Tag: Lancashire

Yorkshire Lasses in Wales: When Jessie Met Judith Barrow

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire

Judith Barrow

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire, has lived in Pembrokeshire, Wales, for forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen, a BA (Hons) in Literature with the Open University and a Diploma in Drama from Swansea University. She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions. She has completed three children’s books.

She is also a Creative Writing tutor for Pembrokeshire County Council.

Jessie:  Judith, tell me what a Yorkshire lass is doing in Pembrokeshire.

Judith:  We went on holiday to Pembrokeshire, loved it and never returned to Saddleworth.  We bought a half-built house and renovated it.

Jessie:  Do you miss Yorkshire?

Judith Barrow – Secrets

Judith:  Pembrokeshire was a great place for our kids to grow up.  I miss Yorkshire stone, craggy landscape and the meandering moors. I love our house, in Pembrokeshire, but I always expected I’d live in a stone cottage in my old age.  As you can hear, even after forty years in Wales my accent hasn’t changed – I’m still a Yorkshire lass.  People say they can hear my voice in their heads when they read my books.  Lucky them!

Jessie:  Obviously, people love your voice as you have written eight books.  How did the writing start?

Judith:  Well, I hope they do. As for the writing, I’d written since I was a child but never done anything much about it. Then I went to night school with my daughter. I finished A Level English and went on to gain a degree through the Open University. Whilst studying for the degree, I had breast cancer, and this made me see life differently.  I decided to follow my dream to become a writer.

A place that inspired the setting of Judith’s novels

Jessie: I am so sorry to hear about your health issues. It is wonderful you decided to follow your dream. What kind of books do you write?

Judith:  I write people driven, gritty dramas and wasn’t prepared to adapt my writing.  Eventually, I got a contract with Honno Press – an independent publisher in Wales- and found their approach personal and supportive.  My first book ‘Pattern of Shadows’

Jessie:  What’s Pattern of Shadows about?

Judith:  It’s the story of a nursing sister, Mary Howarth, and her family, during World War Two and is set around a POW camp located in a disused cotton mill in a Lancashire town.  When I was a child my mother was a winder in a cotton mill and I would go there to wait for her to finish work; I remember the smell of the grease and cotton, the sound of the loud machinery and the colours of the threads and bales of material.  Pattern of Shadows was meant to be a standalone book, but the characters wanted me to carry on with their lives. Eventually, it developed into a family saga trilogy. My recent book, the prequel, is A Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth. They wanted me to explain their, how they had become what they are in the trilogy. I was happy to; I think, as we get older, we are made by our life experiences.

Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth

Jessie:  I’m reading One Hundred Tiny Threads. The opening is engrossing with Winifred waking up to another day in the shop. The characters are so real, and I love getting inside their heads.  I’m shouting at them all the time. The way you thread the characters’ attitudes towards women is brilliant.  I’m fascinated by the Suffragettes in Leeds.  For some reason, I always imagined the movement to be concentrated in London.

Judith:  Researching the Suffragettes opened up my eyes.  I wanted to tell their story through the voices of the characters and show how women, in the society at that time, were ready for the change. Stories draw people into to the political background of the era, and life was certainly a challenge then.  People say my books are dark.  Have you got to the gory bits?

Jessie:  Well, there has been a murder.

Judith:  No, I’m thinking of scene after that – you wait.  Bill’s a bastard but it’s his background.  I don’t know why Winifred married him.

Jessie:  Oh no, what was Winifred thinking of?  I’m furious with her, as I haven’t read the terrible news yet.  I’m intrigued as to why she didn’t marry the love of her life and scared for her.

Judith: Oh ‘eck, hope I haven’t I haven’t spoiled it for you, Jessie.  But, you must understand Bill had a terrible life as a child with his father.  And then he was a soldier in the horrendous First World Wars. He was also one of the Black and Tans when he returned from the Front. He’s a bastard but didn’t have it easy.  As I said, our lives shape us.

Jessie:  I agree and people interest me too.

Judith:  Yes, well your novel is also character driven and could become a family saga.  I can see it now.  I want to know more about Luke and Rosa and their parents.

Jessie:  I plan to do that, and you have inspired me to complete historical research.  I would have to look carefully into the eras the generations were born into.   Thanks for your advice.

Judith:  No problem, I teach creative writing in Pembrokeshire, so I just can’t help myself (some would say it’s interfering!!).  Writing is like looking at the world through the eyes of a child and I love it. I watch folk walk past my window, at home.  It’s hilarious how people walk. I can’t stop people watching and passing it on through my books.  I never stop watching and am always so busy.

Jessie:  What advice would you give to fledgling writers?

Judith:  Get a professional editor and be prepared for a slog.  The first draft of the book is the best bit. I always cry when I get my editor’s comments.

