Norwegian Summer Island with Natalie Normann

Meet Natalie in one of her favourite coffee shops.

I met the ancestor of a Viking and she is very friendly.  Alas, she didn’t arrive in Cardiff in a longboat, but she did have stories to tell me about her beautiful Norway.  It is my pleasure to introduce you to Natalie Normann, a member of the Romantic Novelists’ Association (RNA), who resided in the South Wales and attended the local writers’ group.  Natalie will release Summer Island in September and it is set in Norway.  I always love travelling to other countries via books and wanted to discover more.

Jessie:  Natalie, I’m sad you have returned to Norway and won’t be in the local RNA meetings.  It’s nice to have some time to chat.  Tell me, have you missed Norway and what did you love the most about Wales?

Natalie: I fell in love with Wales and Cardiff the first time we were here which was two years before we moved. There’s so much fascinating history – even Norwegian history! I’ve already used some of what I learned, in my current historical romance series, by moving the characters to Cardiff in 1919. I had great fun with that. Also, I was surprised and pleased at how friendly people are in Wales. I’ve made great friends and I hope to get back. Next time I’ll either drive myself or hire a driver so we can explore more of Wales.

Jessie:  I’m so impressed you have secured a publishing deal with One More Chapter. What is Summer Island about?

Natalie: Summer Island is about taking the time to find out what makes you happy in life.

Summer Island is about taking the time to find out what makes you happy in life.

Ninni is recovering from a bad break-up and the island is her favourite place in the world. It’s where she goes when she needs to take a break.

Jack is a chef at a posh restaurant in London. He finds out  that his biological father has left him a farm on a Norwegian island. At first he thinks it has to be an internet scam, he’s never met his father, but when he quits his job over an argument with his boss, he decides to go and see what this is all about.

Jessie:  What inspired you to write this book?

Natalie: I have a thing for islands. I love them. Norway is always praised for the fantastic mountains and the gorgeous fjords, but we are actually one of the countries in Europe with most islands. People have lived on them for generations and it’s a way of life.  I wanted to see if I could capture some of what makes summers in Norway special and the island is perfect for that.

Harbour view at Utsira island, outside Haugesund. ‘I wanted to see if I could capture some of what makes summers in Norway special and the island is perfect for that.’

Jessie:  Give us an insight into the setting and why you think we should all visit Summer Island?

Natalie: Summer Island is the kind of place you wish you  could go to when your heart is broken. A place to heal, even. Everything is so busy these days and on an island things slow down. You have time to think and just be. Right now, when we all have to isolate and we are more or less in lockdown everywhere, an island seems like the place you want to be. I wouldn’t mind, myself.

Present a 35 word extract from your novel that will tempt a reader.

‘And here I was thinking Norwegians were so hospitable,’ Jack said, clearly enjoying himself. He made no sign of leaving.

‘You’ve read the wrong guidebook, I’m afraid.’ Ninni pulled the computer closer to her.

Jessie: Which characters would you like me to meet the most on Summer Island and why?

Natalie: That’s a tough question. I’m fond of all of them. Maybe Alma. She’s the heart of the island, the one who keeps everything together. She grew up in a time when the men; the fathers, husbands and sons, went away at sea for months at the time, even years, and women stayed home to take care of the homestead and the family, handle the finances and whatever challenges they had to face.  Alma is tough and kind, she doesn’t put up with anything, and shows her love by feeding people she cares about. I like her.

Traditional pier and buildings at Utsira.

Jessie: Did any of your characters misbehave when you were writing the book?

Natalie: Not misbehaving, but some of them certainly surprised me. I didn’t have them all ready before I started to write, so some characters was unexpected. Like the hippies, for example. They just showed up one day while I was writing something else.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family.  

Natalie: Family and friends have mostly read it already,. I would love if it Milly Johnson read it. I picked up her book «The perfectly imperfect woman», to read on the train to my very first Romance Novelist Association conference. This was my first Milly Johnson book and I decided to read it because there was a Norwegian in it. I loved it, and when I met her in the lunch line at the conference we chatted, I asked her to sign my copy, and she was funny and friendly. Made me less nervous about the whole conference. And also, I know she loves Norway.

