I love to celebrate authors who have connected with me over the years. Jo Lambert lives east of Bath, and she has written an impressive seven books. Books are a destination for readers, and Jo creates a powerful sense of place in her romantic suspense novels. I invited Jo to tell me about the inspiration for the sense of place in her writing.
A SENSE OF PLACE – Pure imagination, reality or a little of both – what’s best for you?
Inspiration for the Black Bull
As an author it’s not only about developing the plot and creating the characters, it’s also getting the setting right. Whether you are writing a psychological thriller or contemporary romance set in the city or the suburbs – or maybe like me, using a rural/small town community – creating the perfect backdrop can occasionally throw up some problems. That is why personally I’ve always found it easier to base my fictional locations on actual places.
My first novel When Tomorrow Comes was set in rural West Somerset. For this I used my own experiences of village life. Of course it’s not just using familiar places, it can also include buildings such as houses, pubs and hotels. They can all be used to help the writing process. In Summer Moved On and Watercolours in the Rain, set in South Devon village of Lynbrook, The Bull Inn is actually based on a local village pub I still visit. Similarly Lynbrook Hall is a real place about five miles away from the pub. It was for sale while I was writing and the on line estate agent’s photographs were a bonus in helping create my fictitious manor house.
Set in Cornwall Shadows on the Water is a story of family ties, lost love and tangled loyalties
My current novels are set in Cornwall. For A Cornish Affair, I used a hotel I’d seen while staying in Richmond. It was totally right for the one central to the book which sat on a cliff overlooking a small coastal fishing village. And for my latest novel, Shadows on the Water, I’ve taken parts of Fowey and Dartmouth and blended them into the estuary town of Kingswater.
Inspiration for Tarwin House Hotel
Another useful aid is Google Map. In one of my novels my character was in Verona, a place I had visited several years before. During her stay she had gone on walkabout in the city. Apart from The Arena and Juliet’s Balcony I had a very hazy memory of our day trip there. Luckily Google Map came to the rescue. It enabled me to ‘walk’ in her footsteps and describe the things she was seeing, giving the whole scene a far more authentic feel.
In the end, of course, it depends very much on individual preference. Some writers are happy to use their imagination while others set their stories in real places. And then there are those like me who ‘borrow’, taking reality and remoulding it to suit the story they are writing. It’s all about what works best for you really.
I also enjoy the freedom to create a new village based on places I have encountered in my travels. The place wraps itself around my characters and listens to their hopes, dreams and sadness. Jo Lambert has recently released Shadows on the Water. Set in Cornwall Shadows on the Water is a story of family ties, lost love and tangled loyalties. I look forward to visiting Jo’s destination.
Jo Lambert is a member of the Romantic Novelists Association and the Society of Authors. She has been writing since 2008
After the tragic death of her fiancé, Ava Warren is slowly rebuilding her life. She has a supportive family, great friends and a job she loves, managing holiday letting company Estuary Escapes in her home town of Kingswater. Another relationship is the last thing she wants or needs. Until one evening she meets Alex Penhaligon.
Alex’s father Sam owns Heron’s Gate Vineyard and Alex has recently returned from California, where he has been working for the past five years. A case of mistaken identity gets them off to a bad start. But discovering his error, Alex is anxious to make amends and soon persuades Ava that he’s not quite as arrogant as she thinks he is. As their friendship begins to turn into something much deeper, Ava wonders whether she can at last put the past behind her and make a new future with Alex.
But someone is watching. A man who not only thinks Ava should be his but also holds a long term grudge against Alex. And he’s determined to get his own way irrespective of the lengths he has to go to or who gets hurt in the process.
Having parked the car, in Tourrettes sur Loup, I grabbed my multi-coloured handbag and huge sunglasses. Carol Drinkwater had spotted the frantic tourist trying to manoeuvre the oversized BMW, and waved at me from the other side of the road. She was dressed in jeans and a T shirt. Her handbag was a chic bright mauve sporting a Giorgio Armani label.
Tourrettes sur Loup
Strolling along the cobbled streets, I admired how the weather and time had sculptured each building in the medieval village, perched on the hilltop. We realised the streets would have looked identical post World War Two; one of the eras presented in The Lost Girl. Our conversation moved to Carol’s novel, The Lost Girl.
