Dylan Thomas, No Sign Bar and my Followers

No Sign Bar: Dylan Thomas’s watering hole.

Nobody followed me to the No Sign Bar, Swansea – a regular haunt of Dylan Thomas.  Seated next to the window, I searched inside of my handbag for Collected Stories by Dylan Thomas. I found ‘The Followers’, a ghost story, hidden inside the anthology.

A ping from my phone confirmed a signal, but I ignored the emails. I sat in the bar Thomas renamed the Wine Vaults.  I read the opening lines of the story, but there was no sign of the beer I had just ordered.  Without anything to quench my thirst, there was nothing I could do apart from read on.  Between words, I felt compelled to search for two pairs of eyes outside of the window, but there was no sign of anyone.

Seated next to the window, I searched inside my handbag for Collected Stories by Dylan Thomas.

Outside the window, ‘the rain spat and drizzled past the street lamps’. No one wore ‘squeaking galoshes, with mackintosh collars up and bowlers and trilbies’. Alas, the ‘rattle of bony trams’ was silenced long ago. Only the swish of car tyres, hum of engines and slamming of car doors filled the silence on the streets.  Gazing at the decaying red window frames, I did not see ‘a young man with his arm around a girl’. Instead, I glimpsed a young couple hand in hand dashing across the road while there was a break in the traffic.  Outside, there was a mass of coloured jackets and everyone wore jeans, leggings or trousers.  No one looked inside the tatty building. They didn’t seem to care that Dylan Thomas had once frequented this watering hole.

Dylan Thomas (1914-1953). This famous Welshman wrote poems, short stories and scripts for film and radio, which he often performed himself.

Reading the short story, I pursued the followers, as they scurried through the alley.  Inside, No Sign Bar, I could smell the old musty wine cellar.  No one was responsible for the spontaneous spark of colour in the open fire. The pitted floorboards had been battered by tired and drunken feet for centuries. Words echoed around cavernous room. Perhaps, these were the words that inspired Dylan Thomas’s story ‘The Followers’: his only ghost story.  And I heard the rise and fall of the Welsh accent that probably escaped into the pages of Thomas’s mind, as he imagined the story.   I read the final sentence, ‘And we went our separate ways.’ I departed.

Artist’s impression of the ancient Salubrious Passage. Thomas renamed it Paradise Alley in The Followers

Near to Paradise Alley, I heard a voice echo.  ‘Spare some change, madam?’ The homeless soul was clutching a synthetic, fleece blanket.  His watery, bloodshot eyes regarded me as he rolled himself a cigarette.  I spared him fifty pence, but this wouldn’t even buy him a beer. He caught the meagre offering with a grateful nod that punched my conscience.

‘Have you seen Leslie?’ mumbled the man. He looked at my handbag as I retrieved more change.

I nodded.  ‘Only bread and jam in my handbag,’ I declared.

I heard the distance tapping of footsteps and turned around

I ran to the car park. The rain drizzled until diluted my memory of the bar. I heard the distance tapping of footsteps and turned around. Thankfully, there was no sign of anyone following me. Checking Twitter, I did note I had two more followers.

No Sign Bar and The Followers

No Sign Bar is believed to be Swansea’s oldest pub and dates to 1690.  The wine cellars date back to the 15th century.  The name ‘No Sign’ originates from legislation of licencing when public bars had to have a recognisable sign.  This building was not public house and did not require a sign, hence was later given the name ‘No Sign’ to announce its presence!

Dylan Thomas Collected Stories

Dylan Thomas frequented No Sign Bar, as a young man. No Sign Bar is featured as the Wine Vaults in Dylan Thomas’s story, ‘The Followers’.   Salubrious Passage, next to the bar, is referred to as Paradise Alley in the short story.  I recommend you read The Followers, Dylan Thomas’s only ghost story.  I first encountered this story at the age of fourteen and enjoyed revisiting the prose while seated in Thomas’s old haunt.

Here are useful links if you wish to visit Swansea and find out more about the writer, poet and playwright.

http://www.dylanthomasexperience.co.uk/
http://nosignwinebar.com/dylan-thomas-history-no-sign-bar-swansea/
https://www.swansea.gov.uk/dtc
http://www.5cwmdonkindrive.com/guided_tours.php
http://www.dylanthomaswales.org.uk/

 

Please see all my adventures at Handbag Adventures and my website and blog at JessieCahalin.com.

 

A book from another world in my handbag

It is great to challenge ourselves with new genres, and ‘We Other’ is a dark fairy thriller. According to reviewers, ‘We Other’ is a magical novel to inspire the imagination. ‘In the book you will meet faeries you would never want to meet on a dark night,’ explained, the author, Sue Bentley. Intrigued, I asked Sue to address her readers, and tell us more about her novel.

 

 

Dear Readers – I am delighted to present We Other.

In this extract we meet Jess Morgan, a loner who doesn’t fit in and has few friends. Her life is about to change in ways she could never have imagined.

I chose this extract to introduce Jess, whose story this is. She’s feisty, difficult and street-wise – with good reason – but she’s vulnerable too, with a good heart.

The reader should be tempted to place my book in their handbag because it’s a complex and rewarding read, with many twists and turns which will keep them guessing.  I’m rooting for Jess and I hope you will too, once you get to know her.

Best wishes and I hope you enjoy the extract. Happy reading!

Sue Bentley

 

Words from the book…

And then looking through the opening into the final gallery, Jess caught sight of a large painting hanging by itself. Her breath quickening with excitement, she walked rapidly towards it.

There was a small crowd of people in front of the painting. She could only glimpse details through the shifting bodies, but she knew it was the one. She hung back, wanting to prolong the moment when she stood face to face with that figure wrought from shadows. Leave me alone with it, she thought. Go away. All of you.

Oblivious to the air around her tingling and shimmering, in a way that was beginning to feel familiar, she stared at the painting. As she moved forward, time seemed to shift into slow motion. A slew of sound echoed hollow and discordant in her ears as every person standing in front of the painting turned in a single movement. They looked at Jess with glazed eyes, before drifting sideways in a single body, moving as if in the steps of some tightly choreographed dance, and melting from the gallery.

Everyone else had somehow left too, she realised. She could see people strolling around the other galleries through the archways. But here, she was alone. In the sudden stillness Jess caught her breath. The painting was revealed to her in its entirety. Or as she thought oddly, it revealed itself to her.

She was not disappointed by what she saw.

More about the book…

Jess Morgan’s life has always been chaotic. When a startling new reality cannot be denied, it’s clear that everything she believed about herself is a lie. She is linked to a world where humans – ‘hot-bloods’ – are disposable entertainment. Life on a run-down estate – her single mum’s alcoholism and violent boyfriend – become the least of her worries. Drawn into a new world of rich darkness, she finds herself torn between love, family and a growing sense of a new, powerful identity.

Strapline for the book – Fairies you never want to meet on a dark night.

What the reviewers say…

‘Darkly delicious. Lights the blue touch paper and runs away.’ Peter J Goodchild

‘Absolutely magical. Compelling story and gorgeous writing.’  Freda Warrington – award winning author of 21 fantasy novels

‘Give yourself time. You won’t want to put this down.’ Ruth Webster

More about Sue…

Sue Bentley is fascinated by English Folklore, the extraordinary in the everyday and the darkness that hovers at the edges of the light.

Sue says…

Louis Armstrong says it best – ‘the bright blessed day and the dark sacred night’ You can’t have one without the other.

I always enjoyed ‘real’ fairy tales – not the sanitised Disney versions. For example, in some versions of Cinderella – the ugly sisters snip off their toes to be able to cram their feet into the glass slipper.

I was that kid in a class of pink tutus who was dressed as a vampire bat. I never wanted high-heeled dancing shoes, I wanted sturdy boots to go tramping around forests looking for the shapes of goblins in the trees.

As for characters – Goody, Goody is all very well, but it can get boring. We all love the ‘bad’ characters who do doubtful things – they’re much more fun to write about.

I am intrigued by Sue’s exploration of the ‘darkness that hovers on the edge of light’ and wonder what she presents to the reader in ‘We Other’.  The extract evoked my imagination, and I wanted to know why Jess ‘wasn’t disappointed’.  This novel sounds as if it will challenge the boundaries of the imagination, as it has done for the reviewers.

 

Please see all my extracts at Book Extracts and my blog at jessiecahalin.com.

 

Another Chapter of my Writing Adventure

Meet the members of RNA South Wales and West Chapter meeting.

Desperate to fall in love, my characters have been demanding my attention for months.  They tease me with the knowledge I am writing a manuscript for the RNA New Writers’ Scheme.  I’ve been travelling back to the seventies with my book folk, Pearl and Jim et al, and we’ve had fun, tears and tantrums.  Pressing pause on the lives of Jim and Pearl, I attended the RNA South Wales and West Chapter meeting.

I discarded my writing clothes and magic slippers.  Resisting the temptation to visit Narnia in my wardrobe, I hunted down a skirt, lamb’s wool jumper and shoes.  Pearl was a little concerned about the choice of footwear and wanted me to wear suede knee length boots.  I shrugged at her concern because I felt the writer should be in charge for once.

It was a joy to meet a group of writers who had also emerged from their writing caves.   I discovered that there was a Norwegian writer, a writer of erotic fiction, a family saga author and romantic suspense author in our midst.   I didn’t ask which characters they’d locked in their caves back home, or if they’d left their companions in a good place.

Sue, an employee of House of Fraser, took us on a journey through the decades of the store that started life as Howells

The writers adjusted to daylight and ordered drinks before the speaker arrived.  Sue, an employee of House of Fraser, took us on a journey through the decades of the store that started life as Howells.  We learned of the Howells family and the changing face of the store.  The stories led us behind the scenes of the store to meet with the resident ghosts of Howells’ past.  As our imaginations travelled down the hidden subterranean corridors of the attic rooms, we were introduced to a woman dressed in grey and a man in a top hat.  The woman in grey chiffon danced in Jan Baynham’s imagination and will no doubt arrive in one of her stories.

My characters continued to knock on my imagination throughout the meeting.  I have since discovered that Evonne Wareham has a very effective way of dealing with petulant characters.  This is the kind of advice I need to keep me on track.  I am sure I saw the man in a top hat sitting at our table during discussions.  He wandered through my imagination and into the café where he barged Pearl and Jim out of the way.

It was fascinating to observe the way a wall of the old chapel is embedded into the store.

After the meeting, the man in the top hat led me to the site of the former chapel where the shoe department is now located. It was fascinating to observe the way a wall of the old chapel is embedded into the store. New stories and new characters created a fog in my mind.

