Determined to confuse my senses, Susan Willis has sent me her take on a foodie extract. The fruit is alive with colour but isn’t as delicious as it seems. Let Susan tempt you another cheeky extract from The Girl in the Dark. Find out if all is well and whether the kitchen is too hot.
Kim sliced large Jaffa oranges and bright, full Sicilian lemons while Alex made the images look like big cartwheels bursting with droplets of fresh juice. He’s such a clever guy, she thought.
She began to peel a kiwi fruit while Alex watched. He grinned at her. ‘I haven’t had this much fun for ages,’ he teased. ‘What do you think about this, Kim?’
Kim giggled. ‘Hmm, not a shade of lipstick I’ve ever used before, but, I suppose there’s always a first time for everything?’
Alex stared into at her mouth. ‘Maybe not, but you do have those big kissable lips!’
She felt her cheeks flush and touched her bottom lip. It feels as though I’m in some type of trance, she thought, and knew for certain that she was falling for this guy in a big way.
Kim shook herself. ‘Let’s see what this pineapple looks like when sliced?’
Alex danced a little jig from one of his big loafers to another. ‘God, I love it when a plan comes together.’
Kim laughed at the sight of his huge feet skipping lightly.
Alex placed three apples together, but Kim frowned knowing the image didn’t look original compared to the rest of the work.
Touching his arm, she suggested, ‘How about if we make long rows of the apples?’
He nodded as she placed the fruit. ‘Fab.’ he said. ‘But maybe the first one could be cut in half to show the white crispness inside, or, I could always take a bite out of one of them?’
‘What a marvellous team we are,’ Kim cried.
Alex agreed and came up close to her. He bent down to her ear. ‘Not just a pretty face, then,’ he whispered. ‘But more of a very clever lady, methinks.’
‘Oh, I think any stylist can come up with new ideas,’ she said gently shaking her head.
Alex smiled. ‘Aah, but you’re my food stylist and nobody else comes close.’
End of Extract
About the Novel
The Girl in the Dark is the latest Grip Lit novel from Susan Willis. A thrilling romantic suspense story that will keep you turning pages long into the night.
When Kim goes to old friend, Sidney’s, photography studio to start a new food styling contract she meets his new assistant, Alex. Kim is catapulted from her mournful existence into an explosive romantic relationship with Alex. Sidney, however, is wary. He thinks, there’s something not quite right about Alex, and urges caution.
Will Kim look back and wish she’d listened…
Susan Willis is a published author of three novels, and five novellas’. She lives in the North East of England surrounded by family and friends. Following publication of a love story about a chef and her boyfriend, she wrote more foodie-based love stories and wove them into her first novel, ‘Yes Chef, No Chef’.
Now Susan has ventured into romantic suspense with her latest novel, The Girl In The Dark.
Set in her home town of Durham City, this storyline is not a who done it thriller, but, a psychological page-turner which she loved writing. We can only hope the heroine hasn’t put her trust in the wrong man?
Best of luck to Susan with this novel.
The heat is certainly on with this great summer read set in a photography studio in Durham. Kim is styling fruit for the new photographer, Alex, but it’s not only the July sunshine that is making her sizzle with anticipation.
At the Merchant Taylors’ Hall in York, Lynda greeted me with a warm smile. When I mentioned Books in my Handbag, she beamed at me. We stood next to the glowing warm fire to chat about Lynda’s new novel. Lynda has a special place in my heart, as she is one of the very first authors to present a book in a handbag at the beginning of my journey.
Jessie: What a pleasure to finally meet with you, Lynda. Thanks so much for inviting me to the RNA Tea.
Lynda: Jessie you’re so very welcome, and I hope you’ll feel at home. We started this event three years ago to ensure there was an RNA event in the North. I really wanted to create a friendly, informal event where everyone could get together, catch up and have some lovely food. Before we begin, here’s a glass of wine. I’d like to raise a toast to my lovely readers.
Jessie: A little tweet tells me you just released your new novel, Fake Date. It’s a dramatic title. What’s the novel about?