Jessie: I am looking forward to reading The Lost Girl, but I am saving it for the winter months, back in Wales. Can you capture the essence of the novel in a few sentences?
Set in a changing Paris by Julien Klenz
Carol: The Lost Girlis a heart-rending story of loss and enduring love. November 2015: Kurtiz, an English woman in her forties, is searching for her missing teenage daughter who she believes is living in Paris. In a café on the right bank Kurtiz falls into conversation with an eighty-year-old actress, Marguerite, who, when the terrorist attacks of that weekend begin, takes Kurtiz under her wing and together, through shared stories of their past, they find what they are both looking for.
Jessie: I can’t wait to immerse myself in the narrative. Can you tempt me with a few sentences?
We stopped outside of a terracotta house where every stone seemed to have been artfully placed. Carol retrieved the novel from her designer bag.
Carol: This tiny section is set very close to where we are now, just outside Grasse. It is the young Marguerite with a young man at her side, an ex-British soldier. He is about to buy the plot of land where they were lazing in the grass, and about to ask her to marry him.
‘… The afternoon was silent save for the humming insects. She heard a cart’s wheels turning in the distance, the bray of a donkey, but there was no one in sight, just the two of them and the perfumes emanating from the hills around them. …’
As Carol read aloud, she attracted an appreciative audience. The audience applauded, and we decided to seek sanctuary in a café. Carol bowed her head graciously then smiled at the group of people.
Jessie: You paint the scene beautifully with your words. Tell me, how do find inspiration for the language choices? Does it take you a long time to shape the choices?
Carol: I work through the text of my books over and over. I need to feel the language and sometimes after having made a ‘clever’ choice I go back to a simpler edition. As I grow older and have been at my desk for more and more years, I find the direct approach is better. Clean simple text usually paints the best pictures.
We found a bistro in the main square. An elderly, French lady, resplendent in her finery, was about to leave and presented her table to us. Her theatrical manner was reminiscent of Marguerite Courtney, in the Lost Girl: such a contrast to the elegant, kind and unassuming Carol Drinkwater. I ordered a mineral water and Carol ordered a citron pressé.
The Lost Girl by Carol Drinkwater
Jessie: The spontaneous positive response of your appreciative audience, earlier, speaks tomes about the quality of your work. How has your book been received by the reviewers?
Placing her glass on the table, Carol then searched on her phone for a link to The Lost Girl, on Amazon.
Carol: OK. Here are some reviews:
‘wonderful story, beautifully told, and with a great ending!!!’ -Reader review on Amazon
‘Mesmerising, haunting and extraordinarily relevant. The Lost Girl is one of Lovereading’s novels of the year.’- Lovereading
‘A brilliantly told story set against that dreadful night. The characters are superbly written . . . I couldn’t put it down.’ – NetGalley Reviewer
Jessie: As the reviewers indicate, the characters in your novels are always so real and engaging – it is obvious that you become attached to them. How did you feel when you had finished writing your book, and did you miss any of the characters?
Carol: I missed both of the two principal female characters. I felt as though they had both become my close friends and I longed to spend more time with them. I still talk to them, one of them in particular.
Jessie: I’m intrigued and wonder if that means another book.
Carol: I am writing a new novel now. Also set in France and also moving between two time frames.
Carol Drinkwater The Lost Girl
Jessie: I am delighted to hear about a new project. Let’s get back to The Lost Girl. Who would you like to read The Lost Girl and why?
Pausing for thought, Carol laughed aloud before speaking.
Carol: The brilliant lovely producer who sees The Lost Girl as a film and makes it happen.
Jessie: You write scenically and draw the audience into the tension. And in The Lost Girl, you have captured a bleak event, through your imagination forever – it is a story that must be told.
Carol: Yes, I agree, it is a story that needs to be told though I also appreciate that for some the events are too new. Having witnessed the real thing, I needed to recount those events giving them flesh and blood…
Carol Drinkwater
Jessie: The Lost Girl is safely stored in my handbag. Why should I keep your book in my handbag?