Jessie: Why should I keep your book in my handbag?

Natalie: I think if you want a break from the stress and worries, it can give you that. I hope so.

Jessie: What is the last sentence written in your writer’s notebook?

Natalie: I have several of those, usually one for each project. On the most recent it says: research Foundation doctors.

Jessie: What is the biggest challenge for an author?

Natalie: To finish that first draft, so that you have the confidence of having a whole story. Then what you need is perseverance. Stick with the writing. And when I say that, I mean finish the manuscript, do the revisions, the editing, the submissions and even when it seems there’s nothing happening, keep going. There are some writers who write a book, gets it published and becomes an overnight success. For most writers, it’s a long game. And the only way to be writer and to be a better writer, is to write.

Jessie: What is the best advice that you have received as a writer?

Natalie: My first editor told me this. She bought my first short story and wanted me to polish it, rewrite, actually. She told me that what I feel when I write is what the reader will feel when they read it. I try to remember that, so that if I’m bored when I write, I know readers will be too. It also helps when I really don’t want to ‘kill my darlings’, but I know I have to.

Natalie used to be a translator of fiction and non-fiction. She studied literature and history at Uni, and used to read romance novels in the hallways. It was frowned upon by her professors and the other students, of course. She loves to travel and she has lived in Spain, England and Wales – and hope to go back soon. I really do hope she can return to Wales very soon as the Cardiff group of writers ( Cariad Chapete) miss her and her lovely sense of humour.  I can’t wait for the release of her novel Summer Island and have already preordered it. 

Your contact details and book links

Facebook: https://www.facebook.com/NatalieNormannAuthor
Twitter: @NatalieNormann1
Instagram: natalienormann
Pinterest: https://no.pinterest.com/natalienormann3

 

Meet the wordsmith ‘with a keen sense of the ridiculous

Patricia Feinberg Stoner 

 

 

 

The wonderfully witty author of At Home in the Pays d’Oc arrived on a perfect summer’s day. Purdey, HRH the Dog, also accompanied Patricia.

My esteemed guest admired the scones that I had baked for the occasion. Purdey was not amused so decided to take a nap. The scon / scohne debate lasted until Purdey awoke from her slumber in my favourite armchair.

Patricia had brought some pork pies as a tribute to my northern roots and a limerick to mock my obsession with handbags.  The limerick below is now proudly displayed on my website. Apparently, Patricia is writing a book of limericks

Our Jessie’s bit of a wag:
She doesn’t think reading’s a drag.
Her authors, excited
To be so invited
All send her their books for her bag.

Patricia hopes that ‘the Little book of Rude Limericks’ will be out in time for Christmas.  Her illustrator has gone missing…

After much hilarity, tea and scones were abandoned for a good bottle of Picpoul de Pinet. It was a hoot to listen to Patricia’s anecdotes about her experiences and I could have listened to her all day.  Finally, we managed to get back on track commence the interview.

Jessie: Summarise At Home in the Pays d’Oc in two sentences.

Patricia: A humorous memoir that is largely, but not entirely, based on fact. It’s the story of how my husband and I became expatriates in the south of France for four years – without really meaning to.

Jessie:  Your book is probably the funniest book that I have ever read and everyone should read it.  What do others say about your reviews. At first, Patricia was hesitant to share the reviews until I insisted. 

‘Laugh-out-loud funny, always engaging, a great read.’  Ingénue Magazine

5.0 out of 5 stars.  What a delicious book! Patricia’s telling of Himself – and Herself’s – life in the Pays d’Oc is so well written. Funny in places, poignant in others, and exasperating too sometimes, as they deal with their new life in southern France. A joy to read.  Elfyn Morris, Amazon

‘Patricia writes with a warm engaging tone, great to read if you fancy an escape in the sunshine. A very enjoyable read – highly recommended!’ TJ Green, NZ book reviewer

Jessie: Read an extract from your book that will tempt a reader.

