’ is about so much more than the relationship between two people….” Anne Williams
Lizzie Lamb is one of my writing fairy godmothers and it was a dream come true to meet her at the Romantic Novelists’ Association Tea in York. We chatted about her latest novel – Harper’s Highland Fling. I am thrilled to share this exclusive interview on Burns Night. Let’s raise our glasses to Scottish story telling.
How would your friends describe Lizzie Lamb, the author?
Friends would describe me as enthusiastic, loyal, funny, highly motivated (if slightly driven!) I hope they also see me as someone who likes to help others, especially rookie authors.
You have soared to the top of the charts with your novels for over ten years. How have you achieved this success?
As the song goes: I get by with a little help from my friends.’ Put yourself out there, make friends with readers and other writers; be generous, buy, read and review their novels. Embrace social media: Facebook, Twitter, Instagram and start a blog. When I published Tall, Dark and Kilted (2008) indie publishing was a new phenomenon and it was easy to stand out from the crowd but it’s become much harder. Luckily, I’d built up a following on Facebook and Twitter before becoming a published author and my friends/followers are usually the first to buy my novels. It’s important to interact with your followers on a daily basis and not bombard them with ‘buy my books’ posts. If you get this right, they will become friends who interact with you and generously spread word of your novels.
My mantra is: RESPOND. RECIPROCATE. RESPECT.
Do you fall in love with your heroes and is your husband jealous of them?I know it sounds cheesy but my husband is all my heroes wrapped up in one. My love of dialogue/banter stems from our interchanges and, even after these years, we still have the ability to make each other laugh. When he read Harper’s Highland Fling he recognised some of the things Harper said to Rocco regarding his collection of ‘classic’ vehicles (code for: rusting old hulks) because I’ve had similar conversations with him over his ‘fleet’ of motors.
I have a couple of signs which sums up our relationship and, besides, he is too much of a grown up to feel jealous of my fictional heroes.
Tell us about the essential ingredients of a great romance?
I believe it is vital that I fall in love with your hero from the get-go. That enables me to see him through the heroine’s eyes and respond accordingly. In Harper’s Highland Fling I’ve used Male Point of View for the first time, perhaps this is why readers have declared the novel my ‘best one yet’. It is essential to establish the ‘spark’ between hero/heroine from the beginning, light the blue touch paper, stand back and wait for the fireworks happen. The author has place obstacles in the way of the h/h which prevent the romance developing, then half way through the novel drop ‘something new’ into the mix which makes the protagonists see each other in a different light/revise their opinions of each other. Then they can start to fall in love. But keep something back so that in the last quarter of the novel you can turn everything on its head and make the reader wonder how it’s all going to work out. That is the Page Turning Quality an author needs to evoke in order to carry the reader through to the end of the novel when, hopefully, she will close the book with a satisfied sigh.
Don’t cheat your reader by not delivering that happy ever after/happy for now ending. They won’t forgive you for it because that’s what you’re genre promises them. Remember Sanditon – what a let-down.
How has your writing changed since your first novel?
I think I’m prepared to take chances because I have learned what readers like/dislike. Readers enjoy sparky dialogue and some description of time and place, but don’t overwhelm them with it. An author should edit her finished novel as though she was a reader, cutting out those scenes which don’t work or slow the action down. Oh, and, I’ve learned to keep my hero/heroine together on the page as much as possible because that’s what I like in a good romance.
What are the benefits of indie publishing and how is it changing the world?
The main benefit of being an indie author is that you can write to your own schedule. I aim to publish a novel am every 18 months. Indie publishing suits my lifestyle and I suspect that, if I wanted to become a contracted author, I’d have to stop writing Scottish-themed romance and write WWII, Cornish Cottage romances, sagas, dark psychological crime instead. So not my bag. I’ll stay an indie for now, but who knows what the future holds?
Explain the classic mistakes of rookie indie publishers?