Lynda: Ella finds herself beaten and broken, yet somehow, she finds the strength to survive. Determined to put the past behind her, she vows to find the person responsible for hurting her, no matter how difficult that might be, but during the novel she meets Will Taylor, an editor for a rival newspaper. He’s moved into the house next door and Ella finds herself becoming more and more attached to her cheeky neighbour, while all the time searching for the person who attacked her.
Jessie: It sounds like a gripping and powerful novel. Your books are grip lit and seem to be love with a gritty edge. Why do you write in this genre?
Lynda : I love the gritty side of things. I really don’t think that everyone has a straight forward, lovely life and I’m positive that there’s always someone out there trying to ruin your day…. And okay, I don’t think most people live with serial killers, or people who are trying to murder them, but I do think it happens and I do think it gives the book the gritty edge that I love.
Jessie: How have the reviewers responded to your latest book?
Lynda: I have been absolutely blown away with the reviews. Anne has just stopped me to tell me she liked the book, I could seriously bounce around the room with happiness. Reviews like this mean so much to me – she is such a well-respected blogger and her opinion means such a lot.
‘I’ve read and enjoyed all the books Lynda Stacey has written, but this really is the one I’ve been waiting for – the one I always believed she could write.’ Welsh Annie
‘This is a great psychological thriller and one where I thought I knew what was going on and then the plot thickens, and I started doubting myself! I would thoroughly recommend this book as it certainly keeps you on your toes from start to finish!’ Boons Book Case
‘From the start to the end I was gripped, in fact I couldn’t put the book down and read it in a day.’ Mrs C Isle
Jessie: What great reviews, Lynda. Now, I’m intrigued. Can you read me an extract?
Lynda:
Nine hours and eleven minutes …
That’s how long it’s been since Ella Hope was beaten and left for dead. She lies, unable to move and praying for somebody to find her, as she counts down the minutes and wonders who could have hated her so much to have hurt her so badly.
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
I always go through a roller-coaster of emotions. I’m relieved that I finally got to the end, and albeit they’ll always be with me, I get a little disappointed that my characters won’t be a part of my daily life anymore.
Jessie: I know exactly what you mean. I missed my characters, but they’ve started to hassle me with other tales. I’m ignoring them for now. Who would you like to read your book and why? This could be another author, someone famous, a friend or a member of your family.
Lynda: I’d love for my mum to read my books. We lost her quite several years ago, but I’m just certain that she’d have been my biggest fan.
Jessie: It’s such a shame your mum didn’t get to enjoy your books. Did she know you intended to write them, and what do you think she’d say about your books?
Lynda: She’d always been aware that becoming an author was a dream for me. She was the one that had to sit and listen to the sound of my typewriter tapping away for hours and hours and now that I am published, she’d most probably drive everyone nuts by continually talking about the books.
Jessie: Why should I keep your book in my handbag?
Because it has a really pretty cover lol..! Besides, I’d like to think that you’d need to keep it close by, purely because you wanted to keep reading until it was finished.
Jessie: That’s a great response and you know how to tempt me with a book. What is the last sentence written in your writer’s notebook?
I don’t tend to keep a notebook. But if I did, it would probably say, ‘Go back to the beginning of the story and double check all your research’
Jessie: Have you started to write the next book? If yes, are there any words you can share with us. I won’t tell anyone.
Lynda: My next novel is based in my home town of Doncaster and has the backdrop of the famous Sand House. A house that had been carved out of sandstone in the late 1800’s. But it wasn’t the house that people were most interested in, it was the catacombs that were carved and led off from the house. The tunnels were vast and had the most intricate of carvings which are now ‘in reality’ lost forever. But being a Doncaster girl, I want to preserve their memory, bring them back… and allow the world to see The Elephant and his Mahout, the most famous of the carvings.
Jessie: What is the biggest challenge for an author?
Lynda: My biggest challenge is to make the next book better than the last. I’m always striving to do better, to get more 5 star reviews and to ensure that the reader takes a great journey.
Jessie: What is the best advice that you have received as a writer?
Lynda: To never give up writing. To keep going, even when times are tough and to believe in yourself. There are a lot of days when you could easily stop. But then, something happens, something lovely like an unexpected email from a reader, or just a lovely comment from another author. It’s on those days that you sit back, you smile, you take the advice, and you get to work.
Jessie: How do you feel about being an author?
I’ve always loved getting lost in a story, my childhood was spent in libraries. So, to find myself writing my own books and getting consumed by my own stories, is like a dream come true. I never, ever thought I’d be in a position to call myself an author and still look at, stroke and smell my books with a look of disbelief all over my face.
I received a warm welcome from Lynda and her modesty charmed me to download her novel. The invitation to the RNA York Tea made me fall in love with the Romantic Novelists Association. Like Lynda, the people I met were kind, generous and fun.
More about the Author:
Lynda grew up in the mining village of Bentley, Doncaster, in South Yorkshire. Her own chaotic life story, along with varied career choices helps Lynda to create stories of romantic suspense, with challenging and unpredictable plots, along with (as in all romances) very happy endings. She now lives in a small hamlet, near Doncaster with her hero at home husband, Haydn.
Recently, I listened to Jill Barry, a local Welsh author, chat with Roy Noble on BBC Radio Wales. Captivated by Jill’s life story, I could not resist inviting this bestselling author to my blog for a chat. She is a talented, multi-genre author who has helped many aspiring writers to realise their dreams. As a former Butlin’s Red Coat, hotel receptionist and air hostess, Jill has collected characters and stories. She writes pocket novels for D C Thomson so you have probably seen her name on the newsstands. The House Sitter, published by Headline Accent, is Jill’s first novel in a different genre.
Jessie: Jill, you have topped many kindle charts with your romance and historical romance novels, but The House Sitter is very different. Is there any romance in your latest novel?
Jill: The House Sitter is a psychological suspense but does have a frisson of romance. I had lots of fun plotting the twists and turns. The central character is quite nasty, and she surprised and intrigued me.
Jessie: Tell me why I should keep your novel in my handbag.
Jill: I am not sure you will be able to keep The House Sitter in your handbag for very long, Jessie. You will be keen to reach the end.
Jessie: Choosing novels is one of the greatest pleasures in life. I always feel as if I am waiting to drop myself into another world. I admit I do feel a little scared of The House Sitter as the title is so evocative. Read the blurb of The House Sitter and give me a glimpse of the novel.
Jill: The year is turning, and in The Sugar House, deep in rural mid-Wales, change is also afoot. When retired couple, Eddie and Suzanne Deacon plan a return to England, they’ve either forgotten an important promise made to a longstanding friend or had no intention of keeping it.
Jessie: Wow! The House Sitter is steeped in mystery. You have me hooked. Can I trouble you for an extract, please?
Jill: Of course, Jessie. I am always delighted to introduce my books to new readers with large handbags.
“Do you mean now?” Ruth eyed the slice of mountain range visible through her window, its distant peaks veiled in misty cobwebs.
“The sooner the better, to be honest. We have some important news, though I’m afraid it’ll come as a shock.”
Jessie: Oh, my goodness, I am on the edge of my seat now. What have your readers said about The House Sitter?
Jill: My pleasure! I have been very pleased with the reviews.
‘Spine-chilling with an undercurrent of mystery and deceit.’
‘An impeccably plotted tense tale, The House Sitter explores what lengths people go to in desperation. Deceitful and dark, it’s a great novel to curl up with on these toe-nipping winter evenings. Just be sure to lock your door…’
‘What Barry does best is to allow the reader to laugh at the ridiculous in her characters as well as to make them care, even perhaps slightly for the unbalanced Ruth, who appears lonely and vulnerable beneath her confident façade.’
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
Jill: I was sorry to leave Ray and Bethan’s story unfinished as I found their unspoken attraction for one another intriguing. My book group read the novel and all wanted to learn the result of that pent-up longing! So, a sequel could be on the cards…
Jessie: Did any of your characters misbehave when you were writing the book?
Jill: The plot revolves around house-sitter Ruth’s horrendous behaviour and sometimes I felt surprised when up popped another malicious prank.
Jessie: Who would you like to read your book and why? Jill: I’m a great admirer of author Harriet Meg Evans and have been in touch with her via social media. Harriet very kindly asked when my novel was due out and it would be amazing if she decided to read The House Sitter.
Of course, I do expect to tempt my usual readers with something a little different. I am going to be bold and say most readers love to indulge in mystery and suspense.
Jessie: You have every right to be bold, and you have certainly tempted me to purchase a copy of this book. I am so impressed with the way you have explored a new genre.
Jill: It is wonderful of you to say so, Jessie. Maybe The House Sitter could inspire authors who long to write outside their usual genre into challenging themselves by writing something different.
Jessie: Writing stories seems to be in your heart and soul. I imagine your notebook is a trusty companion. Please, do tell me the last sentence in your notebook.
Jill: Tabitha disguises herself as a boy, deeming it safer than remaining in female guise.
Jessie: You certainly have an eye for a great story. Once again, I am hooked. I don’t know where you get all your ideas from. You must be constantly writing. What is the greatest challenge for you as an author?
Jill: For me, it’s concentration. Yes, even though I enjoy writing! There are so many distractions and social media, whilst valuable, is a hard taskmaster. I know many other authors feel the same.
Jessie: What is the best advice that you have received as a writer?
Jill: The best advice I’ve ever received as a writer came from my former tutor, Menna Elfyn. Her wise words were: ‘No piece of writing is ever wasted’.
Jessie: This really helps me as a fledgling author. I will save those deleted scenes use for a rainy writing day. Perfect! Before you go please tell us one secret about yourself that may surprise us.
Jill: Long before I thought of writing outside the romance genre, I volunteered as a role player for trainee police officers. So, I’ve experienced being handcuffed, have been locked in a cell, also sampled a cup of police canteen tea!
About Jill Barry:
Jobs like hotel receptionist and cabin crew provide magic moments and help inspire my writing. Since settling back in Wales, I’ve joined writers’ groups, gained my MA degree, also tutored and mentored. I hope to continue entertaining my readers and to walk, read and bake, plus keep up with my wonderful friends.
Meet a Danish opera singer and artist Hanne Holten who couldn’t stop writing until she completed her debut novel. Snares and Delusions explores myths, class and women’s situation in a time when their place was defined by their husbands. Hanne agreed to write to her readers and present an extract of her unique novel. As I discovered more about Snares and Delusions, I could not resist asking additional questions.
The protagonist, Hedda, faces her life — and death — in dreams and nightmares. The feisty teenager develops into an independent woman through traumatic events and brief moments of romance.
The extract is a central scene in the book where Hedda faces her abusive and — by then — insane husband. This is a pivot point that determines her future in both positive and negative ways.
Dreams and nightmares, Norse Mythology, romance, terror and the story of a life — all in one book that fits snugly in a handbag — what’s not to love?
Best wishes,
Hanne x
Jessie: What genre does your book fit into and is the writing like any other author’s style?
Hanne: Basically, Snares and delusions is a historical novel of a literary cast. It may fit into other genres too, it certainly has elements of myth, suspense, humour, and drama. Is my style like another author’s? I’m not sure. I can think of a few authors who have written similar subjects, for instance, John Irving in Avenue of Mysteries, and Kazuo Ishiguro in The Buried Giant.
Jessie: The content of your novel seems challenging. Would you agree with this statement?
Hanne: I’d have to agree with that. It is set in a period when men had absolute power over women, and my heroine, being dead set on winning her independence, takes up the challenge. Also, it deals with death, with pain, and nightmares on different levels.
Jessie: What have your readers said about this unusual novel?
Hanne: The reviews have been positive. Here are some quotes I have enjoyed:
‘Such a wonderful book.’
‘The writing style is detailed and is teleporting you directly into the story and its surroundings.’
‘Go for it! You will love it!’
Jessie: This novel sounds unique, challenging and intriguing. Can you tell me more about the novel that takes Hedda to hell and back?
Hanne: The combined forces of opium and pain brings her face to face with her life. From rural Sweden in the late nineteenth century, over Silkeborg to the Danish Capital, and during the Great War, she experiences love and loss, poverty and betrayal.
Hedda gives up everything to win independence. She soon discovers that this is one thing to wish for and another to achieve. Life handles her roughly, but can she develop strength of character? Will she pay for her freedom in ways she doesn’t anticipate?
Jessie: Reviewers have praised your style of writing. Please give us an extract to introduce us into Hedda’s world.
Inside the study, the French windows swing back and forth in the breeze. The curtains hang half off their pole, and there are mounds of twigs and moss on the tables. Most of Conrad’s books lie on the floor. Every surface is covered in bird droppings, and the stench makes Hedda gag. She enters the room step by step and whimpers when she crunches a mouse-carcass under her foot.
Out of the blue something grabs her hair. Hedda yells and waves her arms to dislodge the creature but it claws at her hands. She can’t see anything but feels its wings, flapping around her head. The bird screeches, pecking at her skull. She screams, but falls silent, as Conrad enters through the open French windows. He carries an axe, and a raven perches on his shoulder. He turns his back on Hedda and takes place at his desk.
Then he whistles sharply. The other bird leaves Hedda and lands on his free shoulder. Conrad gets to his feet and grasps the claws of one of the ravens. He decapitates the sooty bird, using the desk as a chopping block. Wood splinters and wing feathers fly in the air, as the other raven tries to escape through the open window. Conrad throws the axe with uncanny precision, and the raven drops to the floor with a thumping noise, surrounded by broken glass from the window.
Hedda still screams. She tries to quell the sound with her hands, when Conrad turns towards her.
Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?
It was hard to let go of Hedda, so hard that she features in my second book, soon to be published. Hedda isn’t the main character, and this isn’t a series. Still, there is a connection in time and setting between the two books.
How has your life as an opera singer and artist impacted on your writing?
No doubt, my life influences my writing. It is difficult to say whether my singing or painting has made a direct impact, but I tend to have a visual idea of the scenes as I write them. I also plan to write a book where the protagonist wants to be an opera diva.
About the Author
Hanne Holten was an opera singer and a painter who couldn’t stop writing. So far, that resulted in her debut novel, several poems, and a work in progress that explores of the history around and after the Great War.
She grew up in Denmark but lived and worked in London for fifteen years. A few years ago, she left the UK for Germany. After graduating as an opera singer, she turned to teaching. This way she acquired an eye for details that helped her developing Snares and Delusions.
On one level, ‘My Sweet Friend’ is an insight into the way power struggles and politics operate in business and in personal relationships. Beneath this narrative is a rather brilliant and poignant analysis of the human mind and mental illness.
Alexa and Rosie are presented via a first person narrative, and this insight plays tricks with the reader’s mind – one questions whose ‘game’ is dominant. The contrasting characters are presented using animal imagery of the cat and the mouse. Careful choice of verbs indicates who is ‘ambushing’ the friendship.
Alexa, with her ‘immaculate looks’ appears very measured. Her controlled behaviour’ is teased out in every action and word. Once self-control is lost, and the clouds are overhead, then it is a frightening place for Alexa. Alexa’s state mind ends up in a place where the ‘waves had turned against each other, foam crowning as they crashed to the shore.’ Fear for the character evokes empathy.
Before reaching the crisis point, Alexa wears a mask of control like a cat waiting to pounce. Rosie, is forced to confront her vulnerability. She learns how ‘empathetic skills’ are viewed as weakness by some, if not ‘managed’. Rosie’s language flows, driven by emotions, and she explains:
‘My cheeks were wet with tears by the time I reached home, feeling abandoned and used and stupid for letting myself be dragged…’
The long sentence and outpouring of emotions amplify the sense of vulnerability. But the ‘sweet and sour’ characters begin to shift, as the dichotomy is not fixed. If one deconstructs the manipulator’s ‘game’ it is possible to fight back. However, Alexa becomes isolated, vulnerable and needs support. I was intrigued with the way that this story manipulated my emotions.
‘My Sweet Friend’ is poetic exploration of vulnerability. The novella is a shrewd demonstration that:
‘Behind the façade we are all human, fragile and sensitive to judgement.’
Leuschel cracks open the fragility of the human psyche in an artful manner, and clues about the characters’ vulnerabilities are woven into the text. This brutal, haunting story of the human psyche arms the reader with some survival tactics. Despite an uneasy feeling, one finds empathy for the manipulator. Perhaps, this novella will lead to a novel examining what shaped the manipulator’s behaviour, and what happens next.
To find out more about Helene please see my interview with her.