When I first met my husband, he announced casually, quite early on in the relationship, that he didn’t like France. ‘Well,’ I thought, ‘this will not do.’ I decided to change his ways.

Jessie: How did you feel when you had finished writing your book?

I felt a mixture of things.  Relief, of course, at having finally finished it.  But a little sadness too.  I had been living with these stories for a decade:  they started out life as a series of sketches for a French property magazine.  Turning them into a book brought back some wonderful memories, and quite a bit of laughter.  I had lots of stories left over, so I immediately started planning the next book.

Jessie:  I do hope that you write a sequel.

Patricia: It was suggested I should write ‘At Home in West Sussex’, which is where I live now.  After some initial excitement, I decided this was a non-starter.  I have returned to France instead and am writing a collection of short stories provisionally called ‘Morbignan Tales’.

Jessie: Have the people in your book read your novel, and did they recognise themselves? 

Patricia: My best friend recognised herself instantly when I called her ‘the acquisition queen’.  Luckily, she saw the funny side.  A lot of the people in the book are French, though, and I doubt if they will have read the book.  Apart from my lunatic neighbour I think I have been kind about everyone:  the book is written with a lot of affection.  And I hope to goodness no-one will think it is patronising or condescending, as some other books about living in France can be.

Jessie: Who would you like to read your book and why?  This could be another author, someone famous, a friend or a member of your family. 

Patricia: That’s a poser.  Language barrier aside, I’d be happy if some of my neighbours from the village read it, and I hope it would make them laugh. In particular I’d like M. Alibert, who took a chance on us and let us have Purdey, to know she is well and happy and still with us at the ripe old age of 15.  It would be quite nice, too, if the BBC came knocking…

Jessie: Why should I keep your book in my handbag?

Patricia Feinberg Stoner

Patricia: Look at the state of the world!  If we are all going to hell in a handbag, then wouldn’t it be nice to have something light-hearted to offset the doom and gloom?

Jessie: What is the last sentence in your writer’s notebook?

Patricia: I have a thing called the Owl Book.  I’ve had one since I started work on a local newspaper back in the dark ages – the first one just happened to have an owl on the cover and the name stuck.  I write in everything that happens:  thoughts, phrases that might come in useful, limericks and also memory-jogging stuff like groups I’ve joined and review copies I’ve sent out.  The last note I made was ‘A Dog Called Useless’ which is a reminder to re-think the title of my next book…

Jessie: What is the biggest challenge for an independent author?

Patricia: The fact that you can never, never stop promoting.  There are some wonderful exceptions, such as Ingénue magazine which is immensely supportive, but on the whole it is extremely difficult to get publicity for an independently published book.

Jessie: What is the best advice that you have received as a writer?

Patricia: Well, it’s a bit tongue in cheek, but when I first started work I as a journalist I had a wise old news editor who once looked at one of my more fanciful pieces and remarked ‘Never spoil a good story for the sake of a few hard facts.’  I interpret this as being true to the spirit of what happened, rather than the letter.

About Patricia… 

It was wonderful fun to interview Patricia.  She has an instinctive dry sense of humour and is warm and engaging like the narrator in At Home in the Pays d’Oc.

Patricia is a words person:  she loves reading, writing and dogs (and some people).   She can be lazy, though:  like a lot of writers she will do anything – even housework – to delay sitting down at the keyboard.  She has a keen sense of the ridiculous and is prone to compose daft limericks at the drop of a hat.

I sincerely hope that the BBC will make a series out of the warm-hearted, funny and poignant book.  Alternatively, Patricia should go on a theatre tour to perform her limericks, present anecdotes and engage with the audience.

 

When Sue Moorcroft Visited Switzerland

This Christmas, the villagers of Middledip are off on a very Swiss adventure…

Christmas is never far away when Sue Moorcroft releases her Christmas novel.  I am excited to tell you that Let it Snow is out on 26th September.  When Sue agreed to chat to me about her latest novel, it felt like an early Christmas gift.  I also wanted to know how Sue manages to capture the Christmas spirit each year and tell yet another magical story. 