Looking back, here are the classic mistakes I made as a rookie author. Didn’t work out a plan for the novel before I started it. Spent far too long polishing the first three chapters without seeing the novel as a whole and plotting out where the high and lows. I also spent too much time listening to contradictory advice, not understanding the importance of developing my own ‘voice’ (that comes with experience. I believe). Believing that what works for other authors will also work for me; one size does not fit all.
I love, love, love the dynamic dialogue in your books. Can you give us a peek into a moment in Harper’s Highland Fling?
My favourite bit of dialogue in HHF.
‘Wh-where did you learn to kiss like that?’ Rocco asked.
‘Well, not at Sunday School, that’s for certain,’ Harper quipped.
‘Behind the bike sheds?’
‘I couldn’t possibly comment. More evidence is needed before I can reach a proper conclusion.’
‘Of?’
‘You as a great kisser.’
‘Indeed?’
‘There is a precedence, I believe. The accepted rule that scientific fact should always be subjected to further experimentation, to eliminate the chance of a fluke occurrence.’
A thrilling, entrancing, full on romantic adventure. Hang onto your hat, it’s a 5 Star trip all the way! – Adrienne Vaughan
Written with Lizzie’s customary blend of warmth, wit and ‘will they, won’t they’ drama. Her best romance yet. I loved it! – Janet Brigden
Another smart, funny, romantic read from Lizzie Lamb. – June Kearns
An exciting armchair road trip to Bonnie Scotland, a gripping romance and a set of characters you’re not going to let go. Lizzie Lamb is back! – Isabella Tartaruga
So – get your motor running and fasten your seatbelt, you’re in for a bumpy ride
I love Lizzie Lamb’s books and always know I’m in for a great read. Harper’s Highland Fling is not just any romance, it’s a scorching hot romance, full of surprises and glorious page turning tension. It is great getting to know the two characters and Lizzie Lamb’s lovely turn of phrase sparkles throughout the novel. She is currently writing her seventh novel: Dark Highland Skies.
Lizzie Lamb is a bestselling author with six novels under her belt. She runs the Leicester RNA Chapter, Belmont Belles, with June Kearns and is regularly invited to give presentations and workshops around the UK.
I dare you not to fall in love with Lizzie’s books.
About Lizzie:
After teaching her 1000th pupil and working as a deputy head teacher in a large primary school, Lizzie decided to pursue her first love: writing. She joined the Romantic Novelists’ Association’s New Writers’ Scheme, wrote Tall, Dark and Kilted (2012), quickly followed by Boot Camp Bride. She went on to publish Scotch on the Rocks, which achieved Best Seller status within two weeks of appearing on Amazon and her next novel, Girl in the Castle, reached #3 in the Amazon charts. Lizzie is a founder member of indie publishing group – New Romantics Press, and has hosted author events at Aspinall, St Pancras and Waterstones, Kensington, talking about the research which underpins her novels. Lizzie romance Take Me, I’m Yours, set in Wisconsin, also achieved BEST SELLER status >travel>USA. Her latest novel – Harper’s Highland Fling – has been declared her ‘best one yet’ by readers and reviewers. In it, two warring guardians are forced to join forces and set off in hot pursuit of a runaway niece and son. She has further Scottish-themed romances planned and spends most of the summer touring the Scottish Highlands researching men in kilts. As for the years she spent as a teacher, they haven’t quite gone to waste as she is building a reputation as a go-to speaker on indie publishing, and how to plan, write, and publish your debut novel.
Lizzie lives in Leicestershire (UK) with her husband, David.
She loves to hear from readers, so do get in touch . . .
At the Merchant Taylors’ Hall in York, Lynda greeted me with a warm smile. When I mentioned Books in my Handbag, she beamed at me. We stood next to the glowing warm fire to chat about Lynda’s new novel. Lynda has a special place in my heart, as she is one of the very first authors to present a book in a handbag at the beginning of my journey.
Jessie: What a pleasure to finally meet with you, Lynda. Thanks so much for inviting me to the RNA Tea.