As the handbag lady writer, I couldn’t help wishing I could nip back in time one hundred and fifty years to grab a vintage bag for the Handbag Gallery.  I would like to chat with Mrs Howells to discover which book she would like to place in the gallery.  I am sure I could also persuade Mr Howells to sell books in handbags.

The RNA Chapter marked a new chapter in my writing career.  I learned that I need to press pause on a chapter of my book occasionally. Leaving the writing cave gives my imagination a boost, and I am excited at the prospect of getting to know this group of local authors and hope to find out more about their characters.

Take a look at Jan Baynham’s experience of the meeting at:

http://janbaynham.blogspot.com/

 

Please see all my adventures at Handbag Adventures and my website and blog at JessieCahalin.com.

My novel is available here.

Meet an explorer of the dark corners of history

Annabel Fielding

 

 

 

 

 

Annabel arrived at my Chat Room in the middle of September.   The autumnal feeling was already in the atmosphere, and I was tempted to light a fire.  Annabel was wearing black jeans and a loose blue blouse, clearly indicating that she is not yet prepared to say a decisive farewell to summer.  Her handbag was slightly bulky – spacious enough to fit in all the possible gadgets and tools of trade, including, perhaps, an odd typewriter.

She was feeling rather tired after a long journey.  Inspired by Annabel’s interest in tea, I had been to a specialist shop, in Bath, to buy some tea.  Annabel approved of my quirky 1930s teapot and a vintage tea strainer.  Apparently, the Winter Mixture tea was perfect.  I served the tea with some shortbread biscuits.  I added stem ginger and lemon to the shortbread and the flavour worked perfectly with the tea.

Jessie:  The front cover of your debut novel looks intriguing.  Tell me more about your book. 

Annabel:  Three very different women get caught up in the political struggles of the 1930s, in three very different ways. The novel is about the allure of fascism, the allure of love, the power of art and the art of climbing to power.

Jessie:  What prompted you to write the book, and what genre does it fit into

Annabel:  I’d say it’s a cross between historical fiction and an LGBT novel. I can say it was inspired by the period dramas that followed in the wake of Downton Abbey (I think we all remember that craze!), but in a sort of twisted way. I had this desire to explore the darker side of the world they’ve showed, to dissect all the political conflicts they only hinted at.

Jessie:  How do you manage to combine a career in PR with writing?

Annabel:  Actually, I can count myself to be incredibly lucky, as most of my duties allow me to work from home and to generally keep flexible hours. Honestly, I cannot imagine how I would have kept up otherwise – scribbled during lunch breaks, probably!

Jessie:  It is such a challenge to release a debut novel.  What response have you had from the reviewers so far?

“A captivating, stylish… historical novel about the polite society, dangerous affairs … political intrigue and espionage in London in the 1930s.’ Christabel, Goodreads

“So well researched and written, this exciting time in Britain (pre-WWII) is brought life in this lively novel. ” Polly Krize, Goodreads

“A fantastic story line and wonderfully written, the plot is well thought out and a brilliant LGBT tale”. Charlotte McGlinchey, Goodreads

Jessie:  It seems as if you have researched the plot thoroughly and developed an intricate plot.  Read me a short extract from the book to tempt the reader.

‘It was as if Hester was once again cycling down the hill and feeling the wind roaring in her ears; only this time the brakes were broken, and the map was lost, and the landscape around her was full of dangers”.

Jessie:  It sounds like the character is having a difficult time here.  Can you provide a little context?

Annabel:  She is under a kind of double pressure here. She is drawn into a turbulent affair with a woman… I could have ended the sentence here, as we are talking about a respectable, salt-of-the-earth, small town girl in the 1930’s; but that’s not the end of it – she is drawn into a turbulent affair with a woman, who has her own dark secrets and a continents-spanning political agenda.

Jessie:  How did you feel when you had finished writing your book, and did you miss any of the characters?

Annabel: I’d say it was a mix of relief and regret. Parting with Lucy was especially painful. I missed her terribly in the months to come, the shadows in her heart and her glorious way of making trouble..

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.

Annabel: I would have loved to hear Sarah Waters’ opinion on it. Her Tipping the Velvet was a revelation for the nineteen-years-old me.

Jessie:  Would your book appeal to fans of Sarah Waters?

Annabel:  I hope so! I have always loved her mix of sensuality, unparalleled historical atmosphere and social commentary.

Jessie: Why should I keep your book in my handbag?

Annabel: That way you’d be able to get your daily dose of hot jazz, bias-cut gowns and interwar intrigue while on the Tube.

Jessie: What is the last sentence written in your writer’s notebook?

“Into the coming storm”.

Jessie:  Is this a note for another book?  Tell me more!

Annabel:  I would be glad to say so – but, alas, my new book is still in the research phase! This from one of my drafts for the epilogue.

Jessie: What is the biggest challenge for an author?

Annabel: For me it was to piece the intricacies of the plot together. After I was done with that, the actual writing process came surprisingly easy.

Jessie: Did you have beta readers and an editor?

Annabel:  Yes, I had good fortune to have as my editor the lovely Clio Cornish at the HQ Digital. She was a tremendous help for me, especially when it came to improving my plot flow or character development!

Jessie: What is the best advice that you have received as a writer?

Annabel: Probably to disregard the romantic ‘tortured artist’ archetype and work out methods that would cause me as little torture as possible. In my case, it was dedicating enough time to careful research, detailed outline and scene-by-scene planning.

 More about Annabel…

Annabel Fielding graduated from the University of Arts London with an MA in Public Relations. She is a PR assistant by day and a novelist by night. Being a self-professed history geek, she dedicates her free time to obscure biographies, solo travel and tea. She also posts a mix of book reviews and travel photos on her blog at http://historygeekintown.com“. 

Annabel has always been unique.  She read The Iliad in primary school to prove everyone wrong.  She is obsessed with the dark corners of history and wants to bring them to life in her novels.  From an early age, Annabel liked to explore the world – prefect for a writer!

The Art of Food

‘I’m going to try a different approach with this,’ he said. ‘We call them fantasy shots?’

In response to my request for foodie extracts, Susan Willis presented me with something that wasn’t quite what it seemed.  I marvelled at the glorious pictures of food, but there wasn’t any recipe or cooking.  Feast your eyes on the extract from The Girl in the Dark.  Find out what is simmering in the kitchen.

Extract

Kim arranged six of the Chantenay carrots.

When Kim carried coffee into the room they all busied themselves preparing for the shoot. Thankfully, her mind was occupied with preparing the carrots and green beans to look as appealing as possible, rather than staring at Alex. He looked even more attractive prowling around the room with the big camera in his hand. Editorial still shots of the vegetables were first taken on a plain black background. Kim arranged six of the Chantenay carrots with their green tops uppermost into an attractive pile all facing in the same direction. She looked at Alex, who smiled and asked her to slice one lengthways and balance it on top of the pile.

‘We need to make it look sweet and tender,’ he muttered. ‘I’m loving the bright orange colour on the black background, and I’m thinking of whizzing them around with water droplets.’

Kim blanched the green beans to help to keep the green colour bright

Kim agreed and began to pile the green beans with their trimmed ends uppermost in an attractive pile on a wood board. She smiled at Alex, as if to say she was on the same wavelength, in fact, one step ahead. Kim blanched the green beans to help to keep the green colour bright and they worked out a design scattering the cut ends on a white cloth. By the time Alex had finished cropping and working his magic on the computer, they looked amazing.

He stood beside Kim chatting while she trimmed the cauliflower for the overhead shot. ‘I’m going to try a different approach with this,’ he said. ‘We call them fantasy shots?’

Kim could feel his hot breath on the back of her neck and her knees trembled – she was having fantasies of her own, but they didn’t include cauliflowers!

About the Novel

The Girl in the Dark

The Girl in the Dark is the latest Grip Lit novel from Susan Willis. A thrilling romantic suspense story that will keep you turning pages long into the night.

When Kim goes to old friend, Sidney’s, photography studio to start a new food styling contract she meets his new assistant, Alex. Kim is catapulted from her mournful existence into an explosive romantic relationship with Alex. Sidney, however, is wary. He thinks, there’s something not quite right about Alex, and urges caution.

Will Kim look back and wish she’d listened…

Susan Willis

Susan Willis is a published author of three novels, and five novellas’. She lives in the North East of England surrounded by family and friends. Following publication of a love story about a chef and her boyfriend, she wrote more foodie-based love stories and wove them into her first novel, ‘Yes Chef, No Chef’.

Now Susan has ventured into romantic suspense with her latest novel, The Girl In The Dark.

Set in her home town of Durham City, this storyline is not a who done it thriller, but, a psychological page-turner which she loved writing. We can only hope the heroine hasn’t put her trust in the wrong man?

Best of luck to Susan with this novel.

I had never really considered the role of a food stylist until I read this extract.  When I take photographs of food for tweets and posts, I tend to photograph exactly what I have cooked.  Food is all about the taste for me.  However, recipe books are probably bursting with these creations.  

Have you ever followed a recipe from a cookbook and realised your creation looks nothing like the photograph?

 

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

 

New 2020 Vision

I can see clearly now the blurring has gone.

It is almost 2020 and I have discovered I do not have twenty twenty vision.  I can see clearly now the blurring has gone. It turns out that my Kindle companion was a way of coping with my less than perfect sight, and I have astigmatism.  Joy of reading a physical book has been revived for me.  To look at the front cover, blurb and mark my favourite pages is a luxury I had forgotten.

I will take a step at a time and negotiate the paths no matter how difficult they are.

I am currently drinking in the stories of the books but without picking up my review notebook.  Maybe this is because I can see the words now and don’t need to break from the strain of reading.  It is wonderful not to suffer the terrible migraines that previously impacted on my day.  And I know why I was constantly complaining about the way the light reflected on my book or keyboard.

Now I have clearer vision, I intend to reread a printed version of my work in progress. I will read it without a review pen in hand and think about weaving in some secrets.  I am attempting to consume my work in progress as a reader viewing the novel for the first time. Whilst on handbag leave ideas have been popping and bubbling, and I hope they come into focus.

For the time being, I am abandoning the kindle for the book so will need a considerably bigger bag.

I must admit I also rather like my glasses as a new accessory.  Books in Handbag with Glasses could be a new direction for me.  I’ve also spied an opportunity to shop for snazzy glasses cases.  For the time being, I am abandoning the kindle for the book so will need a considerably bigger bag.  However, I must confess I am not getting along very well with the varifocals as they make me a little dizzy.  I need to focus on one thing at a time.