Carol: Because it is a story with a miracle at its heart and, from time to time, we all need one of those. Through the bleakest of days, though we may not be aware of it, hope and redemption are always present. The light always returns. The sun always rises.
Jessie: Beautiful, inspirational message. You are so blessed with your ability to craft words: your books will be a legacy to generations of readers. What is the last sentence written in your writer’s notebook?
Carol: It has nothing to do with The Lost Girl. It is for the novel I am writing now. Here goes:
‘N B and R B were lovers for fifty years.’
Jessie: You have intrigued me yet again. There are so many delicious possibilities in this sentence. You have told many stories, work so hard and have success that many aspiring writers can dream of. What is the biggest challenge for an author?
Carol: To keep going, to write every day, to keep the faith during the slow and arid patches, to believe in oneself. (I wish I could follow my own advice sometimes!)
Jessie: What is the best advice that you have received as a writer?
Carol: Turn up at your desk every morning. No one else is going to write your book for you.
Jessie: It must also be a challenge to combine your writing with the work on your olive farm. Having devoured your wonderful memoirs from the Olive Farm series, I am curious if your olive crops have survived the terrible drought.
Carol: Olives are not too susceptible to drought because it is a drought resistant tree. Our biggest challenge is to remain organic, and so far we are winning that battle.
Jessie: Your memoirs indicate you have survived tough times. What have your learnt along the way?
Carol: I have found that life can be heart-breaking. I have known emotional rejection and loneliness. Through the journey of so many ups and downs, I have come to realise that kindness and laughter are two of the richest gifts I can share and enjoy.
Carol Drinkwater is one of my all time favourite authors, and I suggest you check out her work – you won’t be disappointed. I am currently reading The Lost Girl and will blog my review in the future. My reviews of some of Carol’s other novels can be found at: Books in Handbag
Carol shares her thoughts and dreams
About Carol Drinkwater:
Carol is an award-winning actress and Sunday Times bestselling writer. She was probably most famous for her role of Helen Herriot in the fantastically popular TV series, All Creatures Great and Small. She lives on an olive farm in the south of France with her husband, Michel, and several dogs.
For me, the thrill of chasing ideas is the most exciting element of the writing process.
Words can take us to any place and any time. I was delighted to discover words I wrote in my notebook during a summer holiday in Devon. My thoughts were scattered on the page, so I picked them up, revisited my photo album and returned to a time when I suffered a creative drought.
Words let us travel to any place, any time and any season.
The heat stifled ideas and frazzled my creativity. I complained the holiday cottage was too dark for me to write. After a few days, I worried my ideas had taken leave. I blamed the environment because small windows trapped the darkness in the room, and I seemed to have reached a dead end with the story.
I found the ideal house for an author.
Entering A la Ronde, created by Jane and Mary Parminter, confirmed that the correct environment is essential. My creativity opened again as soon as I wandered around the eighteenth century house. I found the ideal house for an author. Imagine a sixteen-sided house that allows you to follow the light around the house. Perfect!
In this house, I would be able to chase my ideas around and around in circles until I found the correct room to write. Ideas travel around like the wheels of a windmill until I get them on paper and stop them circling. Sometimes, I release ideas too early and they must be abandoned. For me, the thrill of chasing ideas is the most exciting element of the writing process.
I am honoured that Angela wrote a letter to explain the inspiration behind Tuscan Girl. Sit back and enjoy a writer’s tour of Italy.
Bestselling author, Angela Petch, released ‘Tuscan Girl’ last week. I started to read the novel on a stormy Saturday night and awoke at dawn to finish the book. Lost stories of war, hidden treasure and buried memories gripped me. As a writer, I wanted to learn how this talented author manages to weave such captivating stories. I am honoured Angela wrote a letter to explain the inspiration behind Tuscan Girl. Sit back and enjoy a writer’s tour of Italy.
In the Tuscan Apennines, where I spend six months of every year, I can step out of our front door straight into wild countryside. Our area is less populated after post war exodus, when people left for work abroad and in big cities and so I come across many ruined houses along the mule tracks that crisscross our hills and valleys.