Lynda: Jessie you’re so very welcome, and I hope you’ll feel at home. We started this event three years ago to ensure there was an RNA event in the North. I really wanted to create a friendly, informal event where everyone could get together, catch up and have some lovely food. Before we begin, here’s a glass of wine. I’d like to raise a toast to my lovely readers.
Jessie: A little tweet tells me you just released your new novel, Fake Date. It’s a dramatic title. What’s the novel about?
Lynda: Ella finds herself beaten and broken, yet somehow, she finds the strength to survive. Determined to put the past behind her, she vows to find the person responsible for hurting her, no matter how difficult that might be, but during the novel she meets Will Taylor, an editor for a rival newspaper. He’s moved into the house next door and Ella finds herself becoming more and more attached to her cheeky neighbour, while all the time searching for the person who attacked her.
Jessie: It sounds like a gripping and powerful novel. Your books are grip lit and seem to be love with a gritty edge. Why do you write in this genre?
Lynda : I love the gritty side of things. I really don’t think that everyone has a straight forward, lovely life and I’m positive that there’s always someone out there trying to ruin your day…. And okay, I don’t think most people live with serial killers, or people who are trying to murder them, but I do think it happens and I do think it gives the book the gritty edge that I love.
Jessie: How have the reviewers responded to your latest book?
Lynda: I have been absolutely blown away with the reviews. Anne has just stopped me to tell me she liked the book, I could seriously bounce around the room with happiness. Reviews like this mean so much to me – she is such a well-respected blogger and her opinion means such a lot.
‘I’ve read and enjoyed all the books Lynda Stacey has written, but this really is the one I’ve been waiting for – the one I always believed she could write.’ Welsh Annie
‘This is a great psychological thriller and one where I thought I knew what was going on and then the plot thickens, and I started doubting myself! I would thoroughly recommend this book as it certainly keeps you on your toes from start to finish!’ Boons Book Case
‘From the start to the end I was gripped, in fact I couldn’t put the book down and read it in a day.’ Mrs C Isle
Jessie: What great reviews, Lynda. Now, I’m intrigued. Can you read me an extract?
Lynda:
Nine hours and eleven minutes …
That’s how long it’s been since Ella Hope was beaten and left for dead. She lies, unable to move and praying for somebody to find her, as she counts down the minutes and wonders who could have hated her so much to have hurt her so badly.
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
I always go through a roller-coaster of emotions. I’m relieved that I finally got to the end, and albeit they’ll always be with me, I get a little disappointed that my characters won’t be a part of my daily life anymore.
Jessie: I know exactly what you mean. I missed my characters, but they’ve started to hassle me with other tales. I’m ignoring them for now. Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family.
Lynda: I’d love for my mum to read my books. We lost her quite several years ago, but I’m just certain that she’d have been my biggest fan.
Jessie: It’s such a shame your mum didn’t get to enjoy your books. Did she know you intended to write them, and what do you think she’d say about your books?
Lynda: She’d always been aware that becoming an author was a dream for me. She was the one that had to sit and listen to the sound of my typewriter tapping away for hours and hours and now that I am published, she’d most probably drive everyone nuts by continually talking about the books.
Jessie: Why should I keep your book in my handbag?
Because it has a really pretty cover lol..! Besides, I’d like to think that you’d need to keep it close by, purely because you wanted to keep reading until it was finished.
Jessie: That’s a great response and you know how to tempt me with a book. What is the last sentence written in your writer’s notebook?
I don’t tend to keep a notebook. But if I did, it would probably say, ‘Go back to the beginning of the story and double check all your research’
Jessie: Have you started to write the next book? If yes, are there any words you can share with us. I won’t tell anyone.
Lynda: My next novel is based in my home town of Doncaster and has the backdrop of the famous Sand House. A house that had been carved out of sandstone in the late 1800’s. But it wasn’t the house that people were most interested in, it was the catacombs that were carved and led off from the house. The tunnels were vast and had the most intricate of carvings which are now ‘in reality’ lost forever. But being a Doncaster girl, I want to preserve their memory, bring them back… and allow the world to see The Elephant and his Mahout, the most famous of the carvings.