Jessie:  Let it Snow is a great title.  Did you think of the title while listening to the Christmas song?

Sue: No, my editor and the sales team chose it! It’s working title had been ‘A Christmas Adventure’. There’s a singing group in the book and I made ‘Let it Snow’ their favourite song.

Jessie: How do you manage to create such vivid settings?  Did you visit Switzerland to capture the sense of place for  Let it Snow?

Sue: Yes! My friend and fellow author Rosemary J Kind lives between the UK and Switzerland and she said, ‘If you want to set a book there, you can come with me.’ I instantly asked my editor if she was happy with Switzerland as a setting and went back to Ros to say, ‘I want to set a book there!’ She drove us – and her Entlebucher Hound Wilma – through England and France to Switzerland. It was lovely! I’d never visited Switzerland and I was thrilled with it. The Swiss really know how to do Christmas and we went to processions, markets, brunches, choirs and all kinds of things. I try hard to include all the tiny details that capture a setting: the snow on chalets and Christmas lights on balconies.

Sue celebrating Christmas editions of her books. Mark West took this pic of Sue at Christmas in a pub with The Christmas Promise and its German edition.

Jessie: How do you plan the narrative for  Let it Snow and did any of your characters misbehave and change events?

Sue: I met a woman in a same-sex marriage and she had just had a baby. It raised all kinds of questions in my mind and I wanted to write a heroine who had two mums. When she discovers she’s not the result of an anonymous one-night stand as she’d always thought but that her mother had a relationship with a man especially to get pregnant, she experiences a compulsion to discover what she can of her bio-family. I’m afraid my brother Kevan was ill while I was planning the book and I gave his heart failure to Tubb from the Pub. This meant I had to find a relief manager for the pub, The Three Fishes. He is my hero, Isaac O’Brien. I think of him as a reluctant hero because he’s on his way to a new life when he gets sucked into Lily’s. His ex, Hayley, played a much bigger part in the story than I expected her to. Sometimes a character can be secondary but also pivotal.

Jessie: When do you write your Christmas stories?  Do you immerse yourself in Christmas, grab a notebook and begin planning next year’s story gift, or are you writing during the summer and transport yourself to the scene?

Sue: It takes a while to write a book so though I planned Let it Snow in Malta in the sunshine, I wrote the majority of the first draft through the winter. Then the editing came in lovely weather again. When I used to write short stories for magazines it was normal to write Christmas stories in June and summer stories in December so I’m used to it. I had the chance to return to Switzerland when I was almost at the end of the first draft and that would have been fantastic. Sadly, the dates clashed with a professional engagement so I had to give it a miss.

Jessie: Your romance novels have layers and always explore contemporary issues and the changing family unit.  In Let it Snow, it’s that Lily has two mothers, and this adds a poignant dimension to the narrative as she searches for her father.   How did you research this?

Sue: My other brother, Trevor, volunteered to take on some of my research when he retired and he’s brilliant at it. I was able to send him emails asking whether lesbian couples could have received artificial insemination in 1983 and he’d come back with a factual answer. (Lily’s sister Zinnia was conceived via artificial insemination.) For the emotional side I was able to read case studies on websites and talk to someone about twins they know who are searching out all their half-siblings and learn something of their journey. There seemed to me to be two distinct attitudes amongst the children of same-sex relationships, however they’re conceived, and so I gave Lily one attitude and Zinnia the other. I don’t want to give details because they’d also be spoilers.

The ‘singing Christmas tree’ in Zürich. It’s a pyramidical stage for a choir. This appears in the book, of course!

Jessie: I am in awe of how you manage to vary your characters and always make them so likeable.  What three tips do you have for developing characters?

Sue: Thank you! My big tip is to look at each major character through the eyes of several other characters. If we take Lily, for example, I looked not just at the facts of her life, interesting as they were, but what Zinnia thought of her, what Roma her birth mother thought of her and also, importantly, Patsie, her ‘other mother’. How was she regarded at work? What about her ex husband? In real life we behave differently with and are perceived differently by different people and I use this to build multi-faceted characters.