Each abandoned dwelling holds a potential story and my imagination goes into overdrive, trying to guess what might have gone on within these walls, now strangled with weeds.
Many of the old houses are being eaten up by old man’s beard
When I was seven years old, my father accepted a job in Rome as deputy head of the Commonwealth War Graves Commission. They were formative years and I picked up Italian like a little sponge. I’ve wheedled out stories behind these houses by chatting to elderly friends and through my research. We are lucky to have the national archive of diaries in nearby Pieve Santo Stefano and I’ve spent hours poring over handwritten resources.
Bruno sitting outside the house owned by his son, who had just returned from collecting wild mushrooms.
One of my friends is Bruno Vergni, one hundred years old last January 13th. I met him seven years ago on one of my hikes. I stopped to chat as he pruned an apple tree and, to my huge surprise, he responded in English. He explained that he had been a POW in Nottingham, having been captured in Libya early in the war.
I researched more about Bruno’s war and he is now one of the main characters in “The Tuscan Girl” (albeit tweaked with my own ideas). He now lives with his son, but in my story I have placed him in one of the semi-deserted hamlets called Tramarecchia.
Pieve Santo Stefano holds Italy’s collection of diaries – a wonderful resource
A favourite walk is up to the beautiful Alp of the Moon, (1,400 metres). We stopped to picnic by a pile of stones and read a sign posted by the local partisan association. Up here, in the summer of 1944, a group of young men planned their resistance missions. After researching and meeting a local historian, Alvaro Tacchini, more ideas for my book were gleaned.
An abandoned chapel, two houses on the outskirts of the village, empty because of a brothers’ squabble, the outline of a Medici fortress… all ruins waiting to be written about in future books.
Angela’s explanation connected me to Alba who treks around the remote Tuscan villages and rebuilds the ruins in her paintings. She discovers ‘The paths…like arteries leading to the heart of new stories.’ I enjoyed treading these paths with Alba and look forward to more stories.
I want the RNA to continue to be brilliant in all the ways it already is – supportive to new writers, friendly, welcoming and a real voice for professional commercial authors.
As a Leeds lass, I had to discover more about the dynamic Yorkshire woman who is Chair of the Romantic Novelists’ Association. I invited Alison May to chat about the RNA and her writing.
Jessie: It is wonderful to finally meet you. Tell me, who is Alison May, the writer?
Alison: I’m a total control freak (which is helpful for writing novels – you basically get to invent a whole world and be god of it). If it was socially acceptable, I would live on toast and chocolate the whole time. And I have an uncontrollable tendency to take on one thing more than I have time to do – at the moment that one thing is ‘being Chair of the RNA’ so quite a big time-consuming thing!
Jessie: Chair of the RNA is a prestigious role and such an honour. What does your role as Chair of the RNA involve?
Alison: Essentially everything that goes wrong is my fault, and everything that goes well is down to the brilliant and inspirational management committee and volunteer team I have around me. On a practical level being Chair involves, hosting RNA events, chairing management committee meetings, representing the RNA at industry events and meetings, and, responding to whatever crises come up unexpectedly. And the start of 2020 has brought more crisis that any of us was expecting, so at the moment I’m mostly working on ways that we can respond to the Covid-19 outbreak and lockdown and support our members virtually.
And I also write collaboratively with Janet Gover under the penname, Juliet Bell. Juliet writes stories inspired by misunderstood classics…
Jessie: What is your vision for the RNA?
Alison:I want the RNA to continue to be brilliant in all the ways it already is – supportive to new writers, friendly, welcoming and a real voice for professional commercial authors. I want to see us develop the education and professional development opportunities we provide for our members. I want the RNA to be a critical friend to the publishing industry – it’s great for us to build close ties with romantic fiction publishers, but it’s also vital that we remember that we’re an author focussed organisation and authors’ interests and publishers’ interests overlap but aren’t always precisely the same.
I’d also like to see us become more inclusive. At the moment, like much of the publishing industry, we can be a bit white and straight and middle class. It’s really important to me that writers who have been under-represented in publishing know they have a place within the RNA.