Jessie: What is the biggest challenge for an author?
Lynda: My biggest challenge is to make the next book better than the last. I’m always striving to do better, to get more 5 star reviews and to ensure that the reader takes a great journey.
Jessie: What is the best advice that you have received as a writer?
Lynda: To never give up writing. To keep going, even when times are tough and to believe in yourself. There are a lot of days when you could easily stop. But then, something happens, something lovely like an unexpected email from a reader, or just a lovely comment from another author. It’s on those days that you sit back, you smile, you take the advice, and you get to work.
Jessie: How do you feel about being an author?
I’ve always loved getting lost in a story, my childhood was spent in libraries. So, to find myself writing my own books and getting consumed by my own stories, is like a dream come true. I never, ever thought I’d be in a position to call myself an author and still look at, stroke and smell my books with a look of disbelief all over my face.
I received a warm welcome from Lynda and her modesty charmed me to download her novel. The invitation to the RNA York Tea made me fall in love with the Romantic Novelists Association. Like Lynda, the people I met were kind, generous and fun.
More about the Author:
Lynda grew up in the mining village of Bentley, Doncaster, in South Yorkshire. Her own chaotic life story, along with varied career choices helps Lynda to create stories of romantic suspense, with challenging and unpredictable plots, along with (as in all romances) very happy endings. She now lives in a small hamlet, near Doncaster with her hero at home husband, Haydn.
As the Great War takes hold is there room for what lies ahead in The Foyles Bookshop Girls’ handbags? The Foyles Bookshop Girls is a story about love and friendships, which are tested as war grips the country. The girls, in age order, are Alice, Victoria and Molly and have been friends for most of their lives. When they invited me to peek inside each of their bags I was surprised at what I discovered.
Alice’s hand bag, a colourful tapestry, contained a comb, Kirby hairgrips, a small black purse, keys, a sewing kit, a lace trimmed handkerchief, a small black velvet box containing pearl earrings, nail scissors, a gold pen, the latest book she was reading and receipts for books that she’s purchased. Alice doesn’t overfill her bag, leaving a space in the corner for hope; hope that the men she loves will return safe and sound from the Great War.
Victoria’s handbag is plain black and used to belong to her mother. The contents of her bag were a comb, keys, sewing kit, a plaster, a worn white cotton handkerchief with her initials embroidered in the corner, a well-thumbed second hand paperback book, some yellowed tickets, a dried flower pressed between two pieces of off white paper in an envelope with a photograph of a young man, a small torch, a shopping list with money off coupons, old receipts and a photograph of her parents. Victoria’s bag is bursting at the seams with the responsibility of holding everything inside. It has been crammed with everyday items and treasured belongings leaving no room for hope, faith or love.
Molly’s handbag is peacock blue with glass beads hanging down from it. Her bag contains silver bangles, a compact, a small pot of rouge, a white cotton handkerchief, a small glass bottle filled with perfume, loose hairclips and bands, a black coin purse, which has her notes screwed up and forced inside. A half eaten chocolate bar, a nail file, comb and a pad and pen. Molly’s handbag contains things to make her feel better, to improve her, to try to rid her of the guilt that is hidden amongst the finery it holds.
Elaine’s guest post demonstrates she knows her characters inside out. The characters’ handbags reveal so much about these characters and make me want to delve into their worlds. I can’t resist walking into a bookshop. The Foyles Bookshop Girls is ‘a delightful story of friendship, love and hope during the dark days of WW1. Elaine Roberts is a bright new star in the world of sagas’ About Elaine
Elaine Roberts had a dream to write for a living. She completed her first novel in her twenties and received her first very nice rejection. Life then got in the way until circumstances made her re-evaluate her life, and she picked up her dream again in 2010. She joined a creative writing class, The Write Place, in 2012 and shortly afterwards had her first short story published. She was thrilled when many more followed and started to believe in herself.