Jessie: The sparks always fly in the brilliant dialogue between your characters.  What advice do you have for writers who wish to make their dialogue realistic?  Can you give us a snapshot of some of the dialogue in your latest novel.

Sue: I think one develops a feel for dialogue. I listen to people speak, think about the syntax they use and try and make it appropriate for age, background and region. An 18-year-old girl and an 80-year-old woman could each say, ‘He’s wicked!’ and mean two entirely different things. Dialogue’s wonderful. It breathes life into characters, allows them to interact with each other and passes information to the reader. Here’s a few lines from  Let it Snow, Chapter 1:

‘We’re your family!’ Zinnia declared, shoving her fingers through her chestnut hair. ‘What you’re doing could hurt Patsie and Roma.’

Lily climbed on a stool and began to feed the string of lights through hooks above the bar. ‘They understand it’s my decision. You know this, Zin. Let’s not press “repeat” on the conversation.’

Zinnia bulldozed on. ‘Aren’t we enough for you? You and I grew up sharing a bedroom! We’re sisters—’

‘And you’re the loveliest sister in the world.’ Lily hoped popping in a positive note would distract Zinnia. She jumped down, scraped her stool towards the next few hooks, gave Zinnia a hug then clambered up again. ‘How about twisting that tinsel around the ivy swags along the mantelpiece?’

Jessie: Do you give your books as Christmas gifts to family and friends?

Sue: No. I give out most of my free copies when they arrive to various members of my family who would read them and to anyone who has played a major part in research. Apart from that, people have to buy them themselves, I’m afraid.

Jessie: What is your typical Christmas like and are there any special family traditions or recipes?

Sue: I like the run up to Christmas and all the festive meetings of the various writing organisations to which I belong or Christmas meals with friends, but when Christmas itself comes around I like a quiet time with family. Between Christmas and New Year either my household or my brother’s household hosts an extended family lunch and that’s anything but quiet.

Sue wraps up her Christmas stories beautifully and her novels are perfect Christmas gifts.  The Ebook is out on the 26th September.  The paperback and audio book will be available on 14th November.

More about Let it Snow

This Christmas, the villagers of Middledip are off on a very Swiss adventure…

Family means everything to Lily Cortez and her sister Zinnia, and growing up in their non-conventional family unit, they and their two mums couldn’t have been closer.

So it’s a bolt out of the blue when Lily finds her father wasn’t the anonymous one-night stand she’d always believed – and is in fact the result of her mum’s reckless affair with a married man.

Confused, but determined to discover her true roots, Lily sets out to find the family she’s never known; an adventure that takes her from the frosted, thatched cottages of Middledip to the snow-capped mountains of Switzerland, via a memorable romantic encounter along the way…

The Sunday Times bestseller returns with a gloriously cosy read, perfect for fans of Katie Fforde, Trisha Ashley and Carole Matthews.

Contact details
Website: www.suemoorcroft.com
Blog: https://suemoorcroft.wordpress.com/
Facebook: https://www.facebook.com/sue.moorcroft.3
Facebook author page: https://www.facebook.com/SueMoorcroftAuthor
Twitter @suemoorcroft
LinkedIn: https://www.linkedin.com/in/suemoorcroft
Instagram: suemoorcroftauthor

Christmas books:
The Christmas Promise
The Little Village Christmas
A Christmas Gift

 

Please see all my author interviews at My Guests and my website and blog at JessieCahalin.com.

Meet the Coffee Shop Writer

Meet Jenny Kane / Jennifer Ash

Jenny Kane is the author of several contemporary fiction novels including, Romancing Robin Hood (Littwitz Press, 2018),  Abi’s House, (Accent Press, 2015), and the Another Cup of Coffee series (Accent Press, 2013).  As Jennifer Ash she writes the medieval mysteries, The Folville Chronicles, as well as audio scripts for ITV. Jenny is a self-proclaimed accidental author. She is also a former archaeologist and medieval historian. 