Mostly though I want authors of romantic fiction to be proud of their genre and of what we create. There can be snobbery around commercial fiction, especially around commercial fiction that is often written and read by women. I am simply not at home to those sorts of attitudes. Romantic fiction rocks.
All That Was Lost is my most recent title writing solo as Alison May though.
Jessie: What are the essential ingredients of a great romance?
Alison: People who want to be together and a really good reason they can’t be.
Jessie: Why did you join the Romance Novelists’ Association and what has it offered you?
Alison: I joined the RNA in 2011 as a member of the New Writers’ Scheme. The NWS gives unpublished authors a critique on their novel in progress, but also means that you can attend RNA events as a member. In that first year I went to conference and the Winter Party and joined my local chapter. The conference was a two day whirlwind knowledge dump of a huge amount of stuff about how publishing works that would have taken years to learn without the RNA. Since then the RNA has become my village. Writing is incredibly solitary. A support network of people who get the emotional ups and downs of writing and publishing is essential. And I think the RNA provides the very best support network there is.
Jessie: It’s obvious you are a perfect ambassador for the RNA. I love the fact that it has become your village as I feel the same way. I am impressed you have written six books.
Alison: I’ve actually written 8 (I think!) – some of them were novellas though so are published separately and together which makes counting tricky! And I also write collaboratively with Janet Gover under the penname, Juliet Bell. Juliet writes stories inspired by misunderstood classics – most recently, The Other Wife, which was inspired by Jane Eyre. All That Was Lost is my most recent title writing solo as Alison May though.
Jessie: Capture All That Was Lost in one sentence.
Alison: One lie – told for a lifetime. What would that do to the girl you used to be?
Jessie: Can you tempt me with an extract from the book?
Alison: She’s stylish, but never threatening. She could be other mother of the bride at an elegant country wedding … but she’s not. She’s Patrice Leigh, the woman who’s built a fifty year career on the claim that she can talk to the dead.
Jessie: Wow! The final sentence evokes mystery. What did the readers say about the novel?
Alison: I am delighted with the responses. Readers really connected with the subject and the characters and loved the humour.
‘I love the touches of humour Alison writes into what is, in essence, a very sad tale.’
‘I am not going to forget Patience/Patrice any time soon. She is one of the most original characters in any novel I’ve read recently.’
‘I loved this book – couldn’t put it down. It was thought provoking and I am still thinking about it many weeks later.’
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
I think the characters, especially Patrice, from this book have stayed with me more than any other book that I’ve written. I don’t miss them exactly. I definitely don’t think I’ll ever write a sequel but they’re all still there inside my head.
Jessie: Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family. Perhaps it could even be a friend or family member that has passed away.
Alison: The person I most want to read this book is Jack Thorne. He’s a playwright and screenwriter and I’m a huge fan of his work from The Cursed Child to National Treasure and lots of other things beside. I have a recurring fantasy where he reads All That Was Lost and adapts it for TV and I believe that if I mention this enough in interviews and online it might one day happen! (If I’m allowed a second person I also have a very similar recurring fantasy about Lin Manuel Miranda and a Broadway hip hop musical version.)
Jessie: What is the last sentence written in your writer’s notebook?
Alison: ‘If you change Alice back to Anna you can reuse the Annabel line.’
And it’s true. I can.
Jessie: What is the best advice that you have received as a writer?
Alison: ‘Work out what your dream is and follow it.’ Once you get to the point of having a completed manuscript there are a lot of people who will tell you that you ‘must have an agent’ or that ‘looking for an agent is a waste of time and you should self-publish’ or whatever else might have worked for them. And that’s fine but the right option for them might not be the right option for you, so work out what you really want and pursue that first.
Jessie: What do you when you are not writing?
Well at the moment a lot of my time is spent on RNA projects, but asides from that and writing, I also run a novel-writing tutoring and mentoring business. That means I work one-to-one with authors and also offer manuscript critiques and teach group workshops and lead residential retreats. I LOVE teaching. It’s basically my happy place. And I’m super-proud like a mother hen of all my past students. I have three shelves above my desk. One has my own published books on it, but the other two have books by former students. Those shelves are my absolute pride and joy!