As a member of the Romantic Novelists’ Association, progressing to full membership from the New Writers Scheme, and The Society of Women Writers & Journalists, Elaine attends many conferences, workshops, seminars and wonderful parties. Meeting other writers gives her encouragement, finding most face similar problems.
Elaine and her patient husband, Dave, have five children who have flown the nest. Home is in Dartford, Kent and is always busy with their children, grandchildren, grand dogs and cats visiting. Without her wonderful family and supportive friends, she knows the dream would never have been realised.
Blurb
London, 1914: one ordinary day, three girls arrive for work at London’s renowned Foyles bookshop. But when war with Germany is declared their lives will never be the same again…
Alice has always been the ‘sensible’ one in her family – especially in comparison with her suffrage-supporting sister! But decidedly against her father’s wishes, she accepts a job at Foyles Bookshop; and for bookworm Alice it’s a dream come true.
But with the country at war, Alice’s happy world is shattered in an instant. Determined to do what she can, Alice works in the bookshop by day, and risks her own life driving an ambulance around bomb-ravaged London by night. But however busy she keeps herself, she can’t help but think of the constant danger those she loves are facing on the frontline…
Alice, Victoria and Molly couldn’t be more different and yet they share a friendship that stems back to their childhood – a friendship that provides everyday solace from the tribulations and heartbreak of war.
As a Leeds lass, I had to discover more about the dynamic Yorkshire woman who is Chair of the Romantic Novelists’ Association. I invited Alison May to chat about the RNA and her writing.
Jessie: It is wonderful to finally meet you. Tell me, who is Alison May, the writer?
Alison: I’m a total control freak (which is helpful for writing novels – you basically get to invent a whole world and be god of it). If it was socially acceptable, I would live on toast and chocolate the whole time. And I have an uncontrollable tendency to take on one thing more than I have time to do – at the moment that one thing is ‘being Chair of the RNA’ so quite a big time-consuming thing!
Jessie: Chair of the RNA is a prestigious role and such an honour. What does your role as Chair of the RNA involve?
Alison: Essentially everything that goes wrong is my fault, and everything that goes well is down to the brilliant and inspirational management committee and volunteer team I have around me. On a practical level being Chair involves, hosting RNA events, chairing management committee meetings, representing the RNA at industry events and meetings, and, responding to whatever crises come up unexpectedly. And the start of 2020 has brought more crisis that any of us was expecting, so at the moment I’m mostly working on ways that we can respond to the Covid-19 outbreak and lockdown and support our members virtually.
Jessie: What is your vision for the RNA?
Alison:I want the RNA to continue to be brilliant in all the ways it already is – supportive to new writers, friendly, welcoming and a real voice for professional commercial authors. I want to see us develop the education and professional development opportunities we provide for our members. I want the RNA to be a critical friend to the publishing industry – it’s great for us to build close ties with romantic fiction publishers, but it’s also vital that we remember that we’re an author focussed organisation and authors’ interests and publishers’ interests overlap but aren’t always precisely the same.
I’d also like to see us become more inclusive. At the moment, like much of the publishing industry, we can be a bit white and straight and middle class. It’s really important to me that writers who have been under-represented in publishing know they have a place within the RNA.
Mostly though I want authors of romantic fiction to be proud of their genre and of what we create. There can be snobbery around commercial fiction, especially around commercial fiction that is often written and read by women. I am simply not at home to those sorts of attitudes. Romantic fiction rocks.
Jessie: What are the essential ingredients of a great romance?
Alison: People who want to be together and a really good reason they can’t be.
Jessie: Why did you join the Romance Novelists’ Association and what has it offered you?