Jessie:  Tell us more about Jenny Kane/Jenny Ash.

Jenny: I am workaholic, coffee drinking, author who writes her books from the corner of my favourite coffee shop, in Devon.

Jessie: How have you managed to build your brand as an author and sustain your success?

Jenny: The first genre I wrote was erotica. I didn’t mean to, and I certainly didn’t see that career coming, but for some reason I found myself composing scenes of smut.

After five years of kinky thinking, I decided to have a go at writing a story where everyone kept their clothes on. It was most liberating! To my surprise, that novel, Another Cup of Coffee, was well received.

With the writing market changing all the time, I’ve always been wary of putting all my eggs in one basket, and so, after writing eight granny friendly novels, I had a go at writing about my personal passion – medieval crime. Oh- and I write children’s picture books too.  I have three pen names.

Jessie: Do your pen names have different identities?

Jenny: As Jenny Kane I write contemporary fiction and romance, as well as children’s picture books.

As Jennifer Ash I write medieval murder mysteries (The Folville Chronicles) as well as audio scripts for ITV and Spiteful Puppet.

My first pen name was Kay Jaybee- only investigate her if you are over 18 and enjoy erotica.

Jessie: How did you manage to become the resident writer in Costa Coffee shop How wonderful!

Northmoor House: the writers’ residential retreat rub by Jenny and Alison

Jenny: I’ve always been a coffee shop writer. I get too distracted by things that need doing around the house if I attempt to write at home.  When a Costa opened in Tiverton, I started to write in there. I didn’t tell anyone what I was doing, but after I’d turned up every day for several months, the staff started to enquire, and soon I was part of the furniture. So much so, that they offered to hold a book launch for me when Another Cup of Coffee was published.

When I turned up for the launch, I found that I had a new table in the far corner of the cafe with a plaque on the wall, stating it was Jenny Kane’s Corner! I was speechless. I had corner- just like Winnie the Pooh!

I’ve sat and worked in that corner every day since. It’s lovely. Mostly I’m left alone to write, but it’s not unknown for folk to pop by for a chat or to have their books signed.

So far I’ve written 12 full length novels, 4 scripts and countless workshops and short stories at that table.

Jessie: Tell me about the writing workshops you offer.  How do you balance the workshops and writing?

Jenny: I’ve been teaching creative writing on and off for the past twelve years. However, 2 years ago, my friend and fellow writer, Alison Knight and I, pooled our resources and set up the creative writing business, Imagine.

We provide workshops for beginners and cover every element of fiction writing from character development to location building, plotting, short story writing and the skills you need to get your butt on a chair and make yourself write.

Our most popular courses are our life writing masterclass and the Novel in a Year workshop series. These run over a year, and take people from their first word, to preparation for submission to an agent or publisher.

I split my working day between writing (7am- 12pm) and prepping for workshops (12.30pm and 3pm). After that I go to work, before editing/proofing my students work in the evenings.

Jessie: Summarise your latest release in two sentences.

Edward’s Outlaw by Jennifer Ash is a murder mystery set in Rockingham Castle during the fourteenth century

Jenny: Edward’s Outlaw by Jennifer Ash is a murder mystery set in Rockingham Castle during the fourteenth century. Placed in the castle for her own protected, Mathilda Folville, finds herself playing detective in order to save her husband’s life and her family’s reputation.

Jessie: List a maximum of three quotes from the reviews that you have had. 