I will take a step at a time and look forward to the destination.

My vision for 2020 is to write, write, write and to look ahead.   I have no specific resolutions. Adventures will come into focus as the year unfolds.  I will take a step at a time and negotiate the paths no matter how difficult they are.  I look forward to you all joining me on my adventures and feel privileged to have your company.

“The horizon leans forward,
Offering you space to place new steps of change.” -Maya Angelou

Wishing you all a Happy New Year, and the strength to let your dreams unfold and surprise you.  I will leave you with Maya Angelou’s advice:

“The horizon leans forward,
Offering you space to place new steps of change.”

 

Please see all my Handbag Adventures and my blog and website at JessieCahalin.com.

A copy of my first novel is available here.

Hilarity in my handbag

Patricia Feinberg Stoner is presenting an extract of her award winning book. ‘At Home in the Pays d’Oc’ is the funniest book I have read this year: I am still recounting her anecdotes at dinner parties. Forget ‘Victoria’, someone should serialise this book for the Sunday night audience – we all need a laugh!

It is an honour to hand over to, the wordsmith, Patricia Feinberg Stoner. 

 

Dear readers,

I’m so pleased to be able to share At Home In the Pays d’Oc with you.  In this extract I’ve chosen the moment when, after a long search, my husband and I first set eyes on what was to become our home in the Languedoc.  It’s my abiding memory, even after 30 years, and I still feel the lift of excitement I felt that day.  I was sure then, and I am sure now, that when I first walked into the dusty, red-flagged kitchen, the house opened one eye and said ‘Well, you took your time getting here.’

Why read At Home in the Pays d’Oc?  Look at the state of the world!  If we are all going to hell in a handbag, then wouldn’t it be nice to have something light-hearted to offset the doom and gloom?   I hope this book will encourage everyone to follow their dream and see where it takes them.

I hope you enjoy this tale of our adventures, and that the book brings you something of the sunshine and fun and laughter that our sojourn in the Languedoc brought to us.

With all good wishes

Patricia Feinberg Stoner.

Extract:

Jean-Jacques, the estate agent, turned right, drove up a narrow street between ancient houses, turned the corner and stopped. We got out of the car. On the corner of the church square and a road so narrow you could have spanned it with outstretched arms, stood the ugliest house I had ever seen.

It was clearly old, very old. It was clearly cobbled together out of what had been two houses. It rose slab-fronted from the street, acres of decaying, yellowish crépis (plaster) bisected by sundry phone and electricity cables. A ridiculous stone staircase flanked by a stunted tree rose ungracefully to a pocket-handkerchief front terrace littered with debris and encrusted with cat droppings.

I stopped dead in my tracks. ‘Ohmigawd’ thought Himself to himself (as he told me later), ‘we’ve just bought a house.’

Why?  There were prettier houses. There were certainly prettier villages – Morbignan in those days was, to put it politely, a little run-down. What made me fall so immediately, so irrevocably in love with this house in this village?

Did I see possibilities in the tree?  In years to come it would grow so high that it could be seen on Google Earth.

Was I enchanted by the steps, crumbling and lichen-dappled though they were? Did I foresee their future when, cleaned and decorated with pots of scarlet geraniums, they would prompt visitors to exclaim ‘What a lovely house!’?

Who can tell?  All I can say is, the heart wants what the heart wants.

More about this ‘tale of accidental expatriates’…

This is the story of how a small brown and white spaniel turned the lives of two English holidaymakers upside down.

Patricia and her husband Patrick are spending the summer in their holiday home in the Languedoc village of Morbignan la Crèbe. One hot Friday afternoon Patrick walks in with the little dog, thinking she is a stray. They have no intention of keeping her.

‘Just for tonight,’ says Patrick. ‘We will take her to the animal shelter tomorrow.’ It never happens. They spend the weekend getting to know and love the little creature, who looks at them appealingly with big brown eyes, and wags her absurd stump of a tail every time they speak to her.

On the Monday her owner turns up, alerted by the Mairie. They could have handed her over. Instead Patricia finds herself saying: ‘We like your dog, Monsieur. May we keep her?’

It is the start of what will be four years as Morbignanglais, as they settle into life as permanent residents of the village. “At Home in the Pays d’Oc” is about their lives in Morbignan, the neighbours who soon become friends, the parties and the vendanges and the battles with French bureaucracy.

It is the story of some of their bizarre and sometimes hilarious encounters:  the Velcro bird, the builder in carpet slippers, the neighbour who cuts the phone wires, the clock that clacks, the elusive carpenter who really did have to go to a funeral.

‘At Home in the Pays d’Oc‘ has won a Five Star Book Award from One Stop Fiction.  Here is a flavour of the other reviews:

Part memoir, part travel book, wittily written and engaging, At Home in the Pays d’Oc is so much more than ‘how to live in a foreign country’.  Despite being penned anecdotally, it flows with the rhythm of a good novel. Ingenue Magazine

The author, Patricia, in this captivating book, takes the reader on a voyage of discovery, a celebration of the years she and her husband spent enjoying their French home.  Susan Keefe, Living in France

What I most admire about the couple’s story is their attitude to life in another country. (While Many expats are the “Little Englanders,” the Stoners make a real attempt to integrate into the social system of their adopted village.  Kathleen Lance, One Stop Fiction

Patricia is passionate about humour, food and writing; she loves all dogs and some people.  She has written: ‘At Home in the Pays d’Oc’, ‘Paw Prints in the Butter: A Clowder of Comical Cats’ and ‘The Little Book of Rude Limericks’. Her writing is witty, entertaining and a joy to read.

Patricia is releasing her ‘Little Book of Rude Limericks’, on 15th November.

Read my review of ‘At Home in the Pays d’Oc’ or visit Patricia in my Chat Room.

Join Patricia’s blog for her latest news and mewsings.

paw-prints-in-the-butter.com

 

Please see all my  Book Extracts and my blog at jessiecahahlin.com.

 

Something ‘Broken But Not Lost’ in my handbag

Broken

 

 

 

 

 

 

Ivy Logan is presenting the cover reveal of her gripping young adult romance, ‘Broken’.  It is a coming of age romance of sacrifice and love. As I am unfamiliar with this genre, I asked Ivy why I should place her supernatural fantasy adventure in my handbag.

Here is Ivy’s explanation:

Talia, my heroine, belongs to a time when there were no handbags. But for the modern reader, a handbag is all about a woman on the go with so much to do, places to go, things to achieve.

Broken is so apt for the modern reader, who is on the move, as you can pick up the at any time and find sanctuary in another world.  The novel will draw you into a magical world where women are not perfect, but love gives them the power and the courage to fight dragons. We all face dragons, in real life, for the love of our families.

Talia is fragile, has been hunted and has lost her entire family to an ancient curse. As an independent woman, she doesn’t need a prince to protect her, only to love her.  She has learned the best lesson in life- take a stand and face your nemesis head on.

This book offers young girls a female hero who believes in, her family, love and friendships. Although a fantasy, this book has a significant message.  Broken is the portrayal of a strong woman who deals with violence, bullying, grief and sacrifice.

Talia may live in a fantasy world, but like any girl in modern society, she has her own problems and insecurities to overcome before she is strong once again.

It is intriguing the way Ivy has presented an inspirational message in the story. Ivy weaved her magic and had me hooked on her clever tale, and I read the blurb to discover more…

The dark shadow cast by an ancient prophecy shatters an innocent family, but all that is broken is not lost.

Unaware of her supernatural legacy, half blood sorceress Talia has a unique childhood. Although protected by the love of her parents, Talia is instructed in the art of combat by her mother, Caitlin, a powerful sorceress of the Heichi clan.

When Talia’s family’s worst nightmare comes to pass, her protected life spins out of control. Everything she believes in and everyone she loves is cruelly snatched away and Talia is forced to flee the attentions of a mad king.

Choosing a path of retribution devoid of love and friendship, Talia comes to learn that love can be received even if it is not sought.

‘Broken’ is a tale of Talia’s coming of age, reuniting with her family, and seeking vengeance. Most of all, it chronicles, Talia’s rise from the ashes and how she finds herself again.

Set against a background of time travel and supernatural forces, read Talia’s epic saga of love, sacrifice, and discovering the hero within.

Once the magic spell of the blurb had been cast, I asked Ivy to present some magic words from the story…

Caitlin finally saw a way out of her torment. She had been born a guardian and it was now time to don the mantle again. She had to protect her little family.  She and the cursed child must be separated from each other. If they were not together, the prophecy could not come to pass.

But how does a mother choose? Choosing between her children seemed implausible and unthinkable, but for the sake of her family, she had to do it. She had to know which child lived under the shadow of the curse.

In little Joshua, who was so innocent and without guile, Caitlin saw Michael and the peace and calm he brought to her life. In Talia, she saw an image of herself, the strength, the promise of power, and unfortunately, the pain it could bring. Talia was the half blood; the prophecy predicting Caitlin would betray the Heichi on account of her child had to be related to Talia.

‘Broken Not Lost‘ is yet to receive reviews.  However, the prequel, Origins – Legends of Ava, has received wonderful reviews and this bodes well for the release of the novel.

 

 

 

 

 

 

What do the reviewers say about the prequel to Broken, titled, Origins –The Legend of Ava?

‘What an introduction! It just leaves you hungry for more. Ivy Logan knows how to build a beautiful scenario even if it is a tragic one. The taste of her mythology is a fresh one. I can’t wait to read more.’ Selene Kallan

‘I have just had the pleasure of reading this short story and prequel to Broken; book one of The Breach Chronicles. The author has introduced the reader to a world where supernaturals live on earth and the complications that this can bring. In this story we meet Ava and the Heichi sorceresses and what a gripping start to the story it is when tragedy and subsequent decisions surrounding this, creates unease among the supernatural. This is a story you must read and it has left me wanting more. I hope it isn’t too long before Broken is released so that I can find out what happens next.’ Ann Walker

‘Picture the opening scene… The beautiful yet unassuming girl, the bad boy rebel… A budding romance. Without giving too much away, they don’t feature all that long in plot. This novel starts as it means to go on, it take all those YA tropes and lets you know that isn’t going to happen here.
I’m genuinely excited to read more of this story. The world being built is rich and new. I’m an artist and I’m already itching to bring to life on paper. The characters are, for lack of a better word, human. Flawed in a real sense that allows you to emphasize with them. The multi perspective way the story is presented allows for a 360 view of events. A very important factor to this introductory piece. I can’t wait for the next installment!’ Faith Summers

‘Ms. Logan has done a great job of setting up the premise for Broken, Book 1 of the Breach Chronicles. The characters are well described, their emotions jumping off the page, and all beautifully worded. I’m looking forward to reading the first installment of the series as this prequel peeks my interest to the epic saga that is to follow.’ Jacky Dahlhaus

 

 

Broken is Book 1 of The Breach Chronicles.   The cover evokes intrigue and Ivy’s writing has the magical quality required for this genre. I believe the readers will not leave this fantasy world until they are reassured that all is ‘Broken But Not Lost’.  This is Ivy’s debut novel and I wish her all the best with her magical adventures!

 

Please see my blog at jessiecahalin.com.

 

Virginia Woolf and Social Media

‘As a woman my country is the whole world.’ Three Guineas, Woolf

My country is the world. There are no borders, no passports and no countries in the world of social media; only portals to other people’s imagination and musings.

In Three Guineas, Virginia Wolf wrote, “As a woman I have no country. As a woman I want no country. As a woman, my country is the whole world.”  And via social media, I have connected with writers from all over the world.  My endless stream of consciousness travels around the world through: tweets, my blog and Facebook posts.  People of the world open the virtual door to peek at a representation of my world, and I can walk over the threshold to visit their thoughts.

“A woman must have money and a room of her own if she is to write fiction.”

I weave in and out of articles, thoughts, pictures and moments of others. Everyone is documenting stories from their own viewpoint with unique and shared images.  I have the liberty to hop aboard someone’s narrative then return home to my own world.  Social media allows me to explore the texture of other people’s lives to search for inspiration.

A writing room of my own, connected to the world.

Like Virginia Woolf, I have a room of my own, but I have the company of a computer connected to the world.

While contemplating this brave new world, I wondered if Virginia Woolf would have engaged in social media.

Owing to the power of social media, I could knock on the virtual door of an internationally acclaimed Woolf scholar. Professor Maggie Humm wrote this in her email:

Waiting for Snapshots of Bloomsbury

“I think Virginia might well have used social media. She did write for Vogue with a photo of herself; did photograph from the age of 15 (I included over a hundred of these in my  Snapshots of Bloomsbury); spoke on the BBC several times and enjoyed seeing a range of films from The Bengal Lancer to newsreels.”

Maggie Humm’s eloquent response made me feel as it I was speaking to Virginia Woolf, in cyberspace.

Snapshots of Bloomsbury

Snapshots of Bloomsbury   showcases the photographs of Virginia Woolf and her sister, Vanessa Bell.   Humm’s commentary provides a critical insight into Woolf’s world and ‘the culture and artistry of the period’. Virginia Woolf represented her intimate world in photographs, decades before we became attached to our mobile phones. Now, this is a book I would be proud to own, but I will place it in my battered briefcase. Snapshots of Bloomsbury needs to be enjoyed in the physical rather than digital form.  However, I can’t help wondering what images and words Woolf would have chosen to share via social media.   If only, I could invite Virginia Woolf to my Chat Room.

 

Please see all my adventures at Handbag Adventures and my website and blog at JessieCahalin.com.

 

Christmas Eve in Delfryn

The tangled vine around the door of Vine Cottage is laden with fairy lights.

It’s Christmas Eve in my fictional village of Delfryn, and you’ve arrived in front of a row of quaint cottages made of Welsh slate. A garland of holly and pine is artfully arranged above the doors of the three cottages.  The tangled vine around the door of Vine Cottage is laden with fairy lights. No one answers the door, so you decide to check the address stored on your phone. Reaching into your pocket, you find an envelope marked ‘Christmas Turkey Recipe’.

Once you are inside Vine Cottage, Sophie makes you some hot chocolate with a hint of cinnamon, ginger biscuits and marshmallows.  She returns to the pile of presents, wrapping paper and bows. ‘I’ve got so much to do,’ she complains.

Reaching into your pocket, you find an envelope marked ‘Christmas Turkey Recipe’.

Jack searches through recipe books and asks you, ‘Do you have a failsafe recipe to cook tomorrow’s Christmas dinner?  I’ve bought a free range turkey from Delfryn Farm but haven’t had time to perfect a recipe.’

You realise the magical significance of the envelope found in your pocket.  ‘There’s a recipe inside of this envelope,’ you soothe then hand over the envelope.

This will take around 4 to 4 ½ hours.

Ingredients

  • Turkey 3-4 kg (including giblets)
  • Bottle of dry white wine or sparkling white wine
  • Variety of fresh herbs (such as Thyme, Rosemary, Sage, Oregano, Marjoram, Bay Leaves) – 3 handfuls
  • 4 Juniper Berries
  • Pinch of Saffron
  • ½ pack of butter (leave out at room temperature before using)
  • 1 pack Bacon (225g) – preferably streaky
  • 2 lemons
  • Salt and Pepper
  • Beef Dripping / Fat or Goose Fat
  • Water
  • Potatoes for Roasting (such as Maris Piper, King Edwards) – approx. 1kg for 4 people
  • Variety of Root Vegetables (such as Parsnips, Carrots, Squash, Sweet Potato, Swede, Turnip) – approx. 1kg for 4 people
  • Wholegrain Mustard – couple of spoons
  • Cornflour – 2 or 3 teaspoons

Method

  • Take the turkey out of the fridge at least an hour before cooking
  • Remove the giblets from the cavity of the turkey and place in a pan with 2/3 wine. Add a handful of the herbs (no need to chop), the Juniper Berries and the Saffron, some salt and pepper. Put on a slow simmer. May need to top up with water as it dries out.
  • Peel and chop up the root vegetables and place in a large baking tray (needs to deep enough to take juices that will come out of the turkey).  Chop up a handful of herbs quite finely and add these, the remaining wine, juice of 1 lemon, salt and pepper. Then add some water to just cover the vegetables.
  • Chop up the remaining herbs and mix in with the softened butter
  • Pre-heat the oven to 165 C / 325 F / Gas Mark 3 (with a fan) or 180C / 350 F / Gas Mark 4 (without a fan)
  • Take the turkey and gently prise the skin slightly apart from the meat (but do not remove it). Take the herb butter and spread it between the meat and the skin as far as you can. This will help to keep the turkey moist whilst cooking.
  • Then take the rashers of bacon and spread over the top of the turkey. This will help to protect and baste the turkey further.
  • Place the turkey onto the tray of vegetables and cover with aluminium foil and place in the oven and cook for approx. 3 hours (A larger turkey will be at least ½ hour longer)
  • After approx. 1 ½ hours, whilst the turkey is cooking, peel and chop up the potatoes for roasting. Place the potatoes into a pan, cover with water, add salt and bring to the boil. Boil for around 15 minutes or until the potatoes start to break up slightly. Strain them and leave to dry out for a few minutes.
  • Whilst the potatoes are boiling add the beef dripping or goose fat to a roasting tray and put in the oven. Heat the oven to 220 C / 425 F / Gas Mark 7.
  • After 2 ½ hours, you will need to remove the foil and the bacon, so that you can brown the turkey skin
  • When the potatoes have dried, and just after the foil has been removed from the turkey, remove the hot roasting tray with beef dripping or goose fat from the oven and add the potatoes. Stir well to coat the potatoes and return to the oven. Ideally the potatoes will break up slightly, but don’t worry if they do not. This adds lots of crispy bits. Cook for about an hour or until golden brown and crispy at the edges.
  • Remove the turkey when cooked, cover with foil and rest for half an hour.  To test the turkey, pierce the turkey and check that the juices are clear. Add any juices that come from the resting turkey to the sauce (there may be a lot!). N.B. The potatoes should still have ½ hour to cook.
  • Strain off the liquid from the turkey and roast vegetables and place in a large frying pan.
  • Strain the stock from the giblets and add it to this pan.
  • Add the remaining wine, some grated peel from the final lemon and the juice of that lemon.
  • Boil the sauce rapidly and reduce it down. Taste the sauce to see if reduced enough. If it tastes watery or weak, leave to reduce longer. Skim any fat off the top and put aside in a bowl (to use later or discard). Put in into a jug to serve.
  • Mix the cornflour with a few teaspoons water and add to the sauce to thicken it, stirring well whilst doing it. Add the mustard to the sauce. Add some extra pepper.
  • Serve
Once you are inside Vine Cottage, Sophie makes you some hot chocolate with a hint of cinnamon, ginger biscuits and marshmallows.

This recipe is a gift from Delfryn. Thank you so much for stepping into Delfryn and my blogging world. Merry Christmas and a Happy New Year to my lovely readers and friends.  May your dreams come true in 2019.  In the meantime, happy reading and writing. Thank you for your support and friendship! You are all bright stars shining as I continue my writing adventure and it wouldn’t mean anything without your kind words.  So let’s raise our glasses to kindness this Christmas and New Year.

 

Please see all my food related posts at Writing on a Plate and my website and blog at JessieCahalin.com.

Norwegian Summer Island with Natalie Normann

Meet Natalie in one of her favourite coffee shops.

I met the ancestor of a Viking and she is very friendly.  Alas, she didn’t arrive in Cardiff in a longboat, but she did have stories to tell me about her beautiful Norway.  It is my pleasure to introduce you to Natalie Normann, a member of the Romantic Novelists’ Association (RNA), who resided in the South Wales and attended the local writers’ group.  Natalie will release Summer Island in September and it is set in Norway.  I always love travelling to other countries via books and wanted to discover more.

Jessie:  Natalie, I’m sad you have returned to Norway and won’t be in the local RNA meetings.  It’s nice to have some time to chat.  Tell me, have you missed Norway and what did you love the most about Wales?

Natalie: I fell in love with Wales and Cardiff the first time we were here which was two years before we moved. There’s so much fascinating history – even Norwegian history! I’ve already used some of what I learned, in my current historical romance series, by moving the characters to Cardiff in 1919. I had great fun with that. Also, I was surprised and pleased at how friendly people are in Wales. I’ve made great friends and I hope to get back. Next time I’ll either drive myself or hire a driver so we can explore more of Wales.

Jessie:  I’m so impressed you have secured a publishing deal with One More Chapter. What is Summer Island about?

Natalie: Summer Island is about taking the time to find out what makes you happy in life.

Summer Island is about taking the time to find out what makes you happy in life.

Ninni is recovering from a bad break-up and the island is her favourite place in the world. It’s where she goes when she needs to take a break.

Jack is a chef at a posh restaurant in London. He finds out  that his biological father has left him a farm on a Norwegian island. At first he thinks it has to be an internet scam, he’s never met his father, but when he quits his job over an argument with his boss, he decides to go and see what this is all about.

Jessie:  What inspired you to write this book?

Natalie: I have a thing for islands. I love them. Norway is always praised for the fantastic mountains and the gorgeous fjords, but we are actually one of the countries in Europe with most islands. People have lived on them for generations and it’s a way of life.  I wanted to see if I could capture some of what makes summers in Norway special and the island is perfect for that.

Harbour view at Utsira island, outside Haugesund. ‘I wanted to see if I could capture some of what makes summers in Norway special and the island is perfect for that.’

Jessie:  Give us an insight into the setting and why you think we should all visit Summer Island?

Natalie: Summer Island is the kind of place you wish you  could go to when your heart is broken. A place to heal, even. Everything is so busy these days and on an island things slow down. You have time to think and just be. Right now, when we all have to isolate and we are more or less in lockdown everywhere, an island seems like the place you want to be. I wouldn’t mind, myself.

Present a 35 word extract from your novel that will tempt a reader.

‘And here I was thinking Norwegians were so hospitable,’ Jack said, clearly enjoying himself. He made no sign of leaving.

‘You’ve read the wrong guidebook, I’m afraid.’ Ninni pulled the computer closer to her.

Jessie: Which characters would you like me to meet the most on Summer Island and why?

Natalie: That’s a tough question. I’m fond of all of them. Maybe Alma. She’s the heart of the island, the one who keeps everything together. She grew up in a time when the men; the fathers, husbands and sons, went away at sea for months at the time, even years, and women stayed home to take care of the homestead and the family, handle the finances and whatever challenges they had to face.  Alma is tough and kind, she doesn’t put up with anything, and shows her love by feeding people she cares about. I like her.

Traditional pier and buildings at Utsira.

Jessie: Did any of your characters misbehave when you were writing the book?

Natalie: Not misbehaving, but some of them certainly surprised me. I didn’t have them all ready before I started to write, so some characters was unexpected. Like the hippies, for example. They just showed up one day while I was writing something else.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.  

Natalie: Family and friends have mostly read it already,. I would love if it Milly Johnson read it. I picked up her book «The perfectly imperfect woman», to read on the train to my very first Romance Novelist Association conference. This was my first Milly Johnson book and I decided to read it because there was a Norwegian in it. I loved it, and when I met her in the lunch line at the conference we chatted, I asked her to sign my copy, and she was funny and friendly. Made me less nervous about the whole conference. And also, I know she loves Norway.

Jessie: Why should I keep your book in my handbag?

Natalie: I think if you want a break from the stress and worries, it can give you that. I hope so.

Jessie: What is the last sentence written in your writer’s notebook?

Natalie: I have several of those, usually one for each project. On the most recent it says: research Foundation doctors.

Jessie: What is the biggest challenge for an author?

Natalie: To finish that first draft, so that you have the confidence of having a whole story. Then what you need is perseverance. Stick with the writing. And when I say that, I mean finish the manuscript, do the revisions, the editing, the submissions and even when it seems there’s nothing happening, keep going. There are some writers who write a book, gets it published and becomes an overnight success. For most writers, it’s a long game. And the only way to be writer and to be a better writer, is to write.

Jessie: What is the best advice that you have received as a writer?

Natalie: My first editor told me this. She bought my first short story and wanted me to polish it, rewrite, actually. She told me that what I feel when I write is what the reader will feel when they read it. I try to remember that, so that if I’m bored when I write, I know readers will be too. It also helps when I really don’t want to ‘kill my darlings’, but I know I have to.

Natalie used to be a translator of fiction and non-fiction. She studied literature and history at Uni, and used to read romance novels in the hallways. It was frowned upon by her professors and the other students, of course. She loves to travel and she has lived in Spain, England and Wales – and hope to go back soon. I really do hope she can return to Wales very soon as the Cardiff group of writers ( Cariad Chapete) miss her and her lovely sense of humour.  I can’t wait for the release of her novel Summer Island and have already preordered it. 

Your contact details and book links

Facebook: https://www.facebook.com/NatalieNormannAuthor
Twitter: @NatalieNormann1
Instagram: natalienormann
Pinterest: https://no.pinterest.com/natalienormann3

 

Please see all my author interviews at My Guests and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Meet the Judges of the 2020 Joan Hessayon Award

‘I’m looking for a book that’s a satisfying and uplifting read.’ Rhoda Baxter
‘I’ll be looking to be swept away by gorgeous writing and a plot that pulls me back to the book…’ Thorne Ryan

The Romantic Novelists’ Association (RNA) has announced the 2020 line-up for its prestigious Joan Hessayon Award for graduates of the New Writers’ Scheme. I am delighted to celebrate the wonderful contenders for the award and introduce the judges. Rhoda Baxter is an author of contemporary romance and Thorne Ryan is Commissioning Editor for Hodder and Stoughton. I am honoured the judges chatted with me about what they will be looking for in a winner.

RNA Joan Hessayon Award

Jessie: Rhoda, it is lovely to welcome you to my blog again. Please introduce yourself to the readers.

Rhoda: I write romantic comedies about people who make me laugh. I also write multicultural women’s fiction under the name Jeevani Charika. My books have been shortlisted for various awards.  I am currently the chair of the Authors North events committee of the Society of Authors.

Jessie: How has the RNA supported your writing career?

Rhoda: I joined the RNA back in the day when you still had to send submissions out in the post. When I first joined, I was completely star struck and intimidated. Everyone was so helpful and kind I soon relaxed. I went through the NWS scheme and was a Joan Hessayon contender myself, many years ago. With the first contract, I became a member of the Society of Authors and went on take a voluntary role there. When I was offered the chance to be a judge and help strengthen the ties between the RNA and the Society of Authors (where I’m the chair of Authors North committee), I couldn’t say no.

Zoe Allison, Ruth Kvarnström-Jones, Sharon Ibbotson, Stefania Hartley, Nina Kaye and Rosemary Goodacre

Jessie: What is the Joan Hessayon Award? 

Rhoda: The Joan Hessayon Award recognises those authors whose debut novels have been accepted for publication after passing through the Romantic Novelists’ Association New Writers’ Scheme. Each year 300 places are offered to unpublished writers in the romantic fiction genre. As part of the scheme, they can submit a complete manuscript for critique by one of the Association’s published authors as well as attend RNA events which offer opportunities to meet and network with publishers, agents and other published authors. The Joan Hessayon Award is generously sponsored by gardening expert Dr. David Hessayon OBE, in honour of his late wife, Joan, who was a longstanding member of the RNA and a great supporter of its New Writers’ Scheme.

Jessie: What do you like best about the RNA?

Rhoda: I should say something erudite here, but all I can think of is that I love the social aspect of it. I found my tribe in the RNA. The parties are invariably great fun. It’s such a relief to talk to people who don’t think it’s weird to have imaginary people running around in your head. It’s also nice to be among people who give the romance genre the respect it deserves.

Laura Bambrey, Kirsten Hesketh, Kathleen Whyman, Maggie Richell-Davies, Lynn Johnson and Lucy Keeling

Jessie: What will you be looking for in a winner?

Rhoda: I’m looking for a book that’s a satisfying and uplifting read. I love to see great dialogue and characters that feel so real that I think about them long after I’ve closed the bool. I have to say, the standard of entries is very high and the books I’ve read so far have all been really good. It’s going to be hard to choose the winner.

Jessie: Thorne, welcome to Books in Handbag Blog. Can you tell me something about yourself.
Thorne: I started my career in the Contracts department at Hachette UK in 2015 before moving over to Editorial, which I immediately knew was where I was meant to be. I am now Commissioning Editor, Women’s Fiction at Hodder & Stoughton. I like books that give me ‘all the feels’, and have a particular fondness for ones that make me cry.

Melissa Oliver, Mairibeth MacMillan, Jacqueline Rohen, Jan Baynham, Emma Jackson and Fiona Woodifield

Jessie: Why do publishers value the RNA and the Joan Hessayon Award?

Thorne: Organisations like the RNA and prizes like the Joan Hessayon Award are vital to publishers and authors alike. As Milly Johnson said in her wonderful speech at the RNA awards evening earlier this year, romantic novels are often viewed in general society as somehow less important or less worthy than other types of fiction, which is so frustrating for those who love it and see it for what it really is: great stories told really well by very talented people. The RNA is a haven from that narrow-mindedness, providing authors and readers of romantic fiction with a place where the thing they love is truly celebrated. It also provides invaluable practical support to its members. With regards to prizes such as the Joan Hessayon Award, they give authors the recognition they so thoroughly deserve – and of course that’s great for both authors and publishers alike, because if a book wins a prize then we can shout about it from the rooftops and hopefully bring more readers to that book and the genre in general. Overall, the RNA provides authors and publishers with an invaluable community, and prizes such as the Joan Hessayon award provide moments to celebrate what is bringing everyone in that community together.

Jessie: What will you be looking for in a winner?

Well, I was going to say, ‘Just a really good book!’ but all of them will of course be brilliant if they’ve made it to the shortlist! I tend to look at various components individually (plot, characters, writing etc.) and give them a mark out of ten, then add them up for an overall score. Even if you feel like you loved all the entries and couldn’t choose between them, it’s surprising how quickly this method can break through that and show you your true favourite. But in general, I’ll be looking to be swept away by gorgeous writing and a plot that pulls me back to the book whenever I have to put it down. Basically, anything that’s going to make me go all tingly!

Annette Hannah, Stephanie Harte and Victoria Garland

This year’s debuts show the wide range of stories encompassed by the romance genre.

The full list of contenders for 2020 is:
Zoe Allison, Impervious, Totally Bound
Jan Baynham, Her Mother’s Secret, Ruby Fiction
Laura Bambrey, The Beginner’s Guide to Loneliness, Simon & Schuster
Victoria Garland, Finding Prince Charming, DC Thompson
Rosemary Goodacre, Until We Meet Again, Hera
Annette Hannah, Wedding Bells at the Signal Box Cafe, Orion Dash
Stephanie Harte, Risking It All, Aria
Stefania Hartley, Sun, Stars and Limoncello, Totally Bound
Kirsten Hesketh, Another Us, Canelo
Sharon Ibbotson, The Marked Lord, Choc Lit
Emma Jackson, A Mistletoe Miracle, Orion Dash
Lynn Johnson, The Girl from the Workhouse, Hera
Nina Kaye, The Gin Lover’s Guide to Dating, Orion Dash
Lucy Keeling, Make it up to you, Choc Lit
Ruth Kvarnström-Jones, Halleholm – Lovisas Choice, Printz Publishing
Mairibeth MacMillan, The Viking’s Cursed Bride, Tirgearr
Melissa Oliver, The Rebel Heiress and the Knight, Mills and Boon Historical
Maggie Richell-Davies, The Servant, Sharpe Books
Jacqueline Rohen, How to Marry Your Husband, Arrow
Kathleen Whyman, Wife Support System, Hera
Fiona Woodifield, The Jane Austen Dating Agency, Bloodhound Books

If you click on the contenders, you will discover more about the books and the authors. All of the contenders have placed their books in the Handbag Gallery. The Award will be announced on 5th September 2020 in an online presentation.

 

Please see all my author interviews at My Guests and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

Meet the wordsmith ‘with a keen sense of the ridiculous

Patricia Feinberg Stoner 

 

 

 

The wonderfully witty author of At Home in the Pays d’Oc arrived on a perfect summer’s day. Purdey, HRH the Dog, also accompanied Patricia.

My esteemed guest admired the scones that I had baked for the occasion. Purdey was not amused so decided to take a nap. The scon / scohne debate lasted until Purdey awoke from her slumber in my favourite armchair.

Patricia had brought some pork pies as a tribute to my northern roots and a limerick to mock my obsession with handbags.  The limerick below is now proudly displayed on my website. Apparently, Patricia is writing a book of limericks

Our Jessie’s bit of a wag:
She doesn’t think reading’s a drag.
Her authors, excited
To be so invited
All send her their books for her bag.

Patricia hopes that ‘the Little book of Rude Limericks’ will be out in time for Christmas.  Her illustrator has gone missing…

After much hilarity, tea and scones were abandoned for a good bottle of Picpoul de Pinet. It was a hoot to listen to Patricia’s anecdotes about her experiences and I could have listened to her all day.  Finally, we managed to get back on track commence the interview.

Jessie: Summarise At Home in the Pays d’Oc in two sentences.

Patricia: A humorous memoir that is largely, but not entirely, based on fact. It’s the story of how my husband and I became expatriates in the south of France for four years – without really meaning to.

Jessie:  Your book is probably the funniest book that I have ever read and everyone should read it.  What do others say about your reviews. At first, Patricia was hesitant to share the reviews until I insisted. 

‘Laugh-out-loud funny, always engaging, a great read.’  Ingénue Magazine

5.0 out of 5 stars.  What a delicious book! Patricia’s telling of Himself – and Herself’s – life in the Pays d’Oc is so well written. Funny in places, poignant in others, and exasperating too sometimes, as they deal with their new life in southern France. A joy to read.  Elfyn Morris, Amazon

‘Patricia writes with a warm engaging tone, great to read if you fancy an escape in the sunshine. A very enjoyable read – highly recommended!’ TJ Green, NZ book reviewer

Jessie: Read an extract from your book that will tempt a reader.

When I first met my husband, he announced casually, quite early on in the relationship, that he didn’t like France. ‘Well,’ I thought, ‘this will not do.’ I decided to change his ways.

Jessie: How did you feel when you had finished writing your book?

I felt a mixture of things.  Relief, of course, at having finally finished it.  But a little sadness too.  I had been living with these stories for a decade:  they started out life as a series of sketches for a French property magazine.  Turning them into a book brought back some wonderful memories, and quite a bit of laughter.  I had lots of stories left over, so I immediately started planning the next book.

Jessie:  I do hope that you write a sequel.

Patricia: It was suggested I should write ‘At Home in West Sussex’, which is where I live now.  After some initial excitement, I decided this was a non-starter.  I have returned to France instead and am writing a collection of short stories provisionally called ‘Morbignan Tales’.

Jessie: Have the people in your book read your novel, and did they recognise themselves? 

Patricia: My best friend recognised herself instantly when I called her ‘the acquisition queen’.  Luckily, she saw the funny side.  A lot of the people in the book are French, though, and I doubt if they will have read the book.  Apart from my lunatic neighbour I think I have been kind about everyone:  the book is written with a lot of affection.  And I hope to goodness no-one will think it is patronising or condescending, as some other books about living in France can be.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family. 

Patricia: That’s a poser.  Language barrier aside, I’d be happy if some of my neighbours from the village read it, and I hope it would make them laugh. In particular I’d like M. Alibert, who took a chance on us and let us have Purdey, to know she is well and happy and still with us at the ripe old age of 15.  It would be quite nice, too, if the BBC came knocking…

Jessie: Why should I keep your book in my handbag?

Patricia Feinberg Stoner

Patricia: Look at the state of the world!  If we are all going to hell in a handbag, then wouldn’t it be nice to have something light-hearted to offset the doom and gloom?

Jessie: What is the last sentence in your writer’s notebook?

Patricia: I have a thing called the Owl Book.  I’ve had one since I started work on a local newspaper back in the dark ages – the first one just happened to have an owl on the cover and the name stuck.  I write in everything that happens:  thoughts, phrases that might come in useful, limericks and also memory-jogging stuff like groups I’ve joined and review copies I’ve sent out.  The last note I made was ‘A Dog Called Useless’ which is a reminder to re-think the title of my next book…

Jessie: What is the biggest challenge for an independent author?

Patricia: The fact that you can never, never stop promoting.  There are some wonderful exceptions, such as Ingénue magazine which is immensely supportive, but on the whole it is extremely difficult to get publicity for an independently published book.

Jessie: What is the best advice that you have received as a writer?

Patricia: Well, it’s a bit tongue in cheek, but when I first started work I as a journalist I had a wise old news editor who once looked at one of my more fanciful pieces and remarked ‘Never spoil a good story for the sake of a few hard facts.’  I interpret this as being true to the spirit of what happened, rather than the letter.

About Patricia… 

It was wonderful fun to interview Patricia.  She has an instinctive dry sense of humour and is warm and engaging like the narrator in At Home in the Pays d’Oc.

Patricia is a words person:  she loves reading, writing and dogs (and some people).   She can be lazy, though:  like a lot of writers she will do anything – even housework – to delay sitting down at the keyboard.  She has a keen sense of the ridiculous and is prone to compose daft limericks at the drop of a hat.

I sincerely hope that the BBC will make a series out of the warm-hearted, funny and poignant book.  Alternatively, Patricia should go on a theatre tour to perform her limericks, present anecdotes and engage with the audience.

Please meet all My Guests and see my blog at jessiecahalin.com

Bridget Jones meets La La Land

Jane Lambert’s Debut Novel

Always intrigued by what goes on behind the scenes of the theatre, I asked Jane Lambert to share an extract from her debut novel.

 

 

 

Dear readers,

I’m thrilled to share a slice of The Start of Something Wonderful with you.

Emily had it all!

The extract I have chosen is when understudy actress Emily arrives at the theatre, all set for yet another quiet night in her dressing room, drinking tea and devouring the latest copy of Hello! But tonight, fate has other plans…

The Start of Something Wonderful will make you laugh, cry and inspire you to step out of your comfort zone – the perfect travelling companion to have in your handbag.

Happy reading, love & laughter,

Jane x

I chose this extract because it typifies the unpredictability of Emily’s new career path and the many unexpected scrapes she finds herself in.

Be careful what you wish for …

I am beginning to worry. There’s a dark side to my character emerging that I didn’t know was there.

Emily heads for the bright lights of London’s West End – but is it too late to reach for the stars?

Whilst I’m naturally over the moon and grateful for this understudy job, as the weeks go by, I’m becoming a teensy-weensy bit frustrated. I know the part now, and whilst I may not have starred in my own TV series or graced the cover of celebrity mags, dare I say it, I think I could play the role just as well. Does that sound conceited? Day after day, week after week, the waiting, the hoping …

Wishing someone to be struck down with laryngitis or a mild tummy bug is one thing, but willing someone’s foot to get trapped in a revolving set is something else entirely. Evil. I’m horrified that I’m capable of such a thought.

I breeze through the stage door, clutching the latest copy of Hello! and a bag of Jelly Babies.

‘Evening, Arthur. Dressing room ten, please.’

‘Reckon you’ll no’ be havin’ much time for readin’ the night, doll,’ he wheezes, glancing at my magazine as he hands me the key.

‘Mmm?’ I say, signing in, then checking my pigeonhole, mind elsewhere.

‘It’s no’ for me to say,’ he says, hoisting a shaggy eyebrow.

I slowly start to climb the spiral staircase, calling in at the greenroom on the way for a brew.

‘Company manager’s been looking for you,’ grunts one of the lighting guys from behind his Autocar magazine.

‘Right. Thanks,’ I say breezily, spilling milk everywhere, my stomach dropping ten floors. Surely not? I mean, I saw Sophie barely two hours ago. I watched her performance from the darkness of the stage-right wings and she was on fine form, giving her ‘I-love-you-but-we-must-part’ speech.

It’s never too late to follow your dreams…

It was at that point that I’d decided to make a break for it. Technically, I’m not supposed to leave the building until the curtain comes down, but I’ve religiously watched and mouthed every performance from the wings of Brighton’s Theatre Royal, to this, our final fortnight at The Dukes in Edinburgh. With just five minutes of the matinée left, what could possibly happen to her?

Mistake no. 1: leaving theatre early
Mistake no. 2: gorging on all-you-can-eat buffet
Mistake no. 3: succumbing to large glass of house red
Mistake no. 4: ordering garlic bread
Mistake no. 5: forgetting to switch on mobile phone
Mistake no. 6: arriving five minutes late for ‘the half’

‘… so, the silly cow’s been whisked off to A&E to have it x-rayed. You know what this means?’ says Simon, our company manager, running his hand nervously through his mop of unruly hair.

An eerie sensation ripples through my body. I feel a stab of guilt. My visualisation powers have taken on a telekinetic life of their own, like in some Stephen King horror film. I hadn’t intended anything serious to happen – just a minor ailment, something to lay her low for a week, a cold perhaps, allowing my agent sufficient time to arrange invitations and tickets for casting directors and producers.

I swallow hard and force my lips into a weak smile. There is an expectant silence. This is the stuff of Hollywood musicals: the leading actress is taken ill, and the understudy has to take over at short notice.

I can do it. I’ve been practising for months, says the heroine, with an assured toss of her pretty head. Bravo! More! A star is born! This is the moment I have waited for, longed for all these weeks, these seventy-two performances, so why do I now have this overwhelming desire to flee the theatre and catch the first National Express coach out of town? Well, apart from my all-consuming guilt, the auditorium will be packed to the rafters with legions of excited fans waiting to see Sophie Butterfield and her co-star, Rick Romano, give their highly acclaimed, headline-grabbing performances as star-crossed lovers, Constance and Enrique.

The fact that their on-stage passion has spilled over into reality has fuelled the public’s imagination. The House-Full sign is now a permanent fixture on the pavement, while armies of eager punters camp outside in all weathers, hoping for returns.

Exquisite pairing! The chemistry between Romano and Butterfield is electric. Beg, steal or borrow a ticket! ~ The Billingham Gazette

This romantic duo sets the stage alight. You’d be mad to miss it! ~ The Yorkshire Evening Post

So I may sit in my dressing room, stuffing my face with Hobnobs and tea whilst reading trashy magazines.

‘You up for it?’ Simon asks, knowing full well it doesn’t matter whether I’m ‘up for it’ or not. Why else have I been travelling up and down the country, getting paid £500 per week plus touring allowance? So I may sit in my dressing room, stuffing my face with Hobnobs and tea whilst reading trashy magazines, or to be allowed to finally finish reading Doctor Zhivago, which I started back in 2010?

Nah – if it’s all the same to you, Simon, I’d rather give it a miss.

About the book:

It’s never too late to follow your dreams… Forty-year-old air stewardess, Emily Forsyth, thought she had everything a woman could wish for: a glamorous, jet-set lifestyle, a designer wardrobe and a dishy pilot boyfriend. Until she realises he’s cheating on her… Catapulted into a mid-life crisis she wishes she’d had earlier, she decides to turn her life upside-down, quitting her job and instead beginning to chase her long-held dreams of becoming an actress!

Leaving the skies behind her, Emily heads for the bright lights of London’s West End – but is it too late to reach for the stars?

What the reviewers say:

‘A perfect antidote to all the bad things in the world.’ ~ Jen Med Book Reviews

‘An inspiring novel about female determination.’ ~ Chapter and Cake

‘Perfect for fans of Marian Keyes and Sophie Kinsella.’ ~ Culture for Kicks

About Jane:

Jane Lambert preparing for a show

Jane taught English in Vienna then travelled the world as cabin crew before making the life-changing (and slightly mad) decision to become an actress in her mid-thirties. She has appeared in Calendar Girls, Deathtrap and The Curious Incident of the Night-time in London’s West End. She is currently writing her second book and a six-part comedy drama for TV.

How did you feel when you finished the book?

My book was my therapist when I was going through a painful divorce. Through my writing I re-discovered my sense of humour and my self-esteem.

I felt something positive had been born of a sad situation. The book symbolised the new, strong, happy, independent me.

The extract is light-hearted and amusing.  I immediately engaged with the narrative voice.  The best of luck to Jane with this novel.  I hope this will be The Start of Something Wonderful for her writing career.

You can find Jane on Facebook www.facebook.com/janelambertauthor
or Twitter @janelambert22

She’d love to hear from you!

 

Please see all my extracts and excerpts at Book Extracts and my website and blog at JessieCahalin.com.

 

A tale of two continents

The Giants Look Down

 

Sonja Price

 

 

 

This gripping tale explores cultural differences, in two continents, through the life of Jaya and her brother.  An intelligent study of how one’s understanding of freedom is relative to education, experience and culture: a very poignant, contemporary message!

Jaya was born in a place where ‘the tiny mauve and yellow flowers danced in the breeze as the snowy summits of Pin Panjal meditated in the morning sun.’  Despite the beauty and implied freedom and romance of the landscape, the women are inhibited by their culture and the ugly politics of war torn Kashmir.  Jaya’s gentle, intelligent observations give an insight into her world as a Kashmiri girl.  Her mother asserts ‘you’re a girl’ and believes that ‘love rides on reason, not romance.’  It is clear Jaya is destined to search beyond this and it is impossible not to admire her questioning.

Jaya wishes on a ‘shooting star’ and the author maps out Jaya’s destiny beautifully.  The novel explores how the independent, free spirited mind can find flight if given the right opportunities.  But the opportunities must be accompanied with an inquiring mind. Jaya’s entrapment in Delhi is as stifling as the intense heat which ‘pressed down on city life like a giant hand.’ Her value, as a potential bride, diminishes once her parents have been killed.  She will find a way to escape a doomed arranged marriage – she is born to fight.

In contrast, Tahir, Jaya’s brother is forced to survive in a world of violence.  Here, Price examines how the innocent, accepting mind can become involved in terrorism.  Tahir’s life is written in the third person as he never finds his own voice.  Jaya’s story is written in the first person so that you can recognise her strength and identity.  She wants to be a wife ‘but (she) wasn’t going to give up everything.’  Ironically, the masculine stereotype and expectations shackle Tahir to a life of unfulfillment. Sadly, a lack of ambition and opportunity forces Tahir to accept his comrades as family.

Like her father, Jaya leaves ‘The Giants’ behind and moves to Scotland.  The cool Scottish breeze brings a fresh new perspective to Jaya’s life.  ‘The ocean! A slate grey stretching out to the horizon’ is symbolic of Jaya’s freedom and endless possibilities.  Meanwhile, her brother remains in Kashmir, and Tahir, believes the British to be the destructive force in his country.  He asks a British man, ‘Have you thought about the devastation your empire has left behind?’  He is unable to see how different cultures can collaborate and learn from each other. Tahir fights for his confused perception of freedom while his sister, Jaya, fights to save lives.  Jaya and Tahir’s father was a doctor. Jaya’s father involved her in his mission of caring for everyone, regardless of religion or race.

Jaya learns to inhabit the space between two cultures and finds her identity.  Her love for Alistair gives her stability, purpose and strength. Tahir is tormented by:

‘The poverty, the beauty, the peace and the violence.  Such extremes separated by the blink of an eyelid.

Tahir never examines his own world as he is too caught up in the conflict and grudges.   The natural ebb and flow of the Jaya’s narrative is enchanting while we never get inside of Tahir’s confused, inhibited mind.  The tale of two continents explores cultural difference: it is a wonderful book of contrasts.  For instance, the peaceful setting Kashmir Valley translates ‘paradise on earth’ yet it conceals conflict.  Jaya questions: ‘How could the landscape be beautiful when Alistair was suffering?’ Like Jaya, one must look beneath the surface.

This novel teaches us to have a respect and understanding of other cultures but we need the freedom to ask questions and pursue our ambition: above all, everyone needs to be loved. ‘Azadi’ (freedom) is a state of mind influenced by opportunities, the people we meet and the strength to ask pertinent questions.

A sensitive, well-crafted narrative that explores challenging themes through a beautiful central character. I recommend this novel wholeheartedly!

 

Please see all my reviews at Books In Handbag and my blog at jessiecahalin.com.

 

Moments of Joy

The Tryo must have spent a lifetime perfecting their art and teasing out every single note.

Enchanted by a musical trio, we joined a crowd as they danced, swayed and tapped their feet to the beat.  The international language of joy spread across everyone’s face.

Situated next to the Roman Forum, musical notes suspended us in a moment.  The entertainers beamed at their audience’s response.  As I tapped my feet, I realised how few people placed money in the guitar case, and no one would part with ten euros to buy the compilation.   Many people expected the impromptu entertainment to be free.

The Tryo must have spent a lifetime perfecting their art and teasing out every single note.  I tried to imagine their stories.  Who were the loves of their lives?  How did they manage perform the music with such soul? As a gesture of kindness from a writer to musicians, I decided to pay the ten euros for the CD. The trio smiled again but looked a little surprised.  My action prompted a few others to buy the music.  I do believe that people had forgotten that we can’t always expect to be entertained for free.  Alas, other people continued to record the music on their phones and never looked up.  However, I did hear the happy clang of coins hitting the guitar as I walked away.

Here I am feeling happy in Delfryn Abbey (inspired by Tintern Abbey).

Listening to the CD at home takes me back to Rome and a moment that bonded a diverse group of people in the city of Romance. This weekend, I was suspended in another moment of joy when readers, across the world, paid ninety nine pence for ‘You Can’t Go It Alone’. My book climbed the charts, and I performed my happy dance.  I imagined the coins falling into my handbag ready for me to buy a coffee and another book.

Olivia, Rosa and Matteo’s Olive Tree Café and music venue.

I do wish I could gather the readers of my novel together, smile at them and say thank you to them for buying my words.  I would love to be able to invite the readers to the Olive Tree Café, in You Can’t Go It Alone, and ask Rosa, Olivia and Matteo to perform music for them.

Presenting You Can’t go It Alone

Wishing you all moments of joy.

 

Please see all my adventures at Handbag Adventures.

 

A Writer’s Jukebox in my Handbag with Jo Lambert

Which songs did Jo enter into her writer’s jukebox to evoke the emotions and inspire the tension in A Cornish Affair, her debut novel with Ruby Fiction?

Author, Jo Lambert, celebrates music in her regular blog feature Life Playlists.  Music is an inspiration for Jo, and during the writing process music helps Jo to tease out the emotions in her romance novels.  I imagine a vintage jukebox playing in the corner of her writing room.  Which songs did Jo enter into her writer’s jukebox to evoke the emotions and inspire the tension in A Cornish Affair, her debut novel with Ruby Fiction?

At its heart A Cornish Affair is romantic fiction but it’s also wrapped around a modern day saga.  Alongside the ‘will they-won’t they’ going on between Cat and Luke there’s a host of other things – murder and a cantankerous great aunt to mention just two.  But this book could never have been written without the music.  Like Jessie music has always been a huge part of my life and it’s played an important role in all my writing. With two exceptions, all my books have had their titles taken from songs.  And to help the writing process, I create a playlist of tracks; a musical backdrop to writing different scenes.

But Carrenporth is about to experience far bigger scandals than the return of Luke Carrack – and the secrets unearthed in the process will shake the sleepy seaside town to its core …

So this is in Jessie’s words a ‘Books in my Handbag Jukebox’ post.   A taster of the music I used for this particular novel.

TITLE TRACK

The Boys of Summer – Don Henley.   As this was the working title of the book, the song was a ‘must have’

ROMANTIC TRACKS

Emotional – Whitney Houston

Stay with Me Till Dawn – Judy Tzuke

CAT AND LUKE’S  BREAK UP

 Johnny Hates Jazz – Shattered Dreams

Hall and Oates – She’s Gone    

Jo’s playlist offers a clear insight into the narrative and the emotion. I wanted to discover more about this author.

 

In June 2018 Jo signed to Choc Lit. Her debut A Cornish Affair, set on the North Cornish coast, was published in June under their Ruby imprint.

Jo Lambert lives on the eastern edge of the city of Bath. In 2008 she published her first novel When Tomorrow Comes. This was the first of five books which became known as the Little Court series, following the lives and loves of four girls growing up in the 1960/70s in the West Country. In 2015 she published Summer Moved On, a contemporary romance set in South Devon. A sequel, Watercolours in the Rain followed in 2017.

In June 2018 Jo signed to Choc Lit.  Her debut A Cornish Affair, set on the North Cornish coast, was published in June under their Ruby imprint. She is currently working on her next coastal romance.
When Jo isn’t writing she reads and reviews. She also has an active blog – A Writer’s Journey.  She loves travel, red wine and rock music and takes the odd photograph or two. Jo is a member of the Romantic Novelists Association and the Society of Authors

More about A Cornish Affair.

In the close-knit community of Carrenporth in Cornwall everyone knows everyone else’s business. Luke Carrack is only too aware of this. He’s been away for two years but nothing has changed – from the town gossips who can’t see past the scandal of his childhood, to the cold way he is treated by some of his so-called family.
The only person who seems to understand is local hotelier’s daughter Cat Trevelyan, although even Luke’s new friendship with her could set tongues wagging.
But Carrenporth is about to experience far bigger scandals than the return of Luke Carrack – and the secrets unearthed in the process will shake the sleepy seaside town to its core …

Social Media Links –
Website: http://jolambertbooks.com
Blog: http://jolambertwriter.blog
Twitter: @jolambertwriter
Facebook: https://www.facebook.com/jolambert185
Linkedin: https://uk.linkedin.com/in/jo-lambert-6 4644530
Instagram: jolambertwriter185

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

A copy of my novel is available here.

People Watching with Joanne Nicholson

Joanne posting the mail

Turning my back on the white Welsh hills, I shovelled snow from my never ending drive.  Longing to escape the cold, I dreamed of a tropical destination. Once inside, drinking my tea, I would plan a holiday.  The postman parked his van across the drive and handed me some mail.  My eyes focused on a postcard from the South Pacific. It was as if someone was reminding me to book that holiday.  Author, Joanne Nicholson had sent me a postcard from her cruise.  Later that week, Joanne emailed her reflections on the cruise.

Dear Jessie,

I dreamed of a tropical destination

I’ve just arrived back from a cruise of the South Pacific, where I lazed around as we floated above a crystal clear azure sea. My favourite pastime was people watching, and whilst sneakily gazing at the crowds I made these key observations:

  1. People love books. There was barely a sun lounge that wasn’t taken by someone engrossed in a book. It’s so great to see fellow bibliophiles.

    People want to love and be loved
  2. People want to love and be loved. There were lots of events for singles to mingle aboard the ship. They were all looking for the person that would rock their world, with whom they could sail off into the sunset.
  3. People love kids. There were over 1,000 kids on board and they had relatives swooning all over them. They looked so cute posing for a photo with Shrek, spontaneously dancing in the corridors or wearing their ice cream all down the front of their shirts.
Joanne Nicholson Positive

These reflections reminded me of my latest novel ‘Positive’ where Ruth is single and desperate to settle down and have a child. When she launches herself into online dating without success she decides it’s time to take matters into her hands and try to have a child on her own. She has the support of great friends that help her cope with her rollercoaster ride of emotions.

As an Australian author of contemporary women’s fiction, my novels are a light easy read (perfect for your handbag). They all focus around the dynamics of relationships, not necessarily with partners but with other important people in their lives.

In my novel ‘In Another Life’, Lily does a past life regression to see if she is connected with her late mother only to find she was male and her Dad was her brother. She then researches her regression and finds that her little sister from a previous life is now an old lady. She can’t help but meet her to see if they share a connection across lives.

Joanne Nicholson Intuition

In ‘Intuition’, Chloe learns she has the skill to read minds. What starts out as a lark, where she no longer has to take people on face value, turns her life upside down when she discovers her husband fantasizes about other women and her best friend has a crush on her husband.

Cheers from down under,

Joanne

About the Author

Warm, sunny greetings from Joanne

Joanne Nicholson is an Australian author who juggles parenting four kids with trying to exercise, socialise, manage sporting teams, complete mundane chores and write. She loves boating, reading, pilates, listening and playing music, playing basketball and spending quality time with family and friends. She has published two women’s fiction novels, ‘Intuition’ and ‘In Another Life’; a YA novel ‘Music Score’ and short stories, ‘Horrorscopes’ and ‘Spirits’.

Joanne’s novels deal with dynamics of relationships, but reviewers say the novels are lighthearted.  The novels look thought-provoking and tempting.  I have no idea how this author manages to write and juggle her life – she must be very dedicated to her writing. 

Contacts:

Social media: Facebook https://www.facebook.com/joanne.nicholson.372
Twitter @jolnicholson
Instagram joannenicholsonauthor
Website joannenicholsonauthor.com

 

Please see all my guests’ posts at Mail from the Creative Community and my website and blog at JessieCahalin.com.

 

Will I need space for a broken heart in my handbag?

Now and Then in Tuscany

Angela Petch

Will I need space for a broken heart in my handbag? 

 

 

 

Click here to buy on Amazon

‘In my heart there was a storm that needed to break and my heart hurt like thorns on the wild rosa canina growing in the hedgerows…’

If you embark on this journey of discovery then be sure to prepare some delicious crostini, in advance, as you will not be able to put the book down….

This is a story of love wrapped up in an insight into rural history and customs of Tuscany. Meet ancient craftsmen and farmers of Montebotolino and marvel at the tenacity of their families; see how they survived difficult times.

The history of Giuseppe, a farrier and a cobbler, is completely absorbing.  Giuseppe was born at the beginning of last century.  His naivety leads him down some challenging paths, but this shapes the man, and ‘suffering begins the journey to wisdom.’   I found myself wanting to shout at Giuseppe and send him in the direction of love; the loves story is beautiful.

The novel unlocked secrets of the enchanting holiday destination.  I have often wondered who had once walked along the ancient tracks, and who once lived in the ancient dwellings that nestle in the mountains.   As the title suggests, the reader delves into rural Tuscany as it is now and as it was back then at the beginning of last century. The reader has the privilege of meeting characters from the different generations and it is satisfying to fit the jigsaw together.  Indeed, there is a cleverly crafted narrative, in which there are emotional parallels in the lives of the characters from the past and the present.

Giuseppe’s grandson, Francesco, and his English wife, Anna, have turned the ancient houses into holiday lets. Their son, Davide, encounters some of the emotional challenges of childhood that Giuseppe, his great-grandfather, had to face. Alba, Giuseppe’s great-granddaughter, faces choices about education very different to her great-grandparents.   Whilst Giuseppe’s grandson Francesco and his wife face different daily routines; this reminds us of how life has changed. However, the tenderness between the couples from both generations explores love beautifully.

Life in Montebotolino was hard at the beginning of the last century.  Yet, the people had to make the most of nature’s larder and the peasant food is so tempting.  It seems that the working people from the past shaped the menus in contemporary Italy, sadly many of their homes have been left empty as their lifestyle was too difficult. The charm and majestic beauty of the Tuscan landscape is still there to seduce the modern traveller.  Fortunately, we can still see:

‘Cypress tree lined twisting white ribbon roads up hills towards impressive stone buildings…trees like stakes holding down the land.’

This story takes the reader beneath the surface of the magical holiday destination, associated with a paradise for the eye and the belly.

The transumanza is the Italian term for transhumance, the traditional twice yearly migration of sheep and cows from the highlands to the lowlands, and vice versa. The word literally means “crossing the land”. Ref:  Wikipedia

 

See My Reading for all my other reviews at jessiecahalin.com/my-reading/

See my blog at jessiecahalin.com

‘SHIP AHOY!’ There’s an entertaining mystery in my handbag

The Bookshop Detective 

Jan Ellis

 

It was a great treat for me to take another holiday in idyllic seaside town where:

‘To the east, the land fell away towards Combemouth; to the west a chain of scalloped shaped bays edged the land’.

The setting is vivid and the charming bookshop is inviting.  I settled back into my usual seat in The Reading Room and listened to the latest gossip.

Eleanor, the bookshop owner, is a kind, engaging character – she is someone that one could trust.  Her positive outlook led her to set up a new life in Combemouth six years ago.  Her philosophy of love is that ‘love is twenty percent attraction, thirty percent luck and fifty percent timing.’  She appreciates her good fortune to meet Dan and the fact that his love supports and guides her – proof that a second marriage can work. The previous book told Eleanor and Dan’s love story but this book tells a different kind of story.  In this novel, Eleanor is a glamorous, young ‘Mrs’ Marple:  forget the brogues, forget the tweed and dig out a vintage party frock.

The suspense story captured my imagination so much that I wanted to be there.  I could imagine a stage production of this mystery as it has all the right ingredients: the manor, the briefcase, the ring, the vicar…   Enter Eleanor, the Bookshop Detective, exit Dreary Deirdre.  Cue Daniel, waiting in the wings to support but something is troubling him. Is his ex-wife on the horizon?

Blow away the dust on Joshua’s books to reveal a ship. Can you see the ghost ship sailing in the distance and will this bring a bad omen?  Dim the lights as the ghost ship gets closer.  The characters present a tableau of the Victorian scenes.  But what happened to the poor boy who was flogged?  Can Eleanor’s investigation save the boy?  Why does someone think that Eleanor is ‘going to kill him?’

In a stage production, the actors would have to play many roles.  For instance, Erika and Deirdre could be the same actor, or could it be Erika and Daniel?  Could someone play the rock star and the vicar?  Surely Connie and Joyce could be the same actor.  Are there any clues here? You will have to read the book to find out.

I am getting carried away with this ‘detective lark’!  Jan Ellis is so clever at writing the dialogue that I became completely absorbed and wanted to be amid the drama.  Jan Ellis has skilfully woven the clues into the narrative.  I envied Eleanor’s knowledge and read the book greedily in one sitting.  I visited the bookshop, the fair and the parties so it was only right that I should be able to get involved in the investigation.

This book has been cleverly constructed so that it could be enjoyed without knowledge of Summer of Surprises and An Unexpected Affair.  However, I would recommend this delightful duo as a holiday read!  Begin at the beginning with An Unexpected Affair and let the drama unfold as you take a comfortable seat in the Reading Room. Jan Ellis is skilled at creating fun, engaging characters and drawing you into their world.

Jan Ellis

This novel presents a perfect escape: a cleverly constructed narrative.  What a brilliant idea to delve into the detective genre with the characters created in the romance genre -love it!

 

 

 

Click to buy on Amazon

 

Please read all my reviews on My Reading and my blog at jessiecahalin.com