Alison: I joined the RNA in 2011 as a member of the New Writers’ Scheme. The NWS gives unpublished authors a critique on their novel in progress, but also means that you can attend RNA events as a member. In that first year I went to conference and the Winter Party and joined my local chapter. The conference was a two day whirlwind knowledge dump of a huge amount of stuff about how publishing works that would have taken years to learn without the RNA. Since then the RNA has become my village. Writing is incredibly solitary. A support network of people who get the emotional ups and downs of writing and publishing is essential. And I think the RNA provides the very best support network there is.
Jessie: It’s obvious you are a perfect ambassador for the RNA. I love the fact that it has become your village as I feel the same way. I am impressed you have written six books.
Alison: I’ve actually written 8 (I think!) – some of them were novellas though so are published separately and together which makes counting tricky! And I also write collaboratively with Janet Gover under the penname, Juliet Bell. Juliet writes stories inspired by misunderstood classics – most recently, The Other Wife, which was inspired by Jane Eyre. All That Was Lost is my most recent title writing solo as Alison May though.
Jessie: Capture All That Was Lost in one sentence.
Alison: One lie – told for a lifetime. What would that do to the girl you used to be?
Jessie: Can you tempt me with an extract from the book?
Alison: She’s stylish, but never threatening. She could be other mother of the bride at an elegant country wedding … but she’s not. She’s Patrice Leigh, the woman who’s built a fifty year career on the claim that she can talk to the dead.
Jessie: Wow! The final sentence evokes mystery. What did the readers say about the novel?
Alison: I am delighted with the responses. Readers really connected with the subject and the characters and loved the humour.
‘I love the touches of humour Alison writes into what is, in essence, a very sad tale.’
‘I am not going to forget Patience/Patrice any time soon. She is one of the most original characters in any novel I’ve read recently.’
‘I loved this book – couldn’t put it down. It was thought provoking and I am still thinking about it many weeks later.’
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
I think the characters, especially Patrice, from this book have stayed with me more than any other book that I’ve written. I don’t miss them exactly. I definitely don’t think I’ll ever write a sequel but they’re all still there inside my head.
Jessie: Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family. Perhaps it could even be a friend or family member that has passed away.
Alison: The person I most want to read this book is Jack Thorne. He’s a playwright and screenwriter and I’m a huge fan of his work from The Cursed Child to National Treasure and lots of other things beside. I have a recurring fantasy where he reads All That Was Lost and adapts it for TV and I believe that if I mention this enough in interviews and online it might one day happen! (If I’m allowed a second person I also have a very similar recurring fantasy about Lin Manuel Miranda and a Broadway hip hop musical version.)
Jessie: What is the last sentence written in your writer’s notebook?
Alison: ‘If you change Alice back to Anna you can reuse the Annabel line.’
And it’s true. I can.
Jessie: What is the best advice that you have received as a writer?
Alison: ‘Work out what your dream is and follow it.’ Once you get to the point of having a completed manuscript there are a lot of people who will tell you that you ‘must have an agent’ or that ‘looking for an agent is a waste of time and you should self-publish’ or whatever else might have worked for them. And that’s fine but the right option for them might not be the right option for you, so work out what you really want and pursue that first.
Jessie: What do you when you are not writing?
Well at the moment a lot of my time is spent on RNA projects, but asides from that and writing, I also run a novel-writing tutoring and mentoring business. That means I work one-to-one with authors and also offer manuscript critiques and teach group workshops and lead residential retreats. I LOVE teaching. It’s basically my happy place. And I’m super-proud like a mother hen of all my past students. I have three shelves above my desk. One has my own published books on it, but the other two have books by former students. Those shelves are my absolute pride and joy!
When I’m not teaching, writing or working on RNA stuff, I love baking and reading and sleeping. Sleep is really excellent.
Alison joined the RNA as a member of the New Writers’ Scheme in 2011 and won the Elizabeth Goudge Trophy in 2012. All That Was Lost is the sixth novel, but she also writes as Juliet Bell, in collaboration with Janet Gover. Alison also runs writing courses and is currently offering virtual Book Doctor appointments on a ‘pay what you choose’ basis. I am impressed with her innovative approach to supporting others at this challenging time.