Jenny: For The Folville Chronicles by Jennifer Ash – “Ellis Peters meets Jean Plaidy… via Robin Hood.” (Review from Goodreads)

For Abi’s House by Jenny Kane – “Reading a Jenny Kane book is like opening a journal by a much loved friend. I’m spirited away into a world of warm, friendly and interesting people. To places that I not only want to visit but actually live in. Shops, cafés and pubs that I want to be my locals and life that I want to experience and be a part of. Abi’s House gives you all of these feelings and left me with a huge smile on my face and a glowing in my heart. More of this wonderfulness please!!” (Review from Amazon)

For Another Cup of Coffee by Jenny Kane – “‘This book is definitely my cup of coffee

Gosh, where to start with this review?!  The characters: you laughed with them, cringed, hated, wanted to shout at the book because you cared so deeply. Every character had their own story, and I loved that this was intertwined with Amy’s story, waiting to see how it panned out. Big round of applause for Kane for the characters on its own….Another Cup of Coffee itself: very realistic and a delight from start to finish. I felt like I was sitting on the outside looking in all the time, and I’d known this group of people for my entire life…. A timeless piece and one worth picking up big time. This book is definitely my cup of coffee (sorry, I had to). (Review from Bookmark That)

Jessie: Present an extract from your latest novel that will tempt a reader. 

A young woman of my build, with similar hair, has suffered a violent death in the room allocated to me.

(From Edward’s Outlaw – The Folville Chronicles Book 3)

“…A young woman of my build, with similar hair, has suffered a violent death in the room allocated to me. A room in which I was intended to be trapped under lock and key….”

Jessie: How did you feel when you had finished writing your book, and did you miss any of the characters?

Jenny: I also feel a little bereft when I finish a novel. It’s such an intense process. The character’s live in your head 24/7 for months. When I finished Edward’s Outlaw it felt particularly strange as it bought me to the end of an intense three book writing experience- (The Outlaw’s Ransom, The Winter Outlaw and Edward’s Outlaw – the first 3 books in The Folville Chronicles) The lead character, Mathilda, is someone I’m very fond of- I miss her now that I’m writing a different series (as Jenny Kane- name a secret as yet!)

Mathilda will be back however, as there is another story coming as part of The Folville Chronicles in 2020.

Jessie: What is the last sentence written in your writer’s notebook?

Jenny: Check about the vinegar.

Jessie: What is the biggest challenge for an author?

Jenny: Not losing heart. It can take a long time to succeed, and even then the financial rewards are feeble. It can be very hard to stay positive when you’re surrounded by celebrities getting paid a fortune to write (often poorly) simply because they can cycle fast or once ate bugs in the jungle.

Jessie: What is the best advice that you have received as a writer?

Jenny: Cut down on your adverbs. My work was awash with them at first. I hadn’t realised how much they were slowing my plots down.

Jessie: How do you support other writers and what common mistakes do fledgling authors make?

Jenny: Always be positive. Writers are usually full of self doubt (I know I am), so we need to encourage and support with time and kind words.

New authors often make the mistake of rushing the editing process- usually because they are so keen to get their work out into the wild. If in doubt- edit once more- and if you can afford it- pay a professional to do that last check for you.

Jessie: Tell me about the writers’ retreats you have organised.

Jenny: As well as workshops, Imagine runs a residential retreat at Northmoor House on Exmoor every October. This year the event runs from 7-11th October.

The week involves as much private writing time as you like, one-to-one mentoring from Alison Knight and myself (on request- no addition charge) and an evening with guest speaker, Kate Lord Brown.

The retreat price includes all meals and accommodation in an original Victorian house- complete with the original free standing baths! (Bring your own bubbles!)

You can find all the details at www.imaginecreativewriting.co.uk

Book soon – we’d love to see you there- but there are only 3 rooms left for 2019.

Imagine also provides day long Location Inspiration Days. These take place in a variety of stunning locations, where you are encouraged to use the setting to create your works of fiction.

Our next events are on 19th June and 11th Sept at the Old Farmhouse and Chapel, in Ashcott, Somerset. You can find details at www.imaginecreativewriting.co.uk

Jenny’s contact details:

Twitter
@JenAshHistory
@JennyKaneAuthor
@Imagine_Writing

Jennifer Ash https://www.facebook.com/jenniferashhistorical/
Jenny Kane https://www.facebook.com/profile.php?id=100011235488766
Imagine www.imaginecreativewriting.co.uk
Jenny Kane and Jennifer Ash www.jennykane.co.uk