When I’m not teaching, writing or working on RNA stuff, I love baking and reading and sleeping. Sleep is really excellent.
Alison joined the RNA as a member of the New Writers’ Scheme in 2011 and won the Elizabeth Goudge Trophy in 2012. All That Was Lost is the sixth novel, but she also writes as Juliet Bell, in collaboration with Janet Gover. Alison also runs writing courses and is currently offering virtual Book Doctor appointments on a ‘pay what you choose’ basis. I am impressed with her innovative approach to supporting others at this challenging time.
Jenny Kane is the author of several contemporary fiction novels including, Romancing Robin Hood (Littwitz Press, 2018), Abi’s House, (Accent Press, 2015), and the Another Cup of Coffee series (Accent Press, 2013). As Jennifer Ash she writes the medieval mysteries, The Folville Chronicles, as well as audio scripts for ITV. Jenny is a self-proclaimed accidental author. She is also a former archaeologist and medieval historian.
Jessie: Tell us more about Jenny Kane/Jenny Ash.
Jenny: I am workaholic, coffee drinking, author who writes her books from the corner of my favourite coffee shop, in Devon.
Jessie: How have you managed to build your brand as an author and sustain your success?
Jenny: The first genre I wrote was erotica. I didn’t mean to, and I certainly didn’t see that career coming, but for some reason I found myself composing scenes of smut.
After five years of kinky thinking, I decided to have a go at writing a story where everyone kept their clothes on. It was most liberating! To my surprise, that novel, Another Cup of Coffee, was well received.
With the writing market changing all the time, I’ve always been wary of putting all my eggs in one basket, and so, after writing eight granny friendly novels, I had a go at writing about my personal passion – medieval crime. Oh- and I write children’s picture books too. I have three pen names.
Jessie: Do your pen names have different identities?
Jenny: As Jenny Kane I write contemporary fiction and romance, as well as children’s picture books.
As Jennifer Ash I write medieval murder mysteries (The Folville Chronicles) as well as audio scripts for ITV and Spiteful Puppet.
My first pen name was Kay Jaybee- only investigate her if you are over 18 and enjoy erotica.
Jessie: How did you manage to become the resident writer in Costa Coffee shop How wonderful!
Northmoor House: the writers’ residential retreat rub by Jenny and Alison
Jenny: I’ve always been a coffee shop writer. I get too distracted by things that need doing around the house if I attempt to write at home. When a Costa opened in Tiverton, I started to write in there. I didn’t tell anyone what I was doing, but after I’d turned up every day for several months, the staff started to enquire, and soon I was part of the furniture. So much so, that they offered to hold a book launch for me when Another Cup of Coffee was published.
When I turned up for the launch, I found that I had a new table in the far corner of the cafe with a plaque on the wall, stating it was Jenny Kane’s Corner! I was speechless. I had corner- just like Winnie the Pooh!
I’ve sat and worked in that corner every day since. It’s lovely. Mostly I’m left alone to write, but it’s not unknown for folk to pop by for a chat or to have their books signed.
So far I’ve written 12 full length novels, 4 scripts and countless workshops and short stories at that table.
Jessie: Tell me about the writing workshops you offer. How do you balance the workshops and writing?
Jenny: I’ve been teaching creative writing on and off for the past twelve years. However, 2 years ago, my friend and fellow writer, Alison Knight and I, pooled our resources and set up the creative writing business, Imagine.
We provide workshops for beginners and cover every element of fiction writing from character development to location building, plotting, short story writing and the skills you need to get your butt on a chair and make yourself write.
Our most popular courses are our life writing masterclass and the Novel in a Year workshop series. These run over a year, and take people from their first word, to preparation for submission to an agent or publisher.
I split my working day between writing (7am- 12pm) and prepping for workshops (12.30pm and 3pm). After that I go to work, before editing/proofing my students work in the evenings.
Jessie: Summarise your latest release in two sentences.
Edward’s Outlaw by Jennifer Ash is a murder mystery set in Rockingham Castle during the fourteenth century
Jenny: Edward’s Outlaw by Jennifer Ash is a murder mystery set in Rockingham Castle during the fourteenth century. Placed in the castle for her own protected, Mathilda Folville, finds herself playing detective in order to save her husband’s life and her family’s reputation.