Contact Judith at:
Twitter: @judithbarrow77 
Facebook: https://www.facebook.com/judith.barrow.3

Amazon link to her books:

Secrets
A Hundred Tiny Threads

Secrets

Winifred is a determined young woman eager for new experiences, for a life beyond the grocer’s shop counter ruled over by her domineering mother. When her friend Honora – an Irish girl, with the freedom to do as she pleases – drags Winifred along to a suffragette rally, she realises that there is more to life than the shop and her parents’ humdrum lives of work and grumbling. Bill Howarth’s troubled childhood echoes through his early adult life and the scars linger, affecting his work, his relationships and his health. The only light in his life comes from a chance meeting with Winifred, the daughter of a Lancashire grocer. The girl he determines to make his wife. Meeting Honora’s intelligent and silver-tongued medical student brother turns Winifred’s heart upside down and she finds herself suddenly pregnant. Bill Howarth reappears on the scene offering her a way out.

 

 

Real folk in One Hundred Tiny Threads

I urge you to read One Hundred Tiny Threads

Judith Barrow’s ‘One Hundred Tiny Threads’ reawakened my reading addiction.  I stretched on a Devon beach, during a heatwave, but sat in Lancashire during 1911. Vivid figurative language moved me from the colours of a Monet painting to a Lowry painting.

One Hundred Tiny Threads is the prequel to Judith’s Howarth family saga but was the perfect book to begin with.  Bill was trapped down the mine and the explosion deafened me.  I stood in the dark, grimy streets as the ‘knocker-upper’ tapped on the Winifred’s window. I forgot the heat of the sun as ‘frost patterns covered the panes of the windows’.  ‘The clatter of clogs’ on the cobbles turned my head to the dark streets and ‘the feeling there was a shadow lurking around the corners’.

A life beyond the grocer’s shop counter ruled over by Winifred’s domineering mother.

Despite shivering with Winifred, I found warmth in her friendship.  Winifred presented me with an honest account of a woman’s plight during the beginning of the last century.  Her rebellion against her dominant mother placed me firmly on Winifred’s side.  I was driven mad to discover Winifred’s mother’s secret; I could not fathom her bitterness. Barrow demonstrates why Winifred needs to befriend Honora, a suffragette, and why she finds comfort in Conal’s arms.  Every strand of the characters’ backgrounds is woven into their actions and responses.

I stretched on a Devon beach, during a heatwave, but sat in Lancashire during 1911. ‘The clatter of clogs’ on the cobbles…

I felt for Winifred.  Her naivety and love for Conal present tender moments.  How I ached for Winifred’s happy ending.  The narrative wrenches the heartstrings and punches your senses, but the strands of the plot are taught and well structured. But there is no time to mollycoddle the characters: there’s ‘nowt’ you can do as the characters face life, love and loss. I advise you set time aside and listen to the characters’ voices and let the gritty drama unfold.  The dulcet tones of the Lancashire people rattle your emotions with the powerful dialogue. Be aware of Ethel who makes the ‘air seem rancid with hostility.’

The artfully woven narrative is populated with real folk: ‘good Northern stock’.  I couldn’t abide the hardship yet couldn’t stop reading.  I found myself thinking about the characters when not reading.  The folk got under my skin.  Barrow is not afraid to introduce some horrible people and conflict.  I loathed Bill because he is a hard-faced, rotten man.  Yet, I was forced to explore the motivation for his character.  It was most annoying to feel empathy for Bill. I wanted to banish him from the book and leave him to rot in a dark alley. Barrow made me understand the motivation for this bloke’s actions. 

‘…all they wanted was equality in voting’

Winifred was isolated from her mother Ethel and inhibited by the era but wanted to shake off the corset of stifling expectations.  Ironically, Winifred’s mother inhibits her more than her father.  Barrow demonstrates how women like Ethel were trapped by their own boundaries and expectations: fear of society’s rejection isolates those who have dared to follow their hearts.  Women such as Winifred who dared to articulate the inequalities of women in normal settings:

Women such as Winifred paved the way for the birth of the modern woman. 

‘…all they wanted was equality in voting; to be able to have as much as their husbands, their brothers, their fathers.’

The Suffragette Movement, World War One and the Irish War of Independence are threaded into the fabric of the novel.

Barrow squeezes every drop of empathy from her reader, because she explores the complex psychological motivations of the characters.  It is testimony to Judith Barrow that she creates such powerful characters.  The rhythms of the characters’ words are combined with the ebb and flow of the narrative to produce a phenomenal drama of epic proportions.  I am delighted there are more books to read in this family saga.  However, I am fearful for Winifred’s plight in the remaining novels. shh – don’t tell me what happens.  I am not sure Winifred has made a good choice of husband, but he does believe Winifred ‘was the one woman to keep him on the straight and narrow.’  Narrative perspectives of Winifred and Bill provide clever contrast in life experiences. The basis for their relationship is dynamic, yet I sense some threads will fray in the other books. Florence said, ‘men will have their way’; I hope this is not an omen.

The Suffragette Movement, World War One and the Irish War of Independence are threaded into the fabric of the novel. Hard times exasperate the loneliness suffered by the characters.  I urge you to read One Hundred Tiny Threads to find out more about the texture of these characters’ lives – you won’t be disappointed.

Judith Barrow, author

Connect with Judith at:

Website: https://judithbarrowblog.com

 

 

Find out more about Judith at:

Twitter: @judithbarrow

 https://www.facebook.com/judith.barrow.3