Jessie: List a maximum of three quotes from the reviews that you have had.
Jenny: For The Folville Chronicles by Jennifer Ash – “Ellis Peters meets Jean Plaidy… via Robin Hood.” (Review from Goodreads)
For Abi’s House by Jenny Kane – “Reading a Jenny Kane book is like opening a journal by a much loved friend. I’m spirited away into a world of warm, friendly and interesting people. To places that I not only want to visit but actually live in. Shops, cafés and pubs that I want to be my locals and life that I want to experience and be a part of. Abi’s House gives you all of these feelings and left me with a huge smile on my face and a glowing in my heart. More of this wonderfulness please!!” (Review from Amazon)
For Another Cup of Coffee by Jenny Kane – “‘This book is definitely my cup of coffee
Gosh, where to start with this review?! The characters: you laughed with them, cringed, hated, wanted to shout at the book because you cared so deeply. Every character had their own story, and I loved that this was intertwined with Amy’s story, waiting to see how it panned out. Big round of applause for Kane for the characters on its own….Another Cup of Coffee itself: very realistic and a delight from start to finish. I felt like I was sitting on the outside looking in all the time, and I’d known this group of people for my entire life…. A timeless piece and one worth picking up big time. This book is definitely my cup of coffee (sorry, I had to). (Review from Bookmark That)
Jessie: Present an extract from your latest novel that will tempt a reader.
A young woman of my build, with similar hair, has suffered a violent death in the room allocated to me.
“…A young woman of my build, with similar hair, has suffered a violent death in the room allocated to me. A room in which I was intended to be trapped under lock and key….”
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
Jenny: I also feel a little bereft when I finish a novel. It’s such an intense process. The character’s live in your head 24/7 for months. When I finished Edward’s Outlaw it felt particularly strange as it bought me to the end of an intense three book writing experience- (The Outlaw’s Ransom, The Winter Outlaw and Edward’s Outlaw – the first 3 books in The Folville Chronicles) The lead character, Mathilda, is someone I’m very fond of- I miss her now that I’m writing a different series (as Jenny Kane- name a secret as yet!)
Mathilda will be back however, as there is another story coming as part of The Folville Chronicles in 2020.
Jessie: What is the last sentence written in your writer’s notebook?
Jenny: Check about the vinegar.
Jessie: What is the biggest challenge for an author?
Jenny: Not losing heart. It can take a long time to succeed, and even then the financial rewards are feeble. It can be very hard to stay positive when you’re surrounded by celebrities getting paid a fortune to write (often poorly) simply because they can cycle fast or once ate bugs in the jungle.
Jessie: What is the best advice that you have received as a writer?
Jenny: Cut down on your adverbs. My work was awash with them at first. I hadn’t realised how much they were slowing my plots down.
Jessie: How do you support other writers and what common mistakes do fledgling authors make?
Jenny: Always be positive. Writers are usually full of self doubt (I know I am), so we need to encourage and support with time and kind words.
New authors often make the mistake of rushing the editing process- usually because they are so keen to get their work out into the wild. If in doubt- edit once more- and if you can afford it- pay a professional to do that last check for you.
Jessie: Tell me about the writers’ retreats you have organised.
Jenny: As well as workshops, Imagine runs a residential retreat at Northmoor House on Exmoor every October. This year the event runs from 7-11th October.
The week involves as much private writing time as you like, one-to-one mentoring from Alison Knight and myself (on request- no addition charge) and an evening with guest speaker, Kate Lord Brown.
The retreat price includes all meals and accommodation in an original Victorian house- complete with the original free standing baths! (Bring your own bubbles!)
Book soon – we’d love to see you there- but there are only 3 rooms left for 2019.
Imagine also provides day long Location Inspiration Days. These take place in a variety of stunning locations, where you are encouraged to use the setting to create your works of fiction.
Our next events are on 19th June and 11th Sept at the Old Farmhouse and Chapel, in Ashcott, Somerset. You can find details at www.imaginecreativewriting.